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Double Dutch: The Boate Brothers and Colonial Cosmography 双荷兰:博特兄弟和殖民宇宙学
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-19 DOI: 10.36253/jems-2279-7149-14393
W. Maley
The article focuses on two Dutch doctors – the Boate brothers, Arnold (1606-1653) and Gerard (1604-1650) – medical graduates of Leiden University who moved to London in 1630 to work as practising physicians. The brothers contributed to diverse forms of knowledge as part of the new science, including agriculture, anatomy, entomology, geography, industrial history, medicine, metallurgy, mineralogy and theology, but are known primarily for Gerard’s posthumously published ground-breaking book, Irelands Naturall History (1652) for which Arnold did the spadework. The Boates collaborated on some of the most important intellectual enterprises of the seventeenth century, and worked alongside the leading intellectuals of the period, including innovative Irish thinkers James Ussher and Robert Boyle, and Samuel Hartlib, mainspring of a major knowledge network. The Boates’ activities in Leiden, London, Dublin and Paris furnish a prototype for interdisciplinary engagement. The brothers were key members of multiple interlocking extra-institutional groupings. Active as part of a Baconian Office of Address and engaged both in the Hartlib Circle and the more shadowy Invisible College, they laboured in the seedbed of what would later become the Royal Society and the Dublin Philosophical Society. Irelands Naturall History is a model of the regional history that Francis Bacon saw as a vital branch of cosmography. 
这篇文章的重点是两位荷兰医生——博特兄弟,阿诺德(1606-1653)和杰拉德(1604-1650)——他们毕业于莱顿大学医学院,1630年移居伦敦,成为执业医生。作为新科学的一部分,这对兄弟对多种形式的知识做出了贡献,包括农业、解剖学、昆虫学、地理学、工业历史、医学、冶金学、矿物学和神学,但最出名的是杰拉德死后出版的开创性著作《爱尔兰自然史》(1652年),阿诺德为此做了基础工作。博茨夫妇参与了17世纪一些最重要的知识事业,并与那个时期的主要知识分子一起工作,包括创新的爱尔兰思想家詹姆斯·厄舍和罗伯特·博伊尔,以及一个主要知识网络的主要人物塞缪尔·哈特利布。博茨夫妇在莱顿、伦敦、都柏林和巴黎的活动为跨学科参与提供了一个原型。这对兄弟是多个相互关联的机构外组织的关键成员。他们活跃于培根演讲办公室,参与哈特利布圈子和更隐秘的隐形学院的活动,为后来的皇家学会和都柏林哲学学会的形成埋下了种子。《爱尔兰自然史》是地区历史的典范,弗朗西斯·培根将其视为宇宙学的一个重要分支。
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引用次数: 0
Transformer and Influencer: Giovanni Battista Ramusio’s Impact on Western European Geography 变形者与影响者:乔瓦尼·巴蒂斯塔·拉穆西奥对西欧地理学的影响
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-19 DOI: 10.36253/jems-2279-7149-14383
M. Small
In the mid-sixteenth century, the study of cosmography was in a state of upheaval in Western Europe, for the European voyages of exploration had disrupted the old ideas of the nature and structure of the world. As a consequence, cosmographers and geographers struggled to accommodate the ever-expanding influx of new empirical knowledge into their works. In the 1550s the Venetian Giovanni Battista Ramusio compiled the Navigationi et viaggi, initiating a new form of geography which endeavoured to present a world cosmography through the eyes of travellers, ideally transmitting the knowledge gained from an age of exploration. In framing his work, Ramusio used both his knowledge of the classics and his humanist editorial skills, while his tests for inclusion derived from attested observation. Over seventy narratives, originally written in a variety of languages, were presented by Ramusio in vernacular Italian and skilfully woven together with intervening Discorsi, written by Ramusio by way of commentary. Ramusio’s forensic editorial skills, mastery in acquiring texts which had hitherto seen little or no printed circulation, diligence in translating, editing and presenting them in an accessible format made his work invaluable. Proposals to republish it in French or English, however, never came to fruition; therefore, scholars had to turn to the vernacular Italian for the information. The article examines how theNavigationi et viaggi became a bedrock of European geographical knowledge examining, in particular, its use by the English geographer John Dee and the French cosmographer royal, André Thevet. It shows how the travellers’ tales, mediated through the hands of a sedentary Venetian, crisscrossed Europe and became fundamental in creating a new geographical understanding dependent on the words of the eyewitness.
16世纪中期,西欧的宇宙学研究正处于动荡之中,因为欧洲的探险之旅打破了关于世界本质和结构的旧观念。因此,宇宙学家和地理学家努力将不断涌入的新经验知识融入到他们的作品中。1550年代,威尼斯人乔瓦尼·巴蒂斯塔·拉穆西奥编撰了《航海与旅行》,开创了一种新的地理学形式,努力通过旅行者的眼睛呈现世界宇宙学,理想地传播了从探索时代获得的知识。在构建他的作品时,Ramusio运用了他的经典知识和他的人文主义编辑技巧,而他的收录测试则来自于经过证实的观察。超过70个叙事,最初是用各种语言写成的,由Ramusio用意大利方言呈现,并巧妙地与穿插其间的Discorsi交织在一起,Ramusio通过评论的方式写了Discorsi。Ramusio的法医编辑技巧,对迄今为止很少或没有印刷流通的文本的掌握,翻译,编辑和以可访问的格式呈现的勤奋,使他的工作无价之宝。然而,用法文或英文重新出版这本书的提议从未实现;因此,学者们不得不求助于意大利方言来获取信息。本文考察了《航海与旅行》是如何成为欧洲地理知识的基石的,特别是考察了英国地理学家约翰·迪伊和法国皇家宇宙学家安德烈·德维特对《航海与旅行》的使用。它展示了旅行者的故事是如何通过一个定居的威尼斯人之手,在欧洲纵横交错,并成为建立一种新的地理理解的基础,这种理解依赖于目击者的话语。
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引用次数: 0
Oronce Fine and L’esphere du monde: proprement dite Cosmographie (1549 and 1551) 奥伦斯·费恩和世界之地:宇宙学(1549年和1551年)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-19 DOI: 10.36253/jems-2279-7149-14387
T. Conley
The article explores tensions between cosmography and topography in maps and writings of Oronce Fine (1492-1555). Editor and illustrator of two editions of De sphaera of Johannes Sacrobosco (1517 and 1527), author of De sphaera mundi (1542), Fine composed treatises of cosmography and mathematics in French. Affiliating with typographer-publisher Michel de Vasconsan, he published a vernacular edition titled L’esphere du monde. Headed by a poem celebrating the virtue of mathematics, the work is a point of reference in both the history of treatises on cosmography and the history of the illustrated book. The 1551 edition of L’esphere du monde transcribes an ornate manuscript of the same title that Fine presented to Henri II in 1549. Close reading of the two documents reveals that in their progression they tilt away from cosmography to geography, and that the French nation and its provinces become increasingly manifest. In the manuscript the monarch is reminded of the extent of his kingdom, while in the printed text L’esphere is addressed to a broader readership. Stock is taken of the status of cosmography in French circles in the middle of the sixteenth century, the very moment Münster’s Cosmographia became a major and longstanding project on the European horizon at large. 
本文探讨了奥伦斯·费恩(1492-1555)的地图和著作中宇宙学和地形之间的紧张关系。Johannes Sacrobosco(1517年和1527年)的两个版本的De sphaera的编辑和插图画家,De sphaela mundi(1542年)的作者,Fine用法语撰写了宇宙学和数学论文。他与印刷出版商Michel de Vascosan合作,出版了一本名为《世界空间》的白话版。这部作品以一首赞美数学美德的诗为标题,在宇宙学论文史和插图书史上都是一个参考点。1551年版的《世界报》转录了一份华丽的手稿,与1549年Fine赠送给Henri II的标题相同。仔细阅读这两份文件可以发现,在它们的发展过程中,它们从宇宙学向地理学倾斜,法国及其省份变得越来越明显。在手稿中,君主被提醒他的王国的范围,而在印刷文本中,L’esphere是面向更广泛的读者的。16世纪中期,就在明斯特的《宇宙志》成为欧洲视野中一个重要而长期的项目的那一刻,人们对宇宙学在法国学术界的地位进行了评估。
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引用次数: 0
Renaissance Cosmographical Knowledge and Religious Discourse: A ‘Disenchantment of the World’? 文艺复兴时期的宇宙知识与宗教话语:“世界的迷魂”?
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-19 DOI: 10.36253/jems-2279-7149-14389
Étienne Bourdon
Sociologists, philosophers and historians (Weber, Blumenberg, Gauchet) have identified a so-called ‘disenchantment of the world’ which began to be perceptible during the Renaissance. The article discusses the historical relevance of the concept and that of secularization as applied to the history of early modern cosmographical knowledge. I draw a distinction between geography and cosmography in arguing that the process of ‘disenchantment’ was an uneven and complex process. On the one hand, cartography and geography moved away from biblical and Christian readings of the world. On the other hand, cosmography was seen as enabling a form of knowledge of the Divine describing the entire Creation. At the same time, it will be argued that geography in its mediation of earthly knowledge promoted a resetting and restructuring of a system of re-enchantment. All in all, knowledge, science and rationality contributed to appease a ‘panic-stricken Christianity’ (Crouzet).
社会学家、哲学家和历史学家(韦伯、布鲁门伯格、高切特)已经发现了一种所谓的“对世界的祛魅”,这种现象在文艺复兴时期开始显现。本文讨论了这一概念和世俗化概念在早期现代宇宙学知识史上的历史相关性。我将地理学和宇宙学区分开来,认为“祛魅”的过程是一个不均衡和复杂的过程。一方面,地图学和地理学远离了圣经和基督教对世界的解读。另一方面,宇宙学被视为一种描述整个造物的神圣知识形式。同时,有人会说,地理学在其对世俗知识的中介中促进了一个重新附魔系统的重置和重组。总而言之,知识、科学和理性有助于安抚“惊慌失措的基督教”(克劳泽)。
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引用次数: 0
Practical Cosmography in Early Modern Iberia: Alonso de Chaves and his Espejo de Navegantes 近代早期伊比利亚的实用宇宙学:阿隆索·德·查韦斯和他的《航海家》
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-19 DOI: 10.36253/jems-2279-7149-14386
Antonio Sánchez Martínez
Ancient cosmography had to adapt to new historical circumstances during the early modern period in Europe, leading to a proliferation of roles and even a sort of identity crisis. This entailed the revival of cosmography as a new and modern science, which, however, was neither unitary nor homogeneous. Cosmography was not associated with a single epistemic community, a certain scholarly profile or a specific corpus of literature, but with different groups and practitioners who produced diverse kinds of documents. Numerous practices emerged, and knowledge circulated in several forms. The article explores so-called practical cosmography in the Iberian world from the early sixteenth century. This will be illustrated not by the classical works of the period (Faleiro, Medina, Cortés, Oliveira) but by the lesser-known figure of the Pilot Major Alonso de Chaves and his nautical encyclopaedia Quatri partitu en cosmographia pratica (c. 1530). Chaves’ responsibilities as cosmographer of the Casa de la Contratación in Seville, the subjects and structure of his treatise, the intended audience and the style and language used show that there were substantial differences between the cosmography practised in Seville and Central European cosmography. The characteristics of this cosmography will be interpreted from the perspective of artisanal epistemology.
在欧洲现代早期,古代宇宙学必须适应新的历史环境,导致角色的激增,甚至出现某种身份危机。这意味着宇宙学作为一门新的现代科学的复兴,然而,它既不是单一的,也不是同质的。宇宙学与单一的认识共同体、特定的学术档案或特定的文学语料库无关,而是与产生不同类型文献的不同群体和从业者有关。出现了许多实践,知识以多种形式传播。这篇文章探讨了16世纪初伊比利亚世界所谓的实用宇宙学。这一点不会通过这一时期的经典作品(法莱罗、麦地那、科尔特斯、奥利维拉)来说明,而是通过飞行员阿隆索·德·查韦斯少校和他的航海百科全书《宇宙图》(Quatri partitu en cosmographica pratica)(约1530年)来说明。查维斯作为塞维利亚康特拉塔西翁之家宇宙学家的职责、论文的主题和结构、预期受众以及使用的风格和语言表明,塞维利亚的宇宙地理学与中欧的宇宙地理学有着实质性的差异。这一宇宙学的特征将从个体认识论的角度来解释。
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引用次数: 0
Shakespeare Disintegrated: Authoriality, Textuality, Co-Authorship, Biography 《瓦解的莎士比亚:权威、文本、合著、传记》
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-03-06 DOI: 10.36253/jems-2279-7149-14292
P. Pugliatti
The article explores one of the most assiduously researched topics in Shakespeare criticism: that of the ways in which Shakespeare’s responsibility as author of the plays that traditionally bear his name has been established. Rehearsing the major contributions to this debate (from the mid-nineteenth-century idea that Shakespeare’s plays were the work of a group of intellectuals, to recent tendencies in attribution studies which dismember the canon on the basis of theories of co-authorship and collaboration), it maintains that one of the most persistent tendencies in the debate has been that of disintegration; and that both the dismembering of the canon as a whole and the amputating of parts of it as collaboratively written have had the paradoxical effect of de-authorialising what are conventionally known as ‘Shakespeare’s plays’.Not simply meant as a historical survey, the article also highlights the fact that, as well as determining effects on the Shakespeare canon, disintegrative tendencies have inspired theories of the text relevant to the construction of authorial identity, and have also generated a fallout on the idea, expressed by bibliographers and textual scholars, that the composition and configuration of texts are inescapably collaborative. Finally, the article maintains that biography too has been affected by a notion of disintegration which insists on a de-personalised subject and the idea that a life, no less than a text, is a socially-composed construct. John Faed, 'Shakespeare and the King's Men' (1851). Public Domain
这篇文章探讨了莎士比亚评论中最被孜孜不倦研究的话题之一:莎士比亚作为传统上以他的名字命名的戏剧作者的责任是如何确立的。对这场辩论的主要贡献(从19世纪中期认为莎士比亚戏剧是一群知识分子的作品的观点,到最近在归因研究中基于共同作者和合作理论肢解经典的趋势),它坚持认为,辩论中最持久的趋势之一是解体;对经典整体的肢解和对部分合作作品的删减都产生了自相矛盾的效果,使传统意义上的"莎士比亚戏剧"失去了权威性。这篇文章不仅仅是作为一项历史调查,它还强调了这样一个事实:除了对莎士比亚经典的决定性影响外,解体趋势还激发了与作者身份建构相关的文本理论,并对书目编纂者和文本学者所表达的观点产生了影响,即文本的组成和配置不可避免地是协作的。最后,本文认为,传记也受到了一种解体观念的影响,这种观念坚持一个去人格化的主体,并认为生活,不亚于文本,是一种社会构成的结构。约翰·法伊德,《莎士比亚与国王剧团》(1851)。公共领域
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引用次数: 0
Plague and Politics in Genoa (1528-1664) 热那亚的瘟疫与政治(1528-1664)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-30 DOI: 10.36253/jems-2279-7149-14226
A. Ceccarelli
The article examines Genoese responses to plague during the old regime. Much like the Venetian, the Genoese ruling class understood the nexus between plague, poverty, and famine, and how these, in turn, tied in with political unrest. Some of the Republic’s main political and diplomatic crises were indeed followed by severe outbreaks of plague. Thus, the 1528 plague marked the proclamation of the oligarchic Republic, as a Spanish protectorate, masterminded by Andrea Doria, whereas the 1579-1580 plague closed the civil wars (a struggle of the old patriciate against an alliance of the new patriciate with the popular faction, 1575-1576). While the plague that swept through northern Italy in 1628-1630 narrowly missed Genoa, it became a metaphor with Genoese political thinkers for the narrowly escaped annexation of the Republic by Charles Emmanuel I of Savoy (who died of plague in his encampment, together with scores of the heretics on his payroll). The 1656-1657 epidemic was the most severe in the Genoese old regime, capping an acute political and jurisdictional crisis with Rome and with archbishop Stefano Durazzo. Remarkable documents of this enduring state of conflict are the prayer composed by Paolo Foglietta (poet and brother to Oberto, who was a leader in the civil wars and later a historian of the Republic) invoking an end to the 1579-1580 epidemic, and the anonymous preghiera repubblicana (held at the Vatican Apostolic Archive) which the government of the Republic included in the official religious liturgy in response to a heated jurisdictional crisis with the Holy See (1605-1607). Rome ordered archbishop Orazio Spinola to have the prayer banned, but the ‘Collegi’ of the Republic attempted to have it reinstated following the 1656-1657 plague.   D. Fiasella, La peste a Genova, Courtesy of Archivio Fotografico Fondazione Franzoni, ETS – Genova
这篇文章考察了旧政权时期热那亚人对瘟疫的反应。就像威尼斯人一样,热那亚统治阶级了解瘟疫、贫困和饥荒之间的联系,以及这些与政治动荡的关系。共和国的一些主要政治和外交危机之后确实爆发了严重的瘟疫。因此,1528年的瘟疫标志着由安德里亚·多里亚策划的寡头共和国宣布为西班牙保护国,而1579-1580年的瘟疫结束了内战(1575-1576年,旧贵族与新贵族与民众派系的联盟进行斗争)。1628-1630年席卷意大利北部的瘟疫与热那亚擦肩而过,但它却成为热那亚政治思想家对萨伏伊的查尔斯·埃马纽埃尔一世(Charles Emmanuel I of Savoy)险胜吞并共和国的隐喻。1656-1657年的疫情是热那亚旧政权中最严重的一次,结束了与罗马和大主教斯特凡诺·杜拉佐之间的严重政治和管辖危机。关于这种持久的冲突状态,值得注意的文献是保罗·福格里塔(诗人和奥伯托的兄弟,他是内战的领导者,后来成为共和国的历史学家)撰写的祈祷词,呼吁结束1579-1580年的流行病,以及匿名的preghiera repubblicana(保存在梵蒂冈使徒档案馆),共和国政府将其纳入官方宗教仪式,以应对与罗马教廷的激烈管辖危机(1605-1607)。罗马下令大主教奥拉齐奥·斯皮诺拉禁止祈祷,但共和国的“Collegi”在1656-1657年瘟疫后试图恢复祈祷。D.Fiasella,La peste a Genova,由Archivio Fotografico Fondazione Franzoni提供,ETS–Genova
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引用次数: 0
Improving Instruments 改善工具
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.5840/jems20231216
Richard Sorrenson
Historians have long been wary of teleological narratives of scientific change. But it is possible to tell a progressive narrative without being teleological, and that is precisely the kind of narrative that is needed to make sense of science in eighteenth-century Europe. Change in this period tended to be incremental rather than sudden, evolutionary rather than revolutionary. This may be illustrated by the scientific instruments of the period, which were usually improvements on existing instruments rather than entirely new instruments. Existing instruments were combined, their power augmented, and their accuracy increased, three routes to improvement that may be illustrated by the gazometer, the reflecting telescope, and the theodolite. The notion of improved instruments was a variant of a wider phenomenon in the eighteenth century, the use of “improvement” and similar notions to understand economic and political change.
长期以来,历史学家一直对科学变化的目的论叙事持谨慎态度。但是,我们有可能在没有目的论的情况下讲述一种进步的叙事,而这正是18世纪欧洲科学所需要的那种叙事。这一时期的变化往往是渐进的而不是突然的,是渐进的而不是革命性的。这个时期的科学仪器可以说明这一点,这些仪器通常是对现有仪器的改进,而不是全新的仪器。现有的仪器组合起来,增强了它们的威力,提高了它们的精度,有三条改进的途径,可以用天文观测仪、反射望远镜和经纬仪来说明。改进工具的概念是18世纪一种更广泛的现象的变体,即使用“改进”和类似的概念来理解经济和政治变革。
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引用次数: 0
Introduction: Science Beyond the Enlightenment 引言:启蒙之后的科学
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.5840/jems20231211
Michael Bycroft
The eighteenth century has long been a problem for historians of science. The century suffers from an apparent lack of towering individuals and unifying theories, as Geoffrey Cantor observed in an essay published in 1982. Much good work has been done in the forty years since then, most of it aimed at locating science in the Enlightenment. But the Enlightenment is just one of several themes that can help to make sense of eighteenth-century science as a whole. The other themes may be summarised as Classification, the First Scientific Revolution, the Second Scientific Revolution, Discipline Formation, and Natural Philosophy. The articles in this special issue are relevant to all six themes, as a summary of those articles will show. This essay ends with suggestions for future research on eighteenth-century science. The upshot is that we need to go beyond the Enlightenment by considering the five other themes discussed here and by considering events in general history other than the Enlightenment.
对于科学史家来说,18世纪一直是个难题。正如杰弗里•康托尔(Geoffrey Cantor)在1982年发表的一篇文章中指出的那样,这个世纪显然缺乏杰出的个人和统一的理论。从那以后的四十年里,人们做了许多很好的工作,其中大部分都是为了把科学定位在启蒙运动中。但启蒙运动只是帮助我们理解整个18世纪科学的几个主题之一。其他主题可以概括为分类、第一次科学革命、第二次科学革命、学科形成和自然哲学。本期特刊中的文章与所有六个主题都相关,这些文章的摘要将显示。这篇文章最后提出了对未来18世纪科学研究的建议。结论是,我们需要超越启蒙运动,考虑这里讨论的其他五个主题,考虑除启蒙运动以外的通史事件。
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引用次数: 0
Marco Storni, Maupertuis. Le philosophe, l’académicien, le polémiste 马尔科·斯托尼,莫珀图伊斯。哲学家,院士,辩论家
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2023-01-01 DOI: 10.5840/jems20231219
Speranța Sofia Milancovici
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引用次数: 0
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