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From The Tale of the Bamboo Cutter to Princess Kaguya: Metamorphoses of the Tale in Manga and Beyond 从《竹匠记》到《卡古雅公主》——《曼加传说》及其后的变形
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.153
Mika Saito
Attribution 4.0 United States License. This journal is published by the University Library System, University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. Japanese Language and Literature Journal of the American Association of Teachers of Japanese jll.pitt.edu | Vol. 55 | Number 1 | April 2021 | https://doi.org/10.5195/jll.2021.153 ISSN 1536-7827 (print) 2326-4586 (online)
归因4.0美国许可证。本期刊由匹兹堡大学图书馆系统出版,作为其D-Scribe数字出版计划的一部分,并由匹兹堡大学出版社共同赞助。美国日语教师协会日本语文学杂志jll.pitt.edu |第55卷|第1期| 2021年4月|https://doi.org/10.5195/jll.2021.153ISSN 1536-7827(印刷版)2326-4586(在线版)
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引用次数: 0
Genki: An Integrated Course in Elementary Japanese I 源语:初级日语综合课程1
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.169
Ryan Lidster
The release of a new edition of the widely used Japanese textbook Genki has been widely anticipated. While most of the changes are subtle and aesthetic, there are noticeable improvements, especially in the efforts taken to better represent the diversity of the Japanese learner population. However, the textbook's unsystematic treatment of vocabulary and grammar reflect a teaching philosophy that, already dated when the first edition was published twenty years ago, has only drifted further from the field of second language pedagogy. The disjointed treatment of literacy and oracy skills make it difficult to understand what is "integrated" about the course it provides. Great teaching can still be achieved using Genki, but it will require considerable creativity on behalf of teachers, especially those concerned with demonstrating how progress through the textbook aligns with measurable outcomes or gains in proficiency.
广泛使用的日本教科书《源氏物语》(Genki)的新版本的发行一直备受期待。虽然大多数变化都是微妙而美观的,但也有明显的改进,特别是在更好地代表日语学习者群体多样性方面所做的努力。然而,教科书对词汇和语法的不系统处理反映了一种教学理念,这种教学理念在20年前第一版出版时就已经过时了,而且离第二语言教学领域越来越远。对读写能力和演讲能力的脱节处理,让人很难理解它所提供的课程中什么是“综合”的。使用源氏词典仍然可以实现优秀的教学,但这需要教师具有相当大的创造力,尤其是那些关心如何通过教科书来证明进步与可衡量的结果或熟练程度的提高相一致的教师。
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引用次数: 3
Owning It: Kuroi Senji's "Time" and the Struggle for Agency in Contemporary Japan 拥有它:Kuroi Senji的“时间”与当代日本的代理权之争
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.124
P. Tillack
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引用次数: 0
The Kanji Code: See the Sounds with Phonetic Components and Visual Patterns 《汉字密码》:看音标与视觉模式
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.196
S. Matsunaga
each chapter of the tale. This not only enriches the reader’s experience of this particular painting, but serves as a means of refreshing one’s knowledge of the tale in order to better engage with the other works in the catalogue. The Tale of Genji: A Japanese Classic Illuminated is the sort of volume every teacher of Japanese literature will want on their shelf. This volume features high-quality, vibrant reprints of a comprehensively curated collection of Genji-related images, along with incisive introductory essays that are just the right length for a syllabus. Indeed, for those of us who teach Genji courses regularly, it is the long-awaited visual companion volume to the tale. In addition, for those of us outside the field of art history, the four introductory essays help provide the tools to make sense of the images in a manner that will aid in our sharing of them with our students. These features ensure that this volume will remain an indispensable resource for teaching The Tale of Genji for decades to come.
故事的每一章。这不仅丰富了读者对这幅特殊画作的体验,而且作为一种刷新故事知识的手段,以便更好地参与目录中的其他作品。《源氏物语:照亮的日本经典》是每位日本文学教师都想要放在书架上的那种书。这本书的特点是高质量的,充满活力的重印了一个全面策划的源氏相关图像的集合,以及精辟的介绍性文章,正好适合教学大纲的长度。事实上,对于我们这些经常教授源氏物语课程的人来说,这是期待已久的故事的视觉伴侣卷。此外,对于我们这些不是艺术史领域的人来说,这四篇介绍性的文章有助于我们以一种有助于与学生分享图像的方式提供理解图像的工具。这些特点确保了这本书在未来几十年里仍然是教学源氏物语不可或缺的资源。
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引用次数: 1
New Essays in Japanese Aesthetics 日本美学新论
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.189
Rea Amit
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引用次数: 0
A Benkei for Every Age: Musashibō Benkei as Palimpsest 每个时代的本经:武藏本经的重写本
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.76
Christopher J. Smith
This article traces the history of Benkei production—the production of texts concerning Musashibō Benkei—to show that the image of Benkei is not stable, but rather has been adapted and modified repeatedly since the fourteenth century according to the social, economic, political, and cultural climate, as well as the narrative needs, of various eras. Each new instance of Benkei production does not erase or overwrite the previous instances, but rather adds another layer to the cultural construct “Benkei.” This article is not intended to be a comprehensive overview of Benkei works, nor is it particularly an attempt to unearth obscure Benkei works. Instead, the article shows how literature and literary characters can be adapted and transformed over a long time frame. It addresses relatively well-known texts, but examines them in the context of a history of Benkei texts that reveal a shifting, changing image of Benkei responsive to historicized cultural environments.
本文追溯了本机制作的历史——关于武藏本机的文本的制作——以表明本机的形象并不是稳定的,而是自14世纪以来根据各个时代的社会、经济、政治和文化气候以及叙事需求而反复改编和修改的。每一个本基作品的新实例都没有抹去或改写以前的实例,而是为“本基”的文化建构增添了另一层。本文并非对本基作品进行全面综述,也不是特别试图挖掘晦涩的本基作品。相反,这篇文章展示了文学和文学人物是如何在很长一段时间内被改编和转变的。它涉及相对知名的文本,但将其放在本基文本的历史背景下进行研究,揭示了本基对历史化文化环境的变化和变化。
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引用次数: 0
Tanabe Seiko, Feminism, and the Making of a Love Novel 田边精子、女权主义与爱情小说的创作
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.191
Luciana Sanga
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引用次数: 2
Beyond “In Spring, the Dawn”: Redeeming The Pillow Book through Manga 超越“春天,黎明”:通过漫画救赎枕头书
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.158
Gergana Ivanova
This paper examines three manga adaptations of The Pillow Book (Makura no sōshi, early 11th c.) published in the past thirty years to show how popular culture challenges Japanese school education and its approaches to teaching classical literature. It argues that manga rewritings of the Heian-period text aim to increase modern interest in this ancient work and help to rectify misconceptions of it generated by national literature (kokubungaku) scholarship and traditional methods of teaching classical literature in Japan. Prioritizing the content instead of its formal features, these rewritings offer a new approach to the eleventh-century work by presenting the material in an engaging and relevant way that resonates with modern readers.
本文考察了近三十年来出版的三部由《枕书》(Makura no sōshi,公元11世纪初)改编的漫画,以展示流行文化如何挑战日本的学校教育及其教授古典文学的方法。它认为,对平安时代文本的漫画重写旨在提高现代人对这部古老作品的兴趣,并有助于纠正由日本民族文学(国学)学术和传统古典文学教学方法产生的误解。优先考虑内容而不是形式特征,这些重写以一种引人入胜和相关的方式呈现材料,与现代读者产生共鸣,为11世纪的作品提供了一种新的方法。
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引用次数: 0
From a Romantic Shōjo to an Independent Otaku: The Transformations of the Female Protagonist in the Sarashina nikki Manga 从浪漫的施条到独立的御宅:《Sarashina nikki Manga》中女主人公的蜕变
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.156
Pana Barova-Özcan
This paper examines the three manga adaptations of Sarashina nikki (The Sarashina Diary, ca. 1058) written by Sugawara no Takasue no musume (Sugawara no Takasue's daughter) (1008-1059). The three manga adaptations were created in the early 1990s and in 2014, and belong to the genre of shōjo manga. Focusing on key episodes and scenes in the three manga rewritings, I examine how each recreates the heroine and why specific images of the eleventh-century woman emerged at the time they did. I argue that the shifting representations of the female protagonist in Sarashina nikki reflect social developments in Japan since the 1970s, including the decreasing importance of patriarchal norms and traditional roles assigned to women as wives and mothers. These adaptations show how the stereotypical view of young girls and women as cute (kawaii), which implies obedience, passivity, and dependence, has shifted towards a new, modern image of Japanese women who make independent choices regarding their social roles and careers.   
本文考察了杉原野高须弥(杉原野高的女儿)(1008-1059)所著的三部改编自《Sarashina nikki》的漫画(《Sarashia日记》,约1058年)。这三部改编自漫画的作品创作于20世纪90年代初和2014年,属于shōjo漫画类型。聚焦于三部漫画改写中的关键情节和场景,我研究了每一部都是如何再现女主角的,以及为什么在他们这样做的时候出现了这位11世纪女性的特定形象。我认为,《Sarashina nikki》中女性主人公形象的转变反映了自20世纪70年代以来日本的社会发展,包括父权制规范和赋予女性妻子和母亲的传统角色的重要性日益降低。这些改编作品表明,年轻女孩和女性可爱的刻板印象(kawaii),意味着服从、被动和依赖,已经转变为日本女性对自己的社会角色和职业做出独立选择的新的现代形象。
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引用次数: 0
Izumi Shikibu nikki in Manga: Recreating Classical Poetry, Letters, and Shared Sensibilities 漫画中的Izumi Shikibu nikki:重新创作古典诗歌,信件和共同的情感
Pub Date : 2021-04-21 DOI: 10.5195/JLL.2021.157
Kayono Shiba
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引用次数: 1
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Japanese Language and Literature
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