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MEDIA LITERACY AND SOCIAL INCLUSION 媒介素养与社会包容
Pub Date : 2022-02-18 DOI: 10.36782/jcs.v11i2.2171
Kevin Marcellino, I. Irwansyah
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引用次数: 0
SEMIOTIC ANALYSIS OF THE LOVE MYSELF MESSAGE IN THE BTS SONG LYRICS 'EPIPHANY' 防弹少年团歌词“顿悟”中“爱我自己”的符号学分析
Pub Date : 2022-02-04 DOI: 10.36782/jcs.v12i1.2183
Maria Fransiska Larasati
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引用次数: 1
THE DAILY MAIL AND THE REBIRTH OF POPULIST JOURNALISM 每日邮报和民粹主义新闻的重生
Pub Date : 2022-02-04 DOI: 10.36782/jcs.v12i1.2204
Wisnu Prasetya Utomo
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引用次数: 0
THE INFLUENCE OF INTERNAL CORPORATE COMMUNICATION ON BRAND COMMUNITY 企业内部传播对品牌社群的影响
Pub Date : 2022-02-04 DOI: 10.36782/jcs.v11i2.2245
A. Fortunisa, Riska Dwinda Elsyah
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引用次数: 0
THE PROBLEM OF DEEP COMMUNICATION IN CONTEMPORARY ETHICS EDUCATION 当代伦理教育中的深度沟通问题
Pub Date : 2022-02-04 DOI: 10.36782/jcs.v12i1.2222
G. Endro
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引用次数: 0
“AM I CREATIVE ENOUGH OR PERFECTLY CHARMING?” Gender Comparison of How Millennials Represent themselves on Instagram “我有足够的创造力吗?我有足够的魅力吗?”千禧一代在Instagram上表现自己的性别比较
Pub Date : 2021-03-29 DOI: 10.36782/jcs.v11i1.2151
Edwi Arief Sosiawan, R. Wibowo
Photos uploaded by the millennial generation are the process of re-purposing the means of photography in the form of self-representation as a way to construct their identity. This self-identity construction process also involves gender roles related facts that demonstrate various behaviors in the social media use. Photos posted as self-representation are not only getting a normative or supportive response in the caption as a comment or like, but also bringing up cases and problems. This article figures out the gender comparison in the self-identity construction of the millennial generation in social media Instagram. The netnography (virtual ethnography) method used to interpret the phenomenon of the daily behavior of the millennial generation on Instagram. Primary data derived from hypertext interactions with the millennial generation of Instagram users. The findings point that the male millennial prefer to present themselves as an intimate and friendly person who is close to the family in daily life. They are also more oriented towards presenting their preferences and hobbies by visualizing symbols related to them, such as highlighting creativity with tools used as photo and video cameras. While the female millennial tend to dislike daily show because it is considered a private matter. However, they like to show their identity through fashion or clothing known as OOTD, highlight their creative products, and more focus on themselves. To cite this article (7 th APA style): Sosiawan, E. A. & Wibowo, R. (2021). "Am I creative enough or perfectly charming?" Gender comparison of how millennials represent themselves on Instagram. Journal Communication Spectrum : Capturing New Perspectives in Communication, 11 (1), 64-73. http://dx.doi.org/10.36782/jcs.v1i1.2151
千禧一代上传的照片是将摄影手段以自我呈现的形式重新利用的过程,是一种建构自我身份的方式。这种自我认同的构建过程也涉及到与性别角色相关的事实,这些事实表现出社交媒体使用中的各种行为。作为自我代表发布的照片不仅在标题中得到了规范性或支持性的回应,如评论或点赞,而且还带来了案例和问题。本文分析了千禧一代在社交媒体Instagram上自我认同建构中的性别对比。用于解释Instagram上千禧一代日常行为现象的网络志(虚拟人种志)方法。原始数据来源于与Instagram千禧一代用户的超文本交互。研究结果指出,千禧一代男性在日常生活中更喜欢把自己塑造成一个亲密友好的人,与家人关系密切。他们也更倾向于通过可视化与他们相关的符号来展示他们的偏好和爱好,比如用照片和摄像机等工具来突出创造力。而千禧一代女性往往不喜欢日常节目,因为这被认为是私事。然而,他们喜欢通过被称为OOTD的时尚或服装来展示自己的身份,突出自己的创意产品,更多地关注自己。引用本文:Sosiawan, E. A. & Wibowo, R.(2021)。“我有足够的创造力吗?我有足够的魅力吗?”千禧一代在Instagram上表现自己的性别比较。通信频谱:捕捉通信新视角,11(1),64-73。http://dx.doi.org/10.36782/jcs.v1i1.2151
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引用次数: 0
THE POLITICS OF GLOBAL RESPONSE TO COVID-19: Implications for the International Communication of Health Care Systems 全球应对新冠肺炎的政策:对卫生保健系统国际交流的影响
Pub Date : 2021-02-28 DOI: 10.36782/JCS.V10I2.2024
Gizachew Nemomsa Eranfeno
This article analyzes global responses to the outbreak and spread of COVID-19. Specifically, how international communications on the management of COVID-19 by nations and institutions face challenges due to lack of preparedness and capacity of the countries to tackle the virus spread. Also, how diplomatic relations for cooperation change into conflicts among economic and political rivals in the world. By reviewing selected online news media coverage and social networking sites of public figures and leaders to respond to the epidemics from January-April 2020 this article also draws upon Wallerstein’s world-systems theory as a conceptual framework. The findings indicate that COVID-19 spread at an alarming rate worldwide and contribute to the politicization of global response to and cooperation on COVID-19. The study concludes that Wallerstein’s categorization of the world through the lens of world-systems theory will no longer explain the global health care systems nature.  Hence the author suggests a call for Jan N. Pieterse’s critical globalism to improve the health care systems global discourse. Global integration through media discourse would shape communication flows and approaches of cooperation.  It also suggested that the world from the core periphery and semi-periphery should discuss to tackle the spread of the virus at this time and global environmental crisis in the future.
本文分析了全球对新冠肺炎爆发和传播的反应。具体而言,由于各国缺乏应对病毒传播的准备和能力,各国和机构在新冠肺炎管理方面的国际沟通如何面临挑战。此外,外交合作关系如何转变为世界经济和政治对手之间的冲突。通过回顾2020年1-4月以来公众人物和领导人为应对疫情而选择的在线新闻媒体报道和社交网站,本文还借鉴了沃勒斯坦的世界系统理论作为概念框架。研究结果表明,新冠肺炎在全球范围内以惊人的速度传播,并导致全球应对和合作新冠肺炎的政治化。该研究得出结论,沃勒斯坦通过世界系统理论的视角对世界进行的分类将不再解释全球医疗保健系统的性质。因此,作者建议呼吁扬·N·皮特斯的批判全球主义来改善医疗保健系统的全球话语。通过媒体话语实现全球一体化将形成沟通流和合作方式。它还建议,来自核心外围和半外围的世界应该讨论如何应对此时的病毒传播和未来的全球环境危机。
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引用次数: 0
PERPETUATING BEAUTY MYTH THROUGH SELFIE-EDITING 通过自拍延续美丽神话
Pub Date : 2021-02-28 DOI: 10.36782/jcs.v11i1.2128
Mayda Putri Setyastuti, Manik Sunuantari
Selfie is a phenomenon that best represents popular culture in today's digital era. The trend in the use of smartphones with front cameras and social media has contributed to the creation of 93 million selfies per day from Android-based phones alone (Brandt, 2014). In fact, selfies are not something completely spontaneous and authentic. Selfies go through a series of processes of production and curation in various ways to bring out the 'best version' of a person. The awareness that selfies shared via social media will be seen, even commented on by others, makes individuals take a number of ways to 'enhance' their appearance virtually. One way to improve the appearance of yourself on a selfie is to do selfie-editing. This practice has been practiced and widely accepted. Selfie-editing is the process of perfecting selfies before they are uploaded and shared via social media platforms, especially Instagram. Instagram is currently the most popular social media platform for users to publish their selfie and other photographic contents. This article attempts to explain the selfie-editing phenomenon as an individual effort to manage impressions through the concept of looking-glass self by Charles Horton Cooley. The research was conducted qualitatively, namely by conducting in-depth interviews with informants who are influencers on Instagram, as well as observing and analyzing selfies and photos published in each of the influencers' Instagram accounts. The three accounts that had been the object of this research are @cindaranii, @indripurwandari, and @ipehkhalifah. The three users consistently posted their selfies and self-portraits with various arrangements in their Instagram feeds, as they have thousands of Instagram followers. The findings show that selfies undergo some specific and organized process which can be classified into 3 phases: Pre-production, Production, and Post-Production. These processes indicate that a selfie needs to meet some criteria prior to its uploads in Instagram. This study also found that selfie-editing or photo-editing is certain, but such editing and modification process should deliver a natural and effortless look, the least fabricated it could be. This indicates that selfie-editing is not only a form of impression management on social media, but also a form of censorship action according to the myth of beauty, even though the internet and social media are often perceived as a free and democratic medium. Keywords: Selfie, Selfie-editing, Looking-glass self, Self-censorship, Beauty Myth To cite this article (7 th APA style): Putri, M., & Sunuantari, M. (2021). Perpetuating Beauty Myth through Selfie-Editing . Journal Communication Spectrum: Capturing New Perspectives in Communication, 11 (1), xx-xx. http://dx.doi.org/10.36782/10.36782/jcs.v1i1.2128
自拍是当今数字时代最能代表流行文化的现象。使用带有前置摄像头的智能手机和社交媒体的趋势导致每天仅android手机就产生9300万张自拍(Brandt, 2014)。事实上,自拍并不是完全自发和真实的。自拍经历了一系列的制作和管理过程,以各种方式展现出一个人的“最佳版本”。人们意识到在社交媒体上分享的自拍会被别人看到,甚至被别人评论,这促使人们采取各种方式在网上“提升”自己的形象。改善自拍形象的一种方法是进行自拍编辑。这种做法已经被实践并被广泛接受。自拍编辑是在将自拍上传到社交媒体平台(尤其是Instagram)和分享之前,对其进行完善的过程。Instagram是目前用户发布自拍和其他摄影内容最受欢迎的社交媒体平台。本文试图通过查尔斯·霍顿·库利的“镜子自我”概念,将自拍编辑现象解释为一种个人努力管理印象的行为。这项研究是定性的,即通过对Instagram上有影响力的线人进行深入采访,并观察和分析每个有影响力的Instagram账户上发布的自拍和照片。本研究的三个账号是@cindaranii, @indripurwandari和@ipehkhalifah。这三名用户一直在他们的Instagram上发布各种各样的自拍和自画像,因为他们在Instagram上有成千上万的粉丝。研究结果表明,自拍经历了一些特定的、有组织的过程,可以分为3个阶段:前期制作、生产和后期制作。这些过程表明,一张自拍在上传到Instagram之前需要满足一些标准。这项研究还发现,自拍编辑或照片编辑是肯定的,但这样的编辑和修改过程应该呈现出自然而轻松的外观,尽可能不做作。这表明,尽管互联网和社交媒体通常被视为自由民主的媒介,但自拍编辑不仅是社交媒体上的一种印象管理形式,也是一种根据美的神话进行的审查行为。关键词:自拍,自拍编辑,镜子自我,自我审查,美丽神话引用这篇文章(第七APA风格):Putri, M., & Sunuantari, M.(2021)。通过自拍编辑让美丽神话永存。[j] .通信频谱:捕捉通信新视角,11 (1),xx-xx。http://dx.doi.org/10.36782/10.36782/jcs.v1i1.2128
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引用次数: 0
DOMESTIC VIOLENCE DURING COVID-19 PANDEMIC: Study on Magdelene.co Articles COVID-19大流行期间的家庭暴力:关于Magdelene的研究。公司的文章
Pub Date : 2021-02-28 DOI: 10.36782/JCS.V10I2.2100
Greta Theresia Ndruru, Adek Risma Dedees
The National Commission on Violence against Women (Komnas Perempuan) reports that there has been an increase in Domestic Violence (KDRT) during Large-Scale Social Restrictions (PSBB). The results of an online survey conducted by Komnas Perempuan led Magdalene.co to raise violence through the Safe Space channel specifically. Magdalene.co is a feminist online media that actively raises issues of gender and feminism. This study discusses what types of violence occur during the pandemic and how Magdalene.co raises domestic violence. This study uses a qualitative approach by conducting online observations of articles on the Safe Space channel presented during June 2020. This study also conducted interviews with the co-founder and reporter of Magdalene.co.  The results found that economic and psychological violence were the two types of violence that increased. These phenomena are due to the uncertain economic conditions during the pandemic. This research also found several efforts made by Magdalene.co in raising the issue of violence during the COVID-19 pandemic one of which was by using a particular Safe Space channel. Launched June 2020 this channel collaborates with other institutions such as Komnas Perempuan and the Apik Legal Aid Institute. To cite this article (7th APA style): Nduru G. T. & Dedees A. R. (2020). Domestic Violence during COVID-19 Pandemic: Study on Magdelene.co Articles. Journal Communication Spectrum: Capturing New Perspectives in Communication 10(2) xx-xx.
全国暴力侵害妇女问题委员会(Komnas Perempuan)报告说,在大规模社会限制(PSBB)期间,家庭暴力有所增加。这是由Komnas Perempuan领导的Magdalene进行的在线调查的结果。专门通过安全空间频道来宣传暴力。抹大拉。Co是一个积极提出性别和女权主义问题的女权主义网络媒体。本研究讨论了在大流行期间发生的暴力类型以及抹大拉如何。Co引发了家庭暴力。本研究采用定性方法,对2020年6月安全空间频道上发表的文章进行在线观察。本研究还对magdalene.com的联合创始人兼记者进行了采访。结果发现,经济暴力和心理暴力是增加的两种暴力类型。这些现象是由于大流行期间不确定的经济条件造成的。这项研究还发现了抹大拉所做的几项努力。我们在2019冠状病毒病大流行期间提出了暴力问题,其中之一是利用安全空间特别渠道。该频道于2020年6月启动,与Komnas Perempuan和Apik法律援助研究所等其他机构合作。引用这篇文章(第七APA风格):Nduru G. T. & dededes A. R.(2020)。COVID-19大流行期间的家庭暴力:对Magdelene的研究。公司的文章。通讯频谱:捕捉新视角的通讯学报10(2)xx-xx。
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引用次数: 2
THE INFLUENCE OF E-CONSUMERS' MOTIVATION TOWARD ATTITUDE AND SATISFACTION: The Uses and Gratifications Approach 网络消费者动机对态度和满意度的影响:使用与满足的研究方法
Pub Date : 2021-02-28 DOI: 10.36782/jcs.v11i1.2133
H. Hermawan
This study considers Uses and Gratifications Theory of online shoppers. Drawing from Uses and Gratifications Theory, this study examine influences of entertainment, informative-ness and Web irritation on attitude toward online shopping and satisfaction in online shopping. Particularly, satisfaction in online shopping are explored as the consequences of attitude toward online shopping, while the informativeness, entertainment, and irritation are the antecedents of attitude toward online shopping. Data were collected through a quantitative study applying online questionnaire carried out in 2020, using a representative sample (N=71). Findings showed attitude toward online shopping is determined by entertainment, while the informativeness does not significantly affect consumers’ attitude toward online shopping. Web irritation was also found to be of equal importance in influencing the formation of consumers’ attitude towards online shopping, but in a negative manner. This suggests that Web irritation on online shopping sites has a significant influence on consumers. If online shopping sites are irritating, then consumers form negative attitudes toward online shopping. This study also found that consumers’ satisfaction to shop online is determined by their attitude toward online shopping. The findings has contributed to the evolving of the Uses and Gratification Theory, particularly in online shopping in developing countries like Indonesia. This study provides implications to e-business, marketers and website system developers of online shopping sites dealing with products. To cite this article (7 th APA style): Hermawan, H. (2021). The Influence of E-Consumers' Motivation toward Attitude and Satisfaction: The Uses and Gratifications Approach.  Journal Communication Spectrum: Capturing New Perspectives in Communication, 11 (1), xx-xx. http://dx.doi.org/10.36782/jcs.v1i1.2133
本研究考虑了网络购物者的使用与满足理论。本研究以使用与满足理论为基础,探讨了娱乐、资讯性和网络刺激对网上购物态度和网上购物满意度的影响。其中,网络购物满意度是网络购物态度的结果,而信息性、娱乐性和刺激性是网络购物态度的前因。数据收集采用定量研究,采用2020年开展的在线问卷,选取具有代表性的样本(N=71)。调查结果显示,消费者对网络购物的态度是由娱乐性决定的,而信息性对消费者对网络购物的态度没有显著影响。研究还发现,网络刺激对消费者网购态度的形成也有同样重要的影响,但影响是消极的。这表明网上购物网站的网络刺激对消费者有显著的影响。如果网上购物网站令人不快,那么消费者就会对网上购物形成消极的态度。本研究还发现,消费者对网上购物的满意度是由他们对网上购物的态度决定的。这些发现促进了“使用与满足理论”的发展,特别是在印度尼西亚等发展中国家的网上购物中。本研究对电子商务、营销商及网上购物网站系统的开发人员提供了启示。引用这篇文章(第七APA风格):Hermawan, H.(2021)。网络消费者动机对态度和满意度的影响:使用与满足的视角。[j] .通信频谱:捕捉通信新视角,11 (1),xx-xx。http://dx.doi.org/10.36782/jcs.v1i1.2133
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引用次数: 0
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Journal Communication Spectrum
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