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Approaches to Totalitarianism, Humanism and Arts in George Orwell’s Nineteen Eighty-Four A Critical Review of Waddell, Nathan, ed. 2020. The Cambridge Companion to Nineteen Eighty-Four. Cambridge: Cambridge University Press. xv+287 pp. ISBN: 1-108-89970-6 Obarrio Moreno, Juan Alfredo. 2021. 1984 (George Orwell) Diálogos entre el derecho y la literatura: Los totalitarismos I. Madrid: Dykinson, S.L. 294 pp. ISBN: 9788413775067 George Orwell's Nineteen Eighty-Four A Critical Review of Waddell, Nathan, ed. 2020.The Cambridge Companion to Nineteen Eighty-Four.剑桥:xv+287 pp.ISBN: 1-108-89970-6 Obarrio Moreno, Juan Alfredo.2021.1984 (George Orwell) Diálogos entre el derecho y la literatura:Los totalitarismos I. Madrid:Dykinson, S.L. 294 pp.ISBN: 9788413775067
3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2023-06-29 DOI: 10.28914/atlantis-2023-45.1.13
Ana Valverde González
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引用次数: 0
Time’s Up for a Change of Political Focus: Katniss Everdeen’s Ecofeminist Leadership in The Hunger Games Film Series 是时候改变政治焦点了:凯特尼斯·伊夫狄恩在《饥饿游戏》系列电影中扮演的生态女权主义领导角色
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2021-06-28 DOI: 10.28914/ATLANTIS-2021-43.1.06
Mónica Martín
This article explores Katniss Everdeen’s ecofeminist political agency in The Hunger Games film series (2012-2015) in the light of global social movements in the late 2010s. As a young destitute woman who defies the oppressive rules of an oligarchic and patriarchal totalitarian order, Katniss (Jennifer Lawrence) represents the utopian potential of intersectional politics forged across class, gender, racial and geopolitical borders. In opposition to ecocidal and patriarchal conceptions of progress, Katniss’s ecofeminist heroism is illustrative of the emergence of cosmopolitan political imaginaries that advocate sustainable, egalitarian collective futures constructed beyond the methodological frameworks of neoliberal globalisation and material dialectics. Contemporary with young activists like Greta Thunberg, one of the founders of the ecological movement Fridays for Future, Katniss can be taken as a cinematic representative of a new generation of utopian political actors for whom individual well-being is tied to ecosocial welfare and cosmopolitan inclusion.
本文结合2010年代末的全球社会运动,探讨了凯特尼斯·伊夫狄恩(Katniss Everdeen)在《饥饿游戏》系列电影(2012-2015)中扮演的生态女性主义政治角色。凯特尼斯(詹妮弗·劳伦斯饰)是一个贫穷的年轻女子,她反抗寡头和父权极权秩序的压迫规则,她代表了跨越阶级、性别、种族和地缘政治边界的交叉政治的乌托邦潜力。与生态灭绝和父权制的进步概念相反,Katniss的生态女性主义英雄主义说明了世界主义政治想象的出现,这些政治想象倡导超越新自由主义全球化和物质辩证法的方法论框架构建的可持续、平等的集体未来。与生态运动“星期五为未来”(Fridays for Future)的创始人之一格雷塔·滕伯格(Greta Thunberg)等年轻活动家同时代,凯特尼斯可以被视为新一代乌托邦政治演员的电影代表,对他们来说,个人福祉与生态社会福利和世界包容联系在一起。
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引用次数: 0
Challenging the Victorian Nuclear Family Myth: The Incest Trope in Guillermo del Toro’s Crimson Peak 挑战维多利亚时代的核心家庭神话:吉尔莫·德尔·托罗的《深红峰》中的乱伦比喻
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.05
D. Pedro
espanolLa literatura (neo)victoriana ofrece conceptualizaciones contradictorias de la familia nuclear, ya que generalmente gira en torno a hogares tradicionales heteroparentales pero los presenta como fragmentados y profundamente disfuncionales. La pelicula Crimson Peak (2015) del director Guillermo del Toro se basa en tres motivos recurrentes en la ficcion gotica (neo) victoriana, los traumas domesticos, la familia disfuncional y lo sobrenatural. Mi objetivo principal es explorar como Del Toro utiliza la trama del incesto para subvertir las visiones preconcebidas e idealizadas sobre la familia victoriana. En primer lugar, analizo la casa ancestral y la figura materna como origen de los traumas familiares, para a continuacion examinar la relacion incestuosa entre los hermanos Sharpe desde un enfoque triple: etico, estetico y psicoanalitico. Sobre esta base, argumento que Del Toro representa traumas familiares del siglo XIX que continuan siendo relevantes en la sociedad actual, con el objetivo de que los espectadores puedan tomar conciencia de estos problemas sociales e incluso adoptar una postura activa contra los mismos. English(Neo-)Victorian literature offers contradictory conceptualisations of the nuclear family. While it usually revolves around traditional heteroparental households, at the same time it portrays them as fragmented and deeply flawed. Guillermo del Toro’s film Crimson Peak (2015) builds on domestic traumas, the dysfunctional family and the supernatural, three recurrent tropes in (neo-)Victorian Gothic fiction. My main aim is to explore how Del Toro exploits the incest plotline in order to subvert preconceived views on the idealised Victorian family. I first analyse the ancestral family house and the mother figure as the loci of family traumas. I then move on to examine the Sharpe siblings’ incestuous relationship from a threefold perspective involving ethics, aesthetics and psychoanalysis, thereby showing that Del Toro exposes nineteenth-century family traumas that are still present in contemporary societies, so that audiences may become aware of these social issues and even take an active stance against them.
西班牙(新)维多利亚文学对核心家庭提供了相互矛盾的概念,因为它通常围绕着传统的异性父母家庭,但将它们呈现为支离破碎和严重功能失调的家庭。导演吉列尔莫·德尔·托罗(Guillermo del Toro)的电影《深红峰》(Crimson Peak, 2015)基于维多利亚时代新哥特式小说中的三个反复出现的主题:家庭创伤、不正常的家庭和超自然现象。我的主要目标是探索德尔·托罗如何利用乱伦的情节来颠覆维多利亚时代对家庭的先入之见和理想化的看法。首先,我分析了祖家和母亲形象作为家庭创伤的起源,然后从伦理、美学和精神分析三个方面考察了夏普兄弟之间的乱伦关系。在此基础上,德尔托罗的论点代表了19世纪的家庭创伤,这些创伤在今天的社会中仍然相关,目的是让观众意识到这些社会问题,甚至采取积极的立场反对它们。维多利亚时代的文学提供了相互矛盾的核心家庭概念。虽然它通常围绕着传统的亲本家庭,但同时它也描绘了他们的分裂和严重的问题。吉尔莫·德尔·托罗(Guillermo del Toro)的电影《深红峰》(Crimson Peak, 2015)建立在家庭创伤、功能障碍的家庭和超自然的基础上,这是(新)维多利亚哥特式小说中的三个反复出现的主题。= =传记= = = = =早年生活和事业= = =德尔·托罗出生在维多利亚的一个贵族家庭,他的父亲是一名律师,母亲是一名律师。= =地理= =根据美国人口普查,这个县的面积为。然后I move on to the Sharpe案审查siblings’incestuous relationship from threefold观点新兴ethics, aesthetics and psychoanalysis,简单易行的that exposes德尔托罗nineteenth-century family that are still目前创伤,以便受众可能在当代社会中的练习aware of这些社会问题and even take an active stance against them。
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引用次数: 2
Disability, Illness and Cultural Belonging in Akhil Sharma’s Family Life 阿希尔·夏尔马家庭生活中的残疾、疾病和文化归属感
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.02
Iwona Filipczak
espanolEl objetivo de este articulo es demostrar como los discursos de discapacidad/enfermedad e inmigracion se entrelazan en la novela Family Life (2014), de Akhil Sharma. Sostengo que la negociacion de las identidades culturales por parte de los personajes ocurre en la interseccion de su estatus en cuanto a raza, etnia, clase, migracion y (dis)capacidad, cuyo examen revela la experiencia unica de opresion sufrida por una familia de inmigrantes indios. Reconociendo la semejanza de la narrativa con la “narrativa del caos,” exploro en particular la sensacion de devastacion del narrador y su resistencia a la expectativa cultural del discurso del exito. El estudio aborda cuestiones de pertenencia cultural y es sensible al contexto sociohistorico de la inmigracion india a EUA, en un intento de mostrar algunos aspectos de como la cultura influye en la percepcion de la discapacidad y la enfermedad. EnglishThe aim of this article is to demonstrate how the discourses of disability/illness and immigration are intertwined in Akhil Sharma’s novel Family Life (2014). I argue that the characters’ negotiation of cultural identities occurs at the intersection of their race, ethnicity, class, and immigrant and ability status, the examination of which reveals a unique experience of oppression of an Indian immigrant family. Recognizing the narrative’s resemblance to the “chaos narrative,” I explore in particular the narrator’s sense of devastation and the narrative’s resistance to the cultural expectation of the discourse of triumph. As the study deals with questions of cultural belonging and is sensitive to the sociohistorical context of Indian immigration to the US, an attempt is undertaken to show some aspects of how culture influences the perception of disability and illness.
本文的目的是展示在Akhil Sharma的小说《家庭生活》(2014)中,残疾/疾病和移民的话语是如何交织在一起的。我认为,角色之间的文化身份谈判发生在他们的种族、民族、阶级、移民和(dis)能力地位的交叉中,对这些地位的考察揭示了一个印度移民家庭所遭受的压迫的独特经历。在这篇文章中,我探讨了叙事与“混乱叙事”的相似之处,特别是叙述者对毁灭的感觉,以及他对成功话语的文化期望的抵制。这项研究涉及文化归属问题,并对印度移民到美国的社会历史背景敏感,试图展示文化如何影响人们对残疾和疾病的看法的一些方面。本文的目的是展示在Akhil Sharma的小说《家庭生活》(2014)中,残疾/疾病和移民的论述是如何交织在一起的。我认为,人物文化身份的谈判发生在他们的种族、民族、阶级、移民和能力地位的交叉点,这一审查揭示了一个印度移民家庭受到压迫的独特经历。认识到叙事性与“叙事性混乱”的相似之处,我特别探讨了叙事性的毁灭感和叙事性对胜利话语的文化期望的抵抗。由于该研究涉及文化归属问题,并且对印度移民到美国的社会历史背景十分敏感,因此试图说明文化如何影响人们对残疾和疾病的看法。
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引用次数: 0
Child First Language Acquisition of English and Spanish Prepositional and Double Object Constructions 英语和西班牙语介词和双宾语结构的儿童第一语言习得
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.11
Silvia Sánchez Calderón
This study examines the acquisition of dative alternation (DA), namely, prepositional structures and double object constructions (DOCs), in English and Spanish. The analysis of Spanish and English child monolingual data and adult input available in CHILDES reveals a similar pattern of emergence of prepositional and DOCs in the two language groups. This suggests a lack of derivation between the two structures in the two languages, assuming that more complex derived structures emerge later than nonderived ones. This is argued to be the case despite the difference between English and Spanish DA, as per the Complex Predicate Parameter. The delay in the onset and the lower incidence of English and Spanish prepositional DA seems to be related to the amount of exposure in the adult input. These findings, therefore, suggest that children acquire the similar syntactic nonderivational relationship that underlies DA constructions both in English and in Spanish. Besides, adult input factors seem to play a similar role in the children’s preference for the use of DOCs rather than prepositional structures in the two languages.
本研究考察了英语和西班牙语中与格交替的习得,即介词结构和双宾语结构。对CHILDES中西班牙语和英语儿童单语数据和成人输入数据的分析表明,介词和doc在这两个语言群体中的出现模式相似。这表明两种语言中两种结构之间缺乏派生,假设更复杂的派生结构比非派生结构出现得晚。根据复合谓词参数,尽管英语和西班牙语的DA存在差异,但这种情况仍然存在。英语和西班牙语介词DA的发病延迟和发病率较低似乎与成人输入的暴露量有关。因此,这些发现表明,儿童习得了类似的句法非衍生关系,这种关系是英语和西班牙语DA结构的基础。此外,在两种语言中,成人输入因素似乎在儿童更喜欢使用DOCs而不是介词结构方面发挥了类似的作用。
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引用次数: 0
New Verse Translations of Old English Poetry into Spanish 古英语诗歌新诗翻译成西班牙语
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.12
Juan Camilo Conde Silvestre
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引用次数: 0
Of Godfathers and Markets: The Politics of (the) American Gangster 教父与市场:美国黑帮的政治
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.04
Fabián Orán Llarena
espanolEste articulo analiza en profundidad la pelicula American Gangster (2007) como reinterpretacion del cine de gansteres en clave neoliberal. Desarrollando una metodologia basada en estudios culturales y de genero cinematografico, sostengo que la pelicula revisita temas e imagenes troncales del cine de gansteres bajo la influencia de la ideologia neoliberal y abordando ciertas visiones y fenomenos vinculados a la acumulacion capitalista, como el Keynesianismo, el libertarismo o la relacion entre las esferas estatal y privada. Existe abundante produccion academica centrada en el capitalismo neoliberal y su afianzamiento como el sistema politico y economico hegemonico de nuestro tiempo. Sin embargo, los estudios de cine aun no han abordado exhaustivamente la representacion del neoliberalismo en el cine. Es mas, se observa una importante escasez de investigacion sobre la posible plasmacion cinematografica del neoliberalismo con atencion a especificidades de genero. American Gangster se presenta como una pelicula particularmente idonea para tratar todas esas cuestiones de manera unificada y cohesiva. EnglishThis article closely examines the film American Gangster (2007) as a reinterpretation of the gangster film in light of neoliberalism. Deploying a critical framework underpinned by cultural and film genre studies, I argue the film revisits key tropes and themes of the gangster film by drawing substantially on neoliberal ideology and by addressing certain worldviews and phenomena concerning capitalist accumulation, such as Keynesianism, libertarianism and the relation between the state and private spheres. A wealth of scholarly literature has accrued that probes neoliberal capitalism as the hegemonic economic and political system of our time. However, film studies has yet to comprehensively take up the study of neoliberalism. Additionally, whether there are genre specificities in the way neoliberalism has been translated into film is a significantly underexplored area of research. American Gangster constitutes a particularly appropriate film to cohesively and unitarily tackle all those questions.
这篇文章深入分析了电影《美国黑帮》(2007)作为新自由主义黑帮电影的重新诠释。开发基于性别和文化研究的metodologia cinematografico我认为,电影的电影revisita主题和形象troncales ideologia gansteres影响下的新自由主义和处理有关的某些看法、fenomenos acumulacion资本主义,凯恩斯理论、libertarismo或国家和私人领域之间的关系。新自由主义资本主义及其作为我们这个时代政治和经济霸权体系的巩固,产生了大量的学术成果。然而,电影研究还没有全面解决新自由主义在电影中的表现。此外,对新自由主义电影可能塑造的关注性别特殊性的研究也相当缺乏。《美国黑帮》是一部特别适合以统一和连贯的方式处理所有这些问题的电影。本文将《美国黑帮》(2007)作为新自由主义对黑帮电影的重新诠释。Deploying a critical framework underpinned by文化和性别研究电影,我争辩电影revisits key tropes and组件of the歹徒电影by drawing substantially on新自由主义意识形态和by解决某些worldviews纪要关于capitalist累积,如关于Keynesianism, libertarianism and the between the state and private spheres。大量的学术文献使新自由主义成为我们这个时代的经济和政治霸权体系。然而,电影研究你自行车”take up the study of新自由主义。此外,从性别重要性妇女是否are in the way新自由主义has been translated into电影is a的underexplored area of research。《美国黑帮》是一部特别适合以统一和统一的方式处理所有这些问题的电影。
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引用次数: 0
Meera Syal’s “The Traveller”: Its Feminist Allegory and Later Echoes 米拉·西尔的《旅行者》:它的女权主义寓言和后来的回响
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.01
Noemí Pereira-Ares
espanolComprometida con visibilizar la experiencia femenina y, mas concretamente, la realidad de la mujer surasiatica, Meera Syal es una escritora cuyas obras incluyen a menudo un subtexto feminista. Un claro ejemplo de esto lo encontramos en “The Traveller” (1988), un relato corto de caracter alegorico que incorpora una marcada agenda feminista. Sin embargo, podria decirse que, frente a otras obras de Syal, este relato ha sido ampliamente ignorado por la critica literaria. El objetivo de este articulo es contribuir precisamente a rectificar este desequilibrio, reevaluando la importancia de este texto dentro de la obra de la autora. Apoyandose en trabajos criticos de corte feminista, el articulo tambien pretende proporcionar un analisis detallado del mencionado relato, revelando y examinando la alegoria feminista que encapsula. Como se expone a lo largo del articulo, “The Traveller” se erige como una critica a las tendencias universalizadoras sobre las que se ha sostenido el feminismo occidental, al tiempo que enuncia la aparicion del denominado feminismo negro britanico en las decadas de 1970 y 1980. A pesar de esto, a traves de sus densas metaforas, el relato de Syal tambien enfatiza la idea de comonalidad, destacando la necesidad de reconocer tanto las diferencias como los puntos en comun, asi como la pertinencia de establecer vinculos entre la experiencia femenina en el subcontinente indio y sus diasporas. EnglishCommitted to the exploration of the female experience—specifically the South Asian female experience—Meera Syal has often woven a feminist subtext into the fabric of her works. This is probably nowhere more evident than in “The Traveller” (1988), an allegorical short story that constitutes Syal’s more sustained effort to produce a feminist text per se. However, whereas Syal’s novels and screenplays have been accorded considerable critical attention, “The Traveller” has been largely overlooked. This article aims to help rectify this imbalance by reassessing the importance of this text within Syal’s oeuvre. Drawing on feminist discourse, it also provides a detailed analysis of the story, unveiling and examining its feminist allegory. As I contend, “The Traveller” provides a critique of the universalising tendencies at the core of much Western feminism, whilst also enunciating the coming into being of Black British feminism in the 1970s and 1980s. This notwithstanding, through the figure of the “traveller,” a strong metaphor throughout, Syal’s story also creates common ground, highlighting the need to recognise both differences and commonalities and to build bridges amongst South Asian women living at both ends of the East-West divide.
Meera Syal致力于让女性的经历,更具体地说,是南亚女性的现实,她的作品经常包含女权主义的潜台词。一个明显的例子是《旅行者》(The Traveller, 1988),这是一个寓言短篇小说,包含了强烈的女权主义议程。然而,可以说,与Syal的其他作品相比,这个故事在很大程度上被文学评论家忽视了。本文的目的正是为了纠正这种不平衡,重新评估这篇文章在作者作品中的重要性。本文以女权主义批评性作品为基础,对上述故事进行了详细的分析,揭示和检验了它所体现的女权主义寓言。正如整篇文章所述,《旅行者》是对西方女权主义所坚持的普遍趋势的批判,同时也阐明了所谓的英国黑人女权主义在20世纪70年代和80年代的出现。尽管如此,透过其密集的讲述metaforas, Syal亦强调comonalidad,强调有必要承认差异和成绩共同之处,就是相关性之间建立vinculos女性在印度次大陆的经验及其diasporas。在她的作品中,Meera Syal经常在她的作品中编织一个女权主义的subtext。This is probably nowhere more evident than in The Traveller (1988), an allegorical short story that大军是Syal ' s more持久effort to生产女权文本本身。然而,而Syal ' s novels and screenplays已经相当条例critical注意一直largely The Traveller overlooked。这篇文章旨在通过重新评估Syal工作中这篇文章的重要性来帮助纠正这种不平衡。Drawing on女权discourse,它还提供了详细的analysis of the story, unveiling和审查其女权allegory。As I contend, The Traveller提供a critique of The universalising倾向日益显露at The core of much Western feminism,目前还enunciating The coming into being of Black英feminism in The复课和1980s。通过“旅行者”的形象,Syal的故事也创造了一个共同的基础,突出了认识差异和共性的必要性,并在生活在东西方分界线两端的南亚妇女之间建立桥梁。
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引用次数: 0
A Multimodal Approach to Foster the Multiliteracies Pedagogy in the Teaching of EFL through Picturebooks: The Snow Lion 在绘本教学中培养多元素养教学法:《雪狮》
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.06
A. Reyes-Torres, Matilde Portalés Raga
espanolEnsenar lenguas en el siglo veintiuno implica prestar atencion a las demandas pedagogicas multimodales de un mundo digital global. Para alcanzar este objetivo, la ensenanza efectiva del ingles requiere una preparacion de los instructores para guiar de manera consciente el desarrollo de la literacidad de los alumnos e integrar las distintas maneras de construir significado que van mucho mas alla del mero uso de la lengua. Este articulo suscribe la nocion de literacidad como un concepto multidimensional y propone un conjunto de herramientas multimodales como medio para que los maestros de ingles como lengua extranjera (ILE) trabajen con elementos literarios y visuales clave. Centrandonos en la lectura de The Snow Lion (Helmore and Jones 2017), analizamos la relacion caracteristica entre palabras e imagenes que define el album ilustrado e implementamos la pedagogia de las multiliteracidades, que consta de cuatro procesos de conocimiento, esto es, experimentar, conceptualizar, analizar y aplicar. El objetivo final es guiar a jovenes estudiantes en la produccion de significados y en el pensamiento critico en el marco del aula de ILE a traves del analisis e interpretacion de los albumes ilustrados. EnglishTwenty-first-century language education involves paying attention to the multimodal pedagogical demands of a global digital world. To this end, effective English language teaching (ELT) requires preparation on the part of instructors in terms of consciously guiding learners’ literacy development and integrating multiple modes of creating meaning that are broader than language alone. This article supports the notion of literacy as a multidimensional concept and proposes a multimodal toolkit as a means for teachers of English as a foreign language (EFL) to work with key literary and visual elements. Focusing on the reading of The Snow Lion (Helmore and Jones 2017), we discuss the meaningful interaction between words and images that defines picturebooks and implement the multiliteracies pedagogy approach, which is comprised of four knowledge processes, i.e., experiencing, conceptualizing, analyzing and applying. The final objective is to guide young students to produce meaning and think critically in the EFL classroom through the analysis and interpretation of picturebooks.
21世纪的西班牙语教学需要关注全球数字世界的多模式教学需求。为了实现这一目标,有效的英语教学需要教师的准备,有意识地引导学生的读写能力的发展,并整合不同的方式来构建意义,远远超出语言的使用。本文赞同识字作为一个多维概念的概念,并提出了一套多模式工具,作为英语作为外语(lti)教师处理关键文学和视觉元素的手段。Centrandonos阅读The Snow Lion (Helmore and Jones 2017),我们分析单词之间的关系肠胃气胀和开明的形象定义专辑并实现pedagogia multiliteracidades,其中包括四个流程,这是知识、体验、构思、分析和执行。最终目标是通过对插图相册的分析和解释,引导年轻学生在ILE课堂框架内产生意义和批判性思维。21世纪英语语言教育涉及关注全球数字世界的多模式教学需求。为此,有效的英语教学需要教师做好准备,有意识地指导学习者的读写能力发展,并整合多种创造模式,这比语言本身更广泛。本文支持读写能力作为一个多维概念的概念,并提出一个多模式工具包,作为英语作为外语(EFL)教师运用关键的文学和视觉元素的手段。聚焦于《雪狮》(Helmore and Jones 2017)的阅读,我们讨论了定义图画书和实施多元文化教学法的文字与图像之间的有意义的互动,多元文化教学法包括体验、概念化、分析和应用四种知识过程。最终目标是通过对图画书的分析和解读,引导年轻学生在EFL课堂上产生意义和批判性思考。
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引用次数: 8
On the Analogical Suffixation of Paired Antonyms: The Case of English innie and outie 论成对反义词的类推后缀:以英语innie和outie为例
IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS Pub Date : 2020-06-28 DOI: 10.28914/atlantis-2020-42.1.10
J. A. S. Fajardo
espanolEn ingles, existe una gran cantidad de parejas de antonimos que terminan en el mismo sufijo, sobre todo en el habla argotica y coloquial—por ejemplo, stardom, regulardom/unknowndom; friendship, enemyship; singlehood, marriedhood, etc. Este articulo investiga los principios de la sufijacion analogica de parejas de antonimos (ASPA en ingles), que es el proceso que constituye la base de los mecanismos de analogia morfologica y complementacion semantica en la formacion de parejas de antonimos terminados en el mismo sufijo (AP en ingles). En el estudio de ASPA, se utiliza la pareja de antonimos innie/outie para el analisis del nexo existente entre los conceptos de antonimia, sufijacion y analogia en los veintinueve significados identificados en los corpus (News on the Web Corpus y Lexis Nexis Academic). Este estudio de caso demuestra que un AP es el resultado del solapamiento de varias categorias en las que intervienen las bases (in-, out-), el sufijo (-ie/y), la naturaleza complementaria y coalescente de las parejas, y la adaptacion morfologica de los etimos para que puedan encajar como pares. El proceso de ASPA es un principio universal y variable que puede depender de la opacidad semantica de las bases, del valor sociolinguistico del vocabulario y del concepto de creatividad lexica. El estudio del proceso de analogia morfologica de parejas de antonimos puede arrojar luz sobre la predictibilidad y uso (rendimiento) de los mecanismos de formacion de palabras tanto en el lexico estandar como en el periferico. EnglishIn English, there are a series of paired antonyms ending with the same suffix, particularly in slang or colloquial speech—stardom, regulardom/unknowndom; friendship, enemyship; singlehood, marriedhood, etc. This article looks into the tenets of the analogical suffixation of paired antonyms (ASPA), which is the process that is thought to underlie the mechanisms of morphological analogy and semantic complementation in the structuring of same-suffixed antonymic pairs (APs). In the study of ASPA, the AP innie/outie is used to explore the interconnection of antonymy, suffixation and analogy in the twenty-nine senses identified in the corpora (News on the Web Corpus and Lexis Nexis Academic). This case study shows that the semantic composition of the AP is the result of overlapping categories that involve the bases (in-, out-), the attached suffix (-ie/y), the complementary and coalescent nature of the pairs and the morphological adaptation undergone by the etymons to fit into the pairing markedness. The process of ASPA is a universal and scalar property that depends on the semantic opacity of bases, the sociolinguistic value of the word stock and the concept of lexical creativity. The examination of the morphological analogy of paired antonyms can shed more light on the predictability and performance (profitability) of word-formation mechanisms in both mainstream and peripheral lexis.
在英语中,有许多以相同后缀结尾的反义词对,特别是在俚语和口语中,例如stardom, regulardom/unknowndom;友谊,enemyship;单身、已婚等等。本文研究了以同一后缀(AP)结尾的名词对的类比后缀(ASPA)的原理,这一过程构成了形态类比和语义互补机制的基础。在ASPA的研究中,反义词组合innie/outie被用来分析在语料库(网络语料库上的新闻和学术词汇Nexis)中确定的29个意义中反义词、暗示和类比概念之间的联系。本案例研究表明,pa是几个类别重叠的结果,包括基数(in-, out-),后缀(-ie/y),对的互补和合并性质,以及词源的形态适应,使它们能够成对匹配。ASPA过程是一个普遍的、可变的原则,它可能取决于基础的语义不透明度、词汇的社会语言学价值和词汇创造力的概念。对反义词对形态类比过程的研究,可以阐明标准词汇和外围词汇中造词机制的可预测性和使用(性能)。在英语中,有一系列以相同后缀结尾的对位反义词,特别是在行话或口语化的语言中——stardom, regulardom/unknowndom;友谊,enemyship;单身、已婚等等。本文探讨了对等反义词类比后缀(ASPA)的目的,这一过程被认为是在相同后缀反义词对(APs)的结构中隐藏形态类比和语义互补机制的过程。在ASPA的研究中,AP innie/outie被用来探索在语料库中识别的29种感觉中的反义词、后缀和类比的相互联系(来自网络语料库和词汇Nexis学术的新闻)。本案例研究表明,AP的语义组成是重叠类别的结果,这些类别包括基础(in-, out-)、附加后缀(-ie/y)、配对的互补和合并性质,以及与配对标记相适应的词干所产生的形态适应。The process of叶片is universal and scalar property来的限制on The语义数据库opacity of, The value of The word sociolinguistic stock and The概念lexical creativity。审查of The morphological analogy of paired antonyms can shed more light on The predictability and performance (profitability) word-formation机制in both mainstream and peripheral lexis。
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Atlantis-Journal of the Spanish Association of Anglo-American Studies
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