Pub Date : 2022-03-12DOI: 10.24310/analecta.v42i1-2.14462
Cristóbal Macías Villalobos
{"title":"Rosario López Gregoris (ed.) (2021): Mujer y violencia en el teatro antiguo. Arquetipos de Grecia y Roma","authors":"Cristóbal Macías Villalobos","doi":"10.24310/analecta.v42i1-2.14462","DOIUrl":"https://doi.org/10.24310/analecta.v42i1-2.14462","url":null,"abstract":"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76243340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-12DOI: 10.24310/analecta.v42i1-2.14460
J. M. Pons
Comentario de los libros de Pedro Aullón de Haro, La Escuela Universalista Española del siglo XVIII (2016); de Pedro Aullón de Haro y Jesús García Gabaldón, Juan Andrés y la Escuela Universalista Española (2017); y de Pedro Aullón de Haro y Davide Mombelli, Introduction to the Spanish Universalist School (Enlightened Culture and Education versus Politics) (2020), que ofrecen la fundamentación y reconstrucción de la Escuela Universalista Española del siglo XVIII, uno de los momentos decisivos de la Cultura Hispánica, y de la Historia de las Ideas y del Pensamiento, cuya metodología comparatista deviene universalista, resultando un sólido establecimiento de la Comparatística moderna así como una posible orientación o posible contenido para nuestra actual época de Globalización.
Pedro aullon de Haro的书籍评论，18世纪西班牙普遍主义学派(2016);Pedro aullon de Haro和jesus garcia gabaldon, Juan andres和西班牙普遍主义学派(2017);Davide Mombelli和Pedro Aullón junventino Introduction to the [Universalist School (Enlightened文化和教育与Politics)(2020年)提供基础和重建学校,18世纪的西班牙,关键时刻之一的西班牙文化和历史观念和思维方法,将经历,结果是一个坚实的现代比较的建立，以及一个可能的方向或可能的内容，我们当前的全球化时代。
{"title":"La Escuela Universalista Española y la comparatística moderna","authors":"J. M. Pons","doi":"10.24310/analecta.v42i1-2.14460","DOIUrl":"https://doi.org/10.24310/analecta.v42i1-2.14460","url":null,"abstract":"Comentario de los libros de Pedro Aullón de Haro, La Escuela Universalista Española del siglo XVIII (2016); de Pedro Aullón de Haro y Jesús García Gabaldón, Juan Andrés y la Escuela Universalista Española (2017); y de Pedro Aullón de Haro y Davide Mombelli, Introduction to the Spanish Universalist School (Enlightened Culture and Education versus Politics) (2020), que ofrecen la fundamentación y reconstrucción de la Escuela Universalista Española del siglo XVIII, uno de los momentos decisivos de la Cultura Hispánica, y de la Historia de las Ideas y del Pensamiento, cuya metodología comparatista deviene universalista, resultando un sólido establecimiento de la Comparatística moderna así como una posible orientación o posible contenido para nuestra actual época de Globalización.","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90406483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.44.01
Carlos Brito Díaz, Alejandro Coello Hernández
En 1987 se celebró un coloquio moderado por Lourdes Ortiz que reunía a varias dramaturgas con el fin de reflexionar sobre la escritura teatral y las hercúleas dificultades de las mujeres para encontrar un pequeño rincón en la escena española, un espacio negado que se reflejó también en el difícil acceso a la publicación1. Aquel coloquio, que quedó recogido en el número 220 de Primer Acto, concluía con una pregunta lanzada por Maribel Lázaro: «¿os habéis fijado en que a la hora de hablar de qué autoras nos gustaban más, no ha salido ningún nombre de mujer?». Todas rieron y sentenciaron: «es que no hay». Sin duda, esa risa subversiva y distanciadora nos sigue brotando a pesar de los esfuerzos institucionales y académicos. Ya nadie puede dudar de la trascendencia de las mujeres en la escena en todas las disciplinas escénicas y, sin embargo, las estadísticas siguen resultando demoledoras para con la creación femenina2. Aun así, contamos ya con un número considerable de artículos científicos, monografías o números monográficos publicados en revista que se
{"title":"La creación teatral femenina del siglo XXI. Homenaje a María José Ragué Arias","authors":"Carlos Brito Díaz, Alejandro Coello Hernández","doi":"10.25145/j.refiull.2022.44.01","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.44.01","url":null,"abstract":"En 1987 se celebró un coloquio moderado por Lourdes Ortiz que reunía a varias dramaturgas con el fin de reflexionar sobre la escritura teatral y las hercúleas dificultades de las mujeres para encontrar un pequeño rincón en la escena española, un espacio negado que se reflejó también en el difícil acceso a la publicación1. Aquel coloquio, que quedó recogido en el número 220 de Primer Acto, concluía con una pregunta lanzada por Maribel Lázaro: «¿os habéis fijado en que a la hora de hablar de qué autoras nos gustaban más, no ha salido ningún nombre de mujer?». Todas rieron y sentenciaron: «es que no hay». Sin duda, esa risa subversiva y distanciadora nos sigue brotando a pesar de los esfuerzos institucionales y académicos. Ya nadie puede dudar de la trascendencia de las mujeres en la escena en todas las disciplinas escénicas y, sin embargo, las estadísticas siguen resultando demoledoras para con la creación femenina2. Aun así, contamos ya con un número considerable de artículos científicos, monografías o números monográficos publicados en revista que se","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69114619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.44.02
Adriana Nicolau Jiménez
María José Ragué Arias (Barcelona 1941-2019) was a Catalan scholar, theatre critic, playwright and feminist activist. This article focuses on a particular aspect of Ragué’s career: her contributions to the study of contemporary Hispanic and Catalan theatre from a feminist perspective. Following an overview of her intellectual career, this article explores the different aspects of this part of her work: the study of the contemporary rewritings of ancient Greek theatre female characters, the reception of feminist anglophone theatre studies, the analysis of the theatre field from a gender perspective and the understanding of female authorship as a differential value. The ensemble of these contributions represents a pioneer approach to contemporary theatre within the late 20th century Spanish academia and is still current at multiple levels, standing as a referent to claim for the study of the relationships among gender, feminisms, women and theatre in the 21st Century.
{"title":"María José Ragué Arias, pionera en el estudio del teatro contemporáneo hispánico y catalán con perspectiva de género","authors":"Adriana Nicolau Jiménez","doi":"10.25145/j.refiull.2022.44.02","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.44.02","url":null,"abstract":"María José Ragué Arias (Barcelona 1941-2019) was a Catalan scholar, theatre critic, playwright and feminist activist. This article focuses on a particular aspect of Ragué’s career: her contributions to the study of contemporary Hispanic and Catalan theatre from a feminist perspective. Following an overview of her intellectual career, this article explores the different aspects of this part of her work: the study of the contemporary rewritings of ancient Greek theatre female characters, the reception of feminist anglophone theatre studies, the analysis of the theatre field from a gender perspective and the understanding of female authorship as a differential value. The ensemble of these contributions represents a pioneer approach to contemporary theatre within the late 20th century Spanish academia and is still current at multiple levels, standing as a referent to claim for the study of the relationships among gender, feminisms, women and theatre in the 21st Century.","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69114669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.45.04
Enrique Pato
"This grammar note describes and analyzes the polysemy of the verb saber (‘to know’) in current Spanish. Specifically, it summarizes the values that it presents as a full verb or saber1, with a base meaning of ability or capacity (Juan sabe nadar), and as a double auxiliary: saber2 or frequent aspectual auxiliary verb equivalent to soler, acostumbrar (Los sillones vacíos saben estar ocupados a veces), and saber3 or culminative aspectual auxiliary verb similar to alcanzar, lograr, llegar a (Es un país que supo ser espléndido). Likewise, the forms it adopts (saber + infinitive), the verb tenses in which it appears registered, and its use as a modal verb are reviewed. Documentation of this use throughout the history of the Spanish language as well as examples in other Romance languages is offered. All this allows us to propose that we are facing a vernacular universal in Spanish."
这篇语法笔记描述并分析了现代西班牙语中动词saber(“知道”)的多义。具体来说，它总结了它作为一个完整的动词或saber1所呈现的价值，其基本含义是能力或能力(Juan sabe nadar)，并作为一个双助动词:saber2或频繁的方面助动词，相当于soler, acostumbrar (Los silones vacíos saben estar ocupados a vees)， saber3或最终的方面助动词，类似于alcanzar, logar, legar (Es un país que supo ser esplemadndido)。同样，它采用的形式(军刀+不定式)，它出现的动词时态，以及它作为情态动词的用法也被回顾。在整个西班牙语的历史中，以及在其他罗曼语的例子中，提供了这种使用的文件。所有这些都让我们认为，我们正面临着西班牙语的通用方言。”
{"title":"De nuevo sobre la polisemia de «saber + infinitivo» y su comportamiento gramatical: otro universal vernáculo del español","authors":"Enrique Pato","doi":"10.25145/j.refiull.2022.45.04","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.45.04","url":null,"abstract":"\"This grammar note describes and analyzes the polysemy of the verb saber (‘to know’) in current Spanish. Specifically, it summarizes the values that it presents as a full verb or saber1, with a base meaning of ability or capacity (Juan sabe nadar), and as a double auxiliary: saber2 or frequent aspectual auxiliary verb equivalent to soler, acostumbrar (Los sillones vacíos saben estar ocupados a veces), and saber3 or culminative aspectual auxiliary verb similar to alcanzar, lograr, llegar a (Es un país que supo ser espléndido). Likewise, the forms it adopts (saber + infinitive), the verb tenses in which it appears registered, and its use as a modal verb are reviewed. Documentation of this use throughout the history of the Spanish language as well as examples in other Romance languages is offered. All this allows us to propose that we are facing a vernacular universal in Spanish.\"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69115587","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.44.10
Joel Hernández Martín
Galician actress, playwright and theater director Vanesa Sotelo (1981) carries out, through her dramatic writing, a poetic search for identity in her female characters. In texts like Nome: Bonita (2014) the same concern always beats: the scope of knowledge through the discovery of roots, the encounter with the ancestors or the understanding of deeply personal and identity issues. Along with this theater of identity, Sotelo develops a theater of memory, by recovering historical female figures from the Galician social and historical context. In this sense, its main characters are great female figures forgotten by history who carry out their own inquiry as an act of vindication. They seek their identity and, at the same time, their deserved place in the collective memory. This article will try to explore the discursive and thought keys of these concerns of the playwright and, at the same time, it will propose to analyze what are the dramaturgical tools that she uses to address them in her dramatic text Nome: Bonita. In short, this research aims to highlight the figure of a playwright who does not hesitate to use her theater to value other great women of her cultural heritage.
{"title":"«Para agarrarse a la tierra»: memoria e identidad en Nome: Bonita (2014), de Vanesa Sotelo","authors":"Joel Hernández Martín","doi":"10.25145/j.refiull.2022.44.10","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.44.10","url":null,"abstract":"Galician actress, playwright and theater director Vanesa Sotelo (1981) carries out, through her dramatic writing, a poetic search for identity in her female characters. In texts like Nome: Bonita (2014) the same concern always beats: the scope of knowledge through the discovery of roots, the encounter with the ancestors or the understanding of deeply personal and identity issues. Along with this theater of identity, Sotelo develops a theater of memory, by recovering historical female figures from the Galician social and historical context. In this sense, its main characters are great female figures forgotten by history who carry out their own inquiry as an act of vindication. They seek their identity and, at the same time, their deserved place in the collective memory. This article will try to explore the discursive and thought keys of these concerns of the playwright and, at the same time, it will propose to analyze what are the dramaturgical tools that she uses to address them in her dramatic text Nome: Bonita. In short, this research aims to highlight the figure of a playwright who does not hesitate to use her theater to value other great women of her cultural heritage.","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69115070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.45.07
M. Salmerón Infante
"The connection between Schiller’s dramas and the reflections developed in his philosophical and historical writings are a highly problematic question. Simplifying, it can be said that the philosophical texts project Schillerian ideals and the historical ones reflect his psychological knowledge of human beings. This tension between the ideal and reality is manifested, among other constellations, in that of absence. In Wallenstein and Wilhelm Tell, the leads are out of action for much of the plot. The character of Wallenstein is absent as a deus absconditus that will be revealed to have failed, whereas the character of Tell as an executor who leaves the collective of his people exempt from with guilt."
{"title":"La ausencia en Schiller: el deus absconditus y el ejecutor (Wallenstein y Wilhelm Tell)","authors":"M. Salmerón Infante","doi":"10.25145/j.refiull.2022.45.07","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.45.07","url":null,"abstract":"\"The connection between Schiller’s dramas and the reflections developed in his philosophical and historical writings are a highly problematic question. Simplifying, it can be said that the philosophical texts project Schillerian ideals and the historical ones reflect his psychological knowledge of human beings. This tension between the ideal and reality is manifested, among other constellations, in that of absence. In Wallenstein and Wilhelm Tell, the leads are out of action for much of the plot. The character of Wallenstein is absent as a deus absconditus that will be revealed to have failed, whereas the character of Tell as an executor who leaves the collective of his people exempt from with guilt.\"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69115733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.45.10
Jiehui Zu
"This paper analyzes how the future tense is associated to the subjunctive in the relative clause with the implicit antecedent cuando. A revision of the bibliography is offered, and the analysis focuses especially on a survey carried out with different questions about the mood and tense of the main verb in the free relative clauses of person, place, mood and time. This survey was conducted with 52 Spanish-speaking cultured informants; their choice preference of the verbal form, which is confirmed by an analysis based on the CORPES and CREA, leads us to the conclusion that the case in question shows some peculiarities which are distinguished from other relative clauses, in that the future tense is incompatible with the subordinate clause induced by cuando even if the time frame to which the adverb cuando is related has been previously presented. Furthermore, the future tense in the main clause is related to the subjunctive in the subordinate clause, so much so that its appearance in the main sentence determines the use of the subjunctive in the subordinate clause."
{"title":"¿Futuro o subjuntivo? El caso de las relativas libres de cuando","authors":"Jiehui Zu","doi":"10.25145/j.refiull.2022.45.10","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.45.10","url":null,"abstract":"\"This paper analyzes how the future tense is associated to the subjunctive in the relative clause with the implicit antecedent cuando. A revision of the bibliography is offered, and the analysis focuses especially on a survey carried out with different questions about the mood and tense of the main verb in the free relative clauses of person, place, mood and time. This survey was conducted with 52 Spanish-speaking cultured informants; their choice preference of the verbal form, which is confirmed by an analysis based on the CORPES and CREA, leads us to the conclusion that the case in question shows some peculiarities which are distinguished from other relative clauses, in that the future tense is incompatible with the subordinate clause induced by cuando even if the time frame to which the adverb cuando is related has been previously presented. Furthermore, the future tense in the main clause is related to the subjunctive in the subordinate clause, so much so that its appearance in the main sentence determines the use of the subjunctive in the subordinate clause.\"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69115969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.45.11
José Juan Batista Rodríguez, Marcial Morera
{"title":"Necrológica de Juan Manuel Pérez Vigaray","authors":"José Juan Batista Rodríguez, Marcial Morera","doi":"10.25145/j.refiull.2022.45.11","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.45.11","url":null,"abstract":"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69115980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.25145/j.refiull.2022.45.12
Paula Cabrera Castro
{"title":"Josebe Martínez Gutiérrez (2020): La detective Kama Gutier en Ciudad Final, Bilbao: DDT Liburuak, 206 pp., ISBN: 9788412045369","authors":"Paula Cabrera Castro","doi":"10.25145/j.refiull.2022.45.12","DOIUrl":"https://doi.org/10.25145/j.refiull.2022.45.12","url":null,"abstract":"","PeriodicalId":52073,"journal":{"name":"REVISTA DE FILOLOGIA DE LA UNIVERSIDAD DE LA LAGUNA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69116101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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