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From Rabbis and Millenarians to High Church Orthodoxy: Edward Bernard (1638–1697) Reads the 1646 Amsterdam Vocalized Mishnah 从拉比和千禧年派到高教会正统派:爱德华·伯纳德(1638-1697)读1646年阿姆斯特丹发声密西拿
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10189057
Thomas Roebuck
The vocalized edition of the Mishnah (the ancient compilation of Jewish oral teachings) published in Amsterdam in 1646 has long been an object of fascination to scholars. The story of its creation at the confluence of Jewish publishing and Christian millenarian enthusiasm is well-known. However, it was long believed that seventeenth-century Christian readers ignored the book, a view that has only recently begun to be challenged. This article joins that challenge and introduces a vital new source: a copy in the Bodleian Library that has been heavily annotated by a Christian reader, who the article demonstrates was Edward Bernard (1638 – 1697), Savilian Professor of Astronomy at Oxford University and a passionate student of languages. Discussion of the astonishingly rich annotations reveals that this copy—and therefore this edition more broadly—was a crucial linchpin in the history of Christian study of the Mishnah in the seventeenth century.
1646年在阿姆斯特丹出版的《Mishnah》(犹太口头教义的古代汇编)的声乐版长期以来一直是学者们着迷的对象。它是在犹太出版和基督教千禧年热情的融合下创作的,这个故事是众所周知的。然而,人们长期以来一直认为十七世纪的基督徒读者忽视了这本书,这一观点直到最近才开始受到质疑。这篇文章加入了这一挑战,并介绍了一个重要的新来源:博德利图书馆的一份副本,由一位基督教读者大量注释,文章证明他是爱德华·伯纳德(1638 – 1697年),牛津大学Savilian天文学教授,也是一位对语言充满热情的学生。对这些内容丰富得惊人的注释的讨论表明,这本书——以及更广泛的版本——是17世纪基督教研究米什纳历史上的关键。
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引用次数: 0
Edward Pococke (1604–1691), Comparative Arabic-Hebrew Philology, and the Bible 爱德华·波科克(1604-1691),比较阿拉伯-希伯来文学和圣经
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10189043
S. Mills
Edward Pococke is best known to historians today as one of seventeenth-century Europe's preeminent discoverers of Islam. This article explores three less familiar aspects of his work as a scholar of Arabic: his comparative approach to the “Oriental” languages; his interest in the Arabic translations of the Bible; and his study of Judaeo-Arabic biblical criticism. It argues that foregrounding these concerns—developed throughout the course of his long career as Laudian Professor of Arabic and Regius Professor of Hebrew at Oxford—enables Pococke's work to be situated in its more specific theological contexts. In this way, it seeks to look beyond attempts to position Pococke at the origins of a disciplinary history of modern “Arabic studies,” and to understand instead how his scholarship was intertwined with early modern theological disputes—most of all, the debate about the status of the Masoretic text of the Hebrew Bible.
爱德华·波科克(Edward Pococke)是17世纪欧洲最杰出的伊斯兰教发现者之一,如今为历史学家所熟知。本文探讨了他作为一名阿拉伯语学者工作中三个不太为人所熟悉的方面:他对“东方”语言的比较方法;他对《圣经》阿拉伯文译本的兴趣;以及他对犹太-阿拉伯圣经批评的研究。它认为,在波科克长期担任牛津大学Laudian阿拉伯语教授和Regius希伯来语教授的职业生涯中,突出这些担忧,使他的工作能够置于更具体的神学背景中。通过这种方式,它试图超越将波科克定位于现代“阿拉伯研究”学科史的起源的尝试,而是理解他的学术是如何与早期现代神学争议交织在一起的——最重要的是,关于希伯来圣经马索雷特文本地位的争论。
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引用次数: 0
Reorienting English Protestantism 重新定位英国新教
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10188987
Polly Ha
This special issue seeks to expand the intellectual landscape of English Protestantism over the course of its long Reformation from the early sixteenth through the late seventeenth centuries. England's protracted conflict over its Protestant identity encouraged the diversification of its orientations to sacred texts and religious traditions, stretching it beyond western Europe to the eastern Mediterranean world. The essays examine English Protestant engagement with Hellenic, Hebraic, and Arabic sources and traditions within a wider context than typically explored in existing narratives. They illustrate how English Protestant scholarship reinforced stereotypes, while also prompting self-reflection and inspiring the reconstruction of England's own traditions and cultural assumptions. Expanding English ecclesiastical, theological, exegetical, philological, and cultural interests, the volume calls for a more fluid and “connected history” to understand the full scope of English Reformation thought and its engagement with non-Western churches and traditions.
这期特刊试图在16世纪初至17世纪末的漫长宗教改革过程中扩展英国新教的知识版图。英格兰在新教身份问题上的长期冲突鼓励了其对神圣文本和宗教传统的取向多样化,将其从西欧延伸到东地中海世界。这些文章在比现有叙事中通常探索的更广泛的背景下,考察了英国新教与希腊语、希伯来语和阿拉伯语来源和传统的接触。它们说明了英国新教学术如何强化刻板印象,同时也促进了自我反思,激发了英国自身传统和文化假设的重建。该书扩展了英国的教会、神学、训诫学、语言学和文化兴趣,呼吁建立一个更加流动和“相互联系的历史”,以全面了解英国宗教改革思想及其与非西方教会和传统的接触。
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引用次数: 0
John Lightfoot (1602–1675), the Westminster Assembly, and the Horae Hebraicae et Talmudicae 约翰·莱特富特(John Lightfoot, 1602-1675),威斯敏斯特议会,以及希伯来和塔木底亚教会
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10189029
Kirsten Macfarlane
The English Hebraist John Lightfoot has a Janus-faced legacy. On the one hand, he is known among historians of the British Reformation for his participation in the Westminster Assembly (1643 – 52), for which his journal remains a crucial source of evidence. On the other hand, among historians of scholarship, he is famous primarily for his Horae Hebraicae et Talmudicae (1658 – 78), an unprecedentedly thorough application of Hebrew scholarship to New Testament exegesis, now recognized as a milestone of biblical criticism. This article brings these facets of Lightfoot's legacy together by arguing that there are extensive connections between Lightfoot's contributions in the Westminster Assembly and his conclusions in the Horae. In doing so, it argues not only for the vitality and centrality of Jewish texts and learning to the history of the long Reformation, but also for the importance of theology and controversy to the history of scholarship.
英国希伯来人约翰·莱特富特(John Lightfoot)有一个面向Janus的遗产。一方面,他因参与威斯敏斯特会议(1643年)而在英国宗教改革历史学家中广为人知 – 52),他的日记仍然是重要的证据来源。另一方面,在学术历史学家中,他主要以其著作《荷拉·赫布里卡埃与塔木迪卡埃》(Horae Hebaicae et Talmudicae,1658)而闻名 – 78),这是希伯来文学术在新约注释中前所未有的彻底应用,现在被认为是圣经批评的里程碑。这篇文章将莱特富特遗产的这些方面结合在一起,认为莱特富特在威斯敏斯特议会的贡献与他在《贺兰》中的结论之间有着广泛的联系。在这样做的过程中,它不仅论证了犹太文本和学术对长期宗教改革历史的活力和中心地位,还论证了神学和争议对学术史的重要性。
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引用次数: 0
Textual Representations of Greek Christianity during the English Reformations 英国宗教改革时期希腊基督教的文本表现
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10189001
Anastasia Stylianou
Early modern Anglo-Hellenic relations have received little scholarly attention; however, Greek Christianity had a significant influence on the English Reformations. This article analyzes sixteenth-century English textual contacts with, and constructions of, Greek Christianity. It highlights the importance of Greek Christian history (from the patristic era to the fall of Constantinople) to reformers across the confessional spectrum, and investigates the various uses of this history in justifying or criticizing England's break with Rome, focusing upon the government's propaganda tracts of the 1530s, Reginald Pole's De Unitate, and John Foxe's Acts and Monuments. It also examines the Venetian-Greek Nicander Nucius's depiction of the Henrician Reformation in his autobiography, exploring how this unique account was shaped by Nicander's religious beliefs. Eastern Christianity must be incorporated into historical narratives of the English Reformations in order to understand fully the confessional debates, encounters, and identities of the period.
早期的现代盎格鲁-希腊关系很少受到学术界的关注;然而,希腊基督教对英国的改革派产生了重大影响。本文分析了16世纪英语文本与希腊基督教的联系和结构。它强调了希腊基督教历史(从爱国主义时代到君士坦丁堡沦陷)对各教派改革者的重要性,并调查了这段历史在证明或批评英国与罗马决裂时的各种用途,重点关注政府在1530年代的宣传小册子、雷金纳德·波尔的《统一论》和约翰·福克斯的《行为与纪念碑》。它还考察了威尼斯希腊人尼坎德·努修斯在自传中对亨利改革的描述,探讨了尼坎德的宗教信仰是如何塑造这一独特的叙述的。东方基督教必须被纳入英国改革派的历史叙事中,才能充分理解这一时期的忏悔辩论、遭遇和身份。
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引用次数: 0
Who Owns the Hebrew Doctors? Oriental Scholarship, Historical Proportionality, and the Puritan “Invention” of Avant-Garde Conformity 谁拥有希伯来医生?东方学术、历史比例论与清教徒先锋派整合的“发明”
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2023-01-01 DOI: 10.1215/10829636-10189015
Polly Ha
Puritan and conformist divines both sought to “own the Hebrew doctors” just as they had appealed to patristic sources in the late sixteenth and early seventeenth centuries. The puritan Walter Travers drew upon the rabbinic commentary of Abraham Ibn Ezra to argue for the refashioning of the church in the 1570s. Elizabethan ecclesiastical controversy in turn helped “invent” central features of avant-garde conformity by prompting Richard Hooker's use of Jewish precedent to stabilize the church from the 1580s onward. Mutual claims to the Hebrew doctors exposed disagreement over how to proportion the New Testament church in relation to layered Jewish tradition. Yet, by the early seventeenth century, the separatist Henry Ainsworth began to make more extensive, even promiscuous, use of Maimonides. This signaled movement away from simply attempting to “own the Hebrew doctors” to conscripting Jewish authorities as more active, and less mediated, participants in early modern debate.
清教徒和墨守陈规的神学家都试图“拥有希伯来医生”,就像他们在16世纪末和17世纪初求助于教父的来源一样。清教徒沃尔特·特拉弗斯(Walter Travers)引用了亚伯拉罕·伊本·以斯拉(Abraham Ibn Ezra)的拉比评论,主张在1570年代对教堂进行改造。伊丽莎白时代的教会争议反过来又帮助“发明”了先锋派一致性的核心特征,促使理查德·胡克从1580年代开始使用犹太人的先例来稳定教会。对希伯来医生的相互要求暴露了在如何将新约教会与分层的犹太传统相关联的问题上的分歧。然而,到了17世纪早期,分离主义者亨利·安斯沃思开始更广泛地,甚至混杂地,使用迈蒙尼德的观点。这标志着从简单地试图“拥有希伯来医生”到征召犹太当局在早期现代辩论中更积极,更少调解的参与者的运动。
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引用次数: 1
Shakespeare's Comedy of Judgment 莎士比亚的《审判喜剧》
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-09-01 DOI: 10.1215/10829636-9966107
Jason B. Crawford
Early modern English literary culture was thick with tales of divine judgment. Texts ranging from true-crime pamphlets to Thomas Beard's vast collection The Theatre of God's Judgements (1597) promised to disclose God's work in history, and they found signs of that work in stories of horrific come-uppance: usurers eaten by rats, adulterers mutilated, Sabbath-breakers struck dead. Because they were concerned with the consequences of human transgression, these tales drew heavily on the conventions of tragedy. And because they were concerned with vice and come-uppance, they also drew heavily on the conventions of comedy. They are therefore fraught with difficult questions. When is retribution hilarious, and when is it lamentable? On what imaginative and moral conditions do tragedy and comedy depend? These questions likewise haunted dramatists such as Shakespeare, who drew heavily on the literature of divine retribution for his own experiments in tragic and comic representation. His Othello, especially, is built from tales of vice and retribution, and in it Shakespeare tests the boundaries that separate justice from atrocity, comic satisfaction from tragic violence. By reading Othello alongside the literature of divine judgment, this essay makes several claims: that the hilarious come-uppances of comedy depend on certain cultural conditions; that those conditions have changed in the context of the Reformation, in ways that tales of retribution make graphically visible; and that Shakespeare responds to exactly these changes when, in his own comedy of judgment, he finds the mechanisms of comic justice collapsing.
早期现代英国文学文化充满了神的审判故事。从真实的犯罪小册子到托马斯·比尔德(Thomas Beard)的巨著《上帝审判的剧场》(1597),各种文本都承诺揭示上帝在历史上的工作,他们在可怕的结局故事中发现了这种工作的迹象:高利贷者被老鼠吃掉,通奸者被残害,违反安息日者被打死。因为它们关注人类犯罪的后果,这些故事在很大程度上借鉴了悲剧的传统。因为它们关注的是罪恶和突然出现,所以它们也大量借鉴了喜剧的传统。因此,他们充满了难题。什么时候惩罚是滑稽的,什么时候是可悲的?悲剧和喜剧依赖于什么样的想象和道德条件?这些问题同样困扰着像莎士比亚这样的剧作家,他在自己的悲剧和喜剧表现实验中大量借鉴了神的惩罚文学。尤其是他的《奥赛罗》,是由邪恶和报应的故事构成的,莎士比亚在其中测试了正义与暴行、喜剧性满足与悲剧性暴力之间的界限。通过将《奥赛罗》与有关神的审判的文学作品一起阅读,本文提出了几点主张:喜剧的滑稽表演依赖于一定的文化条件;这些条件在宗教改革的背景下发生了变化,报应的故事在某种程度上变得生动可见;当莎士比亚在他自己的审判喜剧中发现喜剧正义机制崩溃时,他对这些变化做出了回应。
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引用次数: 0
Calvinist Versions of God: A Revolution in Medieval Tradition 加尔文主义版本的上帝:中世纪传统的革命
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-09-01 DOI: 10.1215/10829636-9966079
David Aers
This essay argues that Calvinist versions of God and human redemption cannot be adequately grasped without studying the medieval traditions from which they emerged. Beginning with a close reading of Calvin's extremely violent understanding of the atonement, the essay moves through examinations of medieval versions of human redemption (literary, theological, and devotional) before turning to the political and ethical consequences of Calvin's reformation of these versions of God as played out in the Cromwellian regime of the mid-seventeenth century. Finally, the essay explores the reemergence of a version of God and charity recognizable to medieval readers in the writings of the “Ranter” Abiezer Coppe. Throughout, the essay demonstrates how models of redemption with their attendant versions of God have clear consequences for ethics and politics.
本文认为,如果不研究它们产生的中世纪传统,就无法充分理解加尔文主义版本的上帝和人类救赎。文章从细读加尔文对赎罪的极端暴力理解开始,通过对中世纪版本的人类救赎(文学、神学和宗教)的考察,然后转向17世纪中期克伦威尔政权中加尔文对这些版本的上帝进行改革的政治和伦理后果。最后,本文探讨了中世纪读者在“Ranter”Abiezer Coppe的作品中对上帝和慈善的再现。贯穿始终,这篇文章展示了救赎模式及其随之而来的上帝版本如何对伦理和政治产生明确的影响。
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引用次数: 0
“Do Poor Tom Some Charity”: Performing Poverty and Pity in King Lear “施舍可怜的汤姆”:表演《李尔王》中的贫穷与怜悯
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-09-01 DOI: 10.1215/10829636-9966121
Lindsey Larre
The many disguises of Edgar in King Lear have led critics to dub the chameleonic figure a choreographer of human compassion in a play that holds compassion as a vital dramaturgical principle. This essay argues that Edgar's performances of suffering and his choreographies of deception reveal how costly are the demands of performing true compassion, and thus how rare is the response he will come to recognize as “good pity.” Examining closely the responses elicited by Edgar's performance of affliction alongside Edgar's response to witnessing the suffering of others, the article explores how the elusive Edgar serves as an embodied exploration of problems of poverty and almsgiving, of the moral status of playacting, and, most profoundly, of the complex nature of Christian charity and compassion. In the space Edgar opens between coerced care and complicit compassion, between the obligations of caritas and the possibilities of drama, Shakespeare questions what it entails to meaningfully respond to the suffering of another, and what tools — if any — theater might offer this project.
《李尔王》中埃德加的许多伪装使得评论家们把这个变色龙般的人物称为人类同情心的编舞家,这部戏剧将同情心作为重要的戏剧原则。这篇文章认为,埃德加对苦难的表演和他对欺骗的编排揭示了表现真正的同情的要求是多么昂贵,因此他将认识到的“好怜悯”的反应是多么罕见。仔细研究埃德加对痛苦的表现所引起的反应,以及埃德加对目睹他人痛苦的反应,这篇文章探讨了难以捉摸的埃德加如何成为对贫穷和施舍问题的具体探索,对表演的道德地位的探索,最深刻的是,对基督教慈善和同情的复杂本质的探索。埃德加在强迫关怀和共谋同情之间开辟了空间,在博爱的义务和戏剧的可能性之间,莎士比亚质疑对他人的痛苦做出有意义的回应需要什么,以及戏剧可以提供什么工具(如果有的话)。
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引用次数: 0
Virtual Reality: Virtue, the Eucharist, and Translation in the Writings of Thomas More 虚拟现实:美德、圣餐和托马斯·莫尔作品中的翻译
IF 0.2 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-09-01 DOI: 10.1215/10829636-9966093
Nancy Warren
This essay explores Thomas More's understanding of the role of the recipient's virtue in activating the full power of Christ's body in the Eucharist in his A Treatise on the Passion of Christe and A Treatise to receive the blessed body of our lorde, sacramentally and virtually bothe. Though passionately committed to the doctrine of the Real Presence, More writes that the body of Christ, while fully present, is not in and of itself entirely sufficient to complete the work of the sacrament if the recipient is not virtuous and receives the sacrament unworthily. An unvirtuous recipient receives only bodily, which is to say not completely — not, in More's terms, virtually. An unvirtuous recipient is not the only means by which the full power of the Eucharist may be compromised. Because the Incarnation and transubstantiation involve transformations of word and bodies into each other, it is not surprising that More's concerns with the sacrament, virtue, and the virtual also involve language. In the Dialogue Concerning Heresy, More strenuously criticizes Tyndale's translation of scripture. This essay also examines the ways in which More's objections to Tyndale's translation understand its destructive power as rooted in linguistic choices that disrupt the crucial nexus of virtue, the virtual, and the corporeal. In More's view, Tyndale's Bible thus deserves immolation along with the heretics themselves.
本文探讨了托马斯·莫尔在他的《基督受难论》和《接受主的圣体论》中对领受者的美德在激活圣餐中基督身体的全部力量方面的作用的理解。虽然摩尔热切地相信“真实临在”的教义,但他写道,如果领受者没有美德,不配领受圣礼,基督的身体虽然完全临在,但它本身并不完全足以完成圣礼的工作。一个不道德的接受者只接受身体上的,也就是说,不是完全的——用莫尔的话来说,不是实际上的。一个不道德的接受者并不是唯一的手段,使圣餐的全部力量可能受到损害。因为道成肉身和变形涉及到话语和身体的相互转化,所以莫尔对圣礼、美德和虚拟的关注也涉及到语言,这并不奇怪。在《关于异端的对话录》中,更严厉地批评了廷代尔对圣经的翻译。本文还探讨了莫尔反对廷代尔翻译的方式,他认为廷代尔的翻译的破坏力根源于语言选择,这种选择破坏了美德、虚拟和物质的关键联系。在莫尔看来,廷代尔的《圣经》应该和异教徒一起被烧死。
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引用次数: 0
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