{"title":"Male Waithood and Radical Transformation in A. Igoni Barrett’s Blackass","authors":"Moradewun Adejunmobi","doi":"10.3917/etan.752.0158","DOIUrl":"https://doi.org/10.3917/etan.752.0158","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70233117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unruly Stories: Opening up to History in Helon Habila’s Travelers","authors":"Eleni Coundouriotis","doi":"10.3917/etan.752.0192","DOIUrl":"https://doi.org/10.3917/etan.752.0192","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70233445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Contemporary Nigerian Literature, Literary Activism and Networks of Production in the Twenty-First Century","authors":"M. Krishnan","doi":"10.3917/etan.752.0147","DOIUrl":"https://doi.org/10.3917/etan.752.0147","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70233056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visibilizing “Those Who Have No Part”: LGBTQIA+ Representation in Contemporary Nigerian Fiction in English","authors":"Cédric Courtois","doi":"10.3917/etan.752.0175","DOIUrl":"https://doi.org/10.3917/etan.752.0175","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48524463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction. Contemporary Nigerian Literature in English: An Orchestra of Pluralities","authors":"Vanessa Guignery","doi":"10.3917/etan.752.0131","DOIUrl":"https://doi.org/10.3917/etan.752.0131","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47672364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
On the Beach (1957) est l'un des nuclear novels britanniques les plus influents. Il présente une situation post-apocalyptique ou les survivants d'une guerre atomique totale et mondiale, réfugiés en Australie, se préparent a vivre une apocalypse plus individuelle, dans la mesure ou le nuage radioactif qui entraînera leur déces se rapproche inexorablement. Il s'agit donc d'un texte qui, loin de se concentrer sur la question de l'immunité - qui implique vaccin ou antidote - s'intéresse a celle de la toxicité radicale, a laquelle personne ne peut se soustraire. Il permet d'explorer les manifestations extremes de la vulnérabilité, en proposant un récit de la chute dans la vie nue, en une invitation a considérer le vivant comme soumis a diverses dépendances et interdépendances. En outre, contre les manifestations de la dénégation ou du déni, si fréquentes dans la fiction climatique, il propose une éthique de la sollicitude et de la considération. C'est donc le fil rouge du care, qui se fonde sur la responsabilité envers autrui et sur la pratique de l'attention a l'autre, qui traverse cet article, lequel envisage successivement les interdépendances, le rôle des émotions et l'attention a l'ordinaire au cœur des éthiques du care.Alternate :On the Beach (1957) is one of the most influential British nuclear novels. It presents a post-apocalyptic situation in which the survivors of a total, worldwide atomic war, who have taken refuge in Australia, are preparing for a more individual apocalypse, as the radioactive cloud that will lead to their deaths draws inexorably closer. This is a text which, far from concentrating on the question of immunity-which implies a vaccine or antidote-is concerned with that of radical toxicity, from which no one can escape. It allows us to explore the extreme manifestations of vulnerability, proposing a narrative of the fall into bare life, in an invitation to consider the living as subject to dependencies and interdependencies. Moreover, against the manifestations of denial, so frequent in climate change fiction, it promotes an ethic of solicitude and consideration. This is why I use care, which is based on the responsibility for and attention to the other, as the main line of inquiry of this article by focusing successively on interdependences, emotions and attention to the ordinary.
《海滩上》(1957)是英国最有影响力的核小说之一。它呈现了一种后世界末日的情况，全球全面核战争的幸存者，在澳大利亚避难，准备生活在一个更个人的世界末日，因为将导致他们死亡的放射性云无情地接近。因此，这一案文远没有集中于免疫问题- -这意味着疫苗或解毒剂- -而是集中于任何人都无法避免的根本毒性问题。它允许探索脆弱的极端表现，通过提出一个堕落到赤裸裸的生活的叙述，作为一个邀请，认为活着的人受制于各种依赖和相互依赖。此外，针对在气候小说中经常出现的否认或否认的表现，它提出了一种关怀和考虑的伦理。因此，这是关怀的主线，基于对他人的责任和对他人的关怀实践，贯穿了这篇文章，它依次考虑了相互依赖、情感的作用和对平凡的关注，这是关怀伦理的核心。《Alternate:On the Beach》(1957)是英国最具影响力的核小说之一。它呈现了一种后世界末日的情况，在澳大利亚避难的全球全面核战争的幸存者正在为另一种个人世界末日做准备，因为放射性云将导致他们的死亡不可避免地接近。这是一篇关于免疫问题的文章，免疫问题涉及一种疫苗或解毒剂，而免疫问题涉及自由基毒性，这是无法逃避的。它使我们能够探索脆弱的极端表现，提出一种沦为赤裸生活的叙述，邀请我们把生活视为依赖和相互依赖的主体。此外，与气候变化小说中经常出现的否认的表现相反，它提倡关怀和考虑的伦理。这就是我使用care的原因，它是基于对他人的责任和对他人的关注，作为本文的主线，依次关注相互依存、情感和对普通人的关注。
{"title":"Impossible immunité et care : On the Beach de Nevil Shute","authors":"J.-M. Ganteau","doi":"10.3917/etan.751.0030","DOIUrl":"https://doi.org/10.3917/etan.751.0030","url":null,"abstract":"On the Beach (1957) est l'un des nuclear novels britanniques les plus influents. Il présente une situation post-apocalyptique ou les survivants d'une guerre atomique totale et mondiale, réfugiés en Australie, se préparent a vivre une apocalypse plus individuelle, dans la mesure ou le nuage radioactif qui entraînera leur déces se rapproche inexorablement. Il s'agit donc d'un texte qui, loin de se concentrer sur la question de l'immunité - qui implique vaccin ou antidote - s'intéresse a celle de la toxicité radicale, a laquelle personne ne peut se soustraire. Il permet d'explorer les manifestations extremes de la vulnérabilité, en proposant un récit de la chute dans la vie nue, en une invitation a considérer le vivant comme soumis a diverses dépendances et interdépendances. En outre, contre les manifestations de la dénégation ou du déni, si fréquentes dans la fiction climatique, il propose une éthique de la sollicitude et de la considération. C'est donc le fil rouge du care, qui se fonde sur la responsabilité envers autrui et sur la pratique de l'attention a l'autre, qui traverse cet article, lequel envisage successivement les interdépendances, le rôle des émotions et l'attention a l'ordinaire au cœur des éthiques du care.Alternate :On the Beach (1957) is one of the most influential British nuclear novels. It presents a post-apocalyptic situation in which the survivors of a total, worldwide atomic war, who have taken refuge in Australia, are preparing for a more individual apocalypse, as the radioactive cloud that will lead to their deaths draws inexorably closer. This is a text which, far from concentrating on the question of immunity-which implies a vaccine or antidote-is concerned with that of radical toxicity, from which no one can escape. It allows us to explore the extreme manifestations of vulnerability, proposing a narrative of the fall into bare life, in an invitation to consider the living as subject to dependencies and interdependencies. Moreover, against the manifestations of denial, so frequent in climate change fiction, it promotes an ethic of solicitude and consideration. This is why I use care, which is based on the responsibility for and attention to the other, as the main line of inquiry of this article by focusing successively on interdependences, emotions and attention to the ordinary.","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70232870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The way we speak about contagion is political”: a Conversation with Dr Koenig, M.D.","authors":"Sophie Vasset, S. Koenig","doi":"10.3917/etan.751.0102","DOIUrl":"https://doi.org/10.3917/etan.751.0102","url":null,"abstract":"","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47469495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Au sein de l'histoire militante des travaux d'aiguille, le patchwork américain, souvent engage sur le terrain politique et social, s'est a plusieurs reprises associé a des initiatives de santé publique. Dans la continuité du NAMES Memorial AIDS Quilt, projet majeur datant de 1987, la récente crise sanitaire du COVID-19 a été l'occasion d'un renouvellement de la pratique, exprimant une mobilisation solidaire (notamment par la confection de masques), un partage de l'expérience sensible a la croisée de l'expression personnelle et de l'articulation symbolique et au-dela, une dynamique de résistance politique en période de confinement. Le parcours critique proposé ici, fondé sur l'observation de projets individuels ou collectifs, vise a explorer comment le patchwork, croisant restriction et invention, se construit comme un nouveau vecteur d'opinion dans les combats sociétaux contemporains, au sein de la culture matérielle (dont il releve) et immatérielle (qui le prolonge).Alternate :Within the militant history of needlework, the American quilt, often politically and socially engaged, has repeatedly been associated with public health initiatives. In the continuity of the NAMES Memorial AIDS Quilt, a major project dating from 1987, the recent health crisis of COVID-19 was an opportunity for renewal of the practice. The collective effort of making face masks, as well as other creative sewing initiatives, demonstrated a will to endure and a desire to share the experience at the crossroads of personal expression and symbolic articulation, and beyond this, a dynamic of resistance during a period of lockdown. The critical journey proposed here, based on the observation of individual experiences or collective projects, aims to explore how patchwork, combining restriction and invention, is constructed as a new vector of opinion in contemporary societal struggles, within material culture (from which it arises) and immaterial culture (which prolongs it).
{"title":"Patchwork, pandémie et confinement aux États-Unis","authors":"Géraldine Chouard-Véron","doi":"10.3917/etan.751.0046","DOIUrl":"https://doi.org/10.3917/etan.751.0046","url":null,"abstract":"Au sein de l'histoire militante des travaux d'aiguille, le patchwork américain, souvent engage sur le terrain politique et social, s'est a plusieurs reprises associé a des initiatives de santé publique. Dans la continuité du NAMES Memorial AIDS Quilt, projet majeur datant de 1987, la récente crise sanitaire du COVID-19 a été l'occasion d'un renouvellement de la pratique, exprimant une mobilisation solidaire (notamment par la confection de masques), un partage de l'expérience sensible a la croisée de l'expression personnelle et de l'articulation symbolique et au-dela, une dynamique de résistance politique en période de confinement. Le parcours critique proposé ici, fondé sur l'observation de projets individuels ou collectifs, vise a explorer comment le patchwork, croisant restriction et invention, se construit comme un nouveau vecteur d'opinion dans les combats sociétaux contemporains, au sein de la culture matérielle (dont il releve) et immatérielle (qui le prolonge).Alternate :Within the militant history of needlework, the American quilt, often politically and socially engaged, has repeatedly been associated with public health initiatives. In the continuity of the NAMES Memorial AIDS Quilt, a major project dating from 1987, the recent health crisis of COVID-19 was an opportunity for renewal of the practice. The collective effort of making face masks, as well as other creative sewing initiatives, demonstrated a will to endure and a desire to share the experience at the crossroads of personal expression and symbolic articulation, and beyond this, a dynamic of resistance during a period of lockdown. The critical journey proposed here, based on the observation of individual experiences or collective projects, aims to explore how patchwork, combining restriction and invention, is constructed as a new vector of opinion in contemporary societal struggles, within material culture (from which it arises) and immaterial culture (which prolongs it).","PeriodicalId":51995,"journal":{"name":"ETUDES ANGLAISES","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70232905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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