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International Journal of the Inclusive Museum最新文献

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Cultural Differences in ARCHES: A European Participatory Research Project—Working with Mixed Access Preferences in Different Cultural Heritage Sites arch中的文化差异:一个欧洲参与性研究项目——研究不同文化遗址的混合访问偏好
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I03/33-50
Helena Garcia Carrizosa, Jara Díaz, Rotraut Krall, Felicitas Sisinni
This article discusses the differences and difficulties that the ARCHES project has encountered when setting up and working with participatory research groups as part of a large-scale European project. The article seeks to clarify how participation is experienced across different international partners and research groups. This is explored in relation to recruitment of exploration groups, understanding participatory research, and challenging the definitions of disability. It also shares our methods of working with the participants and the impact upon those ways of working within different cultural environments. The article aims to guide future projects alike.
本文讨论了arch项目在作为大型欧洲项目的一部分建立和与参与性研究小组合作时所遇到的差异和困难。这篇文章试图澄清不同的国际合作伙伴和研究小组是如何参与的。这与探索小组的招募、理解参与性研究和挑战残疾定义有关。它还与参与者分享了我们的工作方法以及在不同文化环境中对这些工作方式的影响。本文旨在指导今后的类似项目。
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引用次数: 7
Governing Modes of Permanent Exhibitions in Fostering Museum-Visitor Interaction: Creating a New Permanent Exhibition at the University of Tartu Natural History Museum 促进博物馆与参观者互动的常设展览管理模式:在塔尔图大学自然历史博物馆创建一个新的常设展览
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I04/1-11
R. Mägi, Krista Lepik
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引用次数: 1
Measuring Inclusion in Museums: A Case Study on Cultural Engagement with Young People with a Migrant Background in Amsterdam 衡量博物馆的包容性:阿姆斯特丹移民背景青年文化参与的案例研究
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I02/1-26
Marjelle Vermeulen, F. Vermeylen, K. Maas, Marthe De Vet, Martin Van Engel
ING AND INDEXING For a full list of databases in which this journal is indexed, please visit http://onmuseums.com/journal. RESEARCH NETWORK MEMBERSHIP Authors in The International Journal of the Inclusive Museum are members of the Inclusive Museum Research Network or a thematically related Research Network. Members receive access to journal content. To find out more, visit http://onmuseums.com/about/become-a-member. SUBSCRIPTIONS The International Journal of the Inclusive Museum is available in electronic and print formats. Subscribe to gain access to content from the current year and the entire backlist. Contact us at support@cgnetworks.org. ORDERING Single articles and issues are available from the journal bookstore at http://cgscholar.com/bookstore. HYBRID OPEN ACCESS The International Journal of the Inclusive Museum is Hybrid Open Access, meaning authors can choose to make their articles open access. This allows their work to reach an even wider audience, broadening the dissemination of their research. To find out more, please visit http://onmuseums.com/journal/hybrid-open-access. DISCLAIMER The authors, editors, and publisher will not accept any legal responsibility for any errors or omissions that may have been made in this publication. The publisher makes no warranty, express or implied, with respect to the material contained herein. D ow nl oa de d on T hu F eb 2 8 20 19 a t 1 4: 43 :5 5 U T C
ING和索引本期刊被索引的数据库的完整列表,请访问http://onmuseums.com/journal。《包容性博物馆国际期刊》的作者是包容性博物馆研究网络或主题相关研究网络的成员。会员可以访问期刊内容。欲了解更多信息,请访问http://onmuseums.com/about/become-a-member。《包容性博物馆国际期刊》有电子版和印刷版。订阅获得访问从今年的内容和整个后备名单。请通过support@cgnetworks.org联系我们。订购单篇文章和问题可从http://cgscholar.com/bookstore期刊书店获得。《包容性博物馆国际期刊》采用混合开放获取模式,这意味着作者可以选择让他们的文章开放获取。这使得他们的工作能够接触到更广泛的受众,扩大了他们研究的传播范围。欲了解更多信息,请访问http://onmuseums.com/journal/hybrid-open-access。免责声明作者、编辑和出版商不会对本出版物中可能出现的任何错误或遗漏承担任何法律责任。出版商不做任何保证,明示或暗示,就材料包含在这里。D:我的天哪,我的天哪,我的天哪,我的天哪
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引用次数: 4
Safeguarding Tangible Heritage in Socially Deprived Areas: The Role Played by a Small Museum 社会贫困地区物质遗产的保护:小型博物馆的角色
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/cgp/v12i02/69-85
J. Cutajar
: Exponents of Critical Heritage studies maintain that people, communities, events, and places linked with the working class are often underrepresented and misrepresented by dominant discourse. Working-class communities tend to be erased from official history or portrayed in a negative light. This article concerns the role played by a social history museum to promote social inclusion through representation made for and with a community faced by detrimental economic, social, and political social changes. Cultural reclamation is crucial for communities that bear the brunt of deindustrialization and the consequent loss of power, leading to social and economic dislocation. Changes in the world’s political economy have endangered many of these communities. These changes also threaten the heritage that provide these social groups with a positive sense of place and identity since low-income areas are often perceived as blighted, in need of bulldozer renewal by urban planners. This participatory action research demonstrates that circumstances may push social history museums to go beyond education and embrace social activism in an effort to bring about social justice.
批判遗产研究的倡导者认为,与工人阶级有关的人、社区、事件和地点往往被主流话语所低估和歪曲。工人阶级群体往往被从官方历史中抹去,或者被描绘成负面的形象。这篇文章关注的是社会历史博物馆在促进社会包容方面所扮演的角色,通过代表面临不利经济、社会和政治社会变化的社区。文化复垦对于承受去工业化冲击和随之而来的权力丧失、导致社会和经济混乱的社区至关重要。世界政治经济的变化危及了许多这样的社区。这些变化也威胁到为这些社会群体提供积极的地方和身份感的遗产,因为低收入地区通常被认为是破败的,需要城市规划者用推土机进行更新。这项参与性行动研究表明,环境可能会推动社会历史博物馆超越教育,拥抱社会行动主义,努力实现社会正义。
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引用次数: 0
Finding Place and Feeling Culture in the Universalized Spaces of Children’s Museums 在儿童博物馆的普遍化空间中寻找场所,感受文化
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I03/1-14
K. Carpenter
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引用次数: 1
Graphic Organizer: An Efficient Tool for Learning-Disabled Students in a Museum 图形组织者:博物馆学习障碍学生的有效工具
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/cgp/v12i04/57-66
Marko Sperling, Matthias Grünke, Christin Coeppicus
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引用次数: 0
Recontextualizing Cultural Heritage and Identity through Three-dimensional Spaces: The Case of the Hong Kong Maritime Museum 通过三维空间重新定位文化遗产和身份:以香港海事博物馆为例
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I02/27-46
M. Wong
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引用次数: 2
A Forgotten History: Children’s Space in US Art Museums throughout the Twentieth Century 被遗忘的历史:整个20世纪美国艺术博物馆中的儿童空间
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I02/47-60
Brigid Globensky
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引用次数: 0
Art Museum Programs for School Visits: Discussing Foundational and Methodological Approaches 学校参观艺术博物馆项目:讨论基础和方法方法
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/cgp/v12i03/65-83
Ana Tirado De La Chica
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引用次数: 0
Improving Intellectual Access for Blind and Partially Sighted Visitors to Temporary Exhibitions: An Inclusive Design Solution 改善盲人和弱视参观者参观临时展览的知识通道:一个包容性的设计解决方案
IF 0.4 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM Pub Date : 2019-01-01 DOI: 10.18848/1835-2014/CGP/V12I01/39-62
Anne E Chick
This article explores the collaborative design, curation and assessment of a temporary exhibition that aimed to bring intellectual access to blind and partially sighted visitors. The multi-sensory desk concept is the core component of the inclusive design, and is the focus of this paper. Older people (65-74 years) are increasingly likely to experience sight loss and they are the fastest growing visitor group to UK museums and galleries. Presently there are approximately two million people in the UK registered blind or partially sighted, which will double by 2050. Accessible design guidance was reviewed and a working document of relevant guidelines developed. Most guidance is aimed at developing permanent exhibitions. This research was directed by co-production principles using a multi-methods approach. Ethnographic fieldwork was conducted with observations and note taking, along with open-ended interviews, co-creation workshops, visitor written feedback, and co-assessment sessions. The research participants were blind and sight loss visitors, curatorial staff, exhibition designers, SENSE and RNIB representatives. The resulting exhibition has achieved a positive experience and emotional impact for the blind and partially sighted visitors, through the opportunity for independent movement and thought, and subsequent learning and knowledge exchange. Over 15,500 people visited the exhibition in three months.
这篇文章探讨了一个临时展览的合作设计、策划和评估,旨在为盲人和弱视游客带来知识。多感官办公桌概念是包容性设计的核心组成部分,也是本文研究的重点。老年人(65-74岁)越来越容易失去视力,他们是英国博物馆和画廊增长最快的游客群体。目前,英国约有200万人注册为盲人或弱视者,到2050年这一数字将翻一番。审查了无障碍设计指南,并编制了相关指南的工作文件。大多数指导方针旨在发展永久性展览。本研究以合作生产原则为指导,采用多种方法。人种学的实地工作包括观察和记录,以及开放式访谈、共同创造研讨会、访客书面反馈和共同评估会议。研究对象包括盲人和视障者、策展人员、展览设计师、SENSE和RNIB代表。由此产生的展览通过独立运动和思考的机会,以及随后的学习和知识交流,为盲人和弱视参观者带来了积极的体验和情感影响。三个月内,超过15,500人参观了展览。
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引用次数: 1
期刊
International Journal of the Inclusive Museum
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