{"title":"[rec. to] Lorenzo Mari. Forme dell’interregno. Past Imperfect di Nuruddin Farah tra letteratura post-coloniale e world literature","authors":"S. Guarracino","doi":"10.17456/simple-112","DOIUrl":"https://doi.org/10.17456/simple-112","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45039451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hostile Country, Hospitable Language: Telling Stories to Survive History. Contemporary Attempts in British Literature and Theatre to Reshape the Language of Migration","authors":"D. Salusso","doi":"10.17456/SIMPLE-99","DOIUrl":"https://doi.org/10.17456/SIMPLE-99","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48018033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I: Abstract II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano questi nuovi schiavi – siano essi rifugiati, richiedenti asilo o ‘migranti economici’. Nello specifico, il contributo si concentra sulle forme istituzionali degli spazi di detenzione, mettendone in luce le affinità con le forme di sfruttamento illegale. Opere come The Bogus Woman di Kay Adshead e le raccolte sul tema dei rifugiati come Refugee Tales, Over Land, Over Sea e A Country of Refuge mettono all’indice le modalità in cui i migranti vengono brutalmente detenuti e come forme più subdole di detenzione indotte dalle istituzioni siano disseminate nel territorio; allo stesso tempo, queste opere propongono azioni di contrasto che cercano di re-inventare gli spazi in questione. Su questo aspetto conclusivo, l’articolo identifica quattro strategie principali: meta-letteraria, metaforica, re-immaginativa e riappropriativa.II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano
{"title":"In Every Holt and Heath: Spatial Counter-Actions in Contemporary British Literature on Migrants","authors":"P. Deandrea","doi":"10.17456/SIMPLE-95","DOIUrl":"https://doi.org/10.17456/SIMPLE-95","url":null,"abstract":"I: Abstract II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano questi nuovi schiavi – siano essi rifugiati, richiedenti asilo o ‘migranti economici’. Nello specifico, il contributo si concentra sulle forme istituzionali degli spazi di detenzione, mettendone in luce le affinità con le forme di sfruttamento illegale. Opere come The Bogus Woman di Kay Adshead e le raccolte sul tema dei rifugiati come Refugee Tales, Over Land, Over Sea e A Country of Refuge mettono all’indice le modalità in cui i migranti vengono brutalmente detenuti e come forme più subdole di detenzione indotte dalle istituzioni siano disseminate nel territorio; allo stesso tempo, queste opere propongono azioni di contrasto che cercano di re-inventare gli spazi in questione. Su questo aspetto conclusivo, l’articolo identifica quattro strategie principali: meta-letteraria, metaforica, re-immaginativa e riappropriativa.II: Focusing on the literature on globalisation’s migrants in contemporary Britain, this article examines the forms of spatial seclusion imprisoning these new slaves – be they refugees, asylum seekers or ‘economic migrants’. More specifically, the contribution concentrates on the institutional forms of spatial imprisonment, highlighting their similarities with illegal exploitation. Works like Kay Adshead’s play The Bogus Woman and collections on refugees such as Refugee Tales, Over Land, Over Sea and A Country of Refuge point to the ways in which migrants are brutally detained and at how subtler forms of institutionally-induced detention are disseminated through the country, while proposing counter-actions which aim at reimagining contested spaces. On this final aspect, the article identifies four main strategies: meta-literary, metaphorical, re-imaginative and re-appropriative. Nell’occuparsi della letteratura sui migranti nella Gran Bretagna della globalizzazione contemporanea, questo articolo prende in esame le forme di segregazione spaziale che imprigionano ","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43774442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Old Calabria di Norman Douglas come ricerca del senso perduto","authors":"M. Sette","doi":"10.17456/SIMPLE-109","DOIUrl":"https://doi.org/10.17456/SIMPLE-109","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48043276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[rec. to] Luigi Cazzato. Sguardo inglese e Mediterraneo italiano. Alle radici del meridionismo","authors":"M. Cariello","doi":"10.17456/SIMPLE-115","DOIUrl":"https://doi.org/10.17456/SIMPLE-115","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46261278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Places of the Imagination: Ecological Concerns in David Malouf’s “Jacko’s Reach”","authors":"A. Riem","doi":"10.17456/SIMPLE-57","DOIUrl":"https://doi.org/10.17456/SIMPLE-57","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"1 1","pages":"72-80"},"PeriodicalIF":0.0,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44290490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“An art / That Nature makes”: The Alchemical Conception of Art and Nature in Shakespeare’s The Winter’s Tale","authors":"Martina Zamparo","doi":"10.17456/SIMPLE-80","DOIUrl":"https://doi.org/10.17456/SIMPLE-80","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"1 1","pages":"347-360"},"PeriodicalIF":0.0,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42080879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"[rec.] The Re-empowerment of Native Canadians through Literature: A Comparison between Lee Maracle’s Goodbye, Snauq and Tomson Highway’s Hearts and Flowers. [In:] Our Story: Aboriginal Voices on Canada’s Past","authors":"G. Barca","doi":"10.17456/SIMPLE-85","DOIUrl":"https://doi.org/10.17456/SIMPLE-85","url":null,"abstract":"","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"1 1","pages":"378-381"},"PeriodicalIF":0.0,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45923570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
I: Rossella Ciocca ‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East A number of recent novels have chosen to variously address the existing conditions of the multi-ethnic mosaic of the Indian North-East. These works of fiction shed light upon a dramatic contemporary condition and propound an alternative historical archive able to perturb the current image of India as a neo-liberal, globalized super power. Indeed, in India’s complex, uneven and contradictory patterns of economic and technological progress, perspectives of development prove highly controversial. In Surface, a novella written in 2005 by Siddhartha Deb, set in the Northeastern region and seemingly modeled upon Conrad’s colonial archetype Heart of Darkness, a post-millennial social community of investors, executives, administrators, traders, politicians, journalists, social workers and rebels, inhabit a very complex, and ‘dark’, territorial reality. Abstract II: Il tema delle controverse prospettive dello sviluppo e della globalizzazione in India sono state recentemente oggetto di attenzione narrativa. In particolare questo articolo analizza il romanzo di Siddhartha Deb del 2005 intitolato Surface che mostra come nel Nord-Est della nazione una nuova generazione di scrittori stia cercando di costruire un contro-archivio in grado di contestare l’immagine dell’India come emergente super-potenza globale. Dando conto di tutte le contraddizioni che il modello neo-liberista di sviluppo sta producendo soprattutto nelle zone più periferiche e multi-etniche del paese, il romanzo di Deb, sulla falsariga del modello conradiano, mette a nudo il cuore oscuro del cosiddetto “India Shining”. A number of recent novels have chosen to variously address Indian economic modernization, conjugating fiction with a new environmentalist sensibility. These works shed light upon a dramatic contemporary condition and shape an alternative historical archive able to perturb the emerging image of India as a globalized super power encapsulated within the 2004 electoral slogan “India Shining”1. Indeed, in India’s complex, uneven and often contradictory route towards economic and technological progress, perspectives of development, conceived under the aegis of global capitalism, prove to be highly controversial. Surface, a 1 The “India Shining” slogan was initially conceived as part of an official national campaign intended to promote India internationally. The expression was subsequently used as an electoral slogan in the campaign for the 2004-2005 national elections by the nationalist right-wing formation Bharatiya Janata Party.
{"title":"‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East","authors":"R. Ciocca","doi":"10.17456/SIMPLE-59","DOIUrl":"https://doi.org/10.17456/SIMPLE-59","url":null,"abstract":"I: Rossella Ciocca ‘Hearts of Darkness’ in Shining India. Maps of Ecological Un-Sustainability in the North-East A number of recent novels have chosen to variously address the existing conditions of the multi-ethnic mosaic of the Indian North-East. These works of fiction shed light upon a dramatic contemporary condition and propound an alternative historical archive able to perturb the current image of India as a neo-liberal, globalized super power. Indeed, in India’s complex, uneven and contradictory patterns of economic and technological progress, perspectives of development prove highly controversial. In Surface, a novella written in 2005 by Siddhartha Deb, set in the Northeastern region and seemingly modeled upon Conrad’s colonial archetype Heart of Darkness, a post-millennial social community of investors, executives, administrators, traders, politicians, journalists, social workers and rebels, inhabit a very complex, and ‘dark’, territorial reality. Abstract II: Il tema delle controverse prospettive dello sviluppo e della globalizzazione in India sono state recentemente oggetto di attenzione narrativa. In particolare questo articolo analizza il romanzo di Siddhartha Deb del 2005 intitolato Surface che mostra come nel Nord-Est della nazione una nuova generazione di scrittori stia cercando di costruire un contro-archivio in grado di contestare l’immagine dell’India come emergente super-potenza globale. Dando conto di tutte le contraddizioni che il modello neo-liberista di sviluppo sta producendo soprattutto nelle zone più periferiche e multi-etniche del paese, il romanzo di Deb, sulla falsariga del modello conradiano, mette a nudo il cuore oscuro del cosiddetto “India Shining”. A number of recent novels have chosen to variously address Indian economic modernization, conjugating fiction with a new environmentalist sensibility. These works shed light upon a dramatic contemporary condition and shape an alternative historical archive able to perturb the emerging image of India as a globalized super power encapsulated within the 2004 electoral slogan “India Shining”1. Indeed, in India’s complex, uneven and often contradictory route towards economic and technological progress, perspectives of development, conceived under the aegis of global capitalism, prove to be highly controversial. Surface, a 1 The “India Shining” slogan was initially conceived as part of an official national campaign intended to promote India internationally. The expression was subsequently used as an electoral slogan in the campaign for the 2004-2005 national elections by the nationalist right-wing formation Bharatiya Janata Party.","PeriodicalId":53737,"journal":{"name":"Simplegadi","volume":"1 1","pages":"90-98"},"PeriodicalIF":0.0,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46562539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：