Kajian ini secara khusus bertujuan mengkaji relasi kuasa Sultan Palembang (Sultan Mahmud Badaruddin II) pada abad XIX dan Sultan Banten (Sultan Abu Al-Mahasin) pada abad XVII di wilayah Lampung berdasarkan piyagĕm Natayuda dan dalung Bojong. Kajian ini membahas tentang bentuk pesan-pesan politis Sultan Mahmud Badaruddin II dan Sultan Abu Al-Mahasin dalam kaitannya dengan pendekatan yang dilakukan oleh kedua kesultanan tersebut kepada masyarakat Lampung. Berdasarkan hasil analisis data prasasti, dapat diketahui bahwa Kesultanan Palembang lebih berorientasi pada pendekatan yang bersifat hard power, sedangkan Kesultanan Banten berorientasi kepada perpaduan antara hard power dan soft power.
{"title":"Pendekatan politik Sultan Abu Al-Mahasin dan Sultan Mahmud Badaruddin II di Lampung pada abad XVII dan XIX M","authors":"Muhamad Alnoza","doi":"10.30883/jba.v41i2.732","DOIUrl":"https://doi.org/10.30883/jba.v41i2.732","url":null,"abstract":"Kajian ini secara khusus bertujuan mengkaji relasi kuasa Sultan Palembang (Sultan Mahmud Badaruddin II) pada abad XIX dan Sultan Banten (Sultan Abu Al-Mahasin) pada abad XVII di wilayah Lampung berdasarkan piyagĕm Natayuda dan dalung Bojong. Kajian ini membahas tentang bentuk pesan-pesan politis Sultan Mahmud Badaruddin II dan Sultan Abu Al-Mahasin dalam kaitannya dengan pendekatan yang dilakukan oleh kedua kesultanan tersebut kepada masyarakat Lampung. Berdasarkan hasil analisis data prasasti, dapat diketahui bahwa Kesultanan Palembang lebih berorientasi pada pendekatan yang bersifat hard power, sedangkan Kesultanan Banten berorientasi kepada perpaduan antara hard power dan soft power.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46534897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Putri Novita Taniardi, Anggara Nandiwardhana, M. Yaqin, Citra Iqliyah Darojah
Since the research in 2018 until 2019, pottery sherds are the most dominant artifact from Mulyosari megalithic site amongst other. Hence, analysis conducted towards pottery directly associated with the megaliths are important. Petrographic analysis that was applied in this research is aiming to understand the technology and the material source of pottery at Mulyosari Site. It is necessary to know whether the pottery is locally made or imported from other region. Petrographic analysis was carried out to several excavated pottery samples. All the samples were not randomly chosen; instead they were based on specific character of pottery sherds. The result of analysis shows that the source of pottery material located within geological formation of researched area comprises Sukamade, Merubetiri, Batu Ampar, and Merubetiri limestone. The result of analysis also shows advanced pottery making technology using spinning wheel and open firing at 400 Celsius degrees.
{"title":"Technology and raw material sources of pottery from Mulyosari Site based on petrographic analysis","authors":"Putri Novita Taniardi, Anggara Nandiwardhana, M. Yaqin, Citra Iqliyah Darojah","doi":"10.30883/JBA.V41I1.610","DOIUrl":"https://doi.org/10.30883/JBA.V41I1.610","url":null,"abstract":"Since the research in 2018 until 2019, pottery sherds are the most dominant artifact from Mulyosari megalithic site amongst other. Hence, analysis conducted towards pottery directly associated with the megaliths are important. Petrographic analysis that was applied in this research is aiming to understand the technology and the material source of pottery at Mulyosari Site. It is necessary to know whether the pottery is locally made or imported from other region. Petrographic analysis was carried out to several excavated pottery samples. All the samples were not randomly chosen; instead they were based on specific character of pottery sherds. The result of analysis shows that the source of pottery material located within geological formation of researched area comprises Sukamade, Merubetiri, Batu Ampar, and Merubetiri limestone. The result of analysis also shows advanced pottery making technology using spinning wheel and open firing at 400 Celsius degrees.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49069260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Penelitian ini bertujuan untuk mengkaji dan mengidentifikasi tempat asal arca Agastya bertubuh ramping yang tersimpan di Museum Mpu Purwa, Kota Malang. Objek kajian dalam penelitian ini adalah Arca Agastya yang digambarkan berperut ramping, gaya rambut yang sebagian digelung dan sebagian diurai di pundak belakang, dan memegang senjata trisula dari sandaran belakang. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan melakukan penalaran induktif bersifat deskriptif analitis. Pendekatan yang digunakan adalah analisis ikonografi, ekologi, kontekstual, dan pendekatan sejarah. Hasil penelitian menunjukkan bahwa arca Agastya bertubuh ramping dibuat secara lokal, bermutu tinggi, dan dipengaruhi langgam Gupta-India yang muncul di Jawa Tengah pada abad VIII hingga IX. Arca Agastya tersebut juga diketahui berasal dari reruntuhan Candi Karangbesuki di Desa Karangbesuki, sebagai arca mandala candi Hindu yang ditempatkan di relung luar dinding sisi selatan. Hasil penelitian ini diharapkan dapat berguna untuk penelitian lanjutan lainnya.
{"title":"Kajian Arca Agastya Bertubuh Ramping Koleksi Museum Mpu Purwa Kota Malang","authors":"Rakai Hino Galeswangi","doi":"10.30883/JBA.V41I1.603","DOIUrl":"https://doi.org/10.30883/JBA.V41I1.603","url":null,"abstract":"Penelitian ini bertujuan untuk mengkaji dan mengidentifikasi tempat asal arca Agastya bertubuh ramping yang tersimpan di Museum Mpu Purwa, Kota Malang. Objek kajian dalam penelitian ini adalah Arca Agastya yang digambarkan berperut ramping, gaya rambut yang sebagian digelung dan sebagian diurai di pundak belakang, dan memegang senjata trisula dari sandaran belakang. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan melakukan penalaran induktif bersifat deskriptif analitis. Pendekatan yang digunakan adalah analisis ikonografi, ekologi, kontekstual, dan pendekatan sejarah. Hasil penelitian menunjukkan bahwa arca Agastya bertubuh ramping dibuat secara lokal, bermutu tinggi, dan dipengaruhi langgam Gupta-India yang muncul di Jawa Tengah pada abad VIII hingga IX. Arca Agastya tersebut juga diketahui berasal dari reruntuhan Candi Karangbesuki di Desa Karangbesuki, sebagai arca mandala candi Hindu yang ditempatkan di relung luar dinding sisi selatan. Hasil penelitian ini diharapkan dapat berguna untuk penelitian lanjutan lainnya.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48442198","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Theresia L. Oktarisa, Anindita L. Prihatiningtias, T. S. Prabawa, Linda Susilowati
One of Indonesia’s tourist destinations which included in the Heritage Tourism category is Sangiran Early Man Site. As a tourist destination, The Sangiran Early Man Museum, Krikilan Cluster and four other museums, needs a concern to some important elements in the development and management of tourism destination. It comprises tourism destination attributes linked to the tourist motivation and perceptions towards necessities compliance, and tourist satisfaction of the destination. Tourist satisfaction became one of indicators whether the tourism destination can be considered as priority tourism destination. This article provides information on visitors’ motivations and perceptions of Krikilan Cluster, the Sangiran Early Man Museum, based on quantitative research conducted on 533 responden. The descriptive results are expected to give contribution towards museum’s maintenance, management, and development to be a primary tourist destination.
{"title":"Visitors’ motivation and perception on Sangiran Early Man Museum, Krikilan Cluster","authors":"Theresia L. Oktarisa, Anindita L. Prihatiningtias, T. S. Prabawa, Linda Susilowati","doi":"10.30883/JBA.V41I1.570","DOIUrl":"https://doi.org/10.30883/JBA.V41I1.570","url":null,"abstract":"One of Indonesia’s tourist destinations which included in the Heritage Tourism category is Sangiran Early Man Site. As a tourist destination, The Sangiran Early Man Museum, Krikilan Cluster and four other museums, needs a concern to some important elements in the development and management of tourism destination. It comprises tourism destination attributes linked to the tourist motivation and perceptions towards necessities compliance, and tourist satisfaction of the destination. Tourist satisfaction became one of indicators whether the tourism destination can be considered as priority tourism destination. This article provides information on visitors’ motivations and perceptions of Krikilan Cluster, the Sangiran Early Man Museum, based on quantitative research conducted on 533 responden. The descriptive results are expected to give contribution towards museum’s maintenance, management, and development to be a primary tourist destination.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41749808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
D. Wijaya, D. Y. Wahyudi, Siti Zainatul Umaroh, Ninie Susanti, Rendy Aditya Putra Ertrisia
Previously, several toponymy studies have already been conducted both in the Nusa (Island) Ambon as well as in the City of Ambon. However, previous studies have not used the historical-archaeological approach. The use of this approach could ease the researchers to reveal the cross-cultural meeting in a specific locus. Taking the Island of Ambon as a locus, the researchers aim to find the origin of village names and the cultural intersection in Leihitu and Leitimor Peninsula. There were three steps conducted to collect and analyse data using historical-archaeological approach. Firstly, the researchers identified and took a tabulation of the village names, mentioned by the Hikayat Tanah Hitu (The Epic of Hitu Land) and three ancient maps. Secondly, the researchers identified various archaeological remains located in the scattered villages. Finally, the researchers analysed the origin of village names by searching the word-meanings, finding the present locations, and describing the role of the contemporary cultures (Islamic and Colonial period) in the past. The researchers found 12 villages with 22 archaeological remains. All related communities have the archaeological remains which could explain the local dynamics, but there are merely ten villages which name meanings could be identified.
此前，已经在努萨（岛）安汶和安汶市进行了几项地名研究。然而，以往的研究并没有采用历史考古学的方法。这种方法的使用可以使研究人员更容易地揭示特定地点的跨文化会议。以安汶岛为研究地点，研究人员旨在寻找莱希图和莱蒂摩尔半岛村庄名称的起源以及文化交汇点。使用历史考古方法收集和分析数据分为三个步骤。首先，研究人员确定并制作了Hikayat Tanah Hitu（《Hitu Land的史诗》）提到的村庄名称和三幅古代地图的表格。其次，研究人员在零散的村庄中发现了各种考古遗迹。最后，研究人员通过搜索单词含义、找到现在的位置以及描述当代文化（伊斯兰和殖民时期）在过去的作用，分析了村庄名称的起源。研究人员发现了12个村庄和22处考古遗迹。所有相关社区都有考古遗迹，可以解释当地的动态，但只有十个村庄的名字含义可以确定。
{"title":"The toponymy of the villages in Ambon Island: A historical and archaeological study","authors":"D. Wijaya, D. Y. Wahyudi, Siti Zainatul Umaroh, Ninie Susanti, Rendy Aditya Putra Ertrisia","doi":"10.30883/JBA.V41I1.600","DOIUrl":"https://doi.org/10.30883/JBA.V41I1.600","url":null,"abstract":"Previously, several toponymy studies have already been conducted both in the Nusa (Island) Ambon as well as in the City of Ambon. However, previous studies have not used the historical-archaeological approach. The use of this approach could ease the researchers to reveal the cross-cultural meeting in a specific locus. Taking the Island of Ambon as a locus, the researchers aim to find the origin of village names and the cultural intersection in Leihitu and Leitimor Peninsula. There were three steps conducted to collect and analyse data using historical-archaeological approach. Firstly, the researchers identified and took a tabulation of the village names, mentioned by the Hikayat Tanah Hitu (The Epic of Hitu Land) and three ancient maps. Secondly, the researchers identified various archaeological remains located in the scattered villages. Finally, the researchers analysed the origin of village names by searching the word-meanings, finding the present locations, and describing the role of the contemporary cultures (Islamic and Colonial period) in the past. The researchers found 12 villages with 22 archaeological remains. All related communities have the archaeological remains which could explain the local dynamics, but there are merely ten villages which name meanings could be identified.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48557131","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper discusses the makara found at Adan-Adan Temple, Kediri. So far, it is the largest makara in Indonesia and, in terms of iconography, has distinctive features. The data was collected through detailed observations both directly in the field or through photographs. This study employed a comparative analysis, i.e. comparing the collected data to the makaras from different periods (the Ancient Matarām, the Srīwijaya, and the Siŋhasāri). From these comparisons, it is known that the makara at Adan-Adan Temple has special characteristics, i.e. different depictions between the makara on the left and the right as can be seen from the figure of a mythical creature inside the makara’s mouth, from the sculpture on the front of the makara, and on the back of the makara. This particularity may be included as an art style of the Kaḍiri period (the transitional period of from Ancient Matarām to Siŋhasāri).
{"title":"Makara of Adan-Adan Temple: The Art Style During The Kaḍiri Period","authors":"Sukawati Susetyo","doi":"10.30883/jba.v40i1.514","DOIUrl":"https://doi.org/10.30883/jba.v40i1.514","url":null,"abstract":"This paper discusses the makara found at Adan-Adan Temple, Kediri. So far, it is the largest makara in Indonesia and, in terms of iconography, has distinctive features. The data was collected through detailed observations both directly in the field or through photographs. This study employed a comparative analysis, i.e. comparing the collected data to the makaras from different periods (the Ancient Matarām, the Srīwijaya, and the Siŋhasāri). From these comparisons, it is known that the makara at Adan-Adan Temple has special characteristics, i.e. different depictions between the makara on the left and the right as can be seen from the figure of a mythical creature inside the makara’s mouth, from the sculpture on the front of the makara, and on the back of the makara. This particularity may be included as an art style of the Kaḍiri period (the transitional period of from Ancient Matarām to Siŋhasāri).","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41485746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Liyangan archaeological site in the village of Purbasari, Residency Temanggung, Central Java, is an Old Mataram settlement predictably existed from around 8th to 10th century CE. In this site, which was buried by thick layers of pyroclastic materials of Gunung Sindoro eruption, various artefacts as well as stone structures are found including pavement, altars, retaining walls, water-temple, and remains of wooden structures. One of the most interesting aspect of this site is the orientation of the stone structures. Although the whole settlement was arranged to follow the sloping contour of the Mount Sindoro, most of the stone structures were oriented to southeast, which was not common for stone shrines built at the same period. This paper attempts to explain the reason for such an exceptional orientation using landscape archaeological approach. Our research demonstrates that the ten Liyangan stone structures were oriented to either Mount Merapi, Baka Hill, or the Prambanan temple. The orientation of the stone structures is believed as a reflection of the spatial map and the cosmology of the community lived in Liyangan centuries ago. It is suggested here that such an orientation represents the so-called “spiritual landscape”of the people.
{"title":"LANSKAP SPIRITUAL SITUS LIYANGAN","authors":"D. Tanudirjo, J. Yuwono, Ari Mukti Wardoyo Adi","doi":"10.30883/jba.v39i2.474","DOIUrl":"https://doi.org/10.30883/jba.v39i2.474","url":null,"abstract":"Liyangan archaeological site in the village of Purbasari, Residency Temanggung, Central Java, is an Old Mataram settlement predictably existed from around 8th to 10th century CE. In this site, which was buried by thick layers of pyroclastic materials of Gunung Sindoro eruption, various artefacts as well as stone structures are found including pavement, altars, retaining walls, water-temple, and remains of wooden structures. One of the most interesting aspect of this site is the orientation of the stone structures. Although the whole settlement was arranged to follow the sloping contour of the Mount Sindoro, most of the stone structures were oriented to southeast, which was not common for stone shrines built at the same period. This paper attempts to explain the reason for such an exceptional orientation using landscape archaeological approach. Our research demonstrates that the ten Liyangan stone structures were oriented to either Mount Merapi, Baka Hill, or the Prambanan temple. The orientation of the stone structures is believed as a reflection of the spatial map and the cosmology of the community lived in Liyangan centuries ago. It is suggested here that such an orientation represents the so-called “spiritual landscape”of the people.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45650107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ketika kekacauan melanda Pakwan Pajajaran akibat adanya gempuran pasukan Banten yang sedang mengibarkan panji-panji Islam, Prabu Siliwangi sebagai penguasa Sunda kala itu segera mendatangi salah satu vasalnya yakni Sumedang Larang. Empat orang patihnya, di antaranya Sayang Hawu atau lebih dikenal dengan sebutan Embah Jayaperkosa, diperintahkan untuk menyerahkan sebuah pusaka kraton berupa mahkota emas kepada Prabu Geusan Ulun, penguasa Sumedang Larang. Kejadian yang dapat diartikan sebagai penyerahan tahta kerajaan Sunda itu diikuti dengan keberangkatan Prabu Siliwangi menuju puncak gunung Tampomas .
{"title":"SANGHIANG TARAJE, TINGGALAN TRADISI MEGALITIK DI GUNUNG TAMPOMAS","authors":"Lucas Partanda Koestoro","doi":"10.30883/jba.v8i2.491","DOIUrl":"https://doi.org/10.30883/jba.v8i2.491","url":null,"abstract":"Ketika kekacauan melanda Pakwan Pajajaran akibat adanya gempuran pasukan Banten yang sedang mengibarkan panji-panji Islam, Prabu Siliwangi sebagai penguasa Sunda kala itu segera mendatangi salah satu vasalnya yakni Sumedang Larang. Empat orang patihnya, di antaranya Sayang Hawu atau lebih dikenal dengan sebutan Embah Jayaperkosa, diperintahkan untuk menyerahkan sebuah pusaka kraton berupa mahkota emas kepada Prabu Geusan Ulun, penguasa Sumedang Larang. Kejadian yang dapat diartikan sebagai penyerahan tahta kerajaan Sunda itu diikuti dengan keberangkatan Prabu Siliwangi menuju puncak gunung Tampomas .","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46360954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper focus on chewing betel quid habit that dominantly happen in the Asia to Pacific region. Betel quid leaves traces of reddish-brown colour on the teeth. It was identified that dental stain was very common on teeth of prehistoric skeletal remains, for example in Thailand and Vietnam. Several studies have shown that chewing betel nut can cause diseases in the teeth and oral cavity. The purpose of this study is to describe the relationship between betel nut chewing and the emergence of tooth pathology in teeth from the prehistoric population from Lewoleba and Liang Bua. Ten individuals were observed using the macroscopic method. The results showed that consumption of betel nut (based on dental stains) was followed by attrition, periodontitis and even antemortem tooth loss.
{"title":"KONSUMSI SIRIH PINANG DAN PATOLOGI GIGI PADA MASYARAKAT PRASEJARAH LEWOLEBA DAN LIANG BUA, DI NUSA TENGGARA TIMUR, INDONESIA","authors":"Toetik Koesbardiati, Delta Bayu Murti","doi":"10.30883/jba.v39i2.470","DOIUrl":"https://doi.org/10.30883/jba.v39i2.470","url":null,"abstract":"This paper focus on chewing betel quid habit that dominantly happen in the Asia to Pacific region. Betel quid leaves traces of reddish-brown colour on the teeth. It was identified that dental stain was very common on teeth of prehistoric skeletal remains, for example in Thailand and Vietnam. Several studies have shown that chewing betel nut can cause diseases in the teeth and oral cavity. The purpose of this study is to describe the relationship between betel nut chewing and the emergence of tooth pathology in teeth from the prehistoric population from Lewoleba and Liang Bua. Ten individuals were observed using the macroscopic method. The results showed that consumption of betel nut (based on dental stains) was followed by attrition, periodontitis and even antemortem tooth loss.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43394161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The struggling in the ethical issues of submerged underwater sites and underwater cultural heritage have been undertaking in Indonesia for the last two decades. During these 20 years, commercial companies in collaboration with the National Shipwreck Committee recovered and salvaged substantial numbers of material cargoes. Unfortunately, the majority of these operations occurred without the involvement of archaeologists and lack of proper and controlled archaeological methods and excavation techniques. Since 2010, the Indonesian Government has declared a moratorium that temporarily stopped all commercial survey and salvage activities, and prohibits the sale of the artefacts. Nowadays, more than 190,000 artefacts raised by salvagers are currently stored at the National Shipwreck Committee warehouses near Jakarta, in Cileungsi, West Java, Indonesia. This study attempts to illustrate the disadvantages of the commercial salvage practices and the auction of salvaged artefacts. This research also discusses some recommendations to contribute to a more ethical system of protection and the long-term management of the Indonesian maritime cultural resources, including its existing collections from salvaged shipwreck sites that are stored at the National Shipwreck Committee warehouse today.
{"title":"WHAT WE HAVE LOST FROM WHAT HAVE BEEN DONE: ETHICAL PROBLEMS OF THE SALVAGED SHIPWRECK CARGOES IN INDONESIA","authors":"H. Putra","doi":"10.30883/jba.v39i2.464","DOIUrl":"https://doi.org/10.30883/jba.v39i2.464","url":null,"abstract":"The struggling in the ethical issues of submerged underwater sites and underwater cultural heritage have been undertaking in Indonesia for the last two decades. During these 20 years, commercial companies in collaboration with the National Shipwreck Committee recovered and salvaged substantial numbers of material cargoes. Unfortunately, the majority of these operations occurred without the involvement of archaeologists and lack of proper and controlled archaeological methods and excavation techniques. Since 2010, the Indonesian Government has declared a moratorium that temporarily stopped all commercial survey and salvage activities, and prohibits the sale of the artefacts. Nowadays, more than 190,000 artefacts raised by salvagers are currently stored at the National Shipwreck Committee warehouses near Jakarta, in Cileungsi, West Java, Indonesia. This study attempts to illustrate the disadvantages of the commercial salvage practices and the auction of salvaged artefacts. This research also discusses some recommendations to contribute to a more ethical system of protection and the long-term management of the Indonesian maritime cultural resources, including its existing collections from salvaged shipwreck sites that are stored at the National Shipwreck Committee warehouse today.","PeriodicalId":52718,"journal":{"name":"Berkala Arkeologi","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46153715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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