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[rec.] The Scale of Love: Jan Kemp’s ‘Dante’s Heaven 爱的尺度:简·肯普的《但丁的天堂》
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-83
P. Byrne
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引用次数: 0
Who Cares About Children’s Rights? Critical Multimodal Awareness and its Implications for the Design, Analysis and Use of Children’s Online Educational Materials 谁关心儿童权利?批判性多模式意识及其对儿童在线教育材料设计、分析和使用的启示
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-60
Nicoletta Vasta, Piergiorgio Trevisan
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引用次数: 0
The fiction of Tim Winton: relational ecology in an unsettled land 蒂姆·温顿的小说:不稳定土地上的关系生态学
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-56
Lyn McCredden
I: Abstract II: Complicating the processes of belonging in place, for non-Indigenous Australians, is the growing realization that they live in a huge, diverse land, a place in which they are not native. The fiction of popular Anglo-Saxon Australian novelist Tim Winton echoes the understanding of poet Judith Wright, for whom “two strands – the love of the land we have invaded and the guilt of the invasion – have become part of me. It is a haunted country” (Wright 1991: 30). This essay will explore Winton’s novels in which there is a pervasive sense of unease and loss experienced by the central characters, in relation to place and land. Winton’s characters Queenie Cookson and her traumatic witnessing of the barbaric capture and flaying of whales; Fish Lamb’s near-drowning in the sea, and Lu Fox’s quest for refuge in the wilderness, prophet-like, after the tragedy of his family’s death are all written with a haunting sense of white unsettlement and displacement, where such natural forces – the sea and its creatures, the land’s distances and risks – confront and re-form the would-be dominators. A complicare il processo di appartenenza degli australiani non indigeni, c’è la consapevolezza di vivere in una terra sconfinata e composita, un posto di cui non sono nativi. La narrativa del celebre romanziere anglo-australiano Tim Winton riecheggia il pensiero della poetessa Judith Wright, per la quale “Due sentimenti sono diventati parte di me – l’amore per la terra che abbiamo invaso e il senso di colpa per averla invasa. È un luogo stregato” (Wright 1991: 30). Il presente saggio esplora i romanzi di Winton nei quali si avverte un intenso senso di malessere e perdita, in relazione ai luoghi e alla terra, da parte dei personaggi principali. I personaggi di Winton Wueenie Cookson che testimonia dolorosamente alla cattura barbarica e alla mattanza delle balene; Fish Lamb quasi annegato in mare; Lu Fox alla ricerca di un rifugio nella natura selvaggia, da profeta, dopo la tragedia della morte della sua famiglia – sono tutti accompagnati da un senso spettrale di insediamento fallito ed esilio, in cui le forze naturali – il mare e le sue creature, le distanze e i rischi del posto – si contrappongono e fanno ravvedere gli aspiranti dominatori.II: Complicating the processes of belonging in place, for non-Indigenous Australians, is the growing realization that they live in a huge, diverse land, a place in which they are not native. The fiction of popular Anglo-Saxon Australian novelist Tim Winton echoes the understanding of poet Judith Wright, for whom “two strands – the love of the land we have invaded and the guilt of the invasion – have become part of me. It is a haunted country” (Wright 1991: 30). This essay will explore Winton’s novels in which there is a pervasive sense of unease and loss experienced by the central characters, in relation to place and land. Winton’s characters Queenie Cookson and her traumatic witnessing of the barbaric capture and flaying of
摘要:对于非土著澳大利亚人来说,使归属感的过程变得复杂的是,他们越来越意识到他们生活在一个巨大的、多样化的土地上,一个他们不是土著的地方。受欢迎的盎格鲁-撒克逊澳大利亚小说家蒂姆·温顿的小说呼应了诗人朱迪思·赖特的理解,对她来说,“两条线——对我们入侵的土地的爱和对入侵的内疚——已经成为我的一部分。”这是一个闹鬼的国家”(Wright 1991: 30)。这篇文章将探讨温顿的小说,在这些小说中,中心人物在与地方和土地的关系中普遍存在着不安和失落感。温顿笔下的人物奎妮·库克森(Queenie Cookson)和她亲眼目睹的野蛮捕鲸和剥鲸的痛苦经历;鱼羊在海里差点淹死,陆狐在家人死亡的悲剧之后像先知一样在荒野中寻求庇护,这些都以一种令人难以忘却的白人不安和流离失所的感觉写出来,这些自然力量——大海和它的生物,陆地的距离和风险——面对并重新塑造了潜在的统治者。一个复杂的过程是澳大利亚人的非土著性的,即è la conapevolezza di vivere in una terra sconfinata e composita, unpostto di cui nonsono native。蒂姆·温顿(Tim Winton)为英国和澳大利亚的浪漫之旅撰写了一篇关于诗人朱迪思·赖特(Judith Wright)的文章,并将其描述为“由于情感的影响,我将在我的土地上看到我的土地,我将在我的土地上看到我的土地,我将在我的土地上看到我的土地。”È un luogo stregato”(Wright 1991: 30)。我将向诸位介绍罗马人对温顿的看法。我将向诸位介绍罗马人对温顿的看法。我将向诸位介绍罗马人对温顿的看法。温顿·温尼·库克森(Winton wenenie Cookson)的个人证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示。鱼,羊,准羊;卢·福克斯说:“ricerca di un rifugio nella natura selvaggia, da profeta, dopo la tragdia della morte della sua familia——sono tutti accagnati da unsenso speale di insedidiamento falled esilio, in cui forze naturali——将会是一个更大的生物,将会是一个更大的生物,将会是一个更大的生物,将会是一个更大的生物。”对于非土著澳大利亚人来说,使归属感的过程变得复杂的是,他们越来越意识到他们生活在一个巨大的、多样化的土地上,一个他们不是土著的地方。受欢迎的盎格鲁-撒克逊澳大利亚小说家蒂姆·温顿的小说呼应了诗人朱迪思·赖特的理解,对她来说,“两条线——对我们入侵的土地的爱和对入侵的内疚——已经成为我的一部分。”这是一个闹鬼的国家”(Wright 1991: 30)。这篇文章将探讨温顿的小说,在这些小说中,中心人物在与地方和土地的关系中普遍存在着不安和失落感。温顿笔下的人物奎妮·库克森(Queenie Cookson)和她亲眼目睹的野蛮捕鲸和剥鲸的痛苦经历;鱼羊在海里差点淹死,陆狐在家人死亡的悲剧之后像先知一样在荒野中寻求庇护,这些都以一种令人难以忘却的白人不安和流离失所的感觉写出来,这些自然力量——大海和它的生物,陆地的距离和风险——面对并重新塑造了潜在的统治者。一个复杂的过程是澳大利亚人的非土著性的,即è la conapevolezza di vivere in una terra sconfinata e composita, unpostto di cui nonsono native。蒂姆·温顿(Tim Winton)为英国和澳大利亚的浪漫之旅撰写了一篇关于诗人朱迪思·赖特(Judith Wright)的文章,并将其描述为“由于情感的影响,我将在我的土地上看到我的土地,我将在我的土地上看到我的土地,我将在我的土地上看到我的土地。”È un luogo stregato”(Wright 1991: 30)。我将向诸位介绍罗马人对温顿的看法。我将向诸位介绍罗马人对温顿的看法。我将向诸位介绍罗马人对温顿的看法。温顿·温尼·库克森(Winton wenenie Cookson)的个人证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示,他的证词显示。鱼,羊,准羊;卢·福克斯说:“ricerca di un rifugio nella natura selvaggia, da profeta, dopo la tragdia della morte della sua familia——sono tutti accagnati da unsenso speale di insedidiamento falled esilio, in cui forze naturali——将会是一个更大的生物,将会是一个更大的生物,将会是一个更大的生物,将会是一个更大的生物。”蒂姆·温顿,澳大利亚的地域、土地和身份小说家,从澳大利亚文化中一个奇怪的模棱两可的位置写作。温顿不仅是一位文学作家,也是一位受欢迎的作家,他用方言写作,对地球和生态有着敏锐的感知,他的散文同时也达到了对地方的超然理解
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引用次数: 0
‘Violence against the Earth is Violence against Women’: The Rape Theme in Women’s Eco-Narratives “对地球的暴力就是对妇女的暴力”:妇女生态叙事中的强奸主题
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-72
Deborah Saidero
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引用次数: 4
Contrées sans culture: ‘Nature’ Across the Anthropological Rift 反文化:跨越人类学裂谷的“自然”
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-66
Lucia Folena
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引用次数: 0
A Deceptive Initiation: An Ecological Paradigm in Howard O’Hagan’s Tay John 欺骗性的启蒙:霍华德·奥的《泰·约翰》中的生态范式
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-74
S. Yakovenko
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引用次数: 0
Natura e morte al tempo della guerra secondo Lawrence 根据劳伦斯的说法,战争时期的自然和死亡
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-65
M. Dongu
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引用次数: 0
Ecopsychology in J.G. Ballard's Fiction J.G.巴拉德小说中的生态心理学
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-71
Paola Della Valle
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引用次数: 0
Floating / Travelling Gardens of (Post)colonial Time (后)殖民时代的漂浮/旅行花园
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-64
C. Concilio
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引用次数: 0
“A garden of green lace”: P. K. Page’s Ecolect “绿色花边花园”:P. K. Page的生态收藏
0 LITERATURE Pub Date : 2017-11-01 DOI: 10.17456/SIMPLE-58
Rizzardi Biancamaria
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引用次数: 0
期刊
Simplegadi
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