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Lourenço, António Apolinário. Eça naturalista: O crime do Padre Amaro e O primo Basílio na imprensa coeva. Coimbra: Imprensa da Universidade, 2019. 178 pp. lourenco, antonio apolinario。《自然主义者:阿玛罗神父和巴西利奥在科瓦出版社的罪行》。科英布拉:大学出版社,2019年。178页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.58.1.E13
Kathryn Bishop-Sanchez
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引用次数: 0
Poettering, Jorun e Rodrigues Gefferson Ramos. “Em benefício do povo:” obras, governo e sociedade na cidade colonial. Rio de Janeiro: Mauad, 2016. 384 pp. 诗人Jorun和Rodrigues Gefferson Ramos。《为了人民的利益》:“工作、政府和社会在殖民地城市。里约热内卢:毛德,2016年。384页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.E1
M. F. Bicalho
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引用次数: 0
Mendes, Victor K. and Patrícia Vieira. Portuguese Literature and the Environment. London: Lexington Books, 2019. 236 pp. 门德斯,维克多·k和Patrícia维埃拉。《葡萄牙文学与环境》伦敦:列克星敦图书公司,2019。236页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.E8
Victoria Saramago
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引用次数: 0
Betti, Maria Sílvia. Dramaturgia comparada Estados Unidos / Brasil: três estudos. São Bernardo do Campo: Companhia Cultural Fagulha, 2017. 360 pp. 贝蒂,玛丽亚西尔维娅。美国/巴西比较戏剧:三项研究。sao Bernardo do Campo: Companhia Cultural Fagulha, 2017。360页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.E20
Nina Longinovic
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引用次数: 0
Mattos, Carlos Alberto. Sete faces de Eduardo Coutinho. São Paulo: Boitempo Editorial, 2019. 347 pp. 马托斯,卡洛斯·阿尔贝托。爱德华多·库蒂尼奥的七张脸。sao保罗:Boitempo编辑,2019年。347页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.58.1.E9
C. Mesquita
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引用次数: 0
Queer Miscegenation 酷儿异族通婚
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.56
J. Mundell
Nineteenth-century national fictions in Latin America often attempted to quell ethno-racial tensions with allegorical representations of interracial romance. However, Adolfo Caminha’s naturalist novel, Bom-Crioulo (1895), among the first Latin American texts to portray homoeroticism, queers the interraciality of romanticism. By depicting the rise and fall of a relationship between an enslaved Black man impressed into the Brazilian navy and a white cabin boy, Caminha also queers the nation at the peak of immigration campaigns to whiten Brazil. Nonetheless, in the novel’s proto-eugenics perspective on the untenable survival of abject social actors like black people and queers, the protagonists’ signaling toward reprofuturity interrogate utopian dreams of racially achieving nationhood via a queer miscegenation and its imminent failure. The novel functions in favor and against the national project of whitening as it brings queerness and blackness closer in the discourse of Brazilian nationhood at the turn of the twentieth century.
19世纪拉丁美洲的民族小说经常试图用种族间浪漫的寓言来平息种族间的紧张关系。然而,阿道夫·卡米尼亚(Adolfo Caminha)的自然主义小说《邦-克里乌洛》(1895)是最早描绘同性恋的拉丁美洲文本之一,它使浪漫主义的种族间性变得奇怪。通过描绘一个被巴西海军俘虏的黑人和一个白人小男孩之间关系的起起落落,卡米尼亚还将这个国家置于移民运动的高峰时期,让巴西变得更加白人化。尽管如此,从小说的原始优生学角度来看,像黑人和酷儿这样的可怜的社会演员的生存是站不住脚的,主人公对生育的信号质疑了通过酷儿通婚实现种族国家的乌托邦梦想及其即将失败。这部小说的作用是支持和反对国家的美白计划,因为它在二十世纪之交的巴西国家话语中拉近了酷儿和黑人的距离。
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引用次数: 0
Back to the Sertão 回到sertt<e:1>
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.58.1.122
Ashley Brock
Galileia (2008), de Ronaldo Correia de Brito, ilustra uma versão contemporânea do sertão e tem sido aclamada por trazer o romance regionalista para o séc. XXI, modernizando-o. Este artigo afasta-se da leitura dada às inovações de Brito, essencialmente em termos de ruptura, e olha para a novela, ao invés disso, como um prolongamento e reflexão crítica sobre a tradição regionalista brasileira. Salientando a sua intertextualidade—em particular—com Grande sertão: veredas, considero que Galileia expõe o desejo vão e ambivalente de repudiar a herança regional como parte integrante da sensibilidade regionalista. Concluo que, ao reformular a ruptura—por si mesma, uma forma de repetição—e examinar o papel da narrativa em reforçar e reinventar uma herança pesada, Galileia serve de pedra de toque para debates contemporâneos acerca do Regionalismo Crítico, e a natureza performativa da pertença no mundo moderno.
罗纳尔多·科雷亚·德·布里托(c。21世纪,他的现代化。这篇文章脱离了对布里托创新的解读,本质上是在断裂方面,而是将这部小说视为对巴西地区主义传统的延伸和批判性反思。通过强调它的互文性,特别是与Grande sertao: veredas,我认为加利利暴露了一种徒劳和矛盾的愿望,即否认区域遗产是区域主义敏感性的一个组成部分。我的结论是,通过重新构建断裂——它本身就是一种重复的形式——并考察叙事在加强和重新创造沉重遗产方面的作用,加利利成为当代关于批判地区主义和现代世界归属感的表演本质的辩论的试金石。
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引用次数: 0
Alice no país das rachaduras 爱丽丝在裂缝之地
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.117
L. Bezerra
This article focuses on the representation of consumption in Maria Valéria Rezende’s novel Quarenta dias (2014). Departing from Zygmunt Bauman’s perspective on the collateral damages of consumer capitalism in Consuming Life (2007) and from Silviano Santiago’s considerations about poverty in “O cosmopolitismo do pobre” (2004), I argue that Rezende provides a critique to the invisibility of low-income (or no-income) consumers in consumer society. I demonstrate that, through the path that the protagonist of Quarenta dias follows between her daughter’s consumerist world and the survival experience of those that she encounters in the streets of Porto Alegre while wandering through the city, Rezende makes visible certain segments of Brazilian society, such as Northeastern migrants and homeless people. While on this path, the protagonist both rejects and values consumption, depending on its intensity and the reach of its social consequences.
本文主要研究Maria valsamria Rezende的小说《Quarenta dias》(2014)中的消费表现。从齐格蒙特·鲍曼(Zygmunt Bauman)在《消费生活》(2007)中对消费资本主义附带损害的观点出发,从西尔维亚诺·圣地亚哥(Silviano Santiago)在《O cosmopolitismo do pobre》(2004)中对贫困的思考出发,我认为雷泽德对消费社会中低收入(或无收入)消费者的隐形性提出了批评。我展示的是,通过《夸伦塔·迪亚斯》的主人公在她女儿的消费主义世界和她在阿雷格里港街头漫步时遇到的那些人的生存经验之间所走的道路,雷森德让人们看到了巴西社会的某些部分,比如东北移民和无家可归的人。在这条道路上,主人公既拒绝消费,又重视消费,这取决于消费的强度和社会后果的范围。
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引用次数: 0
Valladares, Licia do Prado. The Invention of the Favela. Trans. Anderson Robert N.. Chapel Hill: North Carolina UP. 2019. 279 pp. 瓦拉达雷斯,利西娅·多·普拉多。贫民窟的发明。反式。安德森·罗伯特·N…教堂山:北卡罗莱纳州。2019. 279页。
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.E22
J. Garmany
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引用次数: 0
Contributors 贡献者
IF 0.1 4区 社会学 Q3 Arts and Humanities Pub Date : 2021-01-01 DOI: 10.3368/lbr.57.2.135
Mariana Martins de Andrade is an oceanographer with a master’s degree in biological oceanography. She works with marine conservation, sustainability, and public policies, researching participatory processes and the science–management interface. Her work supports scientific communication initiatives and the implementation of the 2030 Agenda and the United Nations Decade of Ocean Science for Sustainable Development in Brazil.
Mariana Martins de Andrade是一位海洋学家,拥有生物海洋学硕士学位。她从事海洋保护、可持续发展和公共政策的研究,研究参与式过程和科学管理界面。她的工作支持科学传播倡议以及在巴西实施《2030年议程》和联合国海洋科学促进可持续发展十年。
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引用次数: 0
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Luso-Brazilian Review
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