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STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES最新文献

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Édouard André (1840-1911): cultural and botanical exchange between Europe and South America Édouard安德罗(1840-1911):欧洲和南美洲之间的文化和植物交流
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-05-22 DOI: 10.1080/14601176.2018.1494368
Stéphanie de Courtois, F. André
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引用次数: 3
A paradoxical paradise: Parque Nacional Santa Teresa, Uruguay 悖论天堂:乌拉圭圣特雷莎国家公园
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-05-22 DOI: 10.1080/14601176.2018.1491738
Alicia Torres Corral
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引用次数: 1
Roberto Burle Marx (1909–94): defining modernism in Latin American landscape architecture 罗伯托·伯勒·马克思(1909-94):定义拉丁美洲景观建筑中的现代主义
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-05-22 DOI: 10.1080/14601176.2018.1529273
Ana Rita Sá Carneiro
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引用次数: 4
Landscape architecture in Latin America: nineteenth and twentieth centuries 拉丁美洲的景观建筑:十九和二十世纪
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-05-22 DOI: 10.1080/14601176.2018.1561817
Sonia Berjman, A. Tchikine
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引用次数: 2
Garden making in the first millennium BCE 公元前一千年的造园
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-03-01 DOI: 10.1080/14601176.2019.1580497
P. Bowe
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引用次数: 0
Landscape discourses and community garden design: creating community gardens in one mid-sized southern US city 景观话语和社区花园设计:在美国南部一个中型城市创建社区花园
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/14601176.2018.1512797
A. Rees, Bertram L. Melix
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引用次数: 4
The didactic landscape 说教式景观
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/14601176.2018.1511175
Helena Chance, Megha Rajguru
This special issue journal brings together, for the first time, articles that study the didactic landscape as an artefact from broad spatial perspectives with a particular emphasis on the nineteenth-century to the present. The collection originated with a group of design historians who have a common interest in exploring meaning in the design of institutional landscapes. The essays examine how the parks or gardens of institutions express and reinforce their function and agendas. By its very definition, an institution has power over the spaces it inhabits and expresses distinct messages to the users of those spaces—it is a didactic space. The six articles define and explore a typology of institutional gardens and designed landscapes, conceived and designed with agendas, explicit or implicit, to advise, educate or moralise. Scholarship on the designs of institutional spaces is chiefly centred on architecture and has overlooked the role of the garden or landscape in the functioning and experience of the institution. A spatial understanding of an institutional building has enabled a study of institutional power and politics. A study of the institutional garden and landscape expands this knowledge to include the role of nature and the outdoors in its design and uses. While the genealogy of institutional landscapes with their functional and metaphorical allusions to divine order and political power has been traced to antiquity, the institutional landscape, a didactic space, which became more visible and diverse with the growth of social and political institutions such as museums, asylums and factories in the nineteenth century, has not so far been examined comparatively and culturally. These essays contribute to the scholarly literature investigating meaning in landscape and garden design which has proliferated since the 1980s, stimulated by a body of work within cultural and historical geography, landscape archaeology and history. The collection also responds to more recent research from a variety of disciplines, which has extended knowledge of nonelite gardens as ‘sites of cultural contact’. Within this scholarship of multiple perspectives, debates about the relationships between landscape, power and politics loom large, for as Gailing and Leibenath have recently argued, citing Kenneth Olwig, a landscape does not just express a polity’s values, conventions, customs and practices, but above all it is an expression of hegemonic power. Readers of these essays will be very familiar with examples of those in power using landscape design to impose their authority—from the processional routes of antiquity to Louis XIV’s gardens at Versailles, to General Motors' corporate landscape in Detroit. These heroic didactic landscapes are outspoken in communicating their power. To understand the more nuanced layers of meaning contained within the institutional gardens and parks discussed in this special issue, the authors have found not only Michel Foucault’s work on
这本特刊首次汇集了从广泛的空间角度研究作为人工制品的教学景观的文章,特别强调了从19世纪到现在。该系列起源于一群设计历史学家,他们对探索机构景观设计的意义有着共同的兴趣。这些文章考察了机构的公园或花园是如何表达和强化其功能和议程的。根据其定义,一个机构对其居住的空间拥有权力,并向这些空间的用户表达不同的信息——这是一个说教的空间。这六篇文章定义并探索了机构花园和设计景观的类型,这些景观的构思和设计有明确或隐含的议程,以提供建议、教育或道德说教。关于机构空间设计的学术主要集中在建筑上,忽视了花园或景观在机构运作和体验中的作用。对制度建设的空间理解使人们能够研究制度权力和政治。对机构花园和景观的研究扩展了这一知识,包括自然和户外在其设计和使用中的作用。虽然制度景观的谱系及其对神圣秩序和政治权力的功能和隐喻暗示可以追溯到古代,但制度景观作为一个说教空间,随着19世纪博物馆、收容所和工厂等社会和政治机构的发展,变得更加明显和多样,迄今为止,尚未对其进行比较和文化研究。这些文章有助于研究景观和花园设计意义的学术文献,自20世纪80年代以来,在文化和历史地理学、景观考古和历史领域的大量工作的推动下,这一文献激增。该系列还回应了来自多个学科的最新研究,这些研究扩展了非精英花园作为“文化接触场所”的知识。在这种多元视角的学术中,关于景观、权力和政治之间关系的争论显得尤为突出,因为正如盖林和莱贝纳特最近引用肯尼斯·奥尔维格的话所说,景观不仅表达了一个政体的价值观、惯例、习俗和实践,而且最重要的是,它是霸权的表达。这些文章的读者将非常熟悉当权者利用景观设计来施加权威的例子——从古代的游行路线到路易十四在凡尔赛的花园,再到通用汽车在底特律的企业景观。这些英雄式的说教风景在传达他们的力量时直言不讳。为了理解本期特刊中讨论的机构花园和公园中包含的更微妙的意义层,作者发现米歇尔·福柯关于机构权力的工作不仅很有帮助,而且他将花园视为“异托皮亚”的理论也很有帮助。福柯关于异托邦的思想在1967年的一次演讲中进行了讨论,并最终在他去世后不久于1984年发表,受到了对制度空间内在矛盾感兴趣的学者的热烈欢迎。然而,他将花园视为“自古以来一种快乐的、普遍化的异托邦”的概念却很少被探索。本文中的两篇文章将说教的思想与福柯将花园视为异托邦的思想联系起来,以理解我们对设计、物体和种植“叠加意义”的特殊方式的潜在和由来已久的反应。马克·特里布(Marc Trieb)在1995年的文章《景观必须有意义》(Must Landscapes Mean)中指出了五种“粗略框架”的景观设计方法、意义和意义
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引用次数: 0
From consensus to dissensus – history and meaning in flux at Sir Geoffrey Jellicoe’s Kennedy Memorial landscape 从共识到分歧——杰弗里·杰利科爵士肯尼迪纪念馆景观中不断变化的历史和意义
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/14601176.2018.1511177
G. Entwistle
ions into fact. Makins was a representative of that quintessentially English phenomenon, the safe pair of hands. Ever since his congratulatory First Class award from Christ Church College, Oxford, in 1925, he had made a success of more or less everything he had attempted. In a distinguished career, sorting out the Kennedy Memorial was a footnote at best, and one that does not even merit mention in his compendious Oxford Dictionary of National Biography entry. Against a background of bureaucratic manoeuvring, Sir Roger had to choose a designer to whom the aesthetic challenges of the memorial site at Runnymede could be transferred. In search of such a person, a letter was sent out, twice, on the 15 April 1964: to Gordon Ricketts, the Secretary of the Royal Institute of British Architects (RIBA); and to the Secretary of the Landscape Institute — erroneously aggrandised in this instance to the Royal Institute of Landscape — Miss Alison Dale. Both were asked to ‘suggest the names of one or two consultants who would advise [Sir Roger Makins’s] committee on [...] matters connected with the memorial and site at Runnymede’. The RIBA wrote back with a shortlist of three — Peter Shepheard, Frederick Gibberd and Jellicoe. The Landscape Institute offered only one name, that of their co-founder and former president Geoffrey Jellicoe, though their incumbent president, L Milner White, also suggested ‘that in a matter of such public interest a competition for the design might be held’. Shrewd Sir Roger ignored this time-consuming and perilously open-ended option. Thus was sealed the fate of one of British landscape design’s best-known commissions. Jellicoe would go on to produce other highly regarded works, including the garden at Sutton Place (1980), the unbuilt Moody Gardens at Galveston, Texas (1984) and the gardens at Shute House in Dorset (1993). Though by no means a household name in 1964, he was already recognised in professional circles for his designs between the Wars at Pusey House and Mottisfont Abbey (1936–39); and after 1945 for his contribution to the Festival of Britain’s Lansbury Estate (1951) and theWater Gardens at Hemel Hempstead (1959). Yet even with these to his name, Geoffrey Jellicoe must have been pleasantly surprised by the ease with which the plum Kennedy Memorial commission fell into his lap. Makins met Jellicoe for the first time, at Runnymede, on Saturday 2 May 1964. Back at work the following Monday, the mandarin ventured into memorandum and letter to tell fellow civil servants that Jellicoe was ‘recommended to us as the best man for the job’, ‘not only willing but anxious to do the work’, and, very conveniently, that ‘his first thoughts are very much in line with [...] mine’. After the site visit, Jellicoe acted with equal celerity. He wrote to Makins on 4 May: ‘just to confirm, if confirmation is necessary, that I am very pleased and honoured to undertake the Kennedy Memorial at Runnymede. [...] Saturday morning itself was memorabl
离子转化为事实。马金斯是典型的英国现象的代表,一双安全的手。自从1925年获得牛津基督教堂学院的一等奖以来,他所尝试的一切或多或少都取得了成功。在他杰出的职业生涯中,整理肯尼迪纪念馆充其量只是一个脚注,甚至不值得在他的《牛津国家传记词典》中提及。在官僚操纵的背景下,罗杰爵士不得不选择一位设计师,将伦尼米德纪念馆的美学挑战转移给他。为了寻找这样一个人,1964年4月15日,两次发出了一封信:致英国皇家建筑师学会秘书戈登·里基茨;以及景观研究所的秘书——在本例中被错误地夸大为皇家景观研究所——艾莉森·戴尔小姐。两人都被要求“建议一两名顾问的名字,他们将就与Runnymede纪念馆和遗址有关的[…]事项向[罗杰·马金斯爵士的]委员会提供建议”。RIBA在回信中列出了三位候选人——彼得·谢泼德、弗雷德里克·吉伯德和杰利科。景观研究所只提供了一个名字,即他们的联合创始人、前主席杰弗里·杰利科的名字,尽管他们的现任主席L·米尔纳·怀特也建议“为了公众利益,可能会举行设计竞赛”。精明的罗杰爵士忽略了这个耗时且危险的开放式选择。英国最著名的景观设计委员会之一的命运就这样注定了。杰利科还创作了其他备受赞誉的作品,包括萨顿广场的花园(1980年)、德克萨斯州加尔维斯顿尚未建成的穆迪花园(1984年)和多塞特郡舒特庄园的花园(1993年)。尽管在1964年他并不是一个家喻户晓的名字,但他在普西故居和莫蒂斯蒙特修道院战争期间(1936–39)的设计已经在专业圈子里得到了认可;1945年后,他对英国兰斯伯里庄园艺术节(1951年)和赫梅尔·亨普斯特德水上花园艺术节(1959年)的贡献。然而,即使有了这些名字,杰弗里·杰利科一定对肯尼迪纪念委员会轻而易举地落入他的手中感到惊喜。1964年5月2日星期六,马金斯在朗尼米德第一次见到了杰利科。下周一回到工作岗位,这位官员大胆地写了一份备忘录和一封信,告诉其他公务员,杰利科“被推荐为这份工作的最佳人选”,“不仅愿意而且渴望做这项工作”,而且非常方便地说,“他的第一想法与[…]我的想法非常一致”。实地考察后,杰利科同样迅速地采取了行动。5月4日,他写信给马金斯:“如果有必要的话,我很高兴也很荣幸能在朗尼米德建造肯尼迪纪念馆。[…]周六早晨本身就令人难忘!”他请求马金斯允许立即进行调查;花了一个非常潮湿的数字3。三柱门外的国家信托信息小组制定了肯尼迪纪念馆的官方计划(简·波特摄)。园林与景观设计史研究
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引用次数: 0
Light, airy and open: the design and use of the suburban public-house garden in England between the wars 光线、通风和开放:战争期间英国郊区公共住宅花园的设计和使用
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/14601176.2018.1511179
F. Fisher, R. Preston
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引用次数: 2
The world in the garden: ethnobotany in the contemporary Horniman Museum Garden, London 花园中的世界:伦敦当代霍尼曼博物馆花园中的民族植物学
IF 0.1 3区 艺术学 Q3 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/14601176.2018.1511176
Megha Rajguru
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引用次数: 1
期刊
STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES
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