Pub Date : 2024-03-02DOI: 10.54103/2037-2426/22214
Ziyafat Huseynova
The essay focuses on the problems that hindered the ghazal genre from developing and how the poet kept the tradition alive in Azerbaijani literature at the start of the 20th century. We used Aliagha Vahid’s literary creativity for our project since he lived through this period in Azerbaijan, experienced all of its hardships, and demonstrated the genre’s potential by creating poetic imagery of the time in his ghazals. He is an Azerbaijani poet who is revered in the Turkic community as Fuzuli’s successor and is credited with saving the ghazal genre in Azerbaijani literature. Analyzing his lyrics provided excellent possibilities to examine the influential factors on all of the Azerbaijani literature at the time. In the study, his creation of new kinds of ghazals with social and political issues while retaining the characteristics of the traditional ghazal genre was investigated. With him, the genre in Azerbaijani literature underwent a new phase. The attempt to eradicate the ghazal from the Azerbaijani literature which has a history of centuries –long history did not succeed as a result of mostly Aliagha Vahid’s serious efforts. For this purpose, the poet’s historical milieu, the challenges of the repression, his satirical ghazals with a sociopolitical theme, the thematic details of his lyrics, and other issues have been involved in the investigation.
这篇文章的重点是阻碍格扎尔体裁发展的问题，以及诗人如何在 20 世纪初的阿塞拜疆文学中保持这一传统。我们在项目中使用了阿里阿加-瓦希德的文学创作，因为他经历了阿塞拜疆的这一时期，体验了其中的种种艰辛，并通过在他的格扎尔诗中创造当时的诗歌意象，展示了这一体裁的潜力。他是阿塞拜疆诗人，在突厥人中被尊称为富祖利的继承人，并被认为拯救了阿塞拜疆文学中的格扎尔体裁。分析他的歌词为研究对当时所有阿塞拜疆文学的影响因素提供了极好的可能性。在本研究中，对他在保留传统格扎尔体裁特点的同时，创作出带有社会和政治问题的新型格扎尔进行了研究。随着他的出现，阿塞拜疆文学的体裁经历了一个新的阶段。由于 Aliagha Vahid 的认真努力，在阿塞拜疆有几百年历史的文学作品中根除加扎尔的企图没有得逞。为此，我们对诗人的历史环境、镇压所带来的挑战、他以社会政治为主题的讽刺格扎尔诗、其歌词的主题细节以及其他问题进行了调查。
{"title":"Reflection of Political and Social Influences on the Ghazal Genre in Azerbaijani Literature in the 20th Century: Aliagha Vahid's Literary Works","authors":"Ziyafat Huseynova","doi":"10.54103/2037-2426/22214","DOIUrl":"https://doi.org/10.54103/2037-2426/22214","url":null,"abstract":"The essay focuses on the problems that hindered the ghazal genre from developing and how the poet kept the tradition alive in Azerbaijani literature at the start of the 20th century. We used Aliagha Vahid’s literary creativity for our project since he lived through this period in Azerbaijan, experienced all of its hardships, and demonstrated the genre’s potential by creating poetic imagery of the time in his ghazals. He is an Azerbaijani poet who is revered in the Turkic community as Fuzuli’s successor and is credited with saving the ghazal genre in Azerbaijani literature. Analyzing his lyrics provided excellent possibilities to examine the influential factors on all of the Azerbaijani literature at the time. In the study, his creation of new kinds of ghazals with social and political issues while retaining the characteristics of the traditional ghazal genre was investigated. With him, the genre in Azerbaijani literature underwent a new phase. The attempt to eradicate the ghazal from the Azerbaijani literature which has a history of centuries –long history did not succeed as a result of mostly Aliagha Vahid’s serious efforts. For this purpose, the poet’s historical milieu, the challenges of the repression, his satirical ghazals with a sociopolitical theme, the thematic details of his lyrics, and other issues have been involved in the investigation.","PeriodicalId":517862,"journal":{"name":"ENTHYMEMA","volume":"63 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140398643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-02DOI: 10.54103/2037-2426/20781
Alessio Mattana
This article examines the connection between early scientific ideas and It-Narratives in Britain over the long eighteenth century. A set of It-Narratives - fictional texts narrated by, or centred on, non-human entities like things or animals - will be read against the attempt to detect the voice of natural things by a number of early-modern experimental and natural philosophers. It will be argued that, although causal links are hard to prove, there is a degree of epistemic vicinity between these early scientific ideas and It-Narratives. In particular, it will be shown how in both disciplines fiction helped contemplate the possibility that non-human knowledge is more reliable than human-derived one.
{"title":"The Voice of the Non-Human: Scientific Knowledge, It-Narratives and Fiction in the Long Eighteenth Century","authors":"Alessio Mattana","doi":"10.54103/2037-2426/20781","DOIUrl":"https://doi.org/10.54103/2037-2426/20781","url":null,"abstract":"This article examines the connection between early scientific ideas and It-Narratives in Britain over the long eighteenth century. A set of It-Narratives - fictional texts narrated by, or centred on, non-human entities like things or animals - will be read against the attempt to detect the voice of natural things by a number of early-modern experimental and natural philosophers. It will be argued that, although causal links are hard to prove, there is a degree of epistemic vicinity between these early scientific ideas and It-Narratives. In particular, it will be shown how in both disciplines fiction helped contemplate the possibility that non-human knowledge is more reliable than human-derived one.","PeriodicalId":517862,"journal":{"name":"ENTHYMEMA","volume":"60 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140398698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-02DOI: 10.54103/2037-2426/20575
Alessandra Grandelis
Se gli studi postcoloniali conoscono la loro fortuna in Italia in un passato recente, le pubblicazioni dimostrano un fertile ampliamento degli interessi e dei campi d’indagine, accompagnati da una costruttiva discussione di carattere teorico. A partire dall’idea che le grandi opere letterarie non sono mai espressione della sola cultura del dominio – conservatrici ed eversive allo stesso tempo – l’articolo offre un contributo all’interno della critica postcoloniale prendendo in esame Guerra in camicia nera di Giuseppe Berto. Scritto da chi, almeno in una prima fase, si è schierato apertamente con il fascismo, questo diario romanzato si discosta dai testi finzionali di propaganda per mostrare, nelle scelte formali, l’ambiguità di senso rispetto ai discorsi univocamente ideologici.
意大利的后殖民研究近来已初见成效，其出版物显示出兴趣和研究领域的丰富扩展，并伴随着建设性的理论讨论。伟大的文学作品从来都不只是统治文化的一种表现形式--既保守又具有颠覆性--文章从这一观点出发，通过研究朱塞佩-贝托（Giuseppe Berto）的《黑色战争》（Guerra in camicia nera），为后殖民批评做出了贡献。这本虚构日记的作者至少在早期公开站在法西斯主义一边，它不同于虚构的宣传文本，在形式选择上显示了与明确的意识形态话语相比意义的模糊性。
{"title":"Guerra in camicia nera di Berto: una possibile lettura postcoloniale","authors":"Alessandra Grandelis","doi":"10.54103/2037-2426/20575","DOIUrl":"https://doi.org/10.54103/2037-2426/20575","url":null,"abstract":"Se gli studi postcoloniali conoscono la loro fortuna in Italia in un passato recente, le pubblicazioni dimostrano un fertile ampliamento degli interessi e dei campi d’indagine, accompagnati da una costruttiva discussione di carattere teorico. \u0000A partire dall’idea che le grandi opere letterarie non sono mai espressione della sola cultura del dominio – conservatrici ed eversive allo stesso tempo – l’articolo offre un contributo all’interno della critica postcoloniale prendendo in esame Guerra in camicia nera di Giuseppe Berto. Scritto da chi, almeno in una prima fase, si è schierato apertamente con il fascismo, questo diario romanzato si discosta dai testi finzionali di propaganda per mostrare, nelle scelte formali, l’ambiguità di senso rispetto ai discorsi univocamente ideologici.","PeriodicalId":517862,"journal":{"name":"ENTHYMEMA","volume":"31 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140285712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-02DOI: 10.54103/2037-2426/22341
M. Stella
Recensione di Giovanni Bottiroli Marcel Proust. Il romanzo del desiderio (Feltrinelli, 2022).
评论 Giovanni Bottiroli Marcel Proust.欲望小说》（Feltrinelli，2022 年）。
{"title":"Proust: Desiderio e Stile, Teoria e Critica. A proposito di un recente libro di Giovanni Bottiroli","authors":"M. Stella","doi":"10.54103/2037-2426/22341","DOIUrl":"https://doi.org/10.54103/2037-2426/22341","url":null,"abstract":"Recensione di Giovanni Bottiroli Marcel Proust. Il romanzo del desiderio (Feltrinelli, 2022).","PeriodicalId":517862,"journal":{"name":"ENTHYMEMA","volume":"65 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140398632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：