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The Problem of Access to a Writer’s Philosophy and Theology: The Unavoidability of Philology. Apollon and the Mouse in F.M. Dostoevsky’s Notes from Underground 作家哲学和神学的获取问题:语文学的必然性。陀思妥耶夫斯基《地下笔记》中的阿波罗与老鼠
4区 文学 Q4 Arts and Humanities Pub Date : 2019-04-03 DOI: 10.1080/10611975.2019.1740048
Tatiana Kasatkina
The Problem of Access to a Writer’s Philosophy and Theology: The Unavoidability of Philology. Apollon and the Mouse in F.M. Dostoevsky’s Notes from Underground Tat’iana Kasatkina To cite this article: Tat’iana Kasatkina (2019) The Problem of Access to a Writer’s Philosophy and Theology: The Unavoidability of Philology. Apollon and the Mouse in F.M. Dostoevsky’s Notesfrom Underground , Russian Studies in Literature, 55:2, 72-90, DOI: 10.1080/10611975.2019.1740048 To link to this article: https://doi.org/10.1080/10611975.2019.1740048
作家哲学和神学的获取问题:语文学的必然性。F.M.陀思妥耶夫斯基地下笔记中的阿波龙和老鼠引用这篇文章:塔蒂亚娜·卡萨特金娜(2019)《作家哲学与神学的获取问题:语言学的不可避免》。F.M.陀思妥耶夫斯基《地下笔记》中的Apolon和老鼠,俄罗斯文学研究,55:2,72-90,DOI:10.1080/1011975.2019.1740048链接到本文:https://doi.org/10.1080/10611975.2019.1740048
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引用次数: 1
Introduction: Russian Classics 简介:俄罗斯经典
4区 文学 Q4 Arts and Humanities Pub Date : 2019-04-03 DOI: 10.1080/10611975.2019.1759318
Sibelan E. S. Forrester
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引用次数: 0
Literature and the Theory of Literature: The Development of the Russian Classics against the Backdrop of the European Tradition 文学与文学理论:欧洲传统背景下俄罗斯古典文学的发展
4区 文学 Q4 Arts and Humanities Pub Date : 2019-04-03 DOI: 10.1080/10611975.2019.1740049
Irina Popova
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引用次数: 0
Writers on Writers, Part II: Living and Recent 作家论作家,第二部分:生活与近期
4区 文学 Q4 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/10611975.2019.1638216
Sibelan E. S. Forrester
This second part of the special issue of Russian Studies in Literature continues the topic of “Writers on Writers.” Some of the authors presented here are themselves literary critics or scholars, but nevertheless their approach very much has to do with what the writers they discuss mean for their ownwriting practice and potentially offer to other writers as well— not only, though of course also, to readers. The four articles presented here are quite various: they outline the importance of the personality, the individual influence as a fellow author and thinker and as a figure on the poetic scene. Two of the articles are responses to a poet’s recent death, whichmuch like jubilee anniversaries of a poet’s birth will tend to make readers and others pause to sum up their responses to the poet’s life and work, as well as summing up that life and work. The reader will note that we leave well-known names (such as Joseph Brodsky, Andrei Voznesensky, Yevgeny Yevtushenko) in the same spelling to which American readers are accustomed, to avoid unnecessary confusion and assure readers that these are indeed the same people they have read or read about before. Maria Stepanova’s obituary note for Grigorii Dashevskii reflects its deep sadness. Stepanova is clear about Dashevskii’s contributions as a writer and a fellow participant in literary life, while expressing the pain of losing a friend as well as an admired fellow poet. As the brief Russian Studies in Literature, vol. 55, no. 1, 2019, pp. 1–3. © 2019 Taylor & Francis Group, LLC ISSN: 1061-1975 (print)/ISSN 1944-7167 (online) DOI: https://doi.org/10.1080/10611975.2019.1638216
俄罗斯文学研究特刊的第二部分继续了“作家对作家”的主题。这里介绍的一些作者本身就是文学评论家或学者,但他们的方法在很大程度上与他们讨论的作家对自己的写作实践意味着什么有关,并可能为其他作家提供什么——不仅如此,当然,对读者来说也是如此。这里呈现的四篇文章非常多样化:它们概述了人格的重要性,作为一名作家和思想家,以及作为一个诗歌舞台上的人物,个人的影响。其中两篇文章是对诗人最近去世的回应,就像诗人诞辰周年纪念日一样,这往往会让读者和其他人停下来总结他们对诗人生活和工作的回应,以及总结诗人的生活和工作。读者会注意到,我们将众所周知的名字(如Joseph Brodsky、Andrei Voznesensky、Yevgeny Yevtushenko)的拼写与美国读者习惯的拼写相同,以避免不必要的混淆,并向读者保证,这些人确实是他们以前读过或读过的人。玛丽亚·斯捷潘诺娃为格里戈里·达舍夫斯基写的讣告反映了其深深的悲伤。斯捷潘诺娃清楚达舍夫斯基作为一名作家和文学生活的参与者所做的贡献,同时表达了失去一位朋友和一位受人钦佩的诗人的痛苦。《俄罗斯文学研究》,第55卷,2019年第1期,第1-3页。©2019 Taylor&Francis Group,LLC ISSN:1061-1975(印刷版)/ISN 1944-7167(在线版)DOI:https://doi.org/10.1080/10611975.2019.1638216
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引用次数: 0
Who Is “Unifying Heads” and Why? (Buryat Anaphoric Poetry in Russian) 谁是“统一的头脑”,为什么?(俄文布里亚特回指诗)
4区 文学 Q4 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/10611975.2019.1622958
Iurii B. Orlitskii
Iurii Orlitskii outlines the emergence of anaphoric lines (typical of traditional Buryat and Mongolian poetry) in translations of that poetry in Russian. From there anaphoric lines have been taken up by Buryat poets writing in Russian; Orlitskii looks at three of them, Aleksei Ulanov and two younger poets, Bair Dugarov and Amarsana Ulzytaev. The article includes a number of wonderful poetic examples of the technique.
尤里·奥利茨基概述了俄语诗歌翻译中回指线的出现(典型的传统布里亚特和蒙古诗歌)。从那时起,布里亚特的俄语诗人开始使用回指线;奥尔利茨基观察了其中三位,阿列克谢·乌拉诺夫和两位年轻的诗人拜尔·杜加罗夫和阿马萨娜·乌日塔耶夫。这篇文章包括了许多精彩的诗歌技巧的例子。
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引用次数: 0
Memory of the Former Future: Yevgeny Yevtushenko Has Died 前未来的记忆:叶夫根尼·叶夫图申科去世
4区 文学 Q4 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/10611975.2019.1622959
V. Shubinskii
When well-known poet Yevgeny Yevtushenko died in 2017, a number of obituaries appeared in Russia and abroad. This one argues that the poet is important not so much for his poetry, but for the record it gives of the feelings and ambitions of people in his time.
著名诗人叶夫根尼·叶夫图申科(Yevgeny Yevtushenko)于2017年去世时,俄罗斯国内外出现了许多讣告。这篇文章认为,诗人之所以重要,并不是因为他的诗歌,而是因为它记录了那个时代人们的情感和抱负。
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引用次数: 0
At a Poem’s Distance (The Poetry of Aleksandr Kushner) 在一首诗的远方(亚历山大·库什纳的诗)
4区 文学 Q4 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/10611975.2019.1622957
Andrei Ar’ev
In this longer version of the article originally identified for publication, Andrei Ar’ev discusses the biography, creative philosophy, and poetry of Aleksandr Kushner, one of the most prominent and important living Russian poets. Ar’ev puts Kushner’s work in the context of other poets, especially those of the same generation (born around 1940, including Joseph Brodsky) but finds that he is sui generis and creatively original.
Andrei Ar 'ev在这篇较长版本的文章中讨论了亚历山大·库什纳(Aleksandr Kushner)的传记、创作哲学和诗歌,库什纳是俄罗斯最杰出、最重要的诗人之一。阿尔耶夫把库什纳的作品放在其他诗人的背景下,尤其是同一代诗人(出生于1940年左右,包括约瑟夫·布罗茨基),但发现他是自成一体的,有创造性的原创。
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引用次数: 0
Our Sun: Grigorii Dashevskii Has Died 我们的太阳:格里戈里·达舍夫斯基去世
4区 文学 Q4 Arts and Humanities Pub Date : 2019-01-02 DOI: 10.1080/10611975.2019.1622956
Maria M. Stepanova
Grigorii Dashevskii (1964-2013) was a poet, translator, and literary critic. In this obituary from the Russian newspaper Kommersant, his friend and fellow poet Maria Stepanova describes him as a person and a creative personality.
格里戈里·达舍夫斯基(1964-2013)是一位诗人、翻译家和文学评论家。在俄罗斯《生意人报》的讣告中,他的朋友兼诗人玛丽亚·斯捷潘诺娃将他描述为一个有创造力的人。
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引用次数: 0
“It’s Time You Knew: I’m a Contemporary, Too … ” “是时候让你知道:我也是当代的……”
4区 文学 Q4 Arts and Humanities Pub Date : 2018-10-02 DOI: 10.1080/10611975.2019.1622953
Mikhail Aizenberg
This first part of a two-part publication holds four presentations from a roundtable on the poetry and continuing influence of Osip Mandelstam (1891-1938), with presentations by Mikhail Aizenberg, Vladimir Aristov, Leonid Vidgof and Konstantin Komarov. Aizenberg discusses the rising reputation of Mandelstam in the last three decades of the Soviet era; Aristov raises “problems and lessons” of Mandelstam, often in a transnational literary context; Vidgof addresses what makes Mandelstam “contemporary” to this day, particularly as a Jewish poet; Komarov briefly considers the “dreadful providentialism” of Mandelstam’s writing and the connections of his work to poets who are writing now.
这是一份由两部分组成的出版物的第一部分,共有四场关于奥斯普·曼德尔斯塔姆(1891-1938)诗歌和持续影响的圆桌会议的演讲,其中包括米哈伊尔·艾岑伯格、弗拉基米尔·阿里斯托夫、列昂尼德·维德戈夫和康斯坦丁·科马罗夫的演讲。Aizenberg讨论了Mandelstam在苏联时代最后三十年名声的上升;阿里斯托夫经常在跨国文学背景下提出曼德尔斯坦的“问题和教训”;维德戈夫阐述了曼德尔斯坦至今“当代”的原因,尤其是作为一名犹太诗人;科马罗夫简要地考虑了曼德尔斯坦写作中的“可怕的天意主义”,以及他的作品与现在写作的诗人之间的联系。
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引用次数: 0
The Poet and the Empire 《诗人与帝国
4区 文学 Q4 Arts and Humanities Pub Date : 2018-10-02 DOI: 10.1080/10611975.2019.1622954
E. Abdullaev
This second group of presentations from the roundtable on Mandelstam organized by the journal Znamia includes pieces by Evgenii Abdullaev, Grigorii Kruzhkov, Boris Kutenkov, and Aleksandr Kushner. Abdullaev discusses Mandelstam’s attitude toward the Russian Empire and especially its Soviet incarnation, noting the poet’s relationship to the very traits of the state that eventually made it deadly to him. Kruzhkov uses a nearly contemporaneous poem by Robert Frost to elicit the significance of Mandelstam’s important poem on Lamarck. Kutenkov discusses the relationship between biographical details and Mandelstam’s poetic work, often finding tightly related examples. Kushner imagines Mandelstam chatting with Nikolai Nekrasov (1821-1878) in the afterlife where poets all get to meet; the creative conversation he offers reveals an understudied subtext of Mandelstam’s work. Many quotations from poems by Mandelstam and others are not identified throughout this section; the poets use these intertextual references in ways that recall Mandelstam’s own comparison of a citation to the ringing call of a cicada.
第二组演讲来自《尼亚》杂志组织的曼德尔施塔姆圆桌会议,其中包括Evgenii Abdullaev、Grigorii Kruzhkov、Boris Kutenkov和Aleksandr Kushner的作品。阿卜杜拉耶夫讨论了曼德尔施塔姆对俄罗斯帝国的态度,尤其是对苏联的态度,并指出这位诗人与这个国家的特质之间的关系,正是这些特质最终使他致命。克鲁日科夫用罗伯特·弗罗斯特几乎同时期的一首诗来引出曼德尔施塔姆关于拉马克的重要诗歌的意义。库坚科夫讨论了传记细节和曼德尔施塔姆诗歌作品之间的关系,经常找到紧密相关的例子。库什纳想象曼德尔施塔姆与尼古拉·涅克拉索夫(Nikolai Nekrasov, 1821-1878)在来世聊天,诗人都在那里见面;他提供的创造性对话揭示了曼德尔施塔姆作品中未被充分研究的潜台词。曼德尔施塔姆和其他人的许多诗句在本节中没有被引用;诗人使用这些互文引用的方式让人想起曼德尔施塔姆自己把引文比作蝉鸣的方式。
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