The architectural survey is a living matter. The survey of a monument always entails the description of a work in progress. The survey is a critical operation whereby you can study, measure, and represent an architectural structure. In the case of Santa Prassede, there are at the moment 35 scans that cover most of the interior of the church. The other lateral chapels, the crypt, and the bell tower, which will be studied this year, are currently missing. The colour of the areas covered with mosaics will be also analysed. A high-resolution digital camera and homogeneous illumination will be used to avoid light variations in the chiaroscuro effects and in the shadows. Subsequent processing involves the elaboration of a geometric model (or solid model ). Once this model is built, the next step is the graphical analysis , that is, the decomposition of the architectural structure in coherent elements. It’s a sort of architectural reverse engineering, which, starting from the object as we see it, reconstructs the component elements, selecting them based on dating, material, and functionality. This is done in order to develop (but not only) a reconstructive hypothesis of the consistency of the monument over time.
{"title":"La rivoluzione del rilevamento architettonico: Santa Prassede, un rilievo (in corso) per la conoscenza","authors":"M. Carpiceci","doi":"10.1344/svmma2017.9.5","DOIUrl":"https://doi.org/10.1344/svmma2017.9.5","url":null,"abstract":"The architectural survey is a living matter. The survey of a monument always entails the description of a work in progress. The survey is a critical operation whereby you can study, measure, and represent an architectural structure. In the case of Santa Prassede, there are at the moment 35 scans that cover most of the interior of the church. The other lateral chapels, the crypt, and the bell tower, which will be studied this year, are currently missing. The colour of the areas covered with mosaics will be also analysed. A high-resolution digital camera and homogeneous illumination will be used to avoid light variations in the chiaroscuro effects and in the shadows. Subsequent processing involves the elaboration of a geometric model (or solid model ). Once this model is built, the next step is the graphical analysis , that is, the decomposition of the architectural structure in coherent elements. It’s a sort of architectural reverse engineering, which, starting from the object as we see it, reconstructs the component elements, selecting them based on dating, material, and functionality. This is done in order to develop (but not only) a reconstructive hypothesis of the consistency of the monument over time.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"47-63"},"PeriodicalIF":0.0,"publicationDate":"2017-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46821512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Through a reinterpretation of the main Frankish and Roman sources useful for the reconstruction of the events related to the ponti cate of Pope Paschal I (817-824), the author proposes the hypothesis that this biography in the Liber Ponti calis was written both to answer some accusations made by opponents of the pope in the city and in the Carolingian world; whether the construction of the gure of Pasquale (monaco but also merciful ruler) may correspond to the characterization that in the same year is also used for the representation of the Emperor Louis the Pious. The author also indicates that inspiration for the rest of the research can promptly analyze these reports in order to clarify the in uences and cultural and ecclesiological implications.
{"title":"Spunti di riflessione e appunti intorno alla biografia di Pasquale I (817-824) nel Liber Pontificalis Romano","authors":"A. Verardi","doi":"10.1344/svmma2017.9.7","DOIUrl":"https://doi.org/10.1344/svmma2017.9.7","url":null,"abstract":"Through a reinterpretation of the main Frankish and Roman sources useful for the reconstruction of the events related to the ponti cate of Pope Paschal I (817-824), the author proposes the hypothesis that this biography in the Liber Ponti calis was written both to answer some accusations made by opponents of the pope in the city and in the Carolingian world; whether the construction of the gure of Pasquale (monaco but also merciful ruler) may correspond to the characterization that in the same year is also used for the representation of the Emperor Louis the Pious. The author also indicates that inspiration for the rest of the research can promptly analyze these reports in order to clarify the in uences and cultural and ecclesiological implications.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":" ","pages":"102-120"},"PeriodicalIF":0.0,"publicationDate":"2017-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48602548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dedicato ai frammenti scultorei della basilica di Santa Prassede (817-824), il contributo propone alcune riflessioni su un episodio emblematico dell’eta classica e creativa della scultura alto medievale a Roma.
{"title":"Scultura in pezzi: appunti sulla scultura alto medievale di santa prassede","authors":"A. Ballardini","doi":"10.1344/svmma2017.9.3","DOIUrl":"https://doi.org/10.1344/svmma2017.9.3","url":null,"abstract":"Dedicato ai frammenti scultorei della basilica di Santa Prassede (817-824), il contributo propone alcune riflessioni su un episodio emblematico dell’eta classica e creativa della scultura alto medievale a Roma.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"9 1","pages":"5-28"},"PeriodicalIF":0.0,"publicationDate":"2017-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46760436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tribuna: Més grata que els estels. Pasqual I i la roma del seu temps","authors":"Carles Mancho i Suárez","doi":"10.1344/svmma2017.9.2","DOIUrl":"https://doi.org/10.1344/svmma2017.9.2","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"1-4"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66439036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Llistat d'avaluadors","authors":"Svmma Revista de Cultures Medievals","doi":"10.1344/svmma2014.4.10","DOIUrl":"https://doi.org/10.1344/svmma2014.4.10","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La comunicacio de caracter defensiu entre diversos castells i torres a l’epoca medieval es duia a terme amb senyals visuals, pero tambe calia una alternativa sonora per evitar problemes ambientals i per la seva major rapidesa i mobilitat. Hi ha prou noticies arqueologiques, documentals i iconografiques de corns i altres elements emissors de so com per a fer-ne una restitucio i comprovar la seva fonosfera –l’abast sonor– sobre el terreny. Diverses proves a partir de paisatges verificats arqueologicament o documental a Catalunya proporcionen dades sobre les xarxes de comunicacio sonora i la seva naturalesa social, la rapidesa de l’avis i fins i tot sobre la toponimia d’avis i de guaita, i permeten aventurar una cartografia del paisatge sonor en la comunicacio castral.
{"title":"Sound Cartography of the Communication Between Fortifications. The Horn Soundsphere and the Duty to Sound the Horn in Medieval Catalonia","authors":"Laura de Castellet","doi":"10.1344/svmma2016.8.11","DOIUrl":"https://doi.org/10.1344/svmma2016.8.11","url":null,"abstract":"La comunicacio de caracter defensiu entre diversos castells i torres a l’epoca medieval es duia a terme amb senyals visuals, pero tambe calia una alternativa sonora per evitar problemes ambientals i per la seva major rapidesa i mobilitat. Hi ha prou noticies arqueologiques, documentals i iconografiques de corns i altres elements emissors de so com per a fer-ne una restitucio i comprovar la seva fonosfera –l’abast sonor– sobre el terreny. Diverses proves a partir de paisatges verificats arqueologicament o documental a Catalunya proporcionen dades sobre les xarxes de comunicacio sonora i la seva naturalesa social, la rapidesa de l’avis i fins i tot sobre la toponimia d’avis i de guaita, i permeten aventurar una cartografia del paisatge sonor en la comunicacio castral.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"4-25"},"PeriodicalIF":0.0,"publicationDate":"2016-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
catalaEls materials hagiografics del Quattrocento italia revelen diversos signes de mort que es tenien en compte per confirmar si una persona havia mort o s’apropava a la mort. Els signes mes frequentment repetits son la fredor del cos, canvis en el color de la pell, i la falta de pols o respiracio. La perdua del coneixement, l’absencia de parla i la immobilitat tambe s’observaven sovint.Una analisi en profunditat mostra molts altres senyals inesperats. Alguns signes en els ulls de la gent, les dents o la llengua tambe podien ser una prova de mort. De vegades, fins i tot les llagrimes als ulls o la suor al front eren considerats signes mortals. Per a alguns, la posicio adoptada per una persona moribunda assenyalava la mort, per exemple, jeure sobre l’esquena o amb el cap cot, com era el costum per als morts. De la mateixa manera, les ferides o el dolor indicaven que la mort s’apropava. Les expressions ‘dents de cera’, ‘llengua negra’, ‘llavis morts’, i ‘suor i llagrimes de mort’ demostren que les persones observaven senyals que avui no s’associen amb la mort. EnglishFifteenth-century Italian hagiographic materials reveal several signs of death that were taken into account to confirm whether someone was dead or approaching death. The most frequently repeated signs are the coldness of body, changes in skin colour, and the lack of pulse or breathing. Unconsciousness, speechlessness, and immobility were also often noted.An in-depth analysis shows many other unexpected signs. Some signs on peoples’ eyes, teeth or tongue could also be proof of death. Sometimes even tears or sweat on the forehead were considered as deadly signs. For some people, the position adopted by a dying person signified death, for instance, lying on one’s back or with the head laid down, as was the custom for the dead. Similarly, wounds or pain told about the approaching death. The expressions like ‘waxen teeth’, ‘black tongue’, ‘dead lips’, and ‘sweat and tears of death’ show that people looked for signs that are not associated with death today.
{"title":"Quomodo Scit Quod Mortuus Erat? Signs of Death in 15th-Century Italy","authors":"J. Nissi","doi":"10.1344/svmma2016.7.5","DOIUrl":"https://doi.org/10.1344/svmma2016.7.5","url":null,"abstract":"catalaEls materials hagiografics del Quattrocento italia revelen diversos signes de mort que es tenien en compte per confirmar si una persona havia mort o s’apropava a la mort. Els signes mes frequentment repetits son la fredor del cos, canvis en el color de la pell, i la falta de pols o respiracio. La perdua del coneixement, l’absencia de parla i la immobilitat tambe s’observaven sovint.Una analisi en profunditat mostra molts altres senyals inesperats. Alguns signes en els ulls de la gent, les dents o la llengua tambe podien ser una prova de mort. De vegades, fins i tot les llagrimes als ulls o la suor al front eren considerats signes mortals. Per a alguns, la posicio adoptada per una persona moribunda assenyalava la mort, per exemple, jeure sobre l’esquena o amb el cap cot, com era el costum per als morts. De la mateixa manera, les ferides o el dolor indicaven que la mort s’apropava. Les expressions ‘dents de cera’, ‘llengua negra’, ‘llavis morts’, i ‘suor i llagrimes de mort’ demostren que les persones observaven senyals que avui no s’associen amb la mort. EnglishFifteenth-century Italian hagiographic materials reveal several signs of death that were taken into account to confirm whether someone was dead or approaching death. The most frequently repeated signs are the coldness of body, changes in skin colour, and the lack of pulse or breathing. Unconsciousness, speechlessness, and immobility were also often noted.An in-depth analysis shows many other unexpected signs. Some signs on peoples’ eyes, teeth or tongue could also be proof of death. Sometimes even tears or sweat on the forehead were considered as deadly signs. For some people, the position adopted by a dying person signified death, for instance, lying on one’s back or with the head laid down, as was the custom for the dead. Similarly, wounds or pain told about the approaching death. The expressions like ‘waxen teeth’, ‘black tongue’, ‘dead lips’, and ‘sweat and tears of death’ show that people looked for signs that are not associated with death today.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"72-100"},"PeriodicalIF":0.0,"publicationDate":"2016-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438646","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Fifteenth-century Italian hagiographic materials reveal several signs of death that were taken into account to confirm whether someone was dead or approaching death. The most frequently repeated signs are the coldness of body, changes in skin colour, and the lack of pulse or breathing. Unconsciousness, speechlessness, and immobility were also often noted. An in-depth analysis shows many other unexpected signs. Some signs on peoples’ eyes, teeth or tongue could also be proof of death. Sometimes even tears or sweat on the forehead were considered as deadly signs. For some people, the position adopted by a dying person signified death, for instance, lying on one’s back or with the head laid down, as was the custom for the dead. Similarly, wounds or pain told about the approaching death. The expressions like ‘waxen teeth’, ‘black tongue’, ‘dead lips’, and ‘sweat and tears of death’ show that people looked for signs that are not associated with death today.
{"title":"Quomodo Scit Quod Mortuus Erat? Els signes de la mort a la Itàlia del Quattrocento","authors":"J. Nissi","doi":"10.1344/svmma2016.7.13","DOIUrl":"https://doi.org/10.1344/svmma2016.7.13","url":null,"abstract":"Fifteenth-century Italian hagiographic materials reveal several signs of death that were taken into account to confirm whether someone was dead or approaching death. The most frequently repeated signs are the coldness of body, changes in skin colour, and the lack of pulse or breathing. Unconsciousness, speechlessness, and immobility were also often noted. An in-depth analysis shows many other unexpected signs. Some signs on peoples’ eyes, teeth or tongue could also be proof of death. Sometimes even tears or sweat on the forehead were considered as deadly signs. For some people, the position adopted by a dying person signified death, for instance, lying on one’s back or with the head laid down, as was the custom for the dead. Similarly, wounds or pain told about the approaching death. The expressions like ‘waxen teeth’, ‘black tongue’, ‘dead lips’, and ‘sweat and tears of death’ show that people looked for signs that are not associated with death today.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"72-100"},"PeriodicalIF":0.0,"publicationDate":"2016-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
EnglishThis paper focuses on money-changers, owners of private money-changing tables (taules de canvi) in Catalonia between approximately 1280 and 1400. It places them among the group of financial agents (especially with regard to public administrations), and it stresses the particularities of the institutions ruled by them, true private banks. Additionally, it includes a first census of over a hundred bankers documented in the Principality of Catalonia during the aforementioned period. Besides remarking some of their shared characteristics, the paper also presents several approaches to conduct in-depth studies of this group. catalaAquest article se centra en la figura dels canviadors o titulars de taules de canvi privades en la Catalunya del periode compres entre aproximadament 1280 i 1400. Se’ls situa dins del conjunt d’agents dels mercats financers (en especial en relacio amb les administracions publiques) i es ressalten les especificats dels establiments que regien, autentiques banques privades. Aixi mateix, es presenta un primer cens del centenar llarg de professionals del sector que es documenta al principat durant l’epoca esmentada. I, a part de comentar-ne trets comuns, s’exposen diversos plantejaments de cara a aprofundir en l’estudi del col·lectiu.
本文主要研究1280年至1400年间加泰罗尼亚的货币兑换商，即私人货币兑换台(taules de canvi)的所有者。它将他们置于金融代理群体之中(特别是在公共行政管理方面)，并强调了由他们统治的机构的特殊性，即真正的私人银行。此外，它还包括在上述期间在加泰罗尼亚公国记录的100多名银行家的第一次人口普查。除了指出他们的一些共同特征外，本文还提出了对这一群体进行深入研究的几种方法。catalaAquest se条中枢en la figura del canviadors有名无实的阿德taules de canvi privades en la加泰罗尼亚del里面有压缩机之间aproximadament 1280我1400。它是指代理人、代理商、商人、金融家(特别是政府、行政、公共部门)、代理人、代理商、机构、机构、私人机构、私人机构等。艾西材料，是目前世界上最具代表性的文献材料之一，也是世界上最具代表性的文献材料之一。第一部分是评论性的街道公社，它展示了各种各样的植物，这些植物在“研究”和“收集”中都是非常重要的。
{"title":"Catalan Bankers in the 14th century: A First Census","authors":"E. Hernández, Albert Reixach Sala","doi":"10.1344/svmma2016.7.12","DOIUrl":"https://doi.org/10.1344/svmma2016.7.12","url":null,"abstract":"EnglishThis paper focuses on money-changers, owners of private money-changing tables (taules de canvi) in Catalonia between approximately 1280 and 1400. It places them among the group of financial agents (especially with regard to public administrations), and it stresses the particularities of the institutions ruled by them, true private banks. Additionally, it includes a first census of over a hundred bankers documented in the Principality of Catalonia during the aforementioned period. Besides remarking some of their shared characteristics, the paper also presents several approaches to conduct in-depth studies of this group. catalaAquest article se centra en la figura dels canviadors o titulars de taules de canvi privades en la Catalunya del periode compres entre aproximadament 1280 i 1400. Se’ls situa dins del conjunt d’agents dels mercats financers (en especial en relacio amb les administracions publiques) i es ressalten les especificats dels establiments que regien, autentiques banques privades. Aixi mateix, es presenta un primer cens del centenar llarg de professionals del sector que es documenta al principat durant l’epoca esmentada. I, a part de comentar-ne trets comuns, s’exposen diversos plantejaments de cara a aprofundir en l’estudi del col·lectiu.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"40-71"},"PeriodicalIF":0.0,"publicationDate":"2016-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Aquest article se centra en la figura dels canviadors o titulars de taules de canvi privades en la Catalunya del periode compres entre aproximadament 1280 i 1400. Se’ls situa dins del conjunt d’agents dels mercats financers (en especial en relacio amb les administracions publiques) i es ressalten les especificats dels establiments que regien, autentiques banques privades. Aixi mateix, es presenta un primer cens del centenar llarg de professionals del sector que es documenta al principat durant l’epoca esmentada. I, a part de comentar-ne trets comuns, s’exposen diversos plantejaments de cara a aprofundir en l’estudi del col·lectiu.
{"title":"Els banquers catalans del segle XIV: un primer cens","authors":"Albert Reixach Sala, Esther Tello Hernández","doi":"10.1344/svmma2016.7.4","DOIUrl":"https://doi.org/10.1344/svmma2016.7.4","url":null,"abstract":"Aquest article se centra en la figura dels canviadors o titulars de taules de canvi privades en la Catalunya del periode compres entre aproximadament 1280 i 1400. Se’ls situa dins del conjunt d’agents dels mercats financers (en especial en relacio amb les administracions publiques) i es ressalten les especificats dels establiments que regien, autentiques banques privades. Aixi mateix, es presenta un primer cens del centenar llarg de professionals del sector que es documenta al principat durant l’epoca esmentada. I, a part de comentar-ne trets comuns, s’exposen diversos plantejaments de cara a aprofundir en l’estudi del col·lectiu.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"40-71"},"PeriodicalIF":0.0,"publicationDate":"2016-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：