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Journal of Global Slavery最新文献

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The Portuguese Slave Trade in Early Modern Japan: Merchants, Jesuits and Japanese, Chinese, and Korean Slaves, by Lúcio de Sousa 《近代早期日本的葡萄牙奴隶贸易:商人、耶稣会士与日本、中国和朝鲜奴隶》,作者:Lúcio de Sousa
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836X-00401008
T. Lockley
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引用次数: 3
Slavery and Public History at the Big House 大房子里的奴隶制和公共历史
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836x-00401003
Jessica Moody, S. Small
This article considers the public history of slavery at plantation museums in the US South and at country houses in Britain. Drawing on original research, the authors critique recent and current efforts to bring connections between these “Big Houses” and the history of slavery to the fore through different methods of interpretation. These elite residences are argued to have largely obscured such connections historically through distancing, distortion, and denial. However, some notable efforts have been made in recent years to diversify public history narratives and more fully represent histories of enslavement. Comparing these American and British house museums, this article contextualizes public history work at these sites and proposes possible lessons from this research, presenting some points to be taken forward which emerge from this transatlantic comparison.
本文探讨了美国南部种植园博物馆和英国乡村住宅中的奴隶制公共历史。根据最初的研究,作者们批评了最近和目前通过不同的解释方法将这些“大房子”与奴隶制历史之间的联系凸显出来的努力。这些精英住宅被认为在历史上通过疏远、扭曲和否认,在很大程度上掩盖了这种联系。然而,近年来,人们做出了一些显著的努力,使公共历史叙事多样化,并更充分地再现奴役历史。通过比较这些美国和英国的家庭博物馆,本文将这些遗址的公共历史工作置于背景之下,并从这项研究中提出了可能的教训,提出了跨大西洋比较中需要提出的一些观点。
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引用次数: 1
Labor on the Fringes of Empire. Voice, Exit and the Law, by Alessandro Stanziani 《帝国边缘的劳工》《声音、退出与法律》,亚历山德罗·斯坦齐亚尼著
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836X-00401005
C. Vito
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引用次数: 7
Sklaverei. Eine Menschheitsgeschichte von der Steinzeit bis heute, by Michael Zeuske 奴隶身份《从石器时代到现在的人类历史》,迈克尔·泽斯克著
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836X-00401006
Stephanie Zehnle
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引用次数: 2
Epilogue 后记
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836x-00401004
J. Lowe
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引用次数: 0
Rivers and Oceans 河流和海洋
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836X-00401009
Mora J. Beauchamp-Byrd, S. Sobers
This two-part article is a comparative analysis of two late twentieth-century works of art: John T. Scott’s Ocean Song (1990), an abstract, large-scale public art sculpture in New Orleans, Louisiana in the US, and Sold Down the River (1999), a major, self-portrait-centered painting by the Bristol, UK-based artist Tony Forbes. As outlined in both sections, contemporary artists have produced works that ensure a continuing civic dialogue about, and commemoration of, site-specific histories of enslavement. In examining and placing these two works in their social, political and cultural contexts, the article highlights the role that artists may play in offering pictorial counter-narratives that question “official,” often tourist-driven, narratives that tend to romanticize and/or mollify colonial and/or imperial initiatives, including enslavement and other legacies marked by trauma.
这篇由两部分组成的文章对20世纪末的两件艺术作品进行了比较分析:约翰·T·斯科特的《海洋之歌》(1990年),这是美国路易斯安那州新奥尔良的一件抽象的大型公共艺术雕塑,以及英国布里斯托尔艺术家托尼·福布斯的一幅以自画像为中心的重要画作《顺流而下》(1999年)。正如这两部分所述,当代艺术家的作品确保了对特定地点奴役历史的持续公民对话和纪念。在将这两件作品置于其社会、政治和文化背景下进行考察时,文章强调了艺术家在提供图片反叙事方面可能发挥的作用,这些反叙事质疑“官方”,通常是游客驱动的,倾向于浪漫化和/或安抚殖民和/或帝国倡议的叙事,包括奴役和其他以创伤为标志的遗产。
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引用次数: 1
Black Bodies/Libidinal Economies in Barry Unsworth’s Sacred Hunger Barry Unsworth《神圣的饥饿》中的黑人身体/力比多经济
IF 0.7 Q1 HISTORY Pub Date : 2019-02-25 DOI: 10.1163/2405836X-00401002
C. Medine, Lucienne Loh
Barry Unsworth’s Booker Prize winning novel, Sacred Hunger (1992), explores the Middle Passage from the perspective of two central protagonists: Erasmus Kemp, the son of a slave ship builder and owner of the Liverpool Merchant, and Matthew Paris, his cousin and the ship’s doctor. The novel asserts that the “sacred hunger” of the slave trade is the desire for making money, at any cost. In this essay, we argue that one cost, the novel suggests, is the commodification of women’s bodies, particularly black captive women entering the trade. Exploring this libidinal economy, we examine the role of the ship’s doctor, in Paris, as the keeper of the gateway to slavery; the sexual exploitation of both black and white women, and Unsworth’s use of the trace—in this case, the elusive figure of the Paradise Nigger, or Luther Sawdust, who is Paris’ son, Kenke, conceived in a new settlement based on democracy undertaken in Florida and engaged in by both blacks and whites from the wrecked Liverpool Merchant. Capitalism, through human competition, enters that community, which, ultimately, is destroyed as Kemp discovers it and retakes his property. The Paradise Nigger represents a counter-memory and counter-force: a hope that the repetition of master-slave dichotomy in the libidinal economy can be interrupted by something “other” that suggests alternative shapes of human freedom.
巴里·安斯沃斯的布克奖获奖小说《神圣的饥饿》(1992)从两位主人公的视角探索了中间航道:伊拉斯谟·肯普,奴隶船制造者和利物浦商人的老板的儿子,马修·帕里斯,他的表弟和船上的医生。小说断言,奴隶贸易的“神圣饥饿”是不惜一切代价赚钱的欲望。在这篇文章中,我们认为,小说提出的一个成本是女性身体的商品化,尤其是被囚禁的黑人女性进入这个行业。在探索这种性欲经济的过程中,我们考察了巴黎船上的医生作为通往奴隶制之门的看守人的角色;对黑人和白人女性的性剥削,以及昂斯沃斯对线索的运用——在这个例子中,是天堂黑鬼,或者路德·Sawdust这个难以捉摸的人物,他是帕里斯的儿子,肯克,他是在佛罗里达建立的一个基于民主的新定居点中诞生的,来自失事的利物浦商人号的黑人和白人都参与其中。资本主义,通过人类的竞争,进入了这个共同体,最终,当肯普发现它并夺回他的财产时,它被摧毁了。天堂黑鬼代表了一种反记忆和反力量:一种希望,即在力比多经济中,主奴二分法的重复可以被某种暗示人类自由的另类形式的“其他”东西所打断。
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引用次数: 0
Dangerous Neighbors: Making the Haitian Revolution in Early America, by James Alexander Dun & Intimate Bonds: Family and Slavery in the French Atlantic, by Jennifer L. Palmer 《危险的邻居:在早期美国制造海地革命》,詹姆斯·亚历山大·敦著,《亲密的纽带:法属大西洋的家庭与奴隶制》,詹妮弗·L·帕尔默著
IF 0.7 Q1 HISTORY Pub Date : 2018-08-08 DOI: 10.1163/2405836X-00303006
Charles Forsdick
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引用次数: 0
Slavery and its Legacy in Ghana and the Diaspora, by Rebecca Shumway and Trevor R. Getz, eds. 《奴隶制及其在加纳和散居海外的遗产》,丽贝卡·沙姆韦和特雷弗·r·盖兹主编。
IF 0.7 Q1 HISTORY Pub Date : 2018-08-08 DOI: 10.1163/2405836X-00303008
K. Skinner
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引用次数: 0
Social Networks and Social Worlds 社交网络与社交世界
IF 0.7 Q1 HISTORY Pub Date : 2018-08-08 DOI: 10.1163/2405836X-00303003
J. Hardesty
This essay argues that the “slave community” paradigm obfuscates alternative lived experiences for enslaved men and women, especially those living in the urban areas of the early modern Atlantic world, and uses eighteenth-century Boston as a case study. A bustling Atlantic port city where slaves comprised between ten and fifteen percent of the population, Boston provides an important counterpoint. Slaves were a minority of residents, lived in households with few other people of African descent, worked with laborers from across the socio-economic spectrum, and had near constant interaction with their masters. Moreover, slavery in Boston reached its zenith before the American Revolution, meaning older, pre-revolutionary and early modern notions of social order—hierarchy, deference, and dependence—structured their society and everyday lives. These factors imbricated enslaved Bostonians in the broader society. Boston’s slaves inhabited multiple “social worlds” where they fostered a rich tapestry of relations and forms of resistance.
本文认为,“奴隶社区”范式混淆了被奴役男女的另类生活体验,尤其是那些生活在现代大西洋早期城市地区的人,并以18世纪的波士顿为例进行了研究。波士顿是一个繁忙的大西洋港口城市,奴隶占人口的10%至15%,这是一个重要的对比。奴隶是少数居民,生活在几乎没有其他非洲人后裔的家庭中,与来自不同社会经济阶层的劳工一起工作,并与他们的主人几乎经常互动。此外,波士顿的奴隶制在美国革命之前达到了顶峰,这意味着革命前和现代早期的社会秩序观念——等级制度、尊重和依赖——构成了他们的社会和日常生活。这些因素使被奴役的波士顿人在更广泛的社会中相互交织。波士顿的奴隶居住在多个“社会世界”,在那里他们培养了丰富的关系和抵抗形式。
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引用次数: 0
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Journal of Global Slavery
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