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Imagining Anglo-Saxon England: Utopia, Heterotopia, Dystopia by Catherine E. Karkov (review) 《想象盎格鲁-撒克逊英格兰:乌托邦、异托邦、反托邦》,凯瑟琳·E·卡尔科夫著(评论)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0029
I. King
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引用次数: 1
Epic Heroes and Excessive Emotions: Démesure in The Song of Roland and Raoul of Cambrai 史诗英雄与过度情感:《罗兰之歌》与《康布雷的拉乌尔》中的Démesure
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0002
Ivy McKay
Abstract:The Song of Roland and Raoul of Cambrai, at first glance, present two different portrayals of knighthood. However, both title characters, Roland and Raoul, exhibit the same excessive pride. Their pride surpasses reason so blatantly that it transforms into vainglory and anger, respectively. More than emotions, these two traits are also categorized as deadly sins. Each knight is motivated by his pride to protect his reputation and irrationally insists on going to battle. Roland's and Raoul's recklessness, or démesure, warns readers of the dangerous effects of excessive pride. Despite this emotional and sinful sameness, however, the heroes' ideological treatment by the texts and their audiences are quite different. Roland is revered and deemed an inspiration while Raoul is condemned and labeled an antihero. Therefore, the texts disseminate contradictory messages by excusing Roland's pride and condemning Raoul's. This article shows the progression and evolution of the knights' emotions and points to the reasoning for their differentiation. That is, in order for institutions (e.g., the Church/Frankish monarchy) to sustain themselves, literature must promote characters who support institutions while making a negative example of those who rebel against the same systems. Roland and Raoul represent both instances of this literary interpellation and participate in the perpetuation of institutional power.
摘要:《罗兰之歌》和《康布雷的拉乌尔之歌》乍看之下呈现出两种不同的骑士形象。然而,两个主角罗兰和拉乌尔都表现出同样的过度骄傲。他们的骄傲如此明显地超越理性,以至于分别转化为虚荣和愤怒。除了情感之外,这两种特质也被归为死罪。每个骑士都是出于自尊而保护自己的名誉,非理性地坚持要去战斗。罗兰和拉乌尔的鲁莽,或称过度骄傲,警告读者过度骄傲的危险后果。然而,除了这种情感和罪恶的同一性之外,文本和观众对英雄的思想处理却截然不同。罗兰受到尊敬,被认为是一种灵感,而拉乌尔则受到谴责,被贴上了反英雄的标签。因此,文本通过宽恕罗兰的骄傲和谴责拉乌尔的骄傲来传播矛盾的信息。本文揭示了骑士情感的发展与演变,并指出了骑士情感分化的原因。也就是说,为了让制度(如教会/法兰克君主制)能够维持下去,文学必须促进那些支持制度的人物,同时对那些反对同一制度的人树立反面榜样。罗兰和拉乌尔代表了这种文学质询的两个例子,并参与了制度权力的延续。
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引用次数: 1
Nōn and Tīd: Computus Calculations and Ancestral Time in Beowulf NōN和Tīd:计算和贝奥武夫的祖先时间
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0000
Joana Blanquer
Abstract:The early medieval English computus—or science of the calendar—and its impact on early English perceptions of time offer a new context for the study of Beowulf. This context brings new ideas to bear on the epic poem, which, though it concerns Scandinavians from the Migration Age, is presented by a Christian narrator to an early medieval, English, Christianized audience. The vocabulary of hours and timekeeping in the poem communicates an antiquarian perception of time for an early medieval English audience. The nouns for small units of time, such as the flexible hours of tīd and the monastic hours of nōn (nones) and ūhta (matins, dawn), are in a dialectic relationship that does not contradict the paganism of the characters but provides the poem with a liturgical backdrop. Outside of Beowulf, nōn can only be found in liturgical texts and ūhta occurs only once in nonreligious poetry. Both nouns give a hagiographical resonance to the monster-fighting. Tīd, however, is attached to meaningful moments rather than hours of a fixed arithmetical duration. This is symptomatic of the complementarity in early medieval England between mathematical and observational time perceptions. In Beowulf, both time perceptions are tied to ideological and theological overtones. Nōn represents learned time reckoning, embodied by the Church computus, and tīd represents experiential time, based on Germanic empirical observation. While the narrator announces a Germanic, empirical sense of time in the opening of the poem, there are subtextual allusions to the perception of time as mathematical and bound to the disciplines of the quadrivium.
摘要:中世纪早期的英国历法及其对早期英国人时间观念的影响为贝奥武夫的研究提供了一个新的背景。这一背景为这首史诗带来了新的想法,尽管它涉及移民时代的斯堪的纳维亚人,但它是由一位基督教叙述者向中世纪早期的英国基督徒观众呈现的。诗中关于时间和计时的词汇传达了中世纪早期英国观众对时间的古董观念。小时间单位的名词,如tīd的灵活时间以及nōn(nons)和āhta(matins,dawn)的修道院时间,是一种辩证关系,与人物的异教主义并不矛盾,但为诗歌提供了礼拜仪式的背景。在贝奥武夫之外,nōn只能在礼拜仪式文本中找到,而在非宗教诗歌中只出现过一次。这两个名词都给怪物打斗带来了圣徒传说的共鸣。然而,Tīd是指有意义的时刻,而不是固定算术持续时间的小时。这是中世纪早期英格兰数学和观测时间观念互补性的表现。在《贝奥武夫》中,两种时间观念都与意识形态和神学色彩联系在一起。NōN代表教会计算所体现的习得时间,tīd代表基于日耳曼经验观察的经验时间。虽然叙述者在诗的开头宣布了一种日耳曼式的、经验式的时间感,但也有一些潜台词暗指时间是数学的,与四边形的学科有关。
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引用次数: 0
Medieval French Literary Culture Abroad by Jane Gilbert et al. (review) 简·吉尔伯特等人的《国外的中世纪法国文学文化》(书评)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0027
J. Mattison
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引用次数: 0
Marketing English Books, 1476–1550: How Printers Changed Reading by Alexandra da Costa (review) 营销英语书籍,1476-1550:打印机如何改变阅读作者:亚历山德拉·达·科斯塔
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0017
Rhonda Sharrah
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引用次数: 1
La Renaissance au grand large: Mélanges en l'honneur de Frank Lestringant ed. by Véronique Ferrer et al. (review) 《海上文艺复兴:纪念弗兰克·莱斯特林甘特的混合》,Véronique Ferrer等人编辑(评论)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0023
Anthony Nicolas Radoiu
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引用次数: 0
Rituals for the Dead: Religion and Community in the Medieval University of Paris by William J. Courtenay (review) 《死者仪式:中世纪巴黎大学的宗教与社区》,威廉·J·考特尼著(评论)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0014
Tori Schmitt
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引用次数: 0
The Nature of the Page: Poetry, Papermaking, and the Ecology of Texts in Renaissance England by Joshua Calhoun (review) 《书页的本质:诗歌、造纸和文艺复兴时期英国文本的生态》,约书亚·卡尔霍恩著(书评)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0011
Maral Attar-Zadeh
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引用次数: 0
Colonizing Christianity: Greek and Latin Religious Identity in the Era of the Fourth Crusade by George E. Demacopoulos (review) 殖民基督教:第四次十字军东征时代的希腊和拉丁宗教身份乔治E.德马科普洛斯(综述)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0021
Mateusz J. Ferens
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引用次数: 0
Imagination and Fantasy in the Middle Ages and Early Modern Time: Projections, Dreams, Monsters, and Illusions ed. by Albrecht Classen and Marilyn Sandidge (review) 《中世纪和现代早期的想象与幻想:投影、梦想、怪物和幻觉》,Albrecht Classen和Marilyn Sandidge主编(评论)
IF 0.1 3区 历史学 Q4 Arts and Humanities Pub Date : 2021-11-17 DOI: 10.1353/cjm.2021.0013
Sarah Bischoff
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引用次数: 0
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