{"title":"Learning to Lead","authors":"Kiwon Lee","doi":"10.5195/jll.2022.254","DOIUrl":"https://doi.org/10.5195/jll.2022.254","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48530143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"H. Nara","doi":"10.5195/jll.2021.233","DOIUrl":"https://doi.org/10.5195/jll.2021.233","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48927890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A tension runs through Nathan Shockey’s well-researched book of essays on the topic of the medial transition to print culture; it is this: does the value of print material lie within its semantic content or within its market value? Although at several points the book refers to this as a dialectic as though each side of the tension were in equal balance, ultimately Shockey is more concerned with the latter notion of books and print as media objects in the world rather than as conveyors of meaning. This is evidenced by the preponderance of instances in which he highlights that reading does not matter and where writing (in the sense of the noun not the gerund) does or simply is matter.
{"title":"The Typographic Imagination: Reading and Writing in Japan’s Age of Modern Print Media","authors":"Jonathan E. Abel","doi":"10.5195/jll.2021.229","DOIUrl":"https://doi.org/10.5195/jll.2021.229","url":null,"abstract":"A tension runs through Nathan Shockey’s well-researched book of essays on the topic of the medial transition to print culture; it is this: does the value of print material lie within its semantic content or within its market value? Although at several points the book refers to this as a dialectic as though each side of the tension were in equal balance, ultimately Shockey is more concerned with the latter notion of books and print as media objects in the world rather than as conveyors of meaning. This is evidenced by the preponderance of instances in which he highlights that reading does not matter and where writing (in the sense of the noun not the gerund) does or simply is matter.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47305245","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Unbinding The Pillow Book: The Many Lives of a Japanese Classic","authors":"A. Commons","doi":"10.5195/jll.2021.236","DOIUrl":"https://doi.org/10.5195/jll.2021.236","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47960820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Back Matter","authors":"H. Nara","doi":"10.5195/jll.2021.234","DOIUrl":"https://doi.org/10.5195/jll.2021.234","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42623247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mishima Yukio's dramatic suicide half a century ago ensured that his name would forever be associated with a certain fanatic imperialism, and largely fulfilled his own wish that he would die as a military man. And yet, he was until the end foremost a literary artist, concerned with the critical reception of his written works and preoccupied with his lasting reputation as an author. This paper examines Mishima’s portrayal of the celebrity writer, as well as the potentials and limitations of literature as presented in his oft-neglected modern noh play Genji kuyō (Devotional offering for Genji, 1962). It positions the play within the long history of prayers for Genji monogatari (The Tale of Genji, ca. 1008) that began in the twelfth century in response to the perceived ambiguous morality of the author Murasaki Shikibu (d. ca. 1014). Mishima's Genji kuyō provides a pointed criticism of readers, as well as anxieties regarding a writer's life and literary recognition. Though Mishima himself famously disowned it after its initial publication, Genji kuyō offers critical insights regarding the writing and reading of literature.
{"title":"Anxieties of Authorship, Critique of Readership: Mishima Yukio’s Modern Noh Play Genji kuyō","authors":"S. Naito","doi":"10.5195/jll.2021.186","DOIUrl":"https://doi.org/10.5195/jll.2021.186","url":null,"abstract":"Mishima Yukio's dramatic suicide half a century ago ensured that his name would forever be associated with a certain fanatic imperialism, and largely fulfilled his own wish that he would die as a military man. And yet, he was until the end foremost a literary artist, concerned with the critical reception of his written works and preoccupied with his lasting reputation as an author. This paper examines Mishima’s portrayal of the celebrity writer, as well as the potentials and limitations of literature as presented in his oft-neglected modern noh play Genji kuyō (Devotional offering for Genji, 1962). It positions the play within the long history of prayers for Genji monogatari (The Tale of Genji, ca. 1008) that began in the twelfth century in response to the perceived ambiguous morality of the author Murasaki Shikibu (d. ca. 1014). Mishima's Genji kuyō provides a pointed criticism of readers, as well as anxieties regarding a writer's life and literary recognition. Though Mishima himself famously disowned it after its initial publication, Genji kuyō offers critical insights regarding the writing and reading of literature.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45714173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Enduring Postwar: Yasuoka Shōtarō and Literary Memory in Japan","authors":"T. Iles","doi":"10.5195/jll.2021.226","DOIUrl":"https://doi.org/10.5195/jll.2021.226","url":null,"abstract":"A review of Kendall Heitzman's book, Enduring Postwar: Yasuoka Shōtarō and Literary Memory in Japan.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43630126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I will examine representations of heterosexual romance in Japanese pandemic fiction published during COVID-19, so as to scrutinize the employment of pandemic in the discussion of social issues and dynamics between the public and private interests. Ueda Takahiro uses the protagonist’s love dilemma to question the postmodern condition, where the digital attempts to replace everything, disturb the master narratives, and transform our society. Tsukui Itsuki’s story has a rather optimistic view of technological responses to the pandemic. In his work, the protagonist’s romantic pursuit realizes individual development as well as civil society building. Kanehara Hitomi incorporates the element of pandemic in the representations of anti-sociability and precarity of youths in post-bubble Japan. Furthermore, the element of pandemic enriches the depictions of anxieties and issues of contemporary Japanese society from before the emergence of COVID-19: techno-induced postmodern crisis, ideological disputes, and socio-economic stagnation. Keywords: COVID-19, pandemic, heterosexuality, reproduction, space, science fiction, Kanehara Hitomi
{"title":"Love in the Time of Corona: Heterosexual Romance, Space, and Society in Japanese Fiction on COVID-19","authors":"Mina Qiao","doi":"10.5195/jll.2021.214","DOIUrl":"https://doi.org/10.5195/jll.2021.214","url":null,"abstract":"I will examine representations of heterosexual romance in Japanese pandemic fiction published during COVID-19, so as to scrutinize the employment of pandemic in the discussion of social issues and dynamics between the public and private interests. Ueda Takahiro uses the protagonist’s love dilemma to question the postmodern condition, where the digital attempts to replace everything, disturb the master narratives, and transform our society. Tsukui Itsuki’s story has a rather optimistic view of technological responses to the pandemic. In his work, the protagonist’s romantic pursuit realizes individual development as well as civil society building. Kanehara Hitomi incorporates the element of pandemic in the representations of anti-sociability and precarity of youths in post-bubble Japan. Furthermore, the element of pandemic enriches the depictions of anxieties and issues of contemporary Japanese society from before the emergence of COVID-19: techno-induced postmodern crisis, ideological disputes, and socio-economic stagnation. Keywords: COVID-19, pandemic, heterosexuality, reproduction, space, science fiction, Kanehara Hitomi","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41510451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper examines the phenomenon of tense alternation in Japanese literary narrative, making specific reference to Kashimada Maki’s (鹿島田 真希) novella Meido meguri (冥途めぐり Touring the Land of the Dead, 2012) as a case study. It argues that tense alternation in sentence‑final predicative verbs should be regarded a stylistic technique that serves as an indicator of free indirect discourse and of focalization through a central character, and that it moreover establishes an opposition between external narration and internal focalization. It then illustrates how this dynamic is employed in Meido Meguri to create a contrast between a mode suggesting narrative distance and another suggesting mental interiority. This paper thus highlights a significant linguistic difference in the construction of free indirect discourse in Japanese and English narratives.
{"title":"Tense Alternation in Japanese Literature: Translating Free Indirect Discourse and Focalization in Kashimada Maki’s Meido meguri","authors":"H. Trowell","doi":"10.5195/jll.2021.190","DOIUrl":"https://doi.org/10.5195/jll.2021.190","url":null,"abstract":"This paper examines the phenomenon of tense alternation in Japanese literary narrative, making specific reference to Kashimada Maki’s (鹿島田 真希) novella Meido meguri (冥途めぐり Touring the Land of the Dead, 2012) as a case study. It argues that tense alternation in sentence‑final predicative verbs should be regarded a stylistic technique that serves as an indicator of free indirect discourse and of focalization through a central character, and that it moreover establishes an opposition between external narration and internal focalization. It then illustrates how this dynamic is employed in Meido Meguri to create a contrast between a mode suggesting narrative distance and another suggesting mental interiority. This paper thus highlights a significant linguistic difference in the construction of free indirect discourse in Japanese and English narratives.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43963714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents a critical examination of “transborder” literary approaches that seek to renegotiate the position of Japanese fiction within the world. The concept of transborder fiction has emerged in recent decades as a means of breaking down the boundaries of Japanese literature that assume agreement between the nationality of a writer and the language of her text. However, as it takes its cues from David Damrosch’s influential study of 2003, What is World Literature?, which suggests that literature gains in value in translation, transborder literature betrays its desires to promote Japan’s national literature in a globalising literary context. This more critical view reveals that despite their calls for greater literary diversity, transborder approaches exhibit problematic tendencies that threaten to erase the multiple flows of language and intertextuality already extant within modern Japanese fiction and turn its eye away from history. This critique is focalised through the writing of Tawada Yōko, whose prolific output of literary works and essays in Japanese and German appear to epitomise the image of transborder writing, and yet which frequently challenge these assumptions. Both the book-length essay Exophony (2003) and the Japanese novel Tabi o suru hadaka no me (2004) offer prescient critiques rooted in history that expose moments of rupture, asymmetry and untranslatability, which an emphasis on border crossings threatens to overlook. However, by choosing to peer through those gaps, guided by the latter’s Vietnamese narrator, these texts also incite hitherto unseen connections between Tawada’s Japanese fiction and the world.
本文对“跨界”文学方法进行了批判性的考察，这些方法试图重新协商日本小说在世界上的地位。近几十年来，跨国界小说的概念作为打破日本文学边界的一种手段而出现，这种边界假定作家的国籍与其文本的语言是一致的。然而，它从大卫·达姆罗施2003年颇具影响力的研究《什么是世界文学?》文学在翻译中获得价值，而跨界文学则在全球化的文学语境中背叛了其推动日本民族文学的愿望。这种更具批判性的观点表明，尽管他们呼吁更大的文学多样性，但跨界方法表现出有问题的倾向，可能会抹去现代日本小说中已经存在的多种语言流动和互文性，并将其视线从历史上转移开。这种批评集中在Tawada Yōko的写作上，他多产的日语和德语文学作品和散文似乎是跨境写作形象的缩影，但也经常挑战这些假设。长篇大论《外音》(2003)和日本小说《Tabi o suru haaka no me》(2004)都提供了根植于历史的有先见之明的批评，揭示了断裂、不对称和不可翻译的时刻，而对边境过境的强调可能会忽视这些时刻。然而，在后者的越南叙述者的引导下，通过选择透过这些缝隙窥视，这些文本也激发了田和田的日本小说与世界之间迄今为止从未见过的联系。
{"title":"Beyond “Transborder”: Tawada Yōko’s Vision of Another World Literature","authors":"Victoria M. Young","doi":"10.5195/JLL.2021.181","DOIUrl":"https://doi.org/10.5195/JLL.2021.181","url":null,"abstract":"This article presents a critical examination of “transborder” literary approaches that seek to renegotiate the position of Japanese fiction within the world. The concept of transborder fiction has emerged in recent decades as a means of breaking down the boundaries of Japanese literature that assume agreement between the nationality of a writer and the language of her text. However, as it takes its cues from David Damrosch’s influential study of 2003, What is World Literature?, which suggests that literature gains in value in translation, transborder literature betrays its desires to promote Japan’s national literature in a globalising literary context. This more critical view reveals that despite their calls for greater literary diversity, transborder approaches exhibit problematic tendencies that threaten to erase the multiple flows of language and intertextuality already extant within modern Japanese fiction and turn its eye away from history. This critique is focalised through the writing of Tawada Yōko, whose prolific output of literary works and essays in Japanese and German appear to epitomise the image of transborder writing, and yet which frequently challenge these assumptions. Both the book-length essay Exophony (2003) and the Japanese novel Tabi o suru hadaka no me (2004) offer prescient critiques rooted in history that expose moments of rupture, asymmetry and untranslatability, which an emphasis on border crossings threatens to overlook. However, by choosing to peer through those gaps, guided by the latter’s Vietnamese narrator, these texts also incite hitherto unseen connections between Tawada’s Japanese fiction and the world.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":"55 1","pages":"1-33"},"PeriodicalIF":0.0,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48781798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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