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Exposing the Implicit: AD for Aerial Action, Identity, and Storytelling 揭示隐含:空中动作、身份和讲故事的广告
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-10-02 DOI: 10.1080/15411796.2018.1530521
Katrina Carter
ABSTRACT Dr. Katrina Carter shares some of the challenges and successes she encountered when incorporating Audio Description (AD) into an undergraduate circus module in the UK, for the first time. She demonstrates how, by considering diverse audiences, access tools can enhance the creative process for the artists themselves. Forcing them to question what, how and why they make specific choices can facilitate a deeper understanding of their own story-telling. On completion, the finished works then have the potential to be received more fully, by diverse audiences.
摘要Katrina Carter博士分享了她在英国首次将音频描述(AD)纳入本科马戏团模块时遇到的一些挑战和成功。她展示了如何通过考虑不同的受众,访问工具可以增强艺术家自己的创作过程。强迫他们质疑自己做出具体选择的内容、方式和原因,可以帮助他们更深入地理解自己的故事。一旦完成,完成的作品就有可能被不同的观众更充分地接受。
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引用次数: 3
Storytelling and the Threads of Meaning 讲故事与意义的线索
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-10-02 DOI: 10.1080/15411796.2018.1535681
Micaela Blei
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引用次数: 0
The Health of the Story 故事的健康
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-10-02 DOI: 10.1080/15411796.2018.1535651
N. Greenberg
ABSTRACT A meditation from a storytelling teacher on my attempts to construct rules and guidelines for my work. This semi-narrative internal dialogue attempts to explore both the ways in which my identity shapes a learning environment and the ways I can create structures in my teaching practice that undermine the structural imbalance of our society.
一位讲故事的老师对我试图为自己的工作建立规则和指导方针的思考。这种半叙事的内部对话试图探索我的身份塑造学习环境的方式,以及我在教学实践中创造结构的方式,这些结构破坏了我们社会的结构不平衡。
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引用次数: 0
Years/Fears: From Artist to Teacher to Somewhere In-Between 岁月/恐惧:从艺术家到教师再到介于两者之间
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470389
Kate Sheridan
ABSTRACT As I began my first year of graduate school - admittedly, a shaky start of my own - a group of my former students began to struggle with their transition to high school. Upon hearing this from my friend, colleague, and their current theatre teacher (who I will call Ms. M), I developed a workshop curriculum focused upon health for the artist to facilitate for her company. Both the development of this curriculum and the facilitation of the workshop itself brought on an incredibly cathartic reflection of my own journey towards prioritizing health as an artist. This is the product of that, with the workshop materials I created interspersed for anyone who may wish to recreate a similar experience for their company - said Ms. M afterwards: “This should be taught every year to every high school and college theatre company - it is just SO important.” I hope you feel the same!
摘要当我开始研究生院的第一年时——诚然,这是我自己一个不稳定的开始——我以前的一群学生开始为升入高中而挣扎。从我的朋友、同事和他们现在的戏剧老师(我称她为M女士)那里听到这一消息后,我为这位艺术家制定了一个以健康为重点的研讨会课程,以方便她的公司。这门课程的开发和研讨会本身的便利化,都让我对自己作为一名艺术家优先考虑健康的历程产生了令人难以置信的宣泄。这就是它的产物,我为那些可能希望为自己的公司重现类似体验的人创作的研讨会材料穿插其中——M女士事后说:“这应该每年教给每一所高中和大学的剧团——这太重要了。”我希望你也有同感!
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引用次数: 1
Difference in Dancing: Two Dance Educators Reflect on Difference in the Dance Studio 舞蹈的差异:两位舞蹈教育家对舞蹈工作室差异的思考
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470377
Antonio Bukhar Ssebuuma, Rosemary Martin
ABSTRACT This article critically explores two dance educators' reflections of difference in dance learning and teaching. We pose the question, How as educators might we facilitate and view difference? What have we learned in our teaching practices that aims to celebrate difference? Through the sharing of narratives and reflections about our experiences of teaching dance to a diversity of students in learning events, we realize the importance of addressing a class as a community of different individual stories and realities while acknowledging commonalities that lie within the difference.
本文批判性地探讨了两位舞蹈教育家对舞蹈学与教差异的思考。我们提出了这样一个问题,作为教育者,我们应该如何促进和看待差异?我们在庆祝差异的教学实践中学到了什么?通过分享我们在学习活动中向不同学生教授舞蹈的叙述和反思,我们意识到将一个班级作为一个由不同个人故事和现实组成的社区的重要性,同时承认存在于差异中的共性。
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引用次数: 5
Call to Action: Elevating Activism in Performance 行动呼吁:提升绩效中的行动主义
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470390
Jonathan P. Jones
ABSTRACT Social change develops over time, but it begins with individual and collective actions by real people. In the current American atmosphere of resistance, activism, and art-ivism, what are the tools that artists can employ to motivate audience members to act? This article illuminates the call to action, an essential element of persuasive speaking and writing, and relates it to theatre performance tracking effective practices and encouraging further development of this approach. An effective call to action is clear and direct, has the audience act quickly, lowers barriers to action, focuses on benefits for the audience, and is customized for each person. In theatre performance, it is customary for theatre artists to pose problems—and through this article, I urge the artist to go a step further by engaging in direct and specific calls to action.
社会变革随着时间的推移而发展,但它始于真实的人们的个人和集体行动。在当前美国的抵抗、行动主义和艺术主义的氛围中,艺术家可以使用什么工具来激励观众采取行动?这篇文章阐明了行动呼吁,这是有说服力的演讲和写作的基本要素,并将其与戏剧表演跟踪有效实践和鼓励这种方法的进一步发展联系起来。一个有效的行动呼吁是清晰和直接的,让听众迅速行动,降低行动障碍,关注听众的利益,并为每个人量身定制。在戏剧表演中,戏剧艺术家通常会提出问题——通过这篇文章,我敦促艺术家更进一步,直接而具体地呼吁人们采取行动。
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引用次数: 0
Won't Fade Away: Intersections of Narrative and HIV and AIDS Activism in Jackson, Mississippi 《不会消逝:在密西西比州杰克逊的叙述与艾滋病毒和艾滋病行动主义的交叉点》
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1476243
Adam Odsess-Rubin
ABSTRACT This article demonstrates the therapeutic benefits of storytelling and testimony through qualitative interviews with HIV+ Black gay men in Jackson, Mississippi, in 2017. Sponsored by Project + Connect, a story preservation nonprofit based in New York, the research trip was inspired by a New York Times article claiming that 50% of all gay Black men in the South will contract HIV in their lifetimes. Analyzing the personal narratives of the study's participants against the political and historical contexts of racism and homophobia in the deep South, the researcher argues for the strengthening of the HIV/AIDS movement through storytelling, providing a pathway for theater teaching artists to use their skills to facilitate social change.
本文通过2017年对密西西比州杰克逊市HIV阳性黑人男同性恋者的定性访谈,展示了讲故事和证词的治疗效果。这次研究之旅是由位于纽约的非营利组织Project + Connect赞助的,它是一个保存故事的非营利组织。这次研究之旅的灵感来自于《纽约时报》的一篇文章,该文章称,在南方,50%的黑人同性恋男性在他们的一生中会感染艾滋病。研究人员分析了研究参与者的个人叙述,对比了南方腹地种族主义和同性恋恐惧症的政治和历史背景,认为通过讲故事来加强艾滋病毒/艾滋病运动,为戏剧教学艺术家提供了一条利用他们的技能促进社会变革的途径。
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引用次数: 0
Wade Madsen: Teaching Choreography 韦德·马德森:编舞教学
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470391
Lodi McClellan
ABSTRACT Professor Wade Madsen has been teaching at Cornish College of the Arts since 1985. This article serves as a window into his educational approach to teaching advanced choreography.
韦德·马德森教授自1985年以来一直在康沃尔艺术学院任教。这篇文章是他教授高级编舞的教育方法的一个窗口。
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引用次数: 1
Moving Fiercely Linear Preservice Teachers into the Joys of Integrating Art in the Classroom: An Artist Residency in a University Early Childhood and Special Education Program 在课堂中融入艺术的乐趣:一所大学早期儿童和特殊教育项目的艺术家驻留
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470376
Julie Bernstein Engelmann, A. Kappel, Kelli Jo Kerry-Moran
ABSTRACT How can artist residencies for preservice teachers plant seeds for future classrooms? Teacher educators and a teaching artist describe a two-tiered residency in an early childhood and special education program that transformed preservice teachers' attitudes toward visual art and arts integration. Findings are based on teaching artist and instructor reflections as well as a qualitative analysis of student journal entries. Preservice teachers who had no prior art training and were resistant toward abstract painting began to enjoy it and appreciate the value of art for children's learning. They came to recognize visual art as a tool to support social development and children with special needs, understood the importance of process in children's art experiences, and considered ways to integrate art throughout the curriculum. We urge teacher educators and teaching artists to incorporate artist residencies into teacher education programs to prepare future teachers to integrate the arts into the classrooms of tomorrow.
摘要:职前教师的艺术家驻地如何为未来的课堂埋下种子?教师教育工作者和一位教学艺术家描述了幼儿和特殊教育项目中的两层居住,这改变了职前教师对视觉艺术和艺术融合的态度。研究结果基于教学艺术家和教师的反思以及对学生期刊条目的定性分析。没有受过艺术训练、抗拒抽象绘画的保育老师开始喜欢抽象绘画,并欣赏艺术对孩子们学习的价值。他们开始认识到视觉艺术是支持社会发展和有特殊需求的儿童的工具,理解过程在儿童艺术体验中的重要性,并考虑将艺术融入整个课程的方法。我们敦促教师教育工作者和教学艺术家将艺术家驻留纳入教师教育计划,为未来的教师将艺术融入明天的课堂做好准备。
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引用次数: 3
Call for Proposals: Volume 16, Issues 3–4 征求建议书:第16卷第3-4期
IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-03 DOI: 10.1080/15411796.2018.1470396
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引用次数: 0
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