Pub Date : 2019-05-21DOI: 10.21066/CARCL.LIBRI.7.2.6
Anđela Milinović-Hrga
Pravopisno-gramatičko-leksička rješenja na početku 20. stoljeća u Hrvatskoj kodificirana su normativnim priručnicima koji slijede postavke hrvatskih vukovaca. U jezičnoj su se praksi međutim zadrža(va)la i poneka starija razlikovna jezična obilježja zagrebačke jezikoslovne škole u odnosu na jezik hrvatskih vukovaca. S toga se motrišta u ovom radu raščlanjuju Priče iz davnine kao onodobni dokument stanja u jeziku i pravopisu. Polazište nam je njihovo treće izdanje iz 1926., posljednje izdano za autoričina života, k tomu i autorizirano. Utvrđuju se jezično-pravopisne osobitosti toga izdanja s obzirom na dvije oprječne jezične koncepcije, usredotočujući se ponajprije na jezičnopolitički uvjetovane izmjene koje su načinjene u odnosu na prethodne rukopisne, strojopisne i dvije tiskane inačice (u kritičkom izdanju 2011. popisane su sve razlike među njima), ali osvrćući se i na ostala zamijećena obilježja. Raščlamba obuhvaća slovopisnu, pravopisnu, fonološku, morfo(no)lošku, sintaktičku i leksičku razinu.
{"title":"Jezik i pravopis Priča iz davnine između tradicije zagrebačke jezikoslovne škole i načela hrvatskih vukovaca","authors":"Anđela Milinović-Hrga","doi":"10.21066/CARCL.LIBRI.7.2.6","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.6","url":null,"abstract":"Pravopisno-gramatičko-leksička rješenja na početku 20. stoljeća u Hrvatskoj kodificirana su normativnim priručnicima koji slijede postavke hrvatskih vukovaca. U jezičnoj su se praksi međutim zadrža(va)la i poneka starija razlikovna jezična obilježja zagrebačke jezikoslovne škole u odnosu na jezik hrvatskih vukovaca. S toga se motrišta u ovom radu raščlanjuju Priče iz davnine kao onodobni dokument stanja u jeziku i pravopisu. Polazište nam je njihovo treće izdanje iz 1926., posljednje izdano za autoričina života, k tomu i autorizirano. Utvrđuju se jezično-pravopisne osobitosti toga izdanja s obzirom na dvije oprječne jezične koncepcije, usredotočujući se ponajprije na jezičnopolitički uvjetovane izmjene koje su načinjene u odnosu na prethodne rukopisne, strojopisne i dvije tiskane inačice (u kritičkom izdanju 2011. popisane su sve razlike među njima), ali osvrćući se i na ostala zamijećena obilježja. Raščlamba obuhvaća slovopisnu, pravopisnu, fonološku, morfo(no)lošku, sintaktičku i leksičku razinu.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44004040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-21DOI: 10.21066/CARCL.LIBRI.7.2.3
Marnie Campagnaro, I. Filograsso
Der Erste Weltkrieg führt in der italienischen Kinder- und Jugendliteratur zum Erscheinen neuer Formen von Propaganda. Vielmehr noch, Kinder- und Jugendliteratur wird als ein mächtiges Werkzeug aufgefasst, das zur Mitteilung emotional durchdringender und täuschender Botschaften an Kinder und Erwachsene gleichermaßen eingesetzt wird. Die gegenwärtige italienische Kinder- und Jugendliteratur unterliegt nicht länger diesem starken Einfluss der Zensur und politischen Propaganda der Kriegszeit, sondern stellt einen narrativen Raum für Erinnerungen und Nachsinnen dar. Doch wie hat sie sich wirklich verändert? Welche gegenwärtigen Tendenzen weist die Kinder- und Jugendliteratur zum Thema Erster Weltkrieg in Italien auf? Unterscheiden sich die Erzählmodelle wesentlich von denen in der Vergangenheit? Nach einem kurzen Überblick der geschichtlichen, kulturellen und politischen Lage Italiens zur Zeit des Ersten Weltkriegs wird in dieser Arbeit ein bedeutender Korpus der einstigen und gegenwärtigen italienischen Kinder- und Jugendliteratur analysiert und miteinander verglichen. Die Ergebnisse zeigen, dass neueingeschlagene Richtungen italienischer Historiographie, neue Generationen italienischer Autoren der KJL und die hundert Jahre die zwischen dem Ersten Weltkrieg und heute liegen, wenn auch mit einiger Verspätung so dennoch zur Entstehung einer balancierten Darstellung der geschichtlichen, kulturellen und politischen Geschehnisse jener Zeit beigetragen haben.
{"title":"Children, Soldiers and Heroes","authors":"Marnie Campagnaro, I. Filograsso","doi":"10.21066/CARCL.LIBRI.7.2.3","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.3","url":null,"abstract":"Der Erste Weltkrieg führt in der italienischen Kinder- und Jugendliteratur zum Erscheinen neuer Formen von Propaganda. Vielmehr noch, Kinder- und Jugendliteratur wird als ein mächtiges Werkzeug aufgefasst, das zur Mitteilung emotional durchdringender und täuschender Botschaften an Kinder und Erwachsene gleichermaßen eingesetzt wird. Die gegenwärtige italienische Kinder- und Jugendliteratur unterliegt nicht länger diesem starken Einfluss der Zensur und politischen Propaganda der Kriegszeit, sondern stellt einen narrativen Raum für Erinnerungen und Nachsinnen dar. Doch wie hat sie sich wirklich verändert? Welche gegenwärtigen Tendenzen weist die Kinder- und Jugendliteratur zum Thema Erster Weltkrieg in Italien auf? Unterscheiden sich die Erzählmodelle wesentlich von denen in der Vergangenheit? Nach einem kurzen Überblick der geschichtlichen, kulturellen und politischen Lage Italiens zur Zeit des Ersten Weltkriegs wird in dieser Arbeit ein bedeutender Korpus der einstigen und gegenwärtigen italienischen Kinder- und Jugendliteratur analysiert und miteinander verglichen. Die Ergebnisse zeigen, dass neueingeschlagene Richtungen italienischer Historiographie, neue Generationen italienischer Autoren der KJL und die hundert Jahre die zwischen dem Ersten Weltkrieg und heute liegen, wenn auch mit einiger Verspätung so dennoch zur Entstehung einer balancierten Darstellung der geschichtlichen, kulturellen und politischen Geschehnisse jener Zeit beigetragen haben.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47367956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-21DOI: 10.21066/CARCL.LIBRI.7.2.9
Antonija Zaradija Kiš
Rad se fokusira na knjigu i film Put rata poznatoga engleskoga dječjega pisca Michaela Morpurga. Pisac je nedovoljno poznat hrvatskoj čitateljskoj publici, a istoimeni film (inače oboje netočno prevedeni na hrvatski jezik) Stevena Spielberga nedovoljno primijećen u javnosti. Morpurgova su djela posebice zanimljiva jer se u pozadini glavnih zbivanja redovito oslikavaju važni svjetski povijesni događaji kao što je i slučaj s knjigom originalnoga naslova War Horse u čijoj je pozadini Prvi svjetski rat. Rad se usredotočuje na konja i empatično ozračje knjige, ali isto tako nastoji istaknuti vječnu vezu čovjeka i te dostojanstvene i plemenite životinje, čime se želi potaknuti drugačiji pristup animalističkim putokazima ovoga djela, ali i drugih u kojima je životinja važan ili glavni sudionik radnje.
{"title":"Što je Put rata, a što Ratni konj? Nikad se ne smije zaboraviti njihova uloga u prošlim ratovima!","authors":"Antonija Zaradija Kiš","doi":"10.21066/CARCL.LIBRI.7.2.9","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.9","url":null,"abstract":"Rad se fokusira na knjigu i film Put rata poznatoga engleskoga dječjega pisca Michaela Morpurga. Pisac je nedovoljno poznat hrvatskoj čitateljskoj publici, a istoimeni film (inače oboje netočno prevedeni na hrvatski jezik) Stevena Spielberga nedovoljno primijećen u javnosti. Morpurgova su djela posebice zanimljiva jer se u pozadini glavnih zbivanja redovito oslikavaju važni svjetski povijesni događaji kao što je i slučaj s knjigom originalnoga naslova War Horse u čijoj je pozadini Prvi svjetski rat. Rad se usredotočuje na konja i empatično ozračje knjige, ali isto tako nastoji istaknuti vječnu vezu čovjeka i te dostojanstvene i plemenite životinje, čime se želi potaknuti drugačiji pristup animalističkim putokazima ovoga djela, ali i drugih u kojima je životinja važan ili glavni sudionik radnje.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48192762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-21DOI: 10.21066/CARCL.LIBRI.7.2.1
K. Górski
Am 27. Dezember 1918 brach der sog. Großpolnische Aufstand 1918/19 aus. Damit ging der Erste Weltkrieg im Landesteil Großpolen (Wielkopolska) mit einem gewissen Zeitverzug zu Ende. Die damals in der Provinz Posen lebenden deutschen Familien mit ihren Kindern waren unmittelbare Zeugen des betreffenden Ereignisses. Auch die unmittelbaren kindlichen Zeitzeugen versuchten oft später, das Erlebte durch unterschiedliche Zeugnisse festzuhalten und es den anderen Zeitgenossen oder Nachkommen zugänglich zu machen oder das damals Geschehene zu veranschaulichen. Die zum damaligen Zeitpunkt minderjährigen Autoren haben ihre Erinnerungen an die polnische Nationalerhebung entweder parallel zu den verlaufenden Vorkommnissen geschrieben oder mit einem kürzeren oder längeren Zeitverzug ihre mit wachem Kinderblick registrierten Wahrnehmungen in Form von Aufzeichnungen, Erinnerungen oder Tagebüchern, sogar eines Geschichtsromans, mit mehr oder weniger erschütterndem Inhalt fixiert.
{"title":"Ausgang des Ersten Weltkrieges in der preußischen Provinz Posen aus der Perspektive deutscher kindlicher Zeitzeugen","authors":"K. Górski","doi":"10.21066/CARCL.LIBRI.7.2.1","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.1","url":null,"abstract":"Am 27. Dezember 1918 brach der sog. Großpolnische Aufstand 1918/19 aus. Damit ging der Erste Weltkrieg im Landesteil Großpolen (Wielkopolska) mit einem gewissen Zeitverzug zu Ende. Die damals in der Provinz Posen lebenden deutschen Familien mit ihren Kindern waren unmittelbare Zeugen des betreffenden Ereignisses. Auch die unmittelbaren kindlichen Zeitzeugen versuchten oft später, das Erlebte durch unterschiedliche Zeugnisse festzuhalten und es den anderen Zeitgenossen oder Nachkommen zugänglich zu machen oder das damals Geschehene zu veranschaulichen. Die zum damaligen Zeitpunkt minderjährigen Autoren haben ihre Erinnerungen an die polnische Nationalerhebung entweder parallel zu den verlaufenden Vorkommnissen geschrieben oder mit einem kürzeren oder längeren Zeitverzug ihre mit wachem Kinderblick registrierten Wahrnehmungen in Form von Aufzeichnungen, Erinnerungen oder Tagebüchern, sogar eines Geschichtsromans, mit mehr oder weniger erschütterndem Inhalt fixiert.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45063868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-21DOI: 10.21066/CARCL.LIBRI.7.2.4
Sara Reis da Silva
The systemic singularities of children’s literature seem to have determined the relative inconsistency of critical approaches based on historiography, where the “nodal points” are mainly of a temporal, topographical, institutional and figurative nature. One of the historical periods whose “historiographical reading” of literary outlines is incomplete and unsystematised corresponds to the timeframe between the beginning and the end of World War I. We will revisit some Portuguese authors and their works: O Navio dos Brinquedos [The Toy Ship] (1914) by António Sérgio, Era uma Vez[Once Upon a Time] (1916) by Maria Sofia Santo Tirso, and the “Polichinelo” [Punchinello] series (1918–1921) by Emília de Sousa Costa, published between 1914 and 1918, in an attempt to elucidate their technical singularities, and their most relevant ideothematic lines. Falling under the category of First Republic literature, these texts betray aesthetic sensibilities and very different ideologies, showing what was written for children and what young readers read in wartime.
儿童文学的系统性奇异性似乎决定了基于史学的批评方法的相对不一致性，其中的“节点”主要具有时间性、地形性、制度性和形象性。其中一个对文学大纲的“历史解读”是不完整和不系统的历史时期，对应于第一次世界大战开始和结束之间的时间框架。我们将重温一些葡萄牙作家及其作品：安东尼奥·塞尔吉奥的《玩具船》（O Navio dos Brinquedos，1914年）、玛丽亚·索菲亚·圣蒂索的《时代》（Era uma Vez，1916年），以及Emília de Sousa Costa于1914年至1918年间出版的“Policinello”[Punchinello]系列（1918-1921），试图阐明它们的技术独特性和最相关的意识形态路线。这些文本属于第一共和国文学的范畴，背叛了审美情感和截然不同的意识形态，展示了战争时期为儿童写的东西和年轻读者读的东西。
{"title":"A Selection of Relevant Portuguese Children’s Literature Published in the Period of World War I","authors":"Sara Reis da Silva","doi":"10.21066/CARCL.LIBRI.7.2.4","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.4","url":null,"abstract":"The systemic singularities of children’s literature seem to have determined the relative inconsistency of critical approaches based on historiography, where the “nodal points” are mainly of a temporal, topographical, institutional and figurative nature. One of the historical periods whose “historiographical reading” of literary outlines is incomplete and unsystematised corresponds to the timeframe between the beginning and the end of World War I. We will revisit some Portuguese authors and their works: O Navio dos Brinquedos [The Toy Ship] (1914) by António Sérgio, Era uma Vez[Once Upon a Time] (1916) by Maria Sofia Santo Tirso, and the “Polichinelo” [Punchinello] series (1918–1921) by Emília de Sousa Costa, published between 1914 and 1918, in an attempt to elucidate their technical singularities, and their most relevant ideothematic lines. Falling under the category of First Republic literature, these texts betray aesthetic sensibilities and very different ideologies, showing what was written for children and what young readers read in wartime.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43842579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-03DOI: 10.21066/CARCL.LIBRI.7.2.2
S. Fava
Early 20th-century children’s magazines chart fundamental steps in the development of children’s literature, both in literary production itself, and the ways in which young readers were taught to read. This paper explores the points of view of the literary text and of actual readers in the weekly Il Giornalino della Domenica and the monthly Il Passerotto, with reference to the topics of interventionism and irredentism that characterised the thoughts and dreams of many subscribers to the magazines. Until the First World War, the unification of the irredentist regions took the shape of fantastic and humorous accounts, but the apex of irredentism was reached with the Fiume endeavour. This long-held pre-war dream gave voice to the rebelliousness of a whole generation of young people who had grown up yearning to see the epic of the Risorgimento finally laid to rest. As young adults, they were convinced that they could convey the outcome of this to the two magazines’ new generation of young readers. Analysis of the two magazines enables us to reconstruct the continuities and changes that shaped the intellectual growth of child readers and anticipate the choices they would make as adults, some of which would have dramatic consequences.
{"title":"Italian Readers of Il Giornalino della Domenica and Il Passerotto between the Great War and the Fiume Endeavour","authors":"S. Fava","doi":"10.21066/CARCL.LIBRI.7.2.2","DOIUrl":"https://doi.org/10.21066/CARCL.LIBRI.7.2.2","url":null,"abstract":"Early 20th-century children’s magazines chart fundamental steps in the development of children’s literature, both in literary production itself, and the ways in which young readers were taught to read. This paper explores the points of view of the literary text and of actual readers in the weekly Il Giornalino della Domenica and the monthly Il Passerotto, with reference to the topics of interventionism and irredentism that characterised the thoughts and dreams of many subscribers to the magazines. Until the First World War, the unification of the irredentist regions took the shape of fantastic and humorous accounts, but the apex of irredentism was reached with the Fiume endeavour. This long-held pre-war dream gave voice to the rebelliousness of a whole generation of young people who had grown up yearning to see the epic of the Risorgimento finally laid to rest. As young adults, they were convinced that they could convey the outcome of this to the two magazines’ new generation of young readers. Analysis of the two magazines enables us to reconstruct the continuities and changes that shaped the intellectual growth of child readers and anticipate the choices they would make as adults, some of which would have dramatic consequences.","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48573348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-09-11DOI: 10.21066/carcl.libri.2018-07(01).0003
Lidija Dujić
{"title":"Labour and Gender in The Strange Adventures of Hlapić the Apprentice and Tales of Long Ago","authors":"Lidija Dujić","doi":"10.21066/carcl.libri.2018-07(01).0003","DOIUrl":"https://doi.org/10.21066/carcl.libri.2018-07(01).0003","url":null,"abstract":"","PeriodicalId":55913,"journal":{"name":"Libri & Liberi","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67765601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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