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Understanding and Mis-understanding in Language in Brian O’Nolan’s An Béal Bocht and Cruiskeen Lawn 从布莱恩·欧诺兰的《An bastal Bocht and Cruiskeen Lawn》看语言中的理解与误解
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9290
Julieta Abella
Brian O’Nolan, part of the so-called Irish Modernism that arose at the same time as the declaration of the Republic, finds his literary form traversed by the question of Irish identity and materializes it in the “awesome jaggedness and seeming formlessness” (Kiberd 266-267) of his prose. Language, particularly in An Béal Bocht and Cruiskeen Lawn, explores its status and understanding, both in an imaginary Gaeltacht and in scenes from everyday life, respectively. This article seeks to read three different types of language apprehension in Brian O’Nolan’s work: “faint-understanding”, “misunderstanding” and “over-understanding”. These three forms of understanding are how the author questions the pure and strict learning of language, revealing the complexity of acquiring communicational expertise and highlighting the linguistic threshold where English and Irish coexist and struggle.
布莱恩·奥诺兰(Brian O'Nolan)是与共和国宣言同时兴起的所谓爱尔兰现代主义的一部分,他发现自己的文学形式被爱尔兰身份问题所贯穿,并在他的散文中“令人敬畏的锯齿状和看似无形”(Kiberd 266-267)中具体化了这一问题。语言,特别是在《Béal Bocht》和《Cruisengen Lawn》中,分别在想象中的盖尔语和日常生活场景中探索了它的地位和理解。本文试图解读奥作品中三种不同类型的语言理解:“模糊理解”、“误解”和“过度理解”。这三种理解形式是作者如何质疑纯粹和严格的语言学习,揭示了获得传播专业知识的复杂性,并突出了英语和爱尔兰语共存和斗争的语言门槛。
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引用次数: 0
Heaney and American Poetry: The California Narrative 希尼与美国诗歌:加州叙事
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9323
Christopher Laverty
This essay examines the body of critical material concerned with Seamus Heaney’s relationship with American poetry and offers a new perspective from which to approach the Irish poet in relation to his claimed American influences of Gary Snyder and Robert Bly. Existing criticism maintains a narrative in which his 1970-1 Berkeley residency (and the Bay Area poetry he encountered there) liberated him from an antithetical, constraining poetics. My research contends the stylistic developments of Wintering Out (1972) and Stations (1975) were mostly facilitated by distance from Ireland rather than Bay Area poetry, and that the argument which emerges in the critical studies in the ‘80s and ‘90s largely follows a trail left by Heaney himself, who may have sought to redefine the Berkeley residency as a period of experimentation rather than hesitation, as it was originally understood in early reviews of
本文考察了与谢默斯·希尼与美国诗歌关系有关的大量批评材料,并提供了一个新的视角来看待这位爱尔兰诗人对加里·斯奈德和罗伯特·布莱的美国影响。现有的批评保持着一种叙事,在这种叙事中,他1970-1年在伯克利的居住(以及他在那里遇到的湾区诗歌)将他从对立、约束的诗学中解放出来。我的研究认为,《Wintering Out》(1972年)和《Stations》(1975年)的风格发展主要是因为与爱尔兰的距离,而不是湾区的诗歌。80年代和90年代的批评研究中出现的论点在很大程度上遵循了希尼本人留下的线索,他们可能试图将伯克利居住区重新定义为一个实验期,而不是犹豫期,正如最初对
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引用次数: 0
IRISH FILM AND MEDIA STUDIES PUBLICATIONS 爱尔兰电影和媒体研究出版物
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9527
C. Chambers
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引用次数: 0
Introductory Essay. “Resisting Power and Direction”: The King of Spain’s Daughter by Teresa Deevy as a Feminist Call to Action” 引言。“反抗权力和方向”:特雷莎·迪维的《西班牙国王的女儿》是女权主义的行动号召
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9406
Úna Kealy
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引用次数: 0
“Stretching the Imagination into another World”: An Interview with Eibhear Walshe “将想象力延伸到另一个世界”:艾布希尔·沃尔什访谈录
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9386
Pilar Villar-Argáiz
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引用次数: 0
Translation of The King of Spain’s Daughter (1935), by Teresa Deevy 翻译《西班牙国王的女儿》(1935),作者:Teresa Deevy
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9413
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引用次数: 0
“Folklore seeks out the things that are not permitted in official discourse”. An Interview with Lillis Ó Laoire “民俗寻找官方话语中不允许的东西”。LillisóLaoire访谈录
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9393
J. Fernández
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引用次数: 0
Are my Stars from Ireland? Reflections on an Irish-American Experience 我的明星来自爱尔兰吗?对爱尔兰裔美国人经历的思考
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9400
M. Coffey
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引用次数: 0
IRISH STUDIES ROUND THE WORLD – 2019 2019年世界各地的爱尔兰研究
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-17 DOI: 10.24162/ei2020-9477
Chris Mahony
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引用次数: 0
El arte por el dolor: resemantización estética de la crueldad en “The Birthday of the Infanta” de Oscar Wilde 痛苦的艺术:奥斯卡·王尔德《公主的生日》中残酷的美学再现
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2020-03-01 DOI: 10.24162/ei2020-9365
Eduardo Valls Oyarzun
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引用次数: 0
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Estudios Irlandeses
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