Pub Date : 2023-05-01DOI: 10.1215/10829636-10416656
Joseph Ashmore
This article investigates writing about the Passion in late sixteenth- and early seventeenth-century England. It examines the sermons preached on Good Friday by Lancelot Andrewes (1555 – 1626). Like many Protestants, Andrewes hoped to minimize the idolatrous potential of the Passion. Rather than problematizing the sensuality of the Crucifixion, however, Andrewes's sermons cultivate an interpretive disposition that can read it correctly. Drawing on Bernardine and Augustinian models, he treats the attention of his listeners as a vital resource for negotiating the outward materiality of the Crucifixion: reading the Passion “with due attention” reveals through its carnality an eternal message of divine love and integrates it within a broader pattern of scriptural reading. Andrewes's openness to the roles of mental and ocular sight in worship commits him to explaining how outward surfaces reveal inner truths. His theorization of attention in these sermons sheds new light on post-Reformation readings of the Passion's iconography.
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Pub Date : 2023-05-01DOI: 10.1215/10829636-10416642
Eleanor Chan
Early modern English musical notation bears a fleeting resemblance to that of its modern counterpart. This superficial similarity conceals the markedly different manner in which early music notation functioned and the clues that it offers for an older and more dynamic way of reading music. This form of notation was not a transcription for future performance but rather a provocation to performance. As a result, musical notation frequently “leaked” into decorative margins. The musical pages of this period display evident delight in melding, blending, and blurring the distinction between decorative and notational elements in an effort to forge musical meaning. This article explores how far the curled lines of musical notation and ornamentation can be thought of as visual prompts to think about music and its continuation beyond the space of the page, testament to an older, more playful understanding of how to read music.
{"title":"Scrollwork: Visual Cultures of Musical Notation and Graphic Materiality in the English Renaissance","authors":"Eleanor Chan","doi":"10.1215/10829636-10416642","DOIUrl":"https://doi.org/10.1215/10829636-10416642","url":null,"abstract":"Early modern English musical notation bears a fleeting resemblance to that of its modern counterpart. This superficial similarity conceals the markedly different manner in which early music notation functioned and the clues that it offers for an older and more dynamic way of reading music. This form of notation was not a transcription for future performance but rather a provocation to performance. As a result, musical notation frequently “leaked” into decorative margins. The musical pages of this period display evident delight in melding, blending, and blurring the distinction between decorative and notational elements in an effort to forge musical meaning. This article explores how far the curled lines of musical notation and ornamentation can be thought of as visual prompts to think about music and its continuation beyond the space of the page, testament to an older, more playful understanding of how to read music.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42491054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-01DOI: 10.1215/10829636-10416585
Amanda J. Gerber
This article explores the nature and significance of geographical diagrams in medieval commentaries on classical Roman poems. It situates these diagrams within larger conversations about cartographic traditions and the pedagogical contexts for which these diagrams were originally designed. Modern scholars have only begun to address these geographical diagrams in histories of cartography, but not in textual studies. In surveying a range of ninth- to fifteenth-century manuscripts especially of Lucan's poetry, the article uncovers the sources of geographical diagrams that recur in cartography, encyclopedias, and other pedagogical tools, illustrating how medieval academics developed paratexts to shape an extensive program of geographical explication. Geographical diagrams and other textual annotations accompanying classical poems established a distinct pedagogical strand of cartography that served medieval students’ training in Latin composition and understanding of the ancient world.
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Pub Date : 2023-05-01DOI: 10.1215/10829636-10416599
R. Field
The fourteenth-century contemplative manual The Cloud of Unknowing and the shorter texts attributed to its author explore an extreme form of apophatic spiritual encounter. In order to guide his disciples in this kind of practice, the anonymous Cloud-author adopts a classical theory for pedagogy and adapts it to suit his specifically contemplative ends. He transforms the traditional rhetorical schoolroom triad of natura, doctrina, and usus into a new Middle English version, tailored for teaching contemplation: “disposicoun, techying, and profe.” This article examines the technical, theoretical, and theological implications of the three terms in the Cloud-author's reconceptualized triad. It argues that the nuances and subtleties of each term reveal the author to be a self-conscious and self-theorizing pedagogue who uses the triad to offer new descriptions of the contemplative's pursuit of the divine.
{"title":"From Rhetorical Theory to Spiritual Pedagogy in The Cloud of Unknowing","authors":"R. Field","doi":"10.1215/10829636-10416599","DOIUrl":"https://doi.org/10.1215/10829636-10416599","url":null,"abstract":"The fourteenth-century contemplative manual The Cloud of Unknowing and the shorter texts attributed to its author explore an extreme form of apophatic spiritual encounter. In order to guide his disciples in this kind of practice, the anonymous Cloud-author adopts a classical theory for pedagogy and adapts it to suit his specifically contemplative ends. He transforms the traditional rhetorical schoolroom triad of natura, doctrina, and usus into a new Middle English version, tailored for teaching contemplation: “disposicoun, techying, and profe.” This article examines the technical, theoretical, and theological implications of the three terms in the Cloud-author's reconceptualized triad. It argues that the nuances and subtleties of each term reveal the author to be a self-conscious and self-theorizing pedagogue who uses the triad to offer new descriptions of the contemplative's pursuit of the divine.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43032059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-01DOI: 10.1215/10829636-10416698
Other| May 01 2023 Call for Submissions Journal of Medieval and Early Modern Studies (2023) 53 (2): 447–449. https://doi.org/10.1215/10829636-10416698 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Call for Submissions. Journal of Medieval and Early Modern Studies 1 May 2023; 53 (2): 447–449. doi: https://doi.org/10.1215/10829636-10416698 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Medieval and Early Modern Studies Search Advanced Search The editors invite your submissions to the following issues scheduled to appear in 2024 and 2025. Send one hard copy of the manuscript double-spaced, including endnotes, along with an electronic copy (by e-mail attachment or in a shared folder online), following the style guidelines of the Chicago Manual of Style (17th ed., chap. 14 on documentation). More specific contributor guidelines may be consulted on the journal website. Manuscripts should not exceed 10,000 words inclusive of notes. Illustrations accompanying a manuscript should be submitted ideally in the form of TIFF digital files, and permissions for their reproduction must be provided before publication. Submissions pass through anonymous specialist review before publication. We do not consider articles that have been published elsewhere or are under simultaneous consideration with another publisher. Send to:Edited by Julianne Werlin Volume 54 / Number 3 / September 2024It has now been more than forty years since... You do not currently have access to this content.
{"title":"Call for Submissions","authors":"","doi":"10.1215/10829636-10416698","DOIUrl":"https://doi.org/10.1215/10829636-10416698","url":null,"abstract":"Other| May 01 2023 Call for Submissions Journal of Medieval and Early Modern Studies (2023) 53 (2): 447–449. https://doi.org/10.1215/10829636-10416698 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Call for Submissions. Journal of Medieval and Early Modern Studies 1 May 2023; 53 (2): 447–449. doi: https://doi.org/10.1215/10829636-10416698 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsJournal of Medieval and Early Modern Studies Search Advanced Search The editors invite your submissions to the following issues scheduled to appear in 2024 and 2025. Send one hard copy of the manuscript double-spaced, including endnotes, along with an electronic copy (by e-mail attachment or in a shared folder online), following the style guidelines of the Chicago Manual of Style (17th ed., chap. 14 on documentation). More specific contributor guidelines may be consulted on the journal website. Manuscripts should not exceed 10,000 words inclusive of notes. Illustrations accompanying a manuscript should be submitted ideally in the form of TIFF digital files, and permissions for their reproduction must be provided before publication. Submissions pass through anonymous specialist review before publication. We do not consider articles that have been published elsewhere or are under simultaneous consideration with another publisher. Send to:Edited by Julianne Werlin Volume 54 / Number 3 / September 2024It has now been more than forty years since... You do not currently have access to this content.","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135050922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-01DOI: 10.1215/10829636-10416571
S. Yeager
This essay applies the concept of postimperial melancholia, taken from the work of Paul Gilroy, to describe the affective undercurrents of medieval text editing in the latter half of the twentieth century and the first decades of the twenty-first through an example from Beowulf. The discussion is focalized through the emendations to line 1382a, where an ambiguous series of minims leads to different editorial choices in Klaeber's first three editions of the poem, in his second supplement to the third edition, in the fourth edition produced by R. D. Fulk, Robert D. Bjork, and John D. Niles, and in Kevin Kiernan's Electronic Beowulf. The emendation proposed by Klaeber in his second supplement is imbricated in the shameful history of Old English studies and the project of constructing legendary origins for whiteness. Kiernan and the fourth edition editors each reject Klaeber's reading without addressing this history, focusing attention instead on technological and methodological interventions that produce other readings which are then represented alongside Klaeber's. The result is representative of how the closed and nonrecuperative temporality of melancholia is manifest in the principal development of postwar medieval text editing more generally, which is the abandonment of the notion that scholarly interventions constitute progress toward a better representation of a text, in favor of imagining them as expansions of a spatialized critical field around nodes of dissent. The essay concludes that the best way forward for the field is to recognize its melancholia and its causes, so that it might contribute to more productive futures.
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Pub Date : 2023-05-01DOI: 10.1215/10829636-10416613
J. A. Mitchell
Three manuscript copies of John Gower's Vox Clamantis contain large frontispiece images of a fashionable archer shooting at a suspended globe, headed by the short poem “Ad mundum mitto mea iacula, dumque sagitto.” The text-image ensemble aligns with Gower's ethical and rhetorical imperatives and was likely designed to idealize his posture as a social satirist and sum up the ambitions of his life's work. This essay adds another dimension to understanding this memorial image, reading the archer through a technical figure of mathematical astronomy. Seeing in the illustration a silhouette of an elementary chord diagram, the essay argues that Gower's archer imagery presents an allusive visual emblem, positioning himself in an elevated sphere with broader implications for the integration of medieval poetic and scientific disciplines. Representational strategies common to the arts show their dependence on conceptual models, graphical interfaces, and technical objects commensurate to the described world.
约翰·高尔(John Gower)的《喧闹的声音》(Vox Clamantis)的三本手稿的扉页上有一幅巨大的图像，画的是一位时髦的弓箭手向一个悬浮的球体射击，标题是一首短诗“Ad mundum mitto mea iacula, dumque sagitto”。文字-图像的组合与高尔的伦理和修辞要求一致，很可能是为了理想化他作为一个社会讽刺作家的姿态，并总结他一生工作的抱负。这篇文章增加了另一个维度来理解这个纪念形象，通过一个数学天文学的技术图形来阅读弓箭手。在插图中看到一个基本和弦图的轮廓，文章认为高尔的弓箭手形象呈现了一种暗示的视觉象征，将自己定位在一个更高的领域，对中世纪诗歌和科学学科的整合具有更广泛的含义。艺术中常见的具象策略显示了它们对概念模型、图形界面和与所描述的世界相称的技术对象的依赖。
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Pub Date : 2023-05-01DOI: 10.1215/10829636-10416670
P. Timmis
This essay argues that the British delegation's distinctive approach to the Reformed doctrine of perseverance at the Synod of Dort provides necessary context for two international sermons delivered by John Donne in 1619. Donne's rhetoric in these sermons, in turn, is echoed by a striking dramatization of international “current events” performed in the same year by the King's Men at the Globe Theatre. Reading John Donne's sermons at Heidelberg and the Hague alongside John Fletcher and Philip Massinger's collaborative The Tragedy of Sir John Van Olden Barnavelt, this essay demonstrates that James I's delegates at Dort, his European embassy's star preacher, and a popular London play present a richly nuanced yet harmonious public face on an international stage to an often contentious national conversation. King, church, and people speak together on the necessity of persevering in faith (within the established church), in fidelity to God-ordained civil government, and with loyalty to the European Protestant cause held in tension with a “Britain first” national exceptionalism.
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Pub Date : 2023-05-01DOI: 10.1215/10829636-10416684
Michael Cornett
“New Books across the Disciplines” is a bibliographic resource that facilitates a cross-disciplinary survey of recent publications. Its scope ranges from late antiquity to the seventeenth century. Coverage is comprehensive for the large majority of North American and British publishers. Other European titles are included whenever received. Books are classified under variable topical headings and listed alphabetically by author's name. Entries include complete bibliographical data and annotations, including availability in hardcover, paperback, or ebook (OA is indicated for open access ebooks). For paperback reprint editions, original publication dates are given in parentheses. With some exceptions, books appearing here have been published within the previous two years. Many will be presented here before they are ordered and shelved by libraries. Thanks go to David Aers and Sarah Beckwith for their collegial editorial contribution.The topics for this issue include: Editions and translationsSaints and religious professionsLaw and justiceScience and medicineThe everydayTheater and spectacleVisual cultureAelred, of Rievaulx. The Liturgical Sermons: The Reading-Cluny Collection, 2 of 2, Sermons 134–182, and A Sermon upon the Translation of Saint Edward, Confessor. Translated by Daniel Griggs and Tom Licence. Introduction by Marjory Lange. Cistercian Fathers Series, vol. 87. Athens, Ohio: Cistercian Publication; Collegeville, Minn.: Liturgical Press, 2022. xlviii, 454 pp. Paperback, ebook. [Translations of the second half of Aelred's ninety-eight liturgical sermons from the Reading-Cluny collection, along with his sermon on the translation of Saint Edward the Confessor in 1163.]Avitus, Alcimus, bishop of Vienne. Biblical and Pastoral Poetry [De spiritalis historiae gestis and De consolatoria castitatis laude]. Edited and translated by Michael Roberts. Dumbarton Oaks Medieval Library, vol. 74. Cambridge, Mass.: Harvard University Press, 2022. xxv, 299 pp. Hardcover. [Latin verse texts of Avitus's narrative poetry on creation, the Fall, the Flood, and the Israelites’ escape from Egypt, along with a verse treatise on chastity written for his sister, a consecrated virgin, with facing-page English prose translations.]Beaumont, Francis. The Knight of the Burning Pestle. Edited by Todd H. J. Pettigrew. Broadview Editions. Peterborough, Ont.: Broadview Press, 2023. 226 pp. Paperback, ebook.Bowman, Steven B., trans. and ed. Sepher Yosippon: A Tenth-Century History of Ancient Israel. Raphael Patai Series in Jewish Folklore and Anthropology. Detroit, Mich.: Wayne State University Press, 2023. xxii, 530 pp. Hardcover, paperback, ebook. [Translation of a medieval text that is the first known chronicle of Jewish history and legend.]Chapman, George. All Fools. Edited by Charles Edelman. The Revels Plays. Manchester: Manchester University Press, (2018) 2022. xx, 204 pp. Paperback.Fein, Susanna, ed. and trans. The “Owl and the Nightingale” and the English Poems of Oxfo
): Eine semiotische analyze religiöser Spiele im deutschen and französischen Sprachraum。《中世纪文献学趋势》，第41卷。柏林:De Gruyter, 2022。4张桌子。精装书,电子书。Scott-Warren,杰森。莎士比亚的第一个读者:理查德·斯通利的书面记录。文本材料。费城:宾夕法尼亚大学出版社，2020。9, 330页，43页。精装书,电子书。Versteegen, Giljs, Stijn Bussels和Walter Melion编。17世纪的辉煌:天主教和新教背景下的辉煌。交叉点:早期现代文化的跨学科研究，第72卷。莱顿:布里尔，2021年。二十三，374页，47色板。精装书,电子书。沃克,格雷格。约翰·海伍德:都铎王朝时期英国的喜剧与生存。牛津:牛津大学出版社，2020。14页，477页，精装版，电子书。威廉姆森,马特。《饥饿、胃口与文艺复兴时期的政治》剑桥:剑桥大学出版社，2021。vi, 237页，精装版，电子书。《理查三世的躯体从中世纪英格兰到现代:莎士比亚与残疾史》。费城:天普大学出版社，2022。268页，图2。， 23个半音调。精装，平装，电子书。w·b·莎士比亚，《技术》，戏剧。剑桥:剑桥大学出版社，2020。第七卷，271页，11页。精装，平装，电子书。99.99美元。杨:《莎士比亚与西方文明观念》。华盛顿特区:美国天主教大学出版社，2022年。xv, 258页，平装本，电子书。巴克,希拉。艾Gentileschi。照亮女性艺术家:文艺复兴和巴洛克。洛杉矶:盖蒂出版社;伦敦:Lund Humphries, 2022。144页，73张彩页。精装书。Benay,艾琳。从印度到意大利:翻译现代早期世界的艺术与奉献。Turnhout Belg。:哈维·米勒出版社，2022。4 . 202页，彩图120张，地图2张。精装书。追溯拉斐尔画圈的视觉语言至1527年。布里尔的《思想史研究》，第313卷。布里尔的艺术研究，艺术史和思想史，第46卷。莱顿:2020年。X, 228页，42色插图。精装书,电子书。Arthur J. DiFuria和Ian Verstegen主编。早期现代艺术中的空间、形象与改革:玛西娅·霍尔的影响。《中世纪和近代早期文化研究》，第77卷。柏林:De Gruyter, 2021。第19卷，355页，104页。精装书,电子书。玛丽克·j·e·范登。菲西诺与幻想:从波提切利到米开朗基罗的文艺复兴时期艺术与理论中的想象。白羊座丛书:西方神秘主义的文本和研究，第29卷。莱顿:布里尔，2021年。22页，368页，彩色图103张。精装书,电子书。Meghan C. Doherty，《近代早期英格兰的雕刻精度:视觉传达与皇家学会》。Scientiae研究。阿姆斯特丹:阿姆斯特丹大学出版社，2022。244页，72页。精装书,电子书。德雷默,索尼娅。典故的艺术:阐释者与英国文学的形成，1403-1476。文本材料。费城:宾夕法尼亚大学出版社，(2019)2021。324页，27个彩色版和97个黑白版。平装书。Frese,托拜厄斯。Bilder Der Christophanie: Ambiguität, Liminalität和Konversion。帕德伯恩:布里尔，Verlag Wilhelm Fink, 2022。22页，248页，19张彩色插图，55张黑白插图。平装书,电子书。[论古代晚期和中世纪早期在皈依和转变的背景下，基督在门徒面前复活的形象的肖像学解释。]] Fucci,罗伯特。绘画生活:在阿克兰艺术博物馆佩克收藏的伦勃朗时代的大师画作。教堂山:北卡罗来纳大学教堂山分校阿克兰艺术博物馆，2022年。288页，350个彩色版。精装书。[2022-23年在北卡罗来纳大学教堂山分校阿克兰艺术博物馆和阿姆斯特丹伦勃朗故邸博物馆举办的展览目录]。] Grasskamp,安娜。现代欧亚大陆早期的艺术和海洋物品:贝壳、身体和物质性。在早期现代世界连接的历史，卷4。阿姆斯特丹:阿姆斯特丹大学出版社，2021。220页，70个彩色版，2张黑白插图。精装书,电子书。Holberton,保罗。阿卡迪亚在艺术和文学的历史:追求世俗的人类幸福揭示在田园“福尔图纳托在土地上，”卷1:早期文艺复兴。修改后的版本。伦敦:Ad Ilissum, 2022。500页，150色板。精装书,电子书。《近代早期欧洲宫廷中的女艺术家》，约1450-1700年。视觉与物质文化，1300-1700年，第30卷。阿姆斯特丹:阿姆斯特丹大学出版社，2021。217页，33页。精装书,电子书。金，我是大卫·杨。基础:文艺复兴画史。普林斯顿，新泽西州:普林斯顿大学出版社，2022。257页，全是彩页。精装书,电子书。科内尔,Monique。肉与骨:解剖学的艺术。由Thisbe Gensler, Naoko Takahatake和Erin Travers贡献。
{"title":"New Books across the Disciplines","authors":"Michael Cornett","doi":"10.1215/10829636-10416684","DOIUrl":"https://doi.org/10.1215/10829636-10416684","url":null,"abstract":"“New Books across the Disciplines” is a bibliographic resource that facilitates a cross-disciplinary survey of recent publications. Its scope ranges from late antiquity to the seventeenth century. Coverage is comprehensive for the large majority of North American and British publishers. Other European titles are included whenever received. Books are classified under variable topical headings and listed alphabetically by author's name. Entries include complete bibliographical data and annotations, including availability in hardcover, paperback, or ebook (OA is indicated for open access ebooks). For paperback reprint editions, original publication dates are given in parentheses. With some exceptions, books appearing here have been published within the previous two years. Many will be presented here before they are ordered and shelved by libraries. Thanks go to David Aers and Sarah Beckwith for their collegial editorial contribution.The topics for this issue include: Editions and translationsSaints and religious professionsLaw and justiceScience and medicineThe everydayTheater and spectacleVisual cultureAelred, of Rievaulx. The Liturgical Sermons: The Reading-Cluny Collection, 2 of 2, Sermons 134–182, and A Sermon upon the Translation of Saint Edward, Confessor. Translated by Daniel Griggs and Tom Licence. Introduction by Marjory Lange. Cistercian Fathers Series, vol. 87. Athens, Ohio: Cistercian Publication; Collegeville, Minn.: Liturgical Press, 2022. xlviii, 454 pp. Paperback, ebook. [Translations of the second half of Aelred's ninety-eight liturgical sermons from the Reading-Cluny collection, along with his sermon on the translation of Saint Edward the Confessor in 1163.]Avitus, Alcimus, bishop of Vienne. Biblical and Pastoral Poetry [De spiritalis historiae gestis and De consolatoria castitatis laude]. Edited and translated by Michael Roberts. Dumbarton Oaks Medieval Library, vol. 74. Cambridge, Mass.: Harvard University Press, 2022. xxv, 299 pp. Hardcover. [Latin verse texts of Avitus's narrative poetry on creation, the Fall, the Flood, and the Israelites’ escape from Egypt, along with a verse treatise on chastity written for his sister, a consecrated virgin, with facing-page English prose translations.]Beaumont, Francis. The Knight of the Burning Pestle. Edited by Todd H. J. Pettigrew. Broadview Editions. Peterborough, Ont.: Broadview Press, 2023. 226 pp. Paperback, ebook.Bowman, Steven B., trans. and ed. Sepher Yosippon: A Tenth-Century History of Ancient Israel. Raphael Patai Series in Jewish Folklore and Anthropology. Detroit, Mich.: Wayne State University Press, 2023. xxii, 530 pp. Hardcover, paperback, ebook. [Translation of a medieval text that is the first known chronicle of Jewish history and legend.]Chapman, George. All Fools. Edited by Charles Edelman. The Revels Plays. Manchester: Manchester University Press, (2018) 2022. xx, 204 pp. Paperback.Fein, Susanna, ed. and trans. The “Owl and the Nightingale” and the English Poems of Oxfo","PeriodicalId":51901,"journal":{"name":"JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135050918","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-05-01DOI: 10.1215/10829636-10416628
E. W. Olson
This essay reads The Book of Margery Kempe alongside the morality plays of the Macro manuscript — The Castle of Perseverance, Wisdom, and Mankind — to argue that the Book shares important features with them. Kempe's documentary mission relies on morality play formulas and themes, which imply her participation in the flourishing dramatic culture found in early fifteenth-century East Anglia prior to the scripting of the region's famous plays. The evidence presented in the sole surviving manuscript of the Book offers insight into how Kempe's eventual readers, the Carthusians of Mount Grace Priory, both understood and valued the performative and interactive nature of her text for their own acts of readerly performance. Although other work has drawn attention to Kempe's dramatic impulses, viewing the Book itself as a remnant of performance demonstrates the importance of interrogating where and how the traces of premodern performance can be located beyond the textual archive.
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