L’article analitza el primer manual de Blanca de Llorach, abadessa del monestir benedicti de Sant Pere de les Puel·les de Barcelona. Es un llibre de comptes que recull tant els ingressos obtinguts per aquest cenobi com les despeses generades durant l’any 1373. Entre d’altres aspectes, es destaca l’estudi dels habits alimentaris i les feines viticoles realitzades pels temporers que treballaven a les vinyes del monestir.
本文分析了Blanca de Llorach的第一本手册，该手册被巴塞罗那圣佩雷教堂的本笃会怪物所贬低。这是一本会计账簿，收集了这场大屠杀的收入和1373年的支出。除其他外，还强调了他们在葡萄园工作时对饮食习惯和葡萄酒工作的研究。
{"title":"The Accounts of Blanca de Llorach, Abbess of Sant Pere de les Puel·les (1373)","authors":"Montserrat Richou i Llimona","doi":"10.1344/svmma2015.5.11","DOIUrl":"https://doi.org/10.1344/svmma2015.5.11","url":null,"abstract":"L’article analitza el primer manual de Blanca de Llorach, abadessa del monestir benedicti de Sant Pere de les Puel·les de Barcelona. Es un llibre de comptes que recull tant els ingressos obtinguts per aquest cenobi com les despeses generades durant l’any 1373. Entre d’altres aspectes, es destaca l’estudi dels habits alimentaris i les feines viticoles realitzades pels temporers que treballaven a les vinyes del monestir.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"1-23"},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial: és necessària una revista com SVMMA?","authors":"Carles Mancho","doi":"10.1344/svmma2015.5.1","DOIUrl":"https://doi.org/10.1344/svmma2015.5.1","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"127-129"},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editorial: Is a journal like SVMMA necessary?","authors":"Carles Mancho","doi":"10.1344/svmma2015.5.10","DOIUrl":"https://doi.org/10.1344/svmma2015.5.10","url":null,"abstract":"","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Au Moyen Age et a la Renaissance, les femmes acquierent le desir et la capacite d’ecrire elles-memes des histoires edifiantes, belles et veritables, et elles posent a leur mesure la question difficile, a la fois philosophique, theologique et juridique, du rapport entre la beaute, la verite et l’ecriture. Cette etude considere successivement la Vie de sainte Douceline de Digne ecrite a la fin du XIIIe siecle par Philippine de Porcellet qui lui a succede a la tete des beguines de Provence, La Cite des Dames de 1404 de Christine de Pisan, L’Heptameron de Marguerite de Navarre compose a partir des annees 1520, dans la mesure ou ces textes correspondent a trois etapes significatives de l’histoire de la litterature francaise du Moyen Age et de la Renaissance, et de l’elaboration des rapports entre la beaute et la verite dans la litterature. Ces trois exemples d’ «histoires belles et veritables» des femmes montrent bien comment les femmes, en nouant les rapports entre la beaute et la verite, imposent leur presence dans la litterature. Decouvrant le pouvoir des «histoires belles et veritables», elles en tirent non seulement une reconnaissance religieuse, culturelle, sociale, mais aussi une meilleure connaissance d’elles-memes et du monde qui les entoure, une aptitude a affirmer et legitimer efficacement leur intelligence et leur liberte.
{"title":"Quelques histoires belles et véritables des femmes au Moyen Age et à la Renaissance","authors":"D. D. Courcelles","doi":"10.1344/svmma2015.5.6","DOIUrl":"https://doi.org/10.1344/svmma2015.5.6","url":null,"abstract":"Au Moyen Age et a la Renaissance, les femmes acquierent le desir et la capacite d’ecrire elles-memes des histoires edifiantes, belles et veritables, et elles posent a leur mesure la question difficile, a la fois philosophique, theologique et juridique, du rapport entre la beaute, la verite et l’ecriture. Cette etude considere successivement la Vie de sainte Douceline de Digne ecrite a la fin du XIIIe siecle par Philippine de Porcellet qui lui a succede a la tete des beguines de Provence, La Cite des Dames de 1404 de Christine de Pisan, L’Heptameron de Marguerite de Navarre compose a partir des annees 1520, dans la mesure ou ces textes correspondent a trois etapes significatives de l’histoire de la litterature francaise du Moyen Age et de la Renaissance, et de l’elaboration des rapports entre la beaute et la verite dans la litterature. Ces trois exemples d’ «histoires belles et veritables» des femmes montrent bien comment les femmes, en nouant les rapports entre la beaute et la verite, imposent leur presence dans la litterature. Decouvrant le pouvoir des «histoires belles et veritables», elles en tirent non seulement une reconnaissance religieuse, culturelle, sociale, mais aussi une meilleure connaissance d’elles-memes et du monde qui les entoure, une aptitude a affirmer et legitimer efficacement leur intelligence et leur liberte.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"88-106"},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En abril de 1447, va ser trobat casualment al cementiri de la parroquia de Sant Llorenc de la ciutat de Valencia, el cos incorrupte d’una jove anomenada Angelina Bertran. Per discernir si el fet era sobrenatural o no, fou nomenada una comissio de metges. Malgrat la seva perplexitat i impossibilitat de donar una explicacio raonada, i la rapida creenca popular que es tractava d’un cas digne de veneracio, els fets no portaren a considerar que Angelina meresques pujar als altars. No obstant, l’esdeveniment va passar a ser relatat en nombroses ocasions pels historiadors locals.
{"title":"Religiousness and Medicine in Late Medieval Valencia: The Discovery of the Incorrupt Body of Angelina Bertran (1447)","authors":"C. Ferragud","doi":"10.1344/svmma2015.5.13","DOIUrl":"https://doi.org/10.1344/svmma2015.5.13","url":null,"abstract":"En abril de 1447, va ser trobat casualment al cementiri de la parroquia de Sant Llorenc de la ciutat de Valencia, el cos incorrupte d’una jove anomenada Angelina Bertran. Per discernir si el fet era sobrenatural o no, fou nomenada una comissio de metges. Malgrat la seva perplexitat i impossibilitat de donar una explicacio raonada, i la rapida creenca popular que es tractava d’un cas digne de veneracio, els fets no portaren a considerar que Angelina meresques pujar als altars. No obstant, l’esdeveniment va passar a ser relatat en nombroses ocasions pels historiadors locals.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"51-71"},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Tot aprofundint en les visions oniriques i l’actitud vers el cos i l’anima, aquesta contribucio presenta alguns punts de vista sobre l’autoreflexio a l’Antiguitat i l’Occident altmedieval. El descobriment de l’individu al segle XII va derivar d’un ressorgiment de formes i idees del passat. L’article examina exemples d’individualitat que es remunten a l’Antiguitat i l’Alta Edat Mitjana. A la tradicio que hi havia al darrere de l’Edat Mitjana occidental, el cristianisme i el classicisme, l’individu i el coneixement d’un mateix van ser altament valorats.
{"title":"Locating the Self in the Early Medieval West","authors":"Zora Žbontar","doi":"10.1344/svmma2015.5.5","DOIUrl":"https://doi.org/10.1344/svmma2015.5.5","url":null,"abstract":"Tot aprofundint en les visions oniriques i l’actitud vers el cos i l’anima, aquesta contribucio presenta alguns punts de vista sobre l’autoreflexio a l’Antiguitat i l’Occident altmedieval. El descobriment de l’individu al segle XII va derivar d’un ressorgiment de formes i idees del passat. L’article examina exemples d’individualitat que es remunten a l’Antiguitat i l’Alta Edat Mitjana. A la tradicio que hi havia al darrere de l’Edat Mitjana occidental, el cristianisme i el classicisme, l’individu i el coneixement d’un mateix van ser altament valorats.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"44 1","pages":"72-87"},"PeriodicalIF":0.0,"publicationDate":"2015-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Les inscriptions dans le corpus de la peinture murale catalane sont tres nombreuses. Il constitue un vaste laboratoire d’etude pour comprendre comment l’inscription prend place dans le decor peint et comment les signes iconiques et alphabetiques interagissent a l’echelle du bâtiment, eventuellement dans la mise en scene du rituel liturgique. Cet article n’entend pas dresser le corpus complet des inscriptions peintes romanes de Catalogne ; il envisage plutot de comment les relations texte/image montrent une ecriture active pour produire du sens dans la dynamique generale de l’edifice (dynamique liturgique, communautaire, symbolique, etc.). En reposant la question de la « fonction » des inscriptions et en etudiant quelques inscriptions peintes, cette communication espere promouvoir une lecture plus fine des textes epigraphiques de la peinture catalane, plus respectueuse des relations originales qu’entretiennent, dans la creation artistique medievale, l’ecriture et l’image.
{"title":"Des figures et des lettres. Note méthodologique sur les inscriptions dans la peinture murale romane de Catalogne","authors":"Vincent Debiais","doi":"10.1344/svmma2015.6.4","DOIUrl":"https://doi.org/10.1344/svmma2015.6.4","url":null,"abstract":"Les inscriptions dans le corpus de la peinture murale catalane sont tres nombreuses. Il constitue un vaste laboratoire d’etude pour comprendre comment l’inscription prend place dans le decor peint et comment les signes iconiques et alphabetiques interagissent a l’echelle du bâtiment, eventuellement dans la mise en scene du rituel liturgique. Cet article n’entend pas dresser le corpus complet des inscriptions peintes romanes de Catalogne ; il envisage plutot de comment les relations texte/image montrent une ecriture active pour produire du sens dans la dynamique generale de l’edifice (dynamique liturgique, communautaire, symbolique, etc.). En reposant la question de la « fonction » des inscriptions et en etudiant quelques inscriptions peintes, cette communication espere promouvoir une lecture plus fine des textes epigraphiques de la peinture catalane, plus respectueuse des relations originales qu’entretiennent, dans la creation artistique medievale, l’ecriture et l’image.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"48-66"},"PeriodicalIF":0.0,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66438106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
As has been repeatedly noted, Joufroi de Poitiers, a novel written by a Burgundian author and composed around the middle of the thirteenth century, is based very closely on the figure of William IX of Aquitaine, great lord and first troubadour whose poems have been compiled. But what materials did truly inspire the author of Joufroi? The extant Provencal vida, or rather a lost broader Latin biography, or still other texts? This research will try to shed light on what were the actual sources of the novel and to outline a hypothesis that explains the motivations of these works.
正如我们反复提到的，勃艮第作家创作于13世纪中叶的小说《Joufroi de Poitiers》，是以阿基坦的威廉九世为原型的，他是伟大的领主和第一个吟游诗人，他的诗歌已被编撰。但究竟是什么材料真正启发了Joufroi的作者呢?现存的普罗旺斯维达，或者更确切地说，是丢失的更广泛的拉丁传记，还是其他文本?这项研究将试图阐明小说的实际来源，并概述一个解释这些作品动机的假设。
{"title":"Oltre lo Specchio: il Joufroi de Poitiers e la Cultura Lirica del suo Autore","authors":"M. Meneghetti","doi":"10.1344/svmma2014.4.6","DOIUrl":"https://doi.org/10.1344/svmma2014.4.6","url":null,"abstract":"As has been repeatedly noted, Joufroi de Poitiers, a novel written by a Burgundian author and composed around the middle of the thirteenth century, is based very closely on the figure of William IX of Aquitaine, great lord and first troubadour whose poems have been compiled. But what materials did truly inspire the author of Joufroi? The extant Provencal vida, or rather a lost broader Latin biography, or still other texts? This research will try to shed light on what were the actual sources of the novel and to outline a hypothesis that explains the motivations of these works.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"62-74"},"PeriodicalIF":0.0,"publicationDate":"2014-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The essential topic of this paper is the literary figure of Oliver, from his first appearances to his gradual disappearance from the texts. Thus, the starting point is the presence of the anthroponym and the discussions about its etymology, given that numerous problems (as well as some explanations) affecting Western epic poetry and the relationships established between characters and texts can be related to that origin. It seems that he is a southern hero and as such, figured prominently in several lost chansons de geste, from which late or geographically distant versions survive (such as the Scandinavian versions). Since this hero belongs to the Occitan tradition, linked to the basin of the Rhone, and is alien to French epic tradition, the importance of his role in the Chanson de Roland is surprising, and from there, its preeminence in onomastics and in the lists of the Twelve Peers; however, the place he occupies is not always the same, and he is often set aside. In the Iberian Peninsula, it is not unusual to see how other heroes take the place of Oliver: Bernardo del Carpio and Reinaldos de Montalban. Our paladin ends up being a mere shadow, a distant memory that is finally forgotten.
{"title":"Oliver: The Rise and Decline of a Hero","authors":"C. Alvar","doi":"10.1344/svmma2014.4.13","DOIUrl":"https://doi.org/10.1344/svmma2014.4.13","url":null,"abstract":"The essential topic of this paper is the literary figure of Oliver, from his first appearances to his gradual disappearance from the texts. Thus, the starting point is the presence of the anthroponym and the discussions about its etymology, given that numerous problems (as well as some explanations) affecting Western epic poetry and the relationships established between characters and texts can be related to that origin. It seems that he is a southern hero and as such, figured prominently in several lost chansons de geste, from which late or geographically distant versions survive (such as the Scandinavian versions). Since this hero belongs to the Occitan tradition, linked to the basin of the Rhone, and is alien to French epic tradition, the importance of his role in the Chanson de Roland is surprising, and from there, its preeminence in onomastics and in the lists of the Twelve Peers; however, the place he occupies is not always the same, and he is often set aside. In the Iberian Peninsula, it is not unusual to see how other heroes take the place of Oliver: Bernardo del Carpio and Reinaldos de Montalban. Our paladin ends up being a mere shadow, a distant memory that is finally forgotten.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"39 1","pages":"7-38"},"PeriodicalIF":0.0,"publicationDate":"2014-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Un analisis de la aportacion de Martin de Riquer al estudio de la caballeria. Se extiende el analisis desde mayo de 1965, en el que pronuncia su discurso de ingreso en la Real Academia Espanola hasta 2003 en que reedita el ultimo de sus libros donde habla de este tema. Este periodo se divide a su vez en dos subperiodos; en el primero traza su tesis central sobre la figura de los caballeros andantes y la distincion entre novelas de caballeria y libros de caballeria, asi como la necesidad de analizar el armamento militar; en el segundo, razona su aportacion al estudio de la caballeria a partir de un estudio biografico y de la valoracion de algunas obras seneras de este tema.
{"title":"Riquer, en el camino de la caballería","authors":"J. Enrique, Ruiz-Domènec","doi":"10.1344/svmma2014.4.7","DOIUrl":"https://doi.org/10.1344/svmma2014.4.7","url":null,"abstract":"Un analisis de la aportacion de Martin de Riquer al estudio de la caballeria. Se extiende el analisis desde mayo de 1965, en el que pronuncia su discurso de ingreso en la Real Academia Espanola hasta 2003 en que reedita el ultimo de sus libros donde habla de este tema. Este periodo se divide a su vez en dos subperiodos; en el primero traza su tesis central sobre la figura de los caballeros andantes y la distincion entre novelas de caballeria y libros de caballeria, asi como la necesidad de analizar el armamento militar; en el segundo, razona su aportacion al estudio de la caballeria a partir de un estudio biografico y de la valoracion de algunas obras seneras de este tema.","PeriodicalId":53184,"journal":{"name":"SVMMA","volume":"1 1","pages":"75-89"},"PeriodicalIF":0.0,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66437447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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