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Civil society, solidarity and collective action: Conflict-related displacement in Northern Ireland's Troubles, 1969–1974 民间社会、团结和集体行动:1969-1974年北爱尔兰动乱中与冲突有关的流离失所
Q2 Social Sciences Pub Date : 2023-04-26 DOI: 10.1177/07916035231171015
Niall Gilmartin
This article examines the extraordinary stories of how thousands of active citizens and citizen groups forged sustained levels of collective action to coordinate and manage the evacuation and shelter of thousands forced from their homes and communities during Northern Irelands Troubles. Based on in-depth interviews, the articles originality resides in its unique insights into the first-hand narratives of fear, refuge, and movement caused by mass displacement that have hitherto been largely side-lined from the history of the Troubles. Furthermore, it argues that the herculean task of organising evacuations, journeys and refuge centres by civil society had less to do with Putnam's pluralist concept of social capital and was instead rooted in ideals of solidarity, collective identity and social action. In the case of Northern Ireland's mass displacement between 1969 and 1974, the solidarity and collective response of civic society was premised upon ethno-cultural ties and identities but also derived from a spectrum of critical perceptions of the state; perceptions ranging from inept at one end and outright complicit at the other.
这篇文章探讨了数千名活跃的公民和公民团体如何形成持续的集体行动,以协调和管理在北爱尔兰动乱期间被迫离开家园和社区的数千人的疏散和庇护的非凡故事。基于深入的采访,这些文章的独创性在于它对大规模流离失所造成的恐惧、庇护和运动的第一手叙事有着独特的见解,迄今为止,这些叙事在很大程度上与骚乱的历史背道而驰。此外,它认为,民间社会组织疏散、旅行和避难中心的艰巨任务与普特南的多元社会资本概念无关,而是植根于团结、集体认同和社会行动的理想。在1969年至1974年北爱尔兰大规模流离失所的情况下,公民社会的团结和集体反应是以种族文化联系和身份为前提的,但也源于对国家的一系列批判性看法;人们的看法从一端的无能到另一端的彻头彻尾的同谋。
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引用次数: 0
What the Banshees of Inisherin is about 伊尼舍林的女妖是怎么回事
Q2 Social Sciences Pub Date : 2023-04-24 DOI: 10.1177/07916035231170359
Kieran Keohane, Carmen Kuhling, J. O’Brien
This paper discusses how the film The Banshees of Inisherin represents and employs key sociological concepts and ideas, namely those of liminality, schismogenesis, stasis and transgression, relating to the social pathologies of contemporary civilization.
本文讨论了电影《伊尼舍林的女妖》如何表现和运用与当代文明社会病理有关的关键社会学概念和思想,即边缘性、分裂性、停滞性和越轨性。
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引用次数: 0
Walking and talking with girls in their urban environments: A methodological meandering 在城市环境中与女孩散步和交谈:一种方法论的漫步
Q2 Social Sciences Pub Date : 2023-04-01 DOI: 10.1177/07916035221088408
Deirdre Horgan, Eluska Fernández, Karl Kitching
Young people spend a lot of time in their neighbourhood, yet little is known about the relationship between wellbeing, belonging and place from their own perspective. Our study sought to understand how young people navigate their neighbourhood and perceive various aspects of its health environment in its broadest sense. In this article we reflect on the walking methodology we used as part of a Participatory Photo Mapping (PPM) exercise with 11-year-old girls from a working-class school community who were participants in the PEACH Project. It was through walk-along interviews that students were able to tell us where events that matter to them happen; what these experiences look like (via photos that they took while we walked); and how these experiences unfold (via narratives and stories that they shared with us along the way). We reflect on the use of walking methodologies as both an emplaced approach and dynamic exercise that allowed us to access and generate visual and verbal data that privileged these young girls’ community knowledge. We conclude that this method facilitated the discussion of sensitive and political issues, as well as the emergence of unexpected data on child cultures, family and community life, belonging, wellbeing and futures.
年轻人花了很多时间在他们的社区里,但从他们自己的角度来看,他们对幸福感、归属感和地方之间的关系知之甚少。我们的研究试图了解年轻人如何在他们的社区中穿行,并从最广泛的意义上看待其健康环境的各个方面。在这篇文章中,我们反思了行走方法,我们将其作为参与式照片映射(PPM)练习的一部分,参与者是来自工人阶级学校社区的11岁女孩,她们是PEACH项目的参与者。通过访谈,学生们能够告诉我们,对他们重要的事件发生在哪里;这些体验是什么样的(通过他们在我们走路时拍摄的照片);以及这些经历是如何展开的(通过他们一路上与我们分享的叙述和故事)。我们思考将步行方法作为一种安置方法和动态练习,使我们能够访问和生成视觉和口头数据,这些数据赋予了这些年轻女孩社区知识的特权。我们的结论是,这种方法促进了对敏感和政治问题的讨论,以及关于儿童文化、家庭和社区生活、归属感、福祉和未来的意外数据的出现。
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引用次数: 0
Coumanare Lakes and Dowdys Wire Loop Coumanare Lakes和Dowdys Wire Loop
Q2 Social Sciences Pub Date : 2023-03-08 DOI: 10.1177/07916035221124391
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引用次数: 0
TALAMH 塔拉姆
Q2 Social Sciences Pub Date : 2023-03-08 DOI: 10.1177/07916035221149301
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引用次数: 0
Introduction to the Special Issue 特刊简介
Q2 Social Sciences Pub Date : 2023-03-08 DOI: 10.1177/07916035221126709
Maggie O’Neill, Claire Edwards, Caitríona Ní Laoire, Ger Mullally, Mastoureh Fathi
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引用次数: 0
The Spaces Between 之间的空间
Q2 Social Sciences Pub Date : 2023-03-08 DOI: 10.1177/07916035221149303
Maggie Breen
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引用次数: 0
Walking and the art of invitation 5 notes and 3 invitations 行走与邀请的艺术5张便条和3张邀请
Q2 Social Sciences Pub Date : 2023-03-08 DOI: 10.1177/07916035221124387
Blake Morris
A walk might be designed to be walked together in person, together at a distance, or on your own. Whether the artist is present or not, you are walking in a way they have designed. Even when walking alone, by interpreting the instructions of the artist you are walking with them. As Samuel R. Delany asserts, ‘language (and all that is language like) is the social, you can only be alone without it’ (Delany et al., 1987: 162). The invitation frames the walk; it initiates a way of walking with.
散步可以设计成亲自一起走,一起走一段距离,或者自己走。无论艺术家是否在场,你都在以他们设计的方式行走。即使是独自行走,通过解读艺术家的指示,你也在与他们同行。正如塞缪尔·德兰尼(Samuel R.Delany)所断言的那样,“语言(以及所有类似语言的东西)是社会性的,没有它你只能独自一人”(Delany等人,1987:162)。邀请函构成了散步的框架;它开创了一种走路的方式。
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引用次数: 0
Harmonising or politicising: Youth sector peacebuilding in contested societies 协调或政治化:有争议社会中的青年部门和平建设
Q2 Social Sciences Pub Date : 2022-12-25 DOI: 10.1177/07916035221145594
Andrew S. Hamilton, Mark Hammond
Peacebuilding in contested societies is a cross-sectoral enterprise in which young people are primary stakeholders. Multilateral state-sponsored programmes and philanthropic agencies have resourced a vibrant youth sector delivering peacebuilding initiatives in Northern Ireland and the border counties. Despite billions in investment and a rich tapestry of transformative practice, a visionary peacebuilding strategy co-created with young people has remained elusive. As a result, youth sector peacebuilding in Northern Ireland is inhibited by an obstacle facing civil society peacebuilding across the globe – an ill-articulated vision resulting in pockets of disparate practice. Based on empirical research involving 43 youth work practitioners, this article offers a novel and rigorous methodological framework and sociological analysis to support researchers, policymakers and practitioners in contested societies to advance conceptualisations of peacebuilding. Freeden's framework of morphological analysis is operationalised through Q methodology leading to the identification of four distinctive orientations to peacebuilding. Bourdieu's concepts of capital and field are drawn upon to analyse the four perspectives, framed within a new sociopolitical model of youth sector peacebuilding. Tensions between harmonising versus politicising propensities are discussed as a substantial divergence variously incentivised or neglected by powerful actors within the field with significant implications for the trajectory of practice.
在有争议的社会中建设和平是一项跨部门的事业,青年是其中的主要利益攸关方。多边国家赞助的方案和慈善机构为充满活力的青年部门提供了资源,在北爱尔兰和边境县实施建设和平倡议。尽管有数十亿的投资和丰富的变革实践,但与年轻人共同制定的富有远见的建设和平战略仍然难以捉摸。因此,北爱尔兰青年部门的建设和平受到全球民间社会建设和平面临的障碍的阻碍——这一愿景表述不清,导致了一些不同的做法。本文基于对43名青年工作从业者的实证研究,提供了一个新颖而严格的方法框架和社会学分析,以支持有争议社会中的研究人员、决策者和从业者推进建设和平的概念化。弗里登的形态分析框架通过Q方法得以实施,从而确定了建设和平的四个独特方向。布迪厄的资本和领域概念被用来分析这四个视角,这些视角是在青年部门建设和平的新社会政治模式中构建的。协调倾向与政治化倾向之间的紧张关系被讨论为一种实质性的分歧,这种分歧受到该领域强大行为者的不同激励或忽视,对实践轨迹有重大影响。
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引用次数: 0
Hearing and feeling the music in every step: Musical walks and biographical experience of lockdown 每一步都能听到和感受音乐:音乐漫步和封锁的传记经历
Q2 Social Sciences Pub Date : 2022-12-15 DOI: 10.1177/07916035221136818
Lyudmila Nurse, Chika Robertson
The article investigates the ways in which young musicians explored new (unfamiliar) social landscapes and emotions during Covid-19 pandemic lockdowns, through learning to listen to the “music within their steps” while walking on their own or with members of their own families for the inter-disciplinary project ‘The Musical Steps’. The project examines the self-recorded essays, visual materials and reflections by the young musicians and their parents, which reveal new cultural perspectives of sound, space and silence, along with the thoughts about musical repertoire which were inspired by the walks. Methodologically, we applied the walking biographical method that enabled us to explore young musicians’ reflections on music and their lives during lockdowns from an inter-disciplinary perspective. The walking biographies approach to research on the move has been specially adapted for young musicians and their families by the authors. This article explores how walking changed young musicians’ emotional perceptions of music and what they heard and felt during and after their walks. Questions were raised as to whether the walks affected their physical and mental well-being, both personally and musically, and whether the walks influenced their understanding of their cultural background/origin.
这篇文章调查了在新冠肺炎疫情封锁期间,年轻音乐家探索新的(陌生的)社会景观和情感的方式,通过学习在独自行走或与家人一起行走时倾听“脚步中的音乐”,为跨学科项目“音乐脚步”。该项目考察了年轻音乐家及其父母的自录散文、视觉材料和反思,揭示了声音、空间和沉默的新文化视角,以及受散步启发的对音乐曲目的思考。在方法上,我们采用了行走传记的方法,使我们能够从跨学科的角度探索年轻音乐家对音乐及其在封锁期间的生活的反思。作者特别为年轻音乐家及其家人采用了步行传记的方法来研究这一举动。这篇文章探讨了步行如何改变年轻音乐家对音乐的情感感知,以及他们在步行期间和之后听到的和感受。有人提出了这样的问题:散步是否影响了他们的身心健康,包括个人和音乐,以及散步是否影响他们对文化背景/起源的理解。
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引用次数: 0
期刊
Irish Journal of Sociology
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