Pub Date : 2021-04-03DOI: 10.1080/14787318.2021.1926874
Apolline Malevez
ABSTRACT This article uses intimacy and architecture as a way to tell the lesser-known story of men and the domestic in late nineteenth and early twentieth century Belgium. Drawing upon little-known interior design and architecture magazines, domestic manuals and photographs, I highlight how male architects and critics of architecture contributed to the making of domesticity. I show how ‘intimacy’ was used as a deceptive concept to frame the home as a restful refuge, as well as a catalyst for creative experimentation.
{"title":"‘Les douceurs de l’intimité’: Men and the Making of Domesticity in Belgian Architecture Magazines (1890-1914)","authors":"Apolline Malevez","doi":"10.1080/14787318.2021.1926874","DOIUrl":"https://doi.org/10.1080/14787318.2021.1926874","url":null,"abstract":"ABSTRACT This article uses intimacy and architecture as a way to tell the lesser-known story of men and the domestic in late nineteenth and early twentieth century Belgium. Drawing upon little-known interior design and architecture magazines, domestic manuals and photographs, I highlight how male architects and critics of architecture contributed to the making of domesticity. I show how ‘intimacy’ was used as a deceptive concept to frame the home as a restful refuge, as well as a catalyst for creative experimentation.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1926874","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41586728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-03DOI: 10.1080/14787318.2021.1926877
Lucien Nizard
ABSTRACT Une tension paradoxale existe dans les imaginaires romanesques du second XIXe siècle entre la négociation d’une pudeur féminine révélant l’obsession de l’époque pour préserver l'intimité, et le voyeurisme de textes qui ne cessent de dévoiler cette intimité pourtant sans cesse mise en lumière. Si le dévoilement du corps féminin est revendiqué dans beaucoup de textes critiques, il est beaucoup plus problématique dans les romans, où la plupart des mentions du corps féminins sont voilées d’une gaze périphrastique moins pudique qu’érotique.
{"title":"Discours de protection de l’intimité féminine et dévoilements voyeuristes: pudibonderies et impudeurs du roman du second XIXe siècle","authors":"Lucien Nizard","doi":"10.1080/14787318.2021.1926877","DOIUrl":"https://doi.org/10.1080/14787318.2021.1926877","url":null,"abstract":"ABSTRACT Une tension paradoxale existe dans les imaginaires romanesques du second XIXe siècle entre la négociation d’une pudeur féminine révélant l’obsession de l’époque pour préserver l'intimité, et le voyeurisme de textes qui ne cessent de dévoiler cette intimité pourtant sans cesse mise en lumière. Si le dévoilement du corps féminin est revendiqué dans beaucoup de textes critiques, il est beaucoup plus problématique dans les romans, où la plupart des mentions du corps féminins sont voilées d’une gaze périphrastique moins pudique qu’érotique.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1926877","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43230409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-03DOI: 10.1080/14787318.2021.1926876
Rosanna Tindbæk
ABSTRACT In the nineteenth century, paintings of sleeping females proliferated, yet unlike painters of mythological sleep scenes of previous centuries, painters such as Courbet, Bonnard and Vuillard set an intimate scene, leaving the (usually female) sleeper alone with the viewer in interiors, wrapping her up in layers of sheets or heavy dresses. This article reveals how several painters (from about 1850–1910) used the sleeping figure to examine a visual impossibility: the representation of interiority.
{"title":"Fabricating Intimacy – Images of Sleeping Women in Nineteenth-Century Painting","authors":"Rosanna Tindbæk","doi":"10.1080/14787318.2021.1926876","DOIUrl":"https://doi.org/10.1080/14787318.2021.1926876","url":null,"abstract":"ABSTRACT\u0000 In the nineteenth century, paintings of sleeping females proliferated, yet unlike painters of mythological sleep scenes of previous centuries, painters such as Courbet, Bonnard and Vuillard set an intimate scene, leaving the (usually female) sleeper alone with the viewer in interiors, wrapping her up in layers of sheets or heavy dresses. This article reveals how several painters (from about 1850–1910) used the sleeping figure to examine a visual impossibility: the representation of interiority.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1926876","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46517979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-03DOI: 10.1080/14787318.2021.1926872
Claire Moran, Apolline Malevez
ABSTRACT This introductory article gives an overview of the history and culture of intimacy in nineteenth-century art, architecture and literature, and discusses key theories and concepts. It explains how through a re-imagination of the potentialities of ‘intimacy’, nineteenth-century writers, artists and architects expressed the lived realities and the philosophical and aesthetic concerns of a rapidly changing society. It raises key questions surrounding the complexities, contradictions and paradoxes of intimacy in the nineteenth century and reveal its relevance as an analytical and conceptual tool in order to explore the hidden spaces of French and Belgian modernity.
{"title":"Introduction: ‘Intimacy, the Nineteenth-century Outsider’","authors":"Claire Moran, Apolline Malevez","doi":"10.1080/14787318.2021.1926872","DOIUrl":"https://doi.org/10.1080/14787318.2021.1926872","url":null,"abstract":"ABSTRACT This introductory article gives an overview of the history and culture of intimacy in nineteenth-century art, architecture and literature, and discusses key theories and concepts. It explains how through a re-imagination of the potentialities of ‘intimacy’, nineteenth-century writers, artists and architects expressed the lived realities and the philosophical and aesthetic concerns of a rapidly changing society. It raises key questions surrounding the complexities, contradictions and paradoxes of intimacy in the nineteenth century and reveal its relevance as an analytical and conceptual tool in order to explore the hidden spaces of French and Belgian modernity.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43372840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.1080/14787318.2021.1896121
C. Robison
ABSTRACT A genuine investment in animal ethics pervades Emile Zola's literary production at all stages of his career, occupying a central yet often overlooked space in his moral and aesthetic thought. Situating Zola's interest in animality alongside his engagement with the life sciences of his day, the present paper examines the parameters of Zola's animal ethics as manifested in his article ‘L'amour des bêtes' (Le Figaro, March 24, 1896), with an eye towards their elaboration in selections from his broader oeuvre. Central to Zola’s animal ethics, I argue, is a materialist Human-Animal-Machine trichotomy whose three parts he treats as radically interchangeable.
{"title":"Zolian Zoology: ‘L’amour des bêtes’ and (Human-) Animal (-Machine) Ethics","authors":"C. Robison","doi":"10.1080/14787318.2021.1896121","DOIUrl":"https://doi.org/10.1080/14787318.2021.1896121","url":null,"abstract":"ABSTRACT A genuine investment in animal ethics pervades Emile Zola's literary production at all stages of his career, occupying a central yet often overlooked space in his moral and aesthetic thought. Situating Zola's interest in animality alongside his engagement with the life sciences of his day, the present paper examines the parameters of Zola's animal ethics as manifested in his article ‘L'amour des bêtes' (Le Figaro, March 24, 1896), with an eye towards their elaboration in selections from his broader oeuvre. Central to Zola’s animal ethics, I argue, is a materialist Human-Animal-Machine trichotomy whose three parts he treats as radically interchangeable.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1896121","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43912680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.1080/14787318.2021.1890898
Caroline Ferraris-Besso
ABSTRACT This article considers the Paris-province divide, which has meaningfully shaped the way one imagines the French territory, and which Les Français peints par eux-mêmes problematizes during the first half of the nineteenth century by crafting in-between spaces where traits usually attributed to provincials seep into Parisians, or where Parisians get ‘provincialized'. This leads to the transformation of ‘Parisian' and ‘provincial’ into personal rather than geographical characteristics. In particular, I show that entries concerned with the question of travel and tourism postulate that in confronting Parisian and provincial Français, physical circulation had the potential to alter feelings of geographical belonging.
本文考虑了巴黎-省的划分，这一划分有意义地塑造了人们对法国领土的想象方式，并且在19世纪上半叶，Les francaais peint par eux-mêmes通过制造通常被认为是外省人的特征渗透到巴黎人身上的中间空间，或者巴黎人被“省化”。这导致了“巴黎人”和“地方”的转变，变成了个人特征，而不是地理特征。我特别指出，关于旅行和旅游问题的条目假设，在面对巴黎和法国各省时，物质流通有可能改变地理归属的感觉。
{"title":"Rewriting French Geographies in Les Français peints par eux-mêmes","authors":"Caroline Ferraris-Besso","doi":"10.1080/14787318.2021.1890898","DOIUrl":"https://doi.org/10.1080/14787318.2021.1890898","url":null,"abstract":"ABSTRACT This article considers the Paris-province divide, which has meaningfully shaped the way one imagines the French territory, and which Les Français peints par eux-mêmes problematizes during the first half of the nineteenth century by crafting in-between spaces where traits usually attributed to provincials seep into Parisians, or where Parisians get ‘provincialized'. This leads to the transformation of ‘Parisian' and ‘provincial’ into personal rather than geographical characteristics. In particular, I show that entries concerned with the question of travel and tourism postulate that in confronting Parisian and provincial Français, physical circulation had the potential to alter feelings of geographical belonging.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1890898","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42137262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.1080/14787318.2021.1875971
S. Lee
ABSTRACT This article examines the moments in Madame Bovary where wigs are mentioned, reading them as a microscope into the novel’s representation of meaninglessness and its consequences. Starting with the wigs at Vaubyessard, then moving to the solitary wigmaker in Tostes, who serves as a double for Emma, then to the wigmaker in Rouen, and to Emma’s wig at the masked ball, I argue that wigs’ sartorial function and material composition place them at the intersection of – or rather in the crack between – metaphor and metonymy. As such, they serve as clues to the production of the ‘livre sur rien.’
{"title":"‘Ma tête mise à nu:’ Wigs and Wigmakers in Madame Bovary","authors":"S. Lee","doi":"10.1080/14787318.2021.1875971","DOIUrl":"https://doi.org/10.1080/14787318.2021.1875971","url":null,"abstract":"ABSTRACT This article examines the moments in Madame Bovary where wigs are mentioned, reading them as a microscope into the novel’s representation of meaninglessness and its consequences. Starting with the wigs at Vaubyessard, then moving to the solitary wigmaker in Tostes, who serves as a double for Emma, then to the wigmaker in Rouen, and to Emma’s wig at the masked ball, I argue that wigs’ sartorial function and material composition place them at the intersection of – or rather in the crack between – metaphor and metonymy. As such, they serve as clues to the production of the ‘livre sur rien.’","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1875971","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46850373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.1080/14787318.2021.1900501
Helen McKelvey
ABSTRACT Focussing on a selection of the poems from the 1823 Académie Française's Prix de Poésie, which had for its title l'Abolition de la traite des noirs, this article will explore the key imagery underpinning representations of slavery and arguments for abolition at the time, answering the critical neglect of antislavery poetry and bringing fresh insight to our understanding of the perceptions and representations of early nineteenth-century slavery. Using postcolonial theory, I will interrogate and problematise the narratives the poets have reproduced, as well as analyse the development of abolitionist discourse over the course of the early nineteenth century.
摘要本文从1823年法兰西学院的《波西米亚奖》（Prix de Poésie）中精选了一些诗歌，该奖项的标题是“废除黑色之路”，本文将探讨当时支持奴隶制和废除奴隶制的论点的关键意象，回答了对反奴隶制诗歌的批判性忽视，并为我们理解19世纪早期奴隶制的观念和表现带来了新的见解。运用后殖民理论，我将对诗人们再现的叙事进行质疑和质疑，并分析19世纪初废奴主义话语的发展。
{"title":"Precursors of Antislavery: Reassessing the Académie Française Poetry Competition of 1823","authors":"Helen McKelvey","doi":"10.1080/14787318.2021.1900501","DOIUrl":"https://doi.org/10.1080/14787318.2021.1900501","url":null,"abstract":"ABSTRACT Focussing on a selection of the poems from the 1823 Académie Française's Prix de Poésie, which had for its title l'Abolition de la traite des noirs, this article will explore the key imagery underpinning representations of slavery and arguments for abolition at the time, answering the critical neglect of antislavery poetry and bringing fresh insight to our understanding of the perceptions and representations of early nineteenth-century slavery. Using postcolonial theory, I will interrogate and problematise the narratives the poets have reproduced, as well as analyse the development of abolitionist discourse over the course of the early nineteenth century.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1900501","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48270639","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-01-02DOI: 10.1080/14787318.2021.1886646
P. Young
ABSTRACT In Les Chouans, Balzac casts two central characters – Corentin and Marie de Verneuil – as an Incroyable and a Merveilleuse, extravagantly-dressed figures from the revolutionary era. Analysing the historical and cultural significance of the Incroyable and the Merveilleuse underscores an ambiguity inherent in this novel, as these dandies (here, sent to disable royalist forces) were known for opposing the Revolution. Corentin and Marie de Verneuil, through their remarkable attire, offer an explicit – but ultimately unclear – expression of their political convictions, one that suggests a conflicted attitude towards the historical change they are sent to effect.
{"title":"Incroyable and Merveilleuse: The Politics of Fashion in Balzac’s Les Chouans","authors":"P. Young","doi":"10.1080/14787318.2021.1886646","DOIUrl":"https://doi.org/10.1080/14787318.2021.1886646","url":null,"abstract":"ABSTRACT In Les Chouans, Balzac casts two central characters – Corentin and Marie de Verneuil – as an Incroyable and a Merveilleuse, extravagantly-dressed figures from the revolutionary era. Analysing the historical and cultural significance of the Incroyable and the Merveilleuse underscores an ambiguity inherent in this novel, as these dandies (here, sent to disable royalist forces) were known for opposing the Revolution. Corentin and Marie de Verneuil, through their remarkable attire, offer an explicit – but ultimately unclear – expression of their political convictions, one that suggests a conflicted attitude towards the historical change they are sent to effect.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2021.1886646","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48243367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-10-01DOI: 10.1080/14787318.2020.1843382
Michael D. Garval
ABSTRACT Ten 1904 postcards, marketing the Odelin Le Rustique stove, spin a fanciful, magical tale, an early example of branded storytelling, within the little–studied medium of Belle Époque advertising postcards. A self–contained series, part of a broader multi– and intermedial campaign, the cards emerged in a fluid media and marketing landscape, as companies experimented with promoting their products. Conveying a world in flux, the series interweaves narrative, cultural, ideological, socioeconomic, racial, and technological threads, to cast this crucial kitchen appliance as a vestige of ancient enchantment, harking back to the prehistoric conquest of fire, and as a key vehicle of modernization.
摘要十张1904年的明信片，营销Odelin Le Rustique炉灶，在BelleÉpoque广告明信片这一鲜为人知的媒介中，讲述了一个异想天开的神奇故事，这是品牌故事的早期例子。这是一个独立的系列，是更广泛的多渠道和中间渠道活动的一部分，随着公司尝试推广其产品，这些卡片出现在流动的媒体和营销环境中。该系列传达了一个不断变化的世界，将叙事、文化、意识形态、社会经济、种族和技术线索交织在一起，将这件至关重要的厨房用具塑造成古代魅力的遗迹，让人想起史前对火的征服，并成为现代化的关键载体。
{"title":"Change of Hearth: Magic, Marketing, and Modernity in the Odelin Stove Le Rustique Postcard Series","authors":"Michael D. Garval","doi":"10.1080/14787318.2020.1843382","DOIUrl":"https://doi.org/10.1080/14787318.2020.1843382","url":null,"abstract":"ABSTRACT Ten 1904 postcards, marketing the Odelin Le Rustique stove, spin a fanciful, magical tale, an early example of branded storytelling, within the little–studied medium of Belle Époque advertising postcards. A self–contained series, part of a broader multi– and intermedial campaign, the cards emerged in a fluid media and marketing landscape, as companies experimented with promoting their products. Conveying a world in flux, the series interweaves narrative, cultural, ideological, socioeconomic, racial, and technological threads, to cast this crucial kitchen appliance as a vestige of ancient enchantment, harking back to the prehistoric conquest of fire, and as a key vehicle of modernization.","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14787318.2020.1843382","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46200990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：