Through a phenomenological reading of Henri Matisse’s Ecrits et propos sur l ’ art the paper analyzes in their mutual connection the themes of nature, feeling and origin in relation to the Artist’s works (in particular the ones of the Fauvist period) and to his own reflection on art. Interpreting nature through feeling is something more than a solipsistic glance on reality linked to private emotions, it is, according to M. Merleau-Ponty’s theory of perception and expression, a way to create symbols of the living unity of consciousness and the external world. In conclusion, the paper shows the theme of the origin as Matisse’s pictorial way to meditate on the possibility of artistic creation in its necessary connection with the experience of the lifeworld. The constitutive ground of the lifeworld can only be represented into the effort of pure colors and arabesque to show a meditation on the temporal dimension of the origin in which a new disclosing sense can be expressed.
通过对亨利·马蒂斯(Henri Matisse)的《批判与建议》(eccrits et proprossur l’art)的现象学解读，本文分析了与艺术家作品(特别是野兽派时期的作品)和他自己对艺术的反思有关的自然、情感和起源主题的相互联系。根据梅洛-庞蒂的感知与表达理论，通过感觉来解读自然，不仅仅是对与私人情感相关的现实的唯我主义的审视，而是一种创造意识与外部世界活生生统一的象征的方式。综上所述，《起源》的主题是马蒂斯对艺术创作与生活世界经验必然联系的可能性的一种绘画方式的思考。生活世界的构成基础只能表现为纯粹的色彩和阿拉伯风格的努力，以显示对起源的时间维度的沉思，在这个维度中，一种新的揭示意义可以得到表达。
{"title":"Henri Matisse’s Ecrits et propos sur l’art. A phenomenological inquiry on nature, feeling and origin","authors":"F. Frattaroli","doi":"10.13130/2240-9599/7308","DOIUrl":"https://doi.org/10.13130/2240-9599/7308","url":null,"abstract":"Through a phenomenological reading of Henri Matisse’s Ecrits et propos sur l ’ art the paper analyzes in their mutual connection the themes of nature, feeling and origin in relation to the Artist’s works (in particular the ones of the Fauvist period) and to his own reflection on art. Interpreting nature through feeling is something more than a solipsistic glance on reality linked to private emotions, it is, according to M. Merleau-Ponty’s theory of perception and expression, a way to create symbols of the living unity of consciousness and the external world. In conclusion, the paper shows the theme of the origin as Matisse’s pictorial way to meditate on the possibility of artistic creation in its necessary connection with the experience of the lifeworld. The constitutive ground of the lifeworld can only be represented into the effort of pure colors and arabesque to show a meditation on the temporal dimension of the origin in which a new disclosing sense can be expressed.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to examine the relationships between the research of young Viktor von Weizsacker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.
{"title":"Erweiterung des Kantismus, Umgestaltung der Metaphysik. Il giovane Viktor von Weizsäcker lettore di Kant","authors":"Salvatore Tedesco","doi":"10.13130/2240-9599/6683","DOIUrl":"https://doi.org/10.13130/2240-9599/6683","url":null,"abstract":"This paper aims to examine the relationships between the research of young Viktor von Weizsacker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper focuses on the reception of Kant’s philosophy of biology in the context of the so-called ‘Gottingen School’. Timothy Lenoir has tried to rehabilitate the framework elaborated at Gottingen by stressing its difference from Naturphilosophie . Focusing on the work of Karl Friedrich Kielmeyer this paper argues that Lenoir’s position is based on a historiographical bias. I take into account Kielmeyer’s stance on physiology, embryology and natural history. This analysis reveals the existence of a clear shift from a regulative to a constitutive understanding of teleology. I agree with Zammito that the ‘Lenoir thesis’ should be overcome in favor of a more accurate narrative of the emergence of biology in Germany at the turn of the nineteenth century.
本文的重点是在所谓的“哥廷根学派”的背景下接受康德的生物学哲学。Timothy Lenoir试图通过强调其与自然哲学的区别来恢复在哥廷根阐述的框架。本文以卡尔·弗里德里希·基尔迈耶(Karl Friedrich Kielmeyer)的工作为重点，认为勒努瓦的立场是基于历史编纂的偏见。我考虑到了基尔迈耶在生理学、胚胎学和自然史方面的立场。这一分析揭示了目的论存在着一个明显的转变，即从对目的论的规范理解转向对目的论的建构理解。我同意Zammito的观点，即应该克服“Lenoir论题”，以支持对19世纪初德国生物学出现的更准确的叙述。
{"title":"Kant e la 'scuola di Gottinga'. Alcune note a margine della 'tesi Lenoir'","authors":"A. Gambarotto","doi":"10.13130/2240-9599/6682","DOIUrl":"https://doi.org/10.13130/2240-9599/6682","url":null,"abstract":"The paper focuses on the reception of Kant’s philosophy of biology in the context of the so-called ‘Gottingen School’. Timothy Lenoir has tried to rehabilitate the framework elaborated at Gottingen by stressing its difference from Naturphilosophie . Focusing on the work of Karl Friedrich Kielmeyer this paper argues that Lenoir’s position is based on a historiographical bias. I take into account Kielmeyer’s stance on physiology, embryology and natural history. This analysis reveals the existence of a clear shift from a regulative to a constitutive understanding of teleology. I agree with Zammito that the ‘Lenoir thesis’ should be overcome in favor of a more accurate narrative of the emergence of biology in Germany at the turn of the nineteenth century.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In recent years the number of scholarly publications devoted to Kant's theory of biology has rapidly growing, with particular attention being given to Kant's thoughts about the concepts of teleology, function, organism, and their respective roles in scientific practice. Moving from these recent studies, and distancing itself from their mostly evolutionary background, the main aim of the present paper is to suggest an original "cognitive turn" in the interpretation of Kant's theory of biology. More specifically, the Authors will trace a connection between some Kantian theses about the “peculiar” or special nature of the human mind ( intellectus ectypus ), advanced in the Critique of the Power of Judgement (§ 76, 77), and some specific epistemological issues pertaini ng to the research practice of contemporary molecular biology.
{"title":"Molecular biology in a distributed world. A Kantian perspective on scientific practices and the human mind","authors":"M. Portera, Predrag Šustar","doi":"10.13130/2240-9599/6684","DOIUrl":"https://doi.org/10.13130/2240-9599/6684","url":null,"abstract":"In recent years the number of scholarly publications devoted to Kant's theory of biology has rapidly growing, with particular attention being given to Kant's thoughts about the concepts of teleology, function, organism, and their respective roles in scientific practice. Moving from these recent studies, and distancing itself from their mostly evolutionary background, the main aim of the present paper is to suggest an original \"cognitive turn\" in the interpretation of Kant's theory of biology. More specifically, the Authors will trace a connection between some Kantian theses about the “peculiar” or special nature of the human mind ( intellectus ectypus ), advanced in the Critique of the Power of Judgement (§ 76, 77), and some specific epistemological issues pertaini ng to the research practice of contemporary molecular biology.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"7 1","pages":"83-93"},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Kant in biology\": introduzione","authors":"S. Feloj","doi":"10.13130/2240-9599/6690","DOIUrl":"https://doi.org/10.13130/2240-9599/6690","url":null,"abstract":"","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The focus of this article is on the concept of “situation”, which lies at the very origin of the Situationist International , as it has been theorized in particular by Guy Debord. The aim of this paper will be to show the relationship between Debord’s concept of situation and the concept of repetition as theorized by Deleuze in Difference and repetition (1968). Such a conceptual proximity allows us to grasp some less known aspects of Debord’s thought, in respect to the critical part of his own reflection, which is much more known. Both authors share a similar conception about the peculiar structure of repetition like its own specific temporality. Such a commonality is manifest in various typical situationist proceedings; in particular: derive , detournement and cinema (considered as way to overcome the alienation of art).
{"title":"Situazione e ripetizione: Debord e Deleuze","authors":"D. Angelucci","doi":"10.13130/2240-9599/4911","DOIUrl":"https://doi.org/10.13130/2240-9599/4911","url":null,"abstract":"The focus of this article is on the concept of “situation”, which lies at the very origin of the Situationist International , as it has been theorized in particular by Guy Debord. The aim of this paper will be to show the relationship between Debord’s concept of situation and the concept of repetition as theorized by Deleuze in Difference and repetition (1968). Such a conceptual proximity allows us to grasp some less known aspects of Debord’s thought, in respect to the critical part of his own reflection, which is much more known. Both authors share a similar conception about the peculiar structure of repetition like its own specific temporality. Such a commonality is manifest in various typical situationist proceedings; in particular: derive , detournement and cinema (considered as way to overcome the alienation of art).","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"6 1","pages":"44-52"},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper I offer critical attention to the notion of atmosphere in relation to music. By exploring the concept through the case study of the Closed Brethren worship services, I argue that atmosphere may provide analytical tools to explore the ineffable in ecclesial practices. Music, just as atmosphere, commonly occupies a realm of ineffability and undermines notions such as inside and outside, subject and object. For this reason I present music as a means of knowing the atmosphere. The first part of this paper points to the limits of an understanding of atmosphere as a constellation of things, as proposed by Gernot Bohme. In contrast to this, Hermann Schmitz conceptualises atmosphere as half-thing which suggests movement. Drawing on this, I propose to methodologically approach atmospheres as movements. Consequently, in the second part of this paper I closely analyse two motions as they cohere in Closed Brethren worship services: first, becoming (Deleuze and Guattari), a movement on the level of the individual worshiper; secondly, territorialisation (Deleuze and Guattari), a movement of the atmosphere towards its solidification. Here music as atmosphere is not a system of moral signification but a generative power affording intimate processes of divine encounter, whilst producing affective denominational difference.
{"title":"Music as atmosphere. Lines of becoming in congregational worship","authors":"Friedlind Riedel","doi":"10.13130/2240-9599/4913","DOIUrl":"https://doi.org/10.13130/2240-9599/4913","url":null,"abstract":"In this paper I offer critical attention to the notion of atmosphere in relation to music. By exploring the concept through the case study of the Closed Brethren worship services, I argue that atmosphere may provide analytical tools to explore the ineffable in ecclesial practices. Music, just as atmosphere, commonly occupies a realm of ineffability and undermines notions such as inside and outside, subject and object. For this reason I present music as a means of knowing the atmosphere. The first part of this paper points to the limits of an understanding of atmosphere as a constellation of things, as proposed by Gernot Bohme. In contrast to this, Hermann Schmitz conceptualises atmosphere as half-thing which suggests movement. Drawing on this, I propose to methodologically approach atmospheres as movements. Consequently, in the second part of this paper I closely analyse two motions as they cohere in Closed Brethren worship services: first, becoming (Deleuze and Guattari), a movement on the level of the individual worshiper; secondly, territorialisation (Deleuze and Guattari), a movement of the atmosphere towards its solidification. Here music as atmosphere is not a system of moral signification but a generative power affording intimate processes of divine encounter, whilst producing affective denominational difference.","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"M.F. Molder, As nuvens e o vaso sagrado (Kant e Goethe. Leituras)","authors":"Claudio Rozzoni","doi":"10.13130/2240-9599/4926","DOIUrl":"https://doi.org/10.13130/2240-9599/4926","url":null,"abstract":"","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"6 1","pages":"129-133"},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A. Arbo - M. Ruta (sous la direction de), Ontologie musicale. Perspective et débats","authors":"Stefano Oliva","doi":"10.13130/2240-9599/4922","DOIUrl":"https://doi.org/10.13130/2240-9599/4922","url":null,"abstract":"","PeriodicalId":53793,"journal":{"name":"Lebenswelt-Aesthetics and Philosophy of Experience","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66226101","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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