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[rec. to] Not in My Name: Selected Poems 1978-2017 (Subodh Sarkar) [参考]不以我的名义:1978-2017年诗歌选集(苏博德·萨卡)
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-146
Amitava Saha
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引用次数: 0
‘To Inhabit in Tranquility’: Landscape, Vision and Empathy in Ford Madox Ford’s No Enemy “居住在宁静中”:福特·马多克斯·福特《无敌》中的景观、视觉和同理心
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-130
L. Colombino
I: Abstract II: In Ford Madox Ford’s No Enemy, the mortal threat posed by the war affects the forms and even the possibility of empathy. After showing how he participates in contemporary discourses on Einfühlung, I investigate his musings on the distortions of his sympathetic imagination and his grief for mutilated territories. The aim is to show how rare surreal visions of landscapes untouched by the war offer him the possibility of reconnecting himself with the deepest thoughts, fears and longings of his fellow beings. Recent psychological research on different levels of empathy and its impairment under stress provide the conceptual framework of my analysis. In No Enemy di Ford Madox Ford, la minaccia mortale rappresentata dalla guerra influisce sulle forme e sulla possibilità stessa di provare empatia. Dopo aver mostrato come Ford si inserisca nel dibattito coevo sulla Einfühlung, l’articolo approfondisce le riflessioni dell’autore sulle distorsioni subite dalla sua “immaginazione simpatetica” e sull’angoscia per i territori mutilati dalla guerra. L’intento è di mostrare come le rare visioni surreali di paesaggi inviolati concedano a Ford di riconnettersi con i pensieri, le paure e i desideri più profondi dei suoi simili. I recenti studi di psicologia sui diversi livelli di empatia e sulla sua compromissione in situazioni di stress forniscono il quadro concettuale dell’analisi.II: In Ford Madox Ford’s No Enemy, the mortal threat posed by the war affects the forms and even the possibility of empathy. After showing how he participates in contemporary discourses on Einfühlung, I investigate his musings on the distortions of his sympathetic imagination and his grief for mutilated territories. The aim is to show how rare surreal visions of landscapes untouched by the war offer him the possibility of reconnecting himself with the deepest thoughts, fears and longings of his fellow beings. Recent psychological research on different levels of empathy and its impairment under stress provide the conceptual framework of my analysis. In No Enemy di Ford Madox Ford, la minaccia mortale rappresentata dalla guerra influisce sulle forme e sulla possibilità stessa di provare empatia. Dopo aver mostrato come Ford si inserisca nel dibattito coevo sulla Einfühlung, l’articolo approfondisce le riflessioni dell’autore sulle distorsioni subite dalla sua “immaginazione simpatetica” e sull’angoscia per i territori mutilati dalla guerra. L’intento è di mostrare come le rare visioni surreali di paesaggi inviolati concedano a Ford di riconnettersi con i pensieri, le paure e i desideri più profondi dei suoi simili. I recenti studi di psicologia sui diversi livelli di empatia e sulla sua compromissione in situazioni di stress forniscono il quadro concettuale dell’analisi. Impressionism and the Sympathetic Imagination In Joseph Conrad’s oft-quoted definition of literary Impressionism, writing “must make its appeal through the senses”: “My task which I am trying to achieve”,
摘要:在福特·马多克斯·福特的《无敌》中,战争带来的致命威胁影响了移情的形式乃至可能性。在展示了他是如何参与关于einfhlung的当代话语之后,我研究了他对他的同情想象力的扭曲和他对残缺领土的悲伤的沉思。他的目的是展示那些罕见的、未受战争影响的超现实景观是如何为他提供了一种可能性,让他重新与他的同胞们最深的思想、恐惧和渴望联系起来。最近关于不同水平的共情及其在压力下的损害的心理学研究为我的分析提供了概念框架。在《福特无人为敌》一书中,马多克斯·福特(Madox Ford)以一种极具破坏性的方式表达了一种情绪,一种可能的情绪,一种可能的情绪。最重要的是,福特(Ford)说:“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”。L’intento è最稀有的是超现实主义的远见卓识,paesaggi inviolati concedano;福特的远见卓识,是现实主义的远见卓识;福特的远见卓识,是现实主义的远见卓识;福特的远见卓识,是现实主义的远见卓识;近年来,在心理学研究中,研究人员对不同情境下的移情、心理妥协和心理妥协进行了深入的研究,并对不同情境下的心理妥协进行了概念分析。II:在福特·马多克斯·福特的《无敌》中,战争带来的致命威胁影响了移情的形式甚至可能性。在展示了他是如何参与关于einfhlung的当代话语之后,我研究了他对他的同情想象力的扭曲和他对残缺领土的悲伤的沉思。他的目的是展示那些罕见的、未受战争影响的超现实景观是如何为他提供了一种可能性,让他重新与他的同胞们最深的思想、恐惧和渴望联系起来。最近关于不同水平的共情及其在压力下的损害的心理学研究为我的分析提供了概念框架。在《福特无人为敌》一书中,马多克斯·福特(Madox Ford)以一种极具破坏性的方式表达了一种情绪,一种可能的情绪,一种可能的情绪。最重要的是,福特(Ford)说:“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”,“我是一个人”。L’intento è最稀有的是超现实主义的远见卓识,paesaggi inviolati concedano;福特的远见卓识,是现实主义的远见卓识;福特的远见卓识,是现实主义的远见卓识;福特的远见卓识,是现实主义的远见卓识;近年来,在心理学研究中,研究人员对不同情境下的移情、心理妥协和心理妥协进行了深入的研究,并对不同情境下的心理妥协进行了概念分析。约瑟夫·康拉德(Joseph Conrad)对文学印象派的定义经常被引用,他认为写作“必须通过感官来吸引人”。他在《那喀索斯的黑鬼》(the Narcissus, 1897)的序言中声称,“我试图完成的任务是通过文字的力量,让你听到,让你感觉到——最重要的是,让你看到”(康拉德,1979:147)。这种替代性,即使读者的想象力对作者所创造的世界作出反应的能力,是印象派写作的核心,这种风格在19世纪末到20世纪初期间获得了发展势头。除了康拉德之外,还有相当多的作家与文学印象派有关,或者被讨论过,其中包括阿瑟·西蒙斯、斯蒂芬·克兰、凯瑟琳·曼斯菲尔德、d·h·劳伦斯、多萝西·理查森和弗吉尼亚·伍尔夫。然而福特·马多克斯·福特(Ford Madox Ford)是迄今为止这场运动中最核心的人物:尽管他在漫长而多产的职业生涯中进行了各种各样的实验,但他总是把自己标榜为印象派画家,而不是其他任何骗子
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引用次数: 0
“Albion beheld thy beauty”. Vala, Jerusalem and Blake’s Holistic Approach to the Cosmos “阿尔比恩看到了你的美丽”。瓦拉、耶路撒冷与布莱克的宇宙整体观
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-139
Martina Zamparo
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引用次数: 0
Narratives and Critical Literacy in Health Websites for Children 儿童健康网站中的叙述与批判性素养
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-137
N. Komninos
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引用次数: 0
Not to Worry, Not to Be Unduly Concerned 不要担心,不要过分担心
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-121
R. Eisler
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引用次数: 0
“Once Upon a Time” by Nadine Gordimer: A Fairy Tale for Peace 纳丁·戈迪默的《从前》:和平童话
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-127
B. Rizzardi
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引用次数: 0
[rec. to] Riane Eisler and Douglas P. Fry. Nurturing Our Humanity: How Domination and Partnership Shape Our Brains, Lives, and Future [参考]里安·艾斯勒和道格拉斯·P·弗莱。培育我们的人性:支配和伙伴关系如何塑造我们的大脑、生活和未来
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-142
C. A. Howells
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引用次数: 16
Il coraggio di amare tra realtà e fiction 在现实和虚构之间去爱的勇气
0 LITERATURE Pub Date : 2019-11-01 DOI: 10.17456/simple-126
Giovanni Nimis
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引用次数: 0
Arms Outstretched 伸着胳膊
0 LITERATURE Pub Date : 2018-11-01 DOI: 10.17456/simple-88
Roy McFarlane
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引用次数: 0
Bridging the Divide (A Voice from the Other) 弥合分歧(来自他人的声音)
0 LITERATURE Pub Date : 2018-11-01 DOI: 10.17456/simple-90
Lance Henson
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引用次数: 0
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Simplegadi
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