Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1351856
Lesley Ellis Miller
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Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1352229
Reino Liefkes
Abstract Recently the Victoria and Albert Museum (V&A) restored and reconstructed a lost ceramic masterpiece for the new Europe 1600–1815 Galleries. It is a porcelain table fountain made at Meissen for an important royal wedding in 1747, which the Museum acquired in 1870. New research has revealed much about the commission, production and history of this previously mostly unknown centerpiece and it also informed the restoration of this spectacular object. For this project, we used a combination of cutting edge 3D-technology and traditional ceramic making techniques.
{"title":"The Triumph of Amphitrite: Reconstructing and Restoring Count Brühl’s Meissen Porcelain Table Fountain","authors":"Reino Liefkes","doi":"10.1080/20511817.2017.1352229","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352229","url":null,"abstract":"Abstract Recently the Victoria and Albert Museum (V&A) restored and reconstructed a lost ceramic masterpiece for the new Europe 1600–1815 Galleries. It is a porcelain table fountain made at Meissen for an important royal wedding in 1747, which the Museum acquired in 1870. New research has revealed much about the commission, production and history of this previously mostly unknown centerpiece and it also informed the restoration of this spectacular object. For this project, we used a combination of cutting edge 3D-technology and traditional ceramic making techniques.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"257 - 270"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352229","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44804761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1351854
A. Debenedetti
{"title":"A Royal Visit to a Lost Château","authors":"A. Debenedetti","doi":"10.1080/20511817.2017.1351854","DOIUrl":"https://doi.org/10.1080/20511817.2017.1351854","url":null,"abstract":"","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"155 - 158"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1351854","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45814758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1352244
Sarah Medlam
Sarah Medlam retired in 2012 as Deputy Keeper of the Furniture, Textiles and Fashion Department at the Victoria and Albert Museum, but continues as a curator emeritus. She has worked largely on European furniture during her career, firstly at the Bowes Museum and later at the V&A. She was Deputy Curator on the British Galleries Project and an original member of the Concept Team for the new Europe Galleries. s.medlam@vam.ac.uk Anonymous Splendor: Augustus III’s Writing Cabinet
Sarah Medlam于2012年退休，担任维多利亚和阿尔伯特博物馆家具、纺织品和时尚部副馆长，但仍担任名誉馆长。在她的职业生涯中，她主要从事欧洲家具的研究，先是在鲍斯博物馆，后来在V&A。她是英国美术馆项目的副馆长，也是新欧洲美术馆概念团队的创始成员。s.medlam@vam.ac.uk匿名的辉煌：奥古斯都三世的写作内阁
{"title":"Anonymous Splendor: Augustus III’s Writing Cabinet","authors":"Sarah Medlam","doi":"10.1080/20511817.2017.1352244","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352244","url":null,"abstract":"Sarah Medlam retired in 2012 as Deputy Keeper of the Furniture, Textiles and Fashion Department at the Victoria and Albert Museum, but continues as a curator emeritus. She has worked largely on European furniture during her career, firstly at the Bowes Museum and later at the V&A. She was Deputy Curator on the British Galleries Project and an original member of the Concept Team for the new Europe Galleries. s.medlam@vam.ac.uk Anonymous Splendor: Augustus III’s Writing Cabinet","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"291 - 295"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352244","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46872463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1351855
E. Miller
Abstract The Cabinet, the first of three activity areas in the Europe 1600–1815 Galleries, contains some of the most remarkable seventeenth-century European items from the V&A’s collections, revealing pan-European collecting practices from 1600 to 1720 and exploring that period’s fascination with the interplay between artifice and nature. A number of historical written and visual sources informed the selection of objects and established how they might be physically arranged. This article explains the sources and processes involved, and the precedence accorded to Samuel Quiccheberg’s Inscriptiones vel Tituli Theatri Amplissimi, published in Munich in 1565.
内阁是欧洲1600 - 1815画廊三个活动区中的第一个，包含了V&A收藏的一些最引人注目的17世纪欧洲物品，揭示了1600年至1720年的泛欧收藏实践，并探索了那个时期对人工与自然之间相互作用的迷恋。许多历史上的文字和视觉来源为对象的选择提供了信息，并确定了它们的物理排列方式。本文解释了所涉及的来源和过程，并优先考虑Samuel Quiccheberg的inscripes vel Tituli Theatri Amplissimi，于1565年在慕尼黑出版。
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Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1352227
Dawn Hoskin
Abstract This article describes the process of developing an interactive film for the Europe Galleries that introduces visitors to key features of Venetian life around 1760. It explains the methods and decisions involved in bringing together historical research, creative dramatization, engaging presentation, community participation and various practicalities of production in order to create a participatory, fictional recasting of the past.
{"title":"An Interactive Grand Tour of Eighteenth-century Venice","authors":"Dawn Hoskin","doi":"10.1080/20511817.2017.1352227","DOIUrl":"https://doi.org/10.1080/20511817.2017.1352227","url":null,"abstract":"Abstract This article describes the process of developing an interactive film for the Europe Galleries that introduces visitors to key features of Venetian life around 1760. It explains the methods and decisions involved in bringing together historical research, creative dramatization, engaging presentation, community participation and various practicalities of production in order to create a participatory, fictional recasting of the past.","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"237 - 255"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1352227","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47963901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1352226
Zoe Allen, X. Bonnet, P. James, Leela Meinertas
Abstract In the Europe 1600–1815 Galleries two baroque chairs, a rococo daybed and a neoclassical chair evoke the opulence of late seventeenth- and eighteenth-century seating, a fitting testimony to the increasing demand for comfort in elite households of the period. All four items were re-upholstered in the nineteenth and twentieth centuries. This article explains the lengthy research and conservation process behind the transformation of what were dull, overpainted and overgilded furniture frames, covered in dated fabrics, into extravagant statements of fine craftsmanship, gilded luxury and cushioned comfort – qualities of immense importance to the gallery narratives.
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Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1351846
Joanna Norman
Joanna Norman was Project Curator for Europe 1600–1815 between 2012 and 2015. She joined the V&A in 2005 as the assistant curator for the 2009 “Baroque” exhibition, subsequently co-curating Treasures from Budapest at the Royal Academy of Arts and researching/coordinating Handmade in Britain, a television collaboration between the V&A and BBC4. Currently she is Deputy Head of Research at the V&A and Lead Curator for the Scottish Design Galleries at V&A Dundee, due to open in 2018. She has published on early modern theatre and performance history, music and musical instruments, and period rooms. Venetian-Ottoman Battles on a Table
{"title":"Venetian-Ottoman Battles on a Table","authors":"Joanna Norman","doi":"10.1080/20511817.2017.1351846","DOIUrl":"https://doi.org/10.1080/20511817.2017.1351846","url":null,"abstract":"Joanna Norman was Project Curator for Europe 1600–1815 between 2012 and 2015. She joined the V&A in 2005 as the assistant curator for the 2009 “Baroque” exhibition, subsequently co-curating Treasures from Budapest at the Royal Academy of Arts and researching/coordinating Handmade in Britain, a television collaboration between the V&A and BBC4. Currently she is Deputy Head of Research at the V&A and Lead Curator for the Scottish Design Galleries at V&A Dundee, due to open in 2018. She has published on early modern theatre and performance history, music and musical instruments, and period rooms. Venetian-Ottoman Battles on a Table","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"145 - 148"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1351846","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45402115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-09-02DOI: 10.1080/20511817.2017.1348036
P. McNeil
{"title":"Report From Finland: Luxury and Museum Exhibitions in the Year “100 Years of Finland,” with a Focus on “Pitsi on Pop/Lace and Luxury”: Curators Marjatta Hietaniemi and Anne-Maj Salin (Salo Art Museum/Salon taidemuseo, West Finland)","authors":"P. McNeil","doi":"10.1080/20511817.2017.1348036","DOIUrl":"https://doi.org/10.1080/20511817.2017.1348036","url":null,"abstract":"","PeriodicalId":55901,"journal":{"name":"Luxury-History Culture Consumption","volume":"4 1","pages":"313 - 323"},"PeriodicalIF":0.2,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20511817.2017.1348036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49114036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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