{"title":":La decoración ideada por François Grognard para los apartamentos de la duquesa de Alba en el palacio de Buenavista (The interior decoration envisioned by François Grognard for the apartments of the Duchess of Alba in the Palace of Buenavista)","authors":"V. de Lorenzo","doi":"10.1086/724705","DOIUrl":"https://doi.org/10.1086/724705","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44536941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In celebration of the sixtieth anniversary of the eponymous fashion designer’s first runway show, the exhibitions of Yves Saint Laurent aux musées turn Paris into a runway, connecting the Musée Yves Saint Laurent to five other museums in a six-kilometer stretch along the Seine. Together, the group of cultural institutes, including the Musée d’art moderne, the Musée d’Orsay, the Louvre, the Centre Pompidou, and the Musée National Picasso,
为了庆祝同名时装设计师的第一次t台秀六十周年，伊夫·圣罗兰(Yves Saint Laurent aux muses)的展览将巴黎变成了一条t台，将muse Yves Saint Laurent与塞纳河沿岸六公里长的其他五个博物馆连接起来。这群文化机构，包括现代艺术博物馆、奥赛艺术博物馆、卢浮宫、蓬皮杜艺术中心和毕加索国家美术馆，
{"title":"Yves Saint Laurent aux musées","authors":"Lacey Minot","doi":"10.1086/724715","DOIUrl":"https://doi.org/10.1086/724715","url":null,"abstract":"In celebration of the sixtieth anniversary of the eponymous fashion designer’s first runway show, the exhibitions of Yves Saint Laurent aux musées turn Paris into a runway, connecting the Musée Yves Saint Laurent to five other museums in a six-kilometer stretch along the Seine. Together, the group of cultural institutes, including the Musée d’art moderne, the Musée d’Orsay, the Louvre, the Centre Pompidou, and the Musée National Picasso,","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43510863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":":The Contested Crown: Repatriation Politics between Europe and Mexico","authors":"Miruna Achim","doi":"10.1086/724712","DOIUrl":"https://doi.org/10.1086/724712","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43686832","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":":Berber Memories: Women and Jewelry in Morocco; Through the Gillion Crowet Collection","authors":"Lisa Bernasek","doi":"10.1086/724703","DOIUrl":"https://doi.org/10.1086/724703","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41655822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":":Alloys: American Sculpture and Architecture at Midcentury","authors":"P. Christensen","doi":"10.1086/724709","DOIUrl":"https://doi.org/10.1086/724709","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41604641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":":Paul Nash: Designer and Illustrator","authors":"P. Stirton","doi":"10.1086/724708","DOIUrl":"https://doi.org/10.1086/724708","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47529113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jay Hambidge and his theory of dynamic symmetry drew support from a wide variety of individuals connected with the visual arts in the first half of the twentieth century. Hambidge presented the theory as a practical tool for analyzing and appreciating artworks of the past as well as an aid to the contemporary designer. This article sets out the mathematical basis of dynamic symmetry and examines the range of mediums and disciplines that artists and designers found for it. This range makes dynamic symmetry worth reconsider-ing as we move to more global and inclusive studies of art.
Jay Hambidge和他的动态对称理论在20世纪上半叶得到了与视觉艺术相关的各种个人的支持。哈姆比奇将这一理论作为分析和欣赏过去艺术品的实用工具，同时也为当代设计师提供了帮助。本文阐述了动态对称的数学基础，并考察了艺术家和设计师为其找到的媒介和学科的范围。随着我们转向更全球化和包容性的艺术研究，这一范围使动态对称值得重新考虑。
{"title":"Secrets of the Greeks and Modern Design: Jay Hambidge and Dynamic Symmetry","authors":"M. Frank","doi":"10.1086/724697","DOIUrl":"https://doi.org/10.1086/724697","url":null,"abstract":"Jay Hambidge and his theory of dynamic symmetry drew support from a wide variety of individuals connected with the visual arts in the first half of the twentieth century. Hambidge presented the theory as a practical tool for analyzing and appreciating artworks of the past as well as an aid to the contemporary designer. This article sets out the mathematical basis of dynamic symmetry and examines the range of mediums and disciplines that artists and designers found for it. This range makes dynamic symmetry worth reconsider-ing as we move to more global and inclusive studies of art.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45231658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-01DOI: 10.37862/aaeportal.00195
P. O. Long
{"title":"The Art of Paper: From the Holy Land to the Americas","authors":"P. O. Long","doi":"10.37862/aaeportal.00195","DOIUrl":"https://doi.org/10.37862/aaeportal.00195","url":null,"abstract":"","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43131688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this short think piece, we highlight four objects that stand in for a larger group of medieval containers made of silver and niello. Decorations and Arabic inscriptions make it likely that these metalworks were made in al-Andalus between the mid-tenth and early twelfth centuries, yet all but one have come down to us through preservation in church treasuries. Here we lay out the issues at play in our ongoing study of the full group of silver containers.
{"title":"Silver and Niello in Islamic Iberia: A New Look at the Material Evidence","authors":"Therese Martin, Mariam Rosser-Owen","doi":"10.1086/721211","DOIUrl":"https://doi.org/10.1086/721211","url":null,"abstract":"In this short think piece, we highlight four objects that stand in for a larger group of medieval containers made of silver and niello. Decorations and Arabic inscriptions make it likely that these metalworks were made in al-Andalus between the mid-tenth and early twelfth centuries, yet all but one have come down to us through preservation in church treasuries. Here we lay out the issues at play in our ongoing study of the full group of silver containers.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43334279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Illustrated albums of the Second French Empire iron industry indicate how the representation of metallic building parts was embedded in a culture of shifting expectations and increasing ambition.
{"title":"Making Metal Work","authors":"Amy F. Ogata","doi":"10.1086/721213","DOIUrl":"https://doi.org/10.1086/721213","url":null,"abstract":"Illustrated albums of the Second French Empire iron industry indicate how the representation of metallic building parts was embedded in a culture of shifting expectations and increasing ambition.","PeriodicalId":53917,"journal":{"name":"West 86th-A Journal of Decorative Arts Design History and Material Culture","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46689408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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