Mariana Martins de Andrade is an oceanographer with a master’s degree in biological oceanography. She works with marine conservation, sustainability, and public policies, researching participatory processes and the science–management interface. Her work supports scientific communication initiatives and the implementation of the 2030 Agenda and the United Nations Decade of Ocean Science for Sustainable Development in Brazil.
Mariana Martins de Andrade是一位海洋学家，拥有生物海洋学硕士学位。她从事海洋保护、可持续发展和公共政策的研究，研究参与式过程和科学管理界面。她的工作支持科学传播倡议以及在巴西实施《2030年议程》和联合国海洋科学促进可持续发展十年。
{"title":"Contributors","authors":"","doi":"10.3368/lbr.57.2.135","DOIUrl":"https://doi.org/10.3368/lbr.57.2.135","url":null,"abstract":"Mariana Martins de Andrade is an oceanographer with a master’s degree in biological oceanography. She works with marine conservation, sustainability, and public policies, researching participatory processes and the science–management interface. Her work supports scientific communication initiatives and the implementation of the 2030 Agenda and the United Nations Decade of Ocean Science for Sustainable Development in Brazil.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"135 - 136"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69622098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Despite their renown for different aesthetic styles, this article argues that Machado de Assis and Eça de Queirós explored similar, classical representations of male friendship to problematize dominant understandings of relationships in patriarchal- capitalist society, and that such representations underpin their mutual development of confused and dubious male narrators in their later novels. In addition, it argues that the intertwined degradation of love and truth in their work reflects the precarious position of Portugal and Brazil at the end of the nineteenth century, at the periphery of British imperialism, European Realism and the burgeoning world of commerce and consumption. Beginning with O primo Basílio and considering in turn Quincas Borba, A relíquia and Dom Casmurro, the article demonstrates how early concerns about the inauthenticity of bourgeois marriage and friendship—whereby economic interests thwart the pursuit of true love—culminate in the singular novels of the 1880s and 90s, in which narrators struggle to recognize and articulate their feelings for their male peers. The argument thus draws links between characterization, literary form and social context, whilst proposing a greater degree of influence between the two authors than is generally acknowledged, amounting to a transatlantic criticism of the dominant ideology in the west at the time.
尽管马查多·德·阿西斯和埃帕拉达·德·Queirós以各自不同的审美风格而闻名，但本文认为，他们探索了相似的、经典的男性友谊表现形式，以质疑男权资本主义社会中对两性关系的主流理解，这种表现形式支撑了他们在后来的小说中相互发展的困惑和可疑的男性叙述者。此外，它还认为，在他们的作品中，爱情和真理的堕落交织在一起，反映了19世纪末葡萄牙和巴西处于英国帝国主义、欧洲现实主义和蓬勃发展的商业和消费世界边缘的不稳定地位。从O primo Basílio开始，依次考虑到昆卡斯·博尔巴、A relíquia和Dom Casmurro，文章展示了早期对资产阶级婚姻和友谊的不真实性的担忧——经济利益阻碍了对真爱的追求——在19世纪80年代和90年代的奇异小说中达到高潮，在这些小说中，叙述者努力认识并表达他们对男性同龄人的感情。因此，这一论点在人物塑造、文学形式和社会背景之间建立了联系，同时提出了两位作者之间比一般认为的更大程度的影响，相当于对当时西方主流意识形态的跨大西洋批评。
{"title":"Mestres na periferia do realismo","authors":"David J. Bailey","doi":"10.3368/lbr.58.1.22","DOIUrl":"https://doi.org/10.3368/lbr.58.1.22","url":null,"abstract":"Despite their renown for different aesthetic styles, this article argues that Machado de Assis and Eça de Queirós explored similar, classical representations of male friendship to problematize dominant understandings of relationships in patriarchal- capitalist society, and that such representations underpin their mutual development of confused and dubious male narrators in their later novels. In addition, it argues that the intertwined degradation of love and truth in their work reflects the precarious position of Portugal and Brazil at the end of the nineteenth century, at the periphery of British imperialism, European Realism and the burgeoning world of commerce and consumption. Beginning with O primo Basílio and considering in turn Quincas Borba, A relíquia and Dom Casmurro, the article demonstrates how early concerns about the inauthenticity of bourgeois marriage and friendship—whereby economic interests thwart the pursuit of true love—culminate in the singular novels of the 1880s and 90s, in which narrators struggle to recognize and articulate their feelings for their male peers. The argument thus draws links between characterization, literary form and social context, whilst proposing a greater degree of influence between the two authors than is generally acknowledged, amounting to a transatlantic criticism of the dominant ideology in the west at the time.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"86 1","pages":"22 - 45"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ikeuchi, Suma. Jesus Loves Japan: Return Migration and Global Pentecostalism in a Brazilian Diaspora. Redwood City: Stanford UP, 2019. 256 pp.","authors":"Sarah LeBaron von Baeyer","doi":"10.3368/lbr.57.2.E5","DOIUrl":"https://doi.org/10.3368/lbr.57.2.E5","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"E5 - E7"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines Júlio Dinis’s 1867 novel, Uma família inglesa: Cenas da vida do Porto as a commentary on imperial relations between Portugal and its imposing British ally in the nineteenth century, specifically as a response to England’s increasing pressures for the abolition of the Portuguese slave trade. A close reading of the text reveals a commentary in line with mid-century Regenerationist discourses urging for Portugal’s adoption of the basic tenets of British colonialism, including the active suppression of the slave trade, as a means of salvaging Portugal’s international reputation and achieving a place among the economically modern and socially progressive imperial nations. More broadly, Uma família inglesa’s appeals for abolition reflect the imperial worldview of the nineteenth-century Portuguese metropolis by which colonial exploitation and its victims were erased from imperial discourses that focused instead on national sovereignty, international prestige, and economic regeneration.
本文将Júlio迪尼斯1867年的小说《Uma família inglesa: Cenas da vida do Porto》作为对19世纪葡萄牙与其强大的盟友英国之间帝国关系的评论，特别是作为对英国越来越大的压力的回应，要求废除葡萄牙的奴隶贸易。仔细阅读文本，会发现其中的评论与中世纪复兴主义者的话语一致，敦促葡萄牙采纳英国殖民主义的基本原则，包括积极镇压奴隶贸易，以此作为挽救葡萄牙国际声誉的手段，并在经济现代化和社会进步的帝国国家中获得一席之地。更广泛地说，乌玛família inglesa对废奴的呼吁反映了19世纪葡萄牙大都市的帝国世界观，在这种世界观中，殖民剥削及其受害者被从帝国话语中抹去，取而代之的是国家主权、国际声望和经济复兴。
{"title":"“O castigo que regenera”","authors":"Kristina M. Soric","doi":"10.3368/lbr.57.2.80","DOIUrl":"https://doi.org/10.3368/lbr.57.2.80","url":null,"abstract":"This article examines Júlio Dinis’s 1867 novel, Uma família inglesa: Cenas da vida do Porto as a commentary on imperial relations between Portugal and its imposing British ally in the nineteenth century, specifically as a response to England’s increasing pressures for the abolition of the Portuguese slave trade. A close reading of the text reveals a commentary in line with mid-century Regenerationist discourses urging for Portugal’s adoption of the basic tenets of British colonialism, including the active suppression of the slave trade, as a means of salvaging Portugal’s international reputation and achieving a place among the economically modern and socially progressive imperial nations. More broadly, Uma família inglesa’s appeals for abolition reflect the imperial worldview of the nineteenth-century Portuguese metropolis by which colonial exploitation and its victims were erased from imperial discourses that focused instead on national sovereignty, international prestige, and economic regeneration.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"80 - 96"},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69622121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
What is at stake when visual production represents unresolved past histories? The recent debate over José Padilha’s series about the Lava Jato corruption scandal, O mecanismo (2018), raised questions about the responsibility of producers of historical fiction to represent the past accurately. The polemics regarding Padilha’s Netflix series echo the controversy surrounding Bruno Barreto’s film, O que é isso, companheiro? (1997), which was attacked for its portrayal of the military dictatorship and the armed struggle. Both represent histories that are highly contested as divergent versions of the past compete for dominance in the collective imaginary. Ann Rigney’s work on cultural remembrance offers a framework for thinking through the implications of historical fiction. This paper argues that the significance of these works to cultural memory lies in the debates they incite rather than how they portray the past.
当视觉制作代表未解决的过去历史时，什么是危险的?最近，围绕jos Padilha关于Lava Jato腐败丑闻的系列作品《O mecanismo》(2018)的争论，引发了人们对历史小说制片人是否有责任准确再现过去的质疑。关于帕迪利亚在Netflix上的这部剧的争论，与布鲁诺·巴雷托(Bruno Barreto)的电影《你是谁?》(O que isso, companheiro?)(1997)，该书因其对军事独裁和武装斗争的描绘而受到攻击。两者都代表了高度争议的历史，因为不同版本的过去在集体想象中争夺主导地位。安·里格尼关于文化记忆的研究为思考历史小说的含义提供了一个框架。本文认为，这些作品对文化记忆的意义在于它们所引发的争论，而不是它们如何描绘过去。
{"title":"Historical Fiction and the Age of Fake News","authors":"Kristal Bivona","doi":"10.3368/lbr.57.1.77","DOIUrl":"https://doi.org/10.3368/lbr.57.1.77","url":null,"abstract":"What is at stake when visual production represents unresolved past histories? The recent debate over José Padilha’s series about the Lava Jato corruption scandal, O mecanismo (2018), raised questions about the responsibility of producers of historical fiction to represent the past accurately. The polemics regarding Padilha’s Netflix series echo the controversy surrounding Bruno Barreto’s film, O que é isso, companheiro? (1997), which was attacked for its portrayal of the military dictatorship and the armed struggle. Both represent histories that are highly contested as divergent versions of the past compete for dominance in the collective imaginary. Ann Rigney’s work on cultural remembrance offers a framework for thinking through the implications of historical fiction. This paper argues that the significance of these works to cultural memory lies in the debates they incite rather than how they portray the past.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"100 - 77"},"PeriodicalIF":0.1,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3368/lbr.57.1.77","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46981428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article examines António Ribeiro Sanches’s Cartas sobre a educação da mocidade (1760) as a critical reading of the political and economic crises facing the Portuguese Empire in the mid-eighteenth century. The Cartas have often been associated with the Pombaline Reforms’ educational program during the late 1700s. However, I argue that this text’s main contribution lies with its emphasis on labor as the mediator of the relationship between the individual and the state. The centrality of work for Ribeiro Sanches’s vision of this relationship, which recent scholarship has argued is fundamental to citizenship, distinguishes his intellectual contribution. Not only was Ribeiro Sanches’s perspective exceptional in his moment, it anticipated the direction of debates over citizenship during the subsequent Age of Revolution. This article both recovers an overlooked aspect of the Cartas and resituates the text within conversations on the rise of citizenship and nationhood.
本文考察António里贝罗·桑切斯(Ribeiro Sanches)的《教育宪章》(Cartas sobre a education o da mocidade, 1760)，作为对18世纪中叶葡萄牙帝国面临的政治和经济危机的批判性解读。在18世纪末，《宪章》经常与庞巴林改革的教育计划联系在一起。然而，我认为本文的主要贡献在于它强调劳动是个人与国家之间关系的中介。里贝罗·桑切斯(Ribeiro Sanches)对这种关系的看法(最近的学者认为这是公民身份的基础)所做的工作的中心地位，使他的智力贡献与众不同。里贝罗·桑切斯的观点不仅在当时是与众不同的，而且预示了随后革命时代关于公民身份的辩论的方向。这篇文章既恢复了《宪法》被忽视的方面，又在公民身份和国家地位的兴起的对话中还原了文本。
{"title":"(P)Reimagining the Nation","authors":"Edward Brudney","doi":"10.3368/lbr.57.1.4","DOIUrl":"https://doi.org/10.3368/lbr.57.1.4","url":null,"abstract":"This article examines António Ribeiro Sanches’s Cartas sobre a educação da mocidade (1760) as a critical reading of the political and economic crises facing the Portuguese Empire in the mid-eighteenth century. The Cartas have often been associated with the Pombaline Reforms’ educational program during the late 1700s. However, I argue that this text’s main contribution lies with its emphasis on labor as the mediator of the relationship between the individual and the state. The centrality of work for Ribeiro Sanches’s vision of this relationship, which recent scholarship has argued is fundamental to citizenship, distinguishes his intellectual contribution. Not only was Ribeiro Sanches’s perspective exceptional in his moment, it anticipated the direction of debates over citizenship during the subsequent Age of Revolution. This article both recovers an overlooked aspect of the Cartas and resituates the text within conversations on the rise of citizenship and nationhood.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"4 - 29"},"PeriodicalIF":0.1,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3368/lbr.57.1.4","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 2008, the French photographer JR interviewed and photographed 20 women from Morro da Providência, Rio de Janeiro. The photographs were displayed on the sides of around 40 houses and buildings throughout Morro da Providência. The exhibit was part of JR’s project 28 Millimeters: Women are Heroes. In 2009, JR returned to Rio de Janeiro to take part in a series of events organized to celebrate the cultural and historical ties between France and Brazil. The Morro da Providência photographs were pasted on different parts of downtown Rio de Janeiro and were also part of the first exposition presented at Casa França-Brasil after six months of restoration. These two events provide a fascinating point of departure for discussing some of the tensions related to the production of space. Drawing from Michel Foucault’s concept of heterotopia and bell hooks’ notion of oppositional gaze, this essay examines the ways in which the photographic exhibit 28 Millimeters: Women are Heroes challenges the very terms that define the city of Rio de Janeiro. It also points to some of the tensions present in the way the exhibit was structured in 2009.
2008年，法国摄影师JR采访并拍摄了20位来自巴西里约热内卢Providência的女性。这些照片被展示在Morro da Providência的大约40栋房屋和建筑物的侧面。这次展览是JR公司“28毫米:女人是英雄”项目的一部分。2009年，JR回到巴西里约热内卢，参加了一系列庆祝法国和巴西之间文化和历史联系的活动。Morro da Providência的照片被贴在里约热内卢市中心的不同地方，也是在修复六个月后在Casa francada - brasil举办的第一次展览的一部分。这两个事件为讨论与空间生产有关的一些紧张关系提供了一个有趣的出发点。从米歇尔·福柯的异托邦概念和贝尔·胡克斯的对立凝视概念出发，本文考察了摄影展览《28毫米:女性是英雄》挑战定义里约热内卢城市的术语的方式。它也指出了2009年展览组织方式中存在的一些紧张关系。
{"title":"JR’s Morro da Providência Exhibit","authors":"Kátia da Costa Bezerra","doi":"10.3368/lbr.57.1.58","DOIUrl":"https://doi.org/10.3368/lbr.57.1.58","url":null,"abstract":"In 2008, the French photographer JR interviewed and photographed 20 women from Morro da Providência, Rio de Janeiro. The photographs were displayed on the sides of around 40 houses and buildings throughout Morro da Providência. The exhibit was part of JR’s project 28 Millimeters: Women are Heroes. In 2009, JR returned to Rio de Janeiro to take part in a series of events organized to celebrate the cultural and historical ties between France and Brazil. The Morro da Providência photographs were pasted on different parts of downtown Rio de Janeiro and were also part of the first exposition presented at Casa França-Brasil after six months of restoration. These two events provide a fascinating point of departure for discussing some of the tensions related to the production of space. Drawing from Michel Foucault’s concept of heterotopia and bell hooks’ notion of oppositional gaze, this essay examines the ways in which the photographic exhibit 28 Millimeters: Women are Heroes challenges the very terms that define the city of Rio de Janeiro. It also points to some of the tensions present in the way the exhibit was structured in 2009.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"58 - 76"},"PeriodicalIF":0.1,"publicationDate":"2020-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hochman, Gilberto, et al., editors. História da saúde no Brasil. São Paulo: Hucitec Editora, 2018. 485 pp. Index.","authors":"Cassia Roth","doi":"10.3368/lbr.57.1.E8","DOIUrl":"https://doi.org/10.3368/lbr.57.1.E8","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"E8 - E10"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69622052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his only novel, Grande sertão: veredas (1956), João Guimarães Rosa combines a detailed, complex exploration of the physical characteristics, fauna, and flora of the region where the novel is set with a keen concern about the acts of narrating and reading. As this article argues, both preoccupations find points of intersection in the very materiality of the book: in its long length, lack of internal subdivisions, and labyrinthine narration. At the same time, elements of this landscape, most notably its rivers and birds, metaphorically shape the novel’s approach to narration and the modalities of reading it encourages. By bringing together ecocriticism and narrative theory, this article proposes that Grande sertão: veredas explores a material facet of mimesis, through which the materiality of the book, the problems of narration and reading, and the natural elements of the sertão mirror each other and multiply the mimetic density of the work.
{"title":"Birds, Rivers, Book","authors":"Victoria Saramago","doi":"10.3368/lbr.57.1.125","DOIUrl":"https://doi.org/10.3368/lbr.57.1.125","url":null,"abstract":"In his only novel, Grande sertão: veredas (1956), João Guimarães Rosa combines a detailed, complex exploration of the physical characteristics, fauna, and flora of the region where the novel is set with a keen concern about the acts of narrating and reading. As this article argues, both preoccupations find points of intersection in the very materiality of the book: in its long length, lack of internal subdivisions, and labyrinthine narration. At the same time, elements of this landscape, most notably its rivers and birds, metaphorically shape the novel’s approach to narration and the modalities of reading it encourages. By bringing together ecocriticism and narrative theory, this article proposes that Grande sertão: veredas explores a material facet of mimesis, through which the materiality of the book, the problems of narration and reading, and the natural elements of the sertão mirror each other and multiply the mimetic density of the work.","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"125 - 149"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Green, James N., et al., editors. The Brazil Reader: History, Culture, Politics. Durham, Duke UP, 2019. 608 pp.","authors":"Jacob Blanc","doi":"10.3368/lbr.57.1.E11","DOIUrl":"https://doi.org/10.3368/lbr.57.1.E11","url":null,"abstract":"","PeriodicalId":52041,"journal":{"name":"Luso-Brazilian Review","volume":"57 1","pages":"E11 - E13"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69621985","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：