{"title":"Biblioteca","authors":"Svmma Revista de Cultures Medievals","doi":"10.1344/svmma2023.21.8","DOIUrl":"https://doi.org/10.1344/svmma2023.21.8","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135287065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This book was translated into Spanish and French in 2015, which is indicative of its relevance. A thorough review of the bibliography was conducted during the edition of the Spanish version, which also features a new set of examples of the political manipulation of the medieval legacy and its interpretation. The titles of both the Spanish and the French version do not convey the exact meaning of the original Italian title—medioevo militante—and it has been changed to el presente medieval and médiéval et militant respectively. The book retains its interest, but there is, however, no justification for that change. The key to its success lies in the masterly exposition of how the postmedieval reconstruction of the Middle Ages, understood both chronologically and philosophically—namely the denial of modernity and the affirmation of the futility of the notion of progress—is rooted in a process of nineteenth-century, bourgeois, and Romantic origins. This reconstruction is capitalized on in order to build legitimizing political discourses, whose influence and convening power are felt from the radical Left to neo-Nazism—just to mention the two most stridently radical cases—and are applied not only to the process of European unification but also to the war against terrorism.
本书于2015年被翻译成西班牙文和法文，这表明了本书的现实意义。在西班牙文版的出版过程中，我们对书目进行了全面的审查，其中还加入了一系列关于中世纪遗产的政治操纵及其阐释的新实例。西班牙文版和法文版的书名并没有传达意大利文原书名--medioevo militante 的确切含义，因此分别改为 el presente medieval 和 médiéval et militant。该书保留了其趣味性，但这一改动毫无道理。该书成功的关键在于，它巧妙地阐述了中世纪后对中世纪的重构，即对现代性的否定和对进步概念徒劳性的肯定，是如何从时间和哲学的角度来理解的，是如何植根于十九世纪资产阶级和浪漫主义的起源过程中的。从激进左派到新纳粹主义--仅举两个最激进的例子--都能感受到这种重构的影响力和号召力，不仅被应用于欧洲统一进程，也被应用于反恐战争。
{"title":"Ressenyes","authors":"Cayetano Espejo Marín","doi":"10.1344/svmma2015.6.6","DOIUrl":"https://doi.org/10.1344/svmma2015.6.6","url":null,"abstract":"This book was translated into Spanish and French in 2015, which is indicative of its relevance. A thorough review of the bibliography was conducted during the edition of the Spanish version, which also features a new set of examples of the political manipulation of the medieval legacy and its interpretation. The titles of both the Spanish and the French version do not convey the exact meaning of the original Italian title—medioevo militante—and it has been changed to el presente medieval and médiéval et militant respectively. The book retains its interest, but there is, however, no justification for that change. The key to its success lies in the masterly exposition of how the postmedieval reconstruction of the Middle Ages, understood both chronologically and philosophically—namely the denial of modernity and the affirmation of the futility of the notion of progress—is rooted in a process of nineteenth-century, bourgeois, and Romantic origins. This reconstruction is capitalized on in order to build legitimizing political discourses, whose influence and convening power are felt from the radical Left to neo-Nazism—just to mention the two most stridently radical cases—and are applied not only to the process of European unification but also to the war against terrorism.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"82 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139369242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ressenyes","authors":"None Svmma Revista de Cultures Medievals","doi":"10.1344/svmma2023.21.7","DOIUrl":"https://doi.org/10.1344/svmma2023.21.7","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135287255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Aquest text mostra l’estat actual dels coneixements en relacio a la fortalesa de Miravet (Cabanes, Castello) i el seu territori amb la voluntat de proposar un seguit de linies de treball en relacio al jaciment. Es compilen, doncs, els estudis de territori amb l’analisi de les fonts documentals relacionades i l’estudi arqueologic del propi jaciment, tant pel que fa a les estructures com als artefactes. Tot aixo amb la nalitat de posar en relacio les diferents investigacions dutes a terme les darreres decades i, sobretot, d’establir una base sobre la qual projectar noves actuacions i linies de recerca en via a una desitjable futura excavacio arqueologica que permeti un estudi complet i sistematic de la fortalesa.
{"title":"El ḥiṣn Mirabīṭ (Cabanes, Castelló): alguns apunts per al seu estudi","authors":"Marta Valls Llorens","doi":"10.1344/svmma2017.10.4","DOIUrl":"https://doi.org/10.1344/svmma2017.10.4","url":null,"abstract":"Aquest text mostra l’estat actual dels coneixements en relacio a la fortalesa de Miravet (Cabanes, Castello) i el seu territori amb la voluntat de proposar un seguit de linies de treball en relacio al jaciment. Es compilen, doncs, els estudis de territori amb l’analisi de les fonts documentals relacionades i l’estudi arqueologic del propi jaciment, tant pel que fa a les estructures com als artefactes. Tot aixo amb la nalitat de posar en relacio les diferents investigacions dutes a terme les darreres decades i, sobretot, d’establir una base sobre la qual projectar noves actuacions i linies de recerca en via a una desitjable futura excavacio arqueologica que permeti un estudi complet i sistematic de la fortalesa.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"56 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86892291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El articulo describe en detalle la arqueta andalusi que se conserva en la Catedral de Girona y documenta su presencia en lo alto del retablo del altar mayor ya en 1511. Trata de cada uno de los diversos componentes de esta pieza unica de plateria califal, muestra de lo que se consideraba un objeto de lujo en el ano 975. Comenta su forma y medidas, el alma de madera, las chapas de plata que la recubren y los herrajes complementarios. Describe los motivos usados en su decoracion y las tecnicas empleadas (repujado, dorado y nielado). Se exponen aqui por primera vez el solero de plata cincelada, la decoracion oculta por el cierre y el interior de la caja, hoy vacia, forrado de seda roja.
{"title":"La arqueta de Hisam vista de cerca.","authors":"Ana Labarta","doi":"10.1344/svmma2017.10.3","DOIUrl":"https://doi.org/10.1344/svmma2017.10.3","url":null,"abstract":"El articulo describe en detalle la arqueta andalusi que se conserva en la Catedral de Girona y documenta su presencia en lo alto del retablo del altar mayor ya en 1511. Trata de cada uno de los diversos componentes de esta pieza unica de plateria califal, muestra de lo que se consideraba un objeto de lujo en el ano 975. Comenta su forma y medidas, el alma de madera, las chapas de plata que la recubren y los herrajes complementarios. Describe los motivos usados en su decoracion y las tecnicas empleadas (repujado, dorado y nielado). Se exponen aqui por primera vez el solero de plata cincelada, la decoracion oculta por el cierre y el interior de la caja, hoy vacia, forrado de seda roja.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88558529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El articulo describe en detalle la arqueta andalusi que se conserva en la Catedral de Girona y documenta su presencia en lo alto del retablo del altar mayor ya en 1511. Trata de cada uno de los diversos componentes de esta pieza unica de plateria califal, muestra de lo que se consideraba un objeto de lujo en el ano 975. Comenta su forma y medidas, el alma de madera, las chapas de plata que la recubren y los herrajes complementarios. Describe los motivos usados en su decoracion y las tecnicas empleadas (repujado, dorado y nielado). Se exponen aqui por primera vez el solero de plata cincelada, la decoracion oculta por el cierre y el interior de la caja, hoy vacia, forrado de seda roja.
{"title":"A Close-Up Look of Hisham’s Casket.","authors":"A. Labarta","doi":"10.1344/svmma2017.10.12","DOIUrl":"https://doi.org/10.1344/svmma2017.10.12","url":null,"abstract":"El articulo describe en detalle la arqueta andalusi que se conserva en la Catedral de Girona y documenta su presencia en lo alto del retablo del altar mayor ya en 1511. Trata de cada uno de los diversos componentes de esta pieza unica de plateria califal, muestra de lo que se consideraba un objeto de lujo en el ano 975. Comenta su forma y medidas, el alma de madera, las chapas de plata que la recubren y los herrajes complementarios. Describe los motivos usados en su decoracion y las tecnicas empleadas (repujado, dorado y nielado). Se exponen aqui por primera vez el solero de plata cincelada, la decoracion oculta por el cierre y el interior de la caja, hoy vacia, forrado de seda roja.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"265 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75923422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Di Guglielmo da Vercelli, fondatore dell’abbazia di Montevergine vicino Avellino, solo recentemente e stata de nita la sua spiritualita. Nonostante sia sopravvissuto il manoscritto contenente la sua vita e miracoli (Montevergine, Biblioteca dell’Abbazia, ms. 1), dif cile e coniugare quanto narrato con le poche testimonianze artistiche. Nelle miniature che decorano il codice, il santo e raf gurato con un particolare abito che non trova seguito nella tradizione successiva verginiana. In questo contributo si e cercato di far luce sull’iconogra a del santo, congiungendo il racconto agiogra co con le immagini.
阿维利诺附近蒙特维吉纳修道院的创始人威廉·达·韦切利(Guglielmo da Vercelli)最近才确定了他的精神。尽管他的生活和奇迹的手稿(蒙特维吉纳，修道院图书馆，第1页)幸存了下来，但它是困难的，并结合了一些艺术证据。在装饰代码的微型模型中，圣人和英国皇家银行(raf)穿着一件特殊的礼服，这在后来的维吉尼亚传统中是不常见的。在这篇文章中，我们试图通过将agiogra co的故事与图像联系起来来阐明del santo的形象。
{"title":"Between the Images and the Text of the De vita et obitu sancti Gulielmi: A Portrait of William of Vercelli, Founder of Montevergine.","authors":"Veronica de Duonni","doi":"10.1344/svmma2017.10.11","DOIUrl":"https://doi.org/10.1344/svmma2017.10.11","url":null,"abstract":"Di Guglielmo da Vercelli, fondatore dell’abbazia di Montevergine vicino Avellino, solo recentemente e stata de nita la sua spiritualita. Nonostante sia sopravvissuto il manoscritto contenente la sua vita e miracoli (Montevergine, Biblioteca dell’Abbazia, ms. 1), dif cile e coniugare quanto narrato con le poche testimonianze artistiche. Nelle miniature che decorano il codice, il santo e raf gurato con un particolare abito che non trova seguito nella tradizione successiva verginiana. In questo contributo si e cercato di far luce sull’iconogra a del santo, congiungendo il racconto agiogra co con le immagini.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87585844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Els estudis sobre el tipus de versi cacio que l’abadessa mistica renana Hildegarda de Bingen (1098 –1179) emprava a les seves obres son escadussers, i encara ho son mes quan fan referencia al seu Ordo Virtutum o l’ Orde de les Virtuts , un dels melodrames llatins mes destacables de l’edat mitjana, escrit ca. el 1151. Aquest article preten omplir aquest buit i oferir, d’una banda, una descripcio precisa del tipus de versi cacio que trobem en els versos lliures de l’ Ordo Virtutum , molt propers, com veurem, a la poesia hebrea biblica; de l’altra, estudiar aquelles imatges liriques bibliques del text per tal de palesar, d’aquesta manera, el rerafons biblic que presenta, a tots els nivells, aquest melodrama.
{"title":"La poesia en Hildegarda de Bingen: un estudi sobre les arrels bíbliques de l’Ordo Virtutum.","authors":"E. V. Pons","doi":"10.1344/svmma2017.10.5","DOIUrl":"https://doi.org/10.1344/svmma2017.10.5","url":null,"abstract":"Els estudis sobre el tipus de versi cacio que l’abadessa mistica renana Hildegarda de Bingen (1098 –1179) emprava a les seves obres son escadussers, i encara ho son mes quan fan referencia al seu Ordo Virtutum o l’ Orde de les Virtuts , un dels melodrames llatins mes destacables de l’edat mitjana, escrit ca. el 1151. Aquest article preten omplir aquest buit i oferir, d’una banda, una descripcio precisa del tipus de versi cacio que trobem en els versos lliures de l’ Ordo Virtutum , molt propers, com veurem, a la poesia hebrea biblica; de l’altra, estudiar aquelles imatges liriques bibliques del text per tal de palesar, d’aquesta manera, el rerafons biblic que presenta, a tots els nivells, aquest melodrama.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78341595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Els estudis sobre el tipus de versi cacio que l’abadessa mistica renana Hildegarda de Bingen (1098 –1179) emprava a les seves obres son escadussers, i encara ho son mes quan fan referencia al seu Ordo Virtutum o l’ Orde de les Virtuts , un dels melodrames llatins mes destacables de l’edat mitjana, escrit ca. el 1151. Aquest article preten omplir aquest buit i oferir, d’una banda, una descripcio precisa del tipus de versi cacio que trobem en els versos lliures de l’ Ordo Virtutum , molt propers, com veurem, a la poesia hebrea biblica; de l’altra, estudiar aquelles imatges liriques bibliques del text per tal de palesar, d’aquesta manera, el rerafons biblic que presenta, a tots els nivells, aquest melodrama.
{"title":"Poetry in Hildegard of Bingen: A study on the Biblical Roots of the Ordo Virtutum.","authors":"Eulàlia Vernet i Pons","doi":"10.1344/svmma2017.10.14","DOIUrl":"https://doi.org/10.1344/svmma2017.10.14","url":null,"abstract":"Els estudis sobre el tipus de versi cacio que l’abadessa mistica renana Hildegarda de Bingen (1098 –1179) emprava a les seves obres son escadussers, i encara ho son mes quan fan referencia al seu Ordo Virtutum o l’ Orde de les Virtuts , un dels melodrames llatins mes destacables de l’edat mitjana, escrit ca. el 1151. Aquest article preten omplir aquest buit i oferir, d’una banda, una descripcio precisa del tipus de versi cacio que trobem en els versos lliures de l’ Ordo Virtutum , molt propers, com veurem, a la poesia hebrea biblica; de l’altra, estudiar aquelles imatges liriques bibliques del text per tal de palesar, d’aquesta manera, el rerafons biblic que presenta, a tots els nivells, aquest melodrama.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75738988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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