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ṢADDĀM ḤUSAYN’S ROUTE TO THE TOP IN IRAQ, 1976 – 1980 ṢaddĀm Ḥusayn在伊拉克登顶之路,1976 - 1980
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.05
Karol Sorby Jr.
One of the landmarks in the history of modern Iraq is the coup or revolution of 17–30 July 1968. The unfulfilled promises to establish a democratic and humane political system angered many Iraqis. A group of bathist officers led by Brigadier Aḥmad Ḥasan al-Bakr (who had been prime minister of Iraq in the years 1963–1964) decided to topple the regime. They returned to power by accomplishing two coups, one on 17 July and the other on 30 July 1968. In both instances, they prevailed by stratagem rather than through force. The victorious Socialist Party of Arab Resurrection (Ḥizb al-bath al-arabī al-ishtirākī), commonly known as the Bath Party, created a Revolutionary Command Council under the chairmanship of Aḥmad Ḥasan al-Bakr. The RCC assumed unlimited power in the country and Ṣaddām Ḥusayn at-Tikrītī became its Vice Chairman.
现代伊拉克历史上的一个里程碑是1968年7月17日至30日的政变或革命。建立民主和人道政治制度的承诺未能实现,这激怒了许多伊拉克人。以准将Aḥmad Ḥasan al-Bakr(1963-1964年曾任伊拉克总理)为首的一群纳粹军官决定推翻现政权。他们通过两次政变重新掌权,一次在1968年7月17日,另一次在1968年7月30日。在这两种情况下,他们都是靠战略而不是武力取胜的。获胜的阿拉伯复兴社会党(Ḥizb al-bath al- arabir al-ishtirākī),通常被称为巴斯党,成立了一个革命指挥委员会,由Aḥmad Ḥasan al-Bakr担任主席。RCC在该国拥有不受限制的权力,Ṣaddām Ḥusayn at- tikrturi成为其副主席。
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引用次数: 0
INDIVIDUAL AND COLLECTIVE ACTS OF REMEMBERING IN TWO NOVELS ABOUT FAYLI KURDS BY DIASPORIC IRAQI WOMEN WRITERS 散居在外的伊拉克女作家在两部关于法伊利库尔德人的小说中个人和集体的记忆行为
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.03
A. Maśko
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引用次数: 0
GOMBÁR, Eduard, BAREŠ, Ladislav, VESELÝ, Rudolf. Dějiny Egypta [History of Egypt]
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.10
K. Sorby
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引用次数: 0
SOME NOTES ON AN EPITHET OF ANUBIS FROM THE ANCIENT EGYPTIAN COFFIN OF MERNEBY IN BRATISLAVA 在布拉迪斯拉发的古埃及莫尼比棺材中,一些关于阿努比斯的绰号的注释
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.07
D. Magdolen
This article deals with the interpretation of an ideographically written epithet of Anubis and its possible phonetic transliteration and reading. The list of epithets of Anubis occurs in the inner inscriptions of the ancient Egyptian coffin of Merneby in Bratislava. They were written on the bottom of the coffin lid as well as the coffin trough. In regard to the specific role of Anubis in ancient Egyptian religion it is argued that the epithet in question, partly written in an abbreviated ideographical form, may identify Anubis as a lord (nb) of the divine sancturary or shrine (STyt or kAr), purification tent (ibw), burial (qrst), coffin (qrsw) or chest (hn).
本文讨论了对阿努比斯表意文字的解释及其可能的语音音译和阅读。阿努比斯的称号列表出现在布拉迪斯拉发Merneby的古埃及棺材的内部铭文中。它们写在棺盖和棺槽的底部。关于阿努比斯在古埃及宗教中的具体角色,有人认为,有问题的绰号,部分以缩写的表意文字形式写成,可能表明阿努比斯是神圣的圣所或神龛(STyt或kAr),净化帐篷(ibw),埋葬(qrst),棺材(qrsw)或胸部(hn)的领主(nb)。
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引用次数: 0
THE LIFE AND LEGACY OF PROFESSOR LADISLAV DROZDÍK 拉迪斯拉夫教授的生平和遗产drozdÍk
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.08
Fiona Sophia Brown, Z. Gažáková
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引用次数: 0
THE LOWER TORSO OF A GRANITE ROYAL STATUE FROM DUWEYM WAD HAJ 杜维姆朝圣城花岗岩皇家雕像的下半身
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-11-30 DOI: 10.31577/aassav.2021.30.2.09
K. Smoláriková, J. Hudec
This contribution deals with the discovery of the torso of a royal statue in Duweym Wad Haj. The site might have a significant position on the route between Gebel Barkal and Meroe, via the Bayuda Desert. During the 2019 season the lower part of a seated life-size statue was discovered there by a survey. It represents a king wearing a short royal shendyt kilt, seated on a throne/chair of a rectangular shape. Its left side is concave and without decoration, the right one is broken. There is no inscription on the back pillar, because the statue was only roughly hewn in this part. It seems that the statue remained unfinished owing to a crack in the stone material. It is possible to presume that a sculpture workshop may have existed on the Duweym site during the Kushite period. However, it is also possible that the stone material was brought to Duweym from other sites, such as Sanam, Ghazali or Gebel Barkal.
这篇文章涉及在杜韦姆·瓦德·哈吉发现的一尊皇家雕像的躯干。该遗址可能在穿过巴尤达沙漠的Gebel Barkal和Meroe之间的路线上占据重要位置。在2019年的季节,一项调查发现了一个真人大小的坐式雕像的下半部分。它代表着一位国王,穿着短的皇家苏格兰裙,坐在长方形的宝座/椅子上。左面凹而无饰,右面破损。后柱上没有铭文,因为雕像只是在这部分被粗略地凿出来的。似乎由于石头材料有裂缝,雕像没有完工。我们可以推测,在库施时期,杜维姆遗址上可能存在一个雕塑车间。然而,也有可能这些石头是从其他地方运来的,比如Sanam、Ghazali或Gebel Barkal。
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引用次数: 0
IDEOPHONES AS LINGUISTIC “REBELS”: THE EXTRA-SYSTEMATICITY OF IDEOPHONES IN XHOSA – Part II 意指语作为语言的“反叛者”:科萨语意指语的超系统性(二)
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-05-28 DOI: 10.31577/AASSAV.2021.30.1.01
A. Andrason
This paper contributes to the study of the structural distinctiveness of the category of ideophony. The author analyzes the extent to which Xhosa ideophones exhibit the so-called extra-systematic properties, which cross-linguistically tend to distinguish ideophones from other lexical classes. The analysis demonstrates that ideophones are relatively extra-systematic in Xhosa, although their extra-systematicity is not unitary. It is the largest in morphology, slightly less visible in phonology, and only residual in syntax. It is proposed that the distinct degrees of extrasystematicity are related to differences in grammaticalization and a gradual integration of ideophones into the Xhosa grammar – with the adjustment in syntax occurring faster than the morphological adaptation. In this paper – the second in a series of two articles – the author introduces evidence related to syntax, answers the research question, and explains the contributions of this research to the general theory of ideophony.
本文对表意音范畴的结构独特性研究有所贡献。作者分析了科萨语意指音素在多大程度上表现出所谓的系统外特性,这种特性在跨语言上倾向于将意指音素与其他词汇类别区分开来。分析表明,科萨语的意指音是相对系统外的,尽管它们的系统外性不是统一的。它在形态学上是最大的,在音系上稍微不那么明显,在句法上只有残余。科萨语不同程度的系统外性与语法化的差异和表意音逐渐融入科萨语语法有关,句法的调整比形态的适应发生得更快。本文是两篇系列文章中的第二篇,作者介绍了与句法相关的证据,回答了研究问题,并解释了本研究对表意音一般理论的贡献。
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引用次数: 4
BUCKOVA, Martina et al. Reflexia mytologických motívov v duchovnej a materiálnej kultúre národov Ázie, Afriky a Oceánie [Reflections on Mythological Motifs in the Spiritual and Material Culture of Nations of Asia, Africa and Oceania]
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-05-28 DOI: 10.31577/AASSAV.2021.30.1.12
Lucia Pawliková
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引用次数: 0
AHL AL-ḎIMMA VS. AHL AL-KITĀB IN ISLAM: SYNONYMS OR DIFFERENT TERMS? 伊斯兰教中的Ahl al -Ḏimma与Ahl al-kitĀb:同义词还是不同的术语?
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-05-28 DOI: 10.31577/AASSAV.2021.30.1.09
P. Zemánek
This paper is inspired by the dichotomy in the characteristics of the terms ahl al-ḏimma ‘people under protection’ designating the religious groups under the protection of an Islamic administration, and ahl al-kitāb ‘people of the Book’ used for the religious groups who have a revealed scripture (the Old or New Testaments, the Avesta) in the modern literature on Islam, where the prevailing narrative sees them as two separate terms whereas some studies point to their near synonymy. Our study is based on the behaviour of the two concepts in works of classical Arabic literature (based on the CLAUDia historical corpus of Arabic). On the grounds of the collocations connected with the two concepts, the data supports the thesis of two distinct terms with rather little contextual overlap, where ahl al-ḏimma is used mainly for practical and formal aspects of the life of the above-described people within Islamic society, and ahl al-kitāb serves as a designation of the representatives of opposing religions in theological debates.
本文的灵感来自于二分法的特点而言ahl al -ḏimma“人们受到保护”指定的宗教团体的保护下一个伊斯兰政府,ahl al-kitāb的这本书的人用于宗教团体有了圣经(旧约和新约,波斯古经)在伊斯兰教现代文学的主流叙事将他们视为两个独立的而一些研究指出其同义附近。我们的研究是基于这两个概念在经典阿拉伯文学作品中的行为(基于克劳迪娅阿拉伯语历史语料库)。基于与这两个概念相关的搭配,数据支持两个不同术语的论点,上下文重叠很少,其中ahl al-ḏimma主要用于上述伊斯兰社会中人们生活的实际和正式方面,而ahl al-kitāb在神学辩论中用作对立宗教代表的名称。
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引用次数: 0
“IF I FORGET THEE, O BAGHDAD”: THE DEMISE OF ARAB-JEWISH IDENTITY AND CULTURE “如果我忘记了你,哦,巴格达”:阿拉伯-犹太人身份和文化的消亡
IF 0.3 Q2 Arts and Humanities Pub Date : 2021-05-28 DOI: 10.31577/AASSAV.2021.30.1.08
R. Snir
This article examines the emergence of the modern Arabic literary writing of the Jews of Iraq and, after only a few decades, the start of its demise, in both Iraq and outside it, and then the switch to writing in Hebrew in Israel. The high point of such writing in Arabic was during the 1920s when Iraqi-Jews started to produce literary works that “were Arabic in essence and expression.” It was a secular literature, inspired by a cultural vision whose most eloquent dictum was “religion is for God, the fatherland is for everyone.” However, during recent decades the Arabic literature that 20-century Iraqi-Jews have produced has been totally relegated to the margins of Arabic culture. This development was due not only to political and national circumstances but also to the aesthetic and cultural norms of both Arabic-Muslim and Hebrew-Jewish cultural systems. The vision embedded in the aforementioned dictum was the product of a very limited period, a very confined space, and a very singular history. It lived to the age of a sturdy human being, by this rare combination of time, space and history, before disappearing and being forgotten, at least for the foreseeable future.
本文考察了伊拉克犹太人的现代阿拉伯语文学写作的出现,以及在短短几十年后,它在伊拉克和国外开始消亡,然后在以色列转向用希伯来语写作。这种阿拉伯语写作的高潮出现在20世纪20年代,当时伊拉克犹太人开始创作“在本质和表达上都是阿拉伯语”的文学作品。这是一种世俗文学,受到一种文化愿景的启发,这种文化愿景最雄辩的格言是“宗教是为了上帝,祖国是为了所有人”。然而,在最近几十年里,20世纪伊拉克犹太人所创作的阿拉伯文学已经完全被贬谪到阿拉伯文化的边缘。这种发展不仅是由于政治和国家环境,而且也是由于阿拉伯-穆斯林和希伯来-犹太文化系统的审美和文化规范。上述格言所蕴含的愿景是一个非常有限的时期、一个非常有限的空间和一段非常独特的历史的产物。通过这种罕见的时间、空间和历史的结合,它活到了一个强壮的人类的年龄,然后消失并被遗忘,至少在可预见的未来是这样。
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Asian and African Studies
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