La pseudo-science destinee a etudier la physionomie des chevaux (xiangma) est attestee depuis la periode Printemps-Automne en Chine et mele une connaissance veterinaire empirique a des concepts metaphoriques plus mysterieux. Les textes sur la physionomie des chevaux ont genere un riche vocabulaire metaphorique prescrivant les traits des chevaux superieurs, illustre d'aides visuelles dessinees, peintes ou sculptees. Dans l'art chinois et particulierement en peinture, les figurations de chevaux refletent ces concepts autant que les conventions de representation du sujet. Cet article offre une breve introduction a l'histoire et aux bases de la physionomie chevaline et etudie la facon dont cette pratique a influence la production et l'interpetation des peintures de chevaux des Tang aux Qing
{"title":"The legacy of bole : Physiognomy and horses in Chinese painting","authors":"R. Harrist","doi":"10.2307/3249953","DOIUrl":"https://doi.org/10.2307/3249953","url":null,"abstract":"La pseudo-science destinee a etudier la physionomie des chevaux (xiangma) est attestee depuis la periode Printemps-Automne en Chine et mele une connaissance veterinaire empirique a des concepts metaphoriques plus mysterieux. Les textes sur la physionomie des chevaux ont genere un riche vocabulaire metaphorique prescrivant les traits des chevaux superieurs, illustre d'aides visuelles dessinees, peintes ou sculptees. Dans l'art chinois et particulierement en peinture, les figurations de chevaux refletent ces concepts autant que les conventions de representation du sujet. Cet article offre une breve introduction a l'histoire et aux bases de la physionomie chevaline et etudie la facon dont cette pratique a influence la production et l'interpetation des peintures de chevaux des Tang aux Qing","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"57 1","pages":"135-156"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249953","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Les auteurs proposent une nouvelle identification de l'un des personnages, puis de l'ensemble d'une peinture moghole (v. 1630) tiree d'une page de l'Album d'Amber. Selon elles, il ne s'agirait pas d'une production imperiale, mais de celle d'un artiste forme a l'art moghole, au sevice de Jai Singh d'Amber, destinee a commemorer une importante rencontre entre Jai Singh et Gaj Singh de Marwar vers 1630. Les inscriptions hindi identifient clairement les deux hommes representes
{"title":"A Mughal Icon Re-Examined","authors":"C. Glynn, Ellen S. Smart","doi":"10.2307/3249948","DOIUrl":"https://doi.org/10.2307/3249948","url":null,"abstract":"Les auteurs proposent une nouvelle identification de l'un des personnages, puis de l'ensemble d'une peinture moghole (v. 1630) tiree d'une page de l'Album d'Amber. Selon elles, il ne s'agirait pas d'une production imperiale, mais de celle d'un artiste forme a l'art moghole, au sevice de Jai Singh d'Amber, destinee a commemorer une importante rencontre entre Jai Singh et Gaj Singh de Marwar vers 1630. Les inscriptions hindi identifient clairement les deux hommes representes","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"111 1","pages":"5-15"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249948","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L'auteur propose un apercu de l'histoire artistique de l'architecture et des sculptures des temples hindous de Nolambavādi, nom historique de la region controlee par la dynastie Nolamba de la fin du VIIIe au debut du XIe siecle et considere comme peripherique, donc secondaire, dans l'histoire de l'art indien, illustre par une etude des sculptures d'Hemavati
{"title":"Why a History of Monuments from Nolambavadi","authors":"Andrew L. Cohen","doi":"10.2307/3249949","DOIUrl":"https://doi.org/10.2307/3249949","url":null,"abstract":"L'auteur propose un apercu de l'histoire artistique de l'architecture et des sculptures des temples hindous de Nolambavādi, nom historique de la region controlee par la dynastie Nolamba de la fin du VIIIe au debut du XIe siecle et considere comme peripherique, donc secondaire, dans l'histoire de l'art indien, illustre par une etude des sculptures d'Hemavati","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"57 1","pages":"17-29"},"PeriodicalIF":0.3,"publicationDate":"1997-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249949","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Description du cimetiere des souverrains de l'etat de Jin (Shanxi), vassal de la dynastie des Zhou occidentaux, des structures des tombes et du mobilier funeraire (recipients et cloches en bronze, objets et bijoux en jade), puis etude de sa contribution a la connaissance des rites funeraires et de la culture materielle de cette dynastie
{"title":"The cemetery of the Western Zhou lords of Jin","authors":"Jay Xu","doi":"10.2307/3250117","DOIUrl":"https://doi.org/10.2307/3250117","url":null,"abstract":"Description du cimetiere des souverrains de l'etat de Jin (Shanxi), vassal de la dynastie des Zhou occidentaux, des structures des tombes et du mobilier funeraire (recipients et cloches en bronze, objets et bijoux en jade), puis etude de sa contribution a la connaissance des rites funeraires et de la culture materielle de cette dynastie","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"193-231"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250117","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work is the first in a three volume series that surveys China's wealth of art, architecture and artefacts from prehistoric times to the 20th century. It investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900. The book discusses in detail a wide range of art forms and techniques: porcelain and pottery, lacquer art, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. It explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts and describes the most important sites, the artefacts that were produced at each one, and the historical interactions between different areas. There is a discussion of the iconography, the technique and the function of every art form. This book should be a valuable resource for both experts and beginners in the field.
{"title":"The Arts of China to AD 900","authors":"W. Watson","doi":"10.2307/3250125","DOIUrl":"https://doi.org/10.2307/3250125","url":null,"abstract":"This work is the first in a three volume series that surveys China's wealth of art, architecture and artefacts from prehistoric times to the 20th century. It investigates the beginnings of the traditions on which much of the art rests, moving from Neolithic and Bronze Age China to the era of the Tang Dynasty around AD 900. The book discusses in detail a wide range of art forms and techniques: porcelain and pottery, lacquer art, religious and secular painting and sculpture, mural painting, monumental sculpture and architecture. It explains the materials and techniques of bronze casting, jade carving, pottery manufacture, and other arts and describes the most important sites, the artefacts that were produced at each one, and the historical interactions between different areas. There is a discussion of the iconography, the technique and the function of every art form. This book should be a valuable resource for both experts and beginners in the field.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"369"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250125","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68514159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etude du role des premiers rois de la dynastie Cōla (apres 850-1014) dans le financement et la construction de temples hindous dans le Tamil Nadu, grâce a l'etude de l'architecture, de la sculpture, de l'iconographie et des inscriptions des temples patrones par ces rois et des projets realises par leurs epouses
{"title":"Early Cola Kings and \"Early Cola Temples\": Art and the Evolution of Kingship","authors":"P. Kaimal","doi":"10.2307/3250104","DOIUrl":"https://doi.org/10.2307/3250104","url":null,"abstract":"Etude du role des premiers rois de la dynastie Cōla (apres 850-1014) dans le financement et la construction de temples hindous dans le Tamil Nadu, grâce a l'etude de l'architecture, de la sculpture, de l'iconographie et des inscriptions des temples patrones par ces rois et des projets realises par leurs epouses","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"33-66"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Description, etude stylistique et analyse du contexte historique du tresor de Purandi (Nepal) constitue de trois fragments architecturaux en cuivre dore, deux cloches de bronze et onze plaques de cuivre dore en repousse, datant du 11e siecle
{"title":"The Purandi hoard : Metal work from eleventh-century Nepal","authors":"M. Slusser","doi":"10.2307/3250106","DOIUrl":"https://doi.org/10.2307/3250106","url":null,"abstract":"Description, etude stylistique et analyse du contexte historique du tresor de Purandi (Nepal) constitue de trois fragments architecturaux en cuivre dore, deux cloches de bronze et onze plaques de cuivre dore en repousse, datant du 11e siecle","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"95-143"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250106","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Contexte historique et caracteristiques de l'art des laques dans le Japon du 19e siecle a l'epoque de sa premiere modernisation (Meiji), a partir de l'etude des laques du Museo Chiossone de Genes
19世纪日本漆器艺术的历史背景和特点，从其第一次现代化（明治）开始，基于对基奥松博物馆（Museo Chiossone de Genes）漆器的研究
{"title":"Laques du XIXe Siecle au Musee Chiossone entre Austerite, Magnificence, Classicisme et Soshoku: Quelques Chefs-d'Oeuvre Inedits et Leurs Sources","authors":"Donatella Failla","doi":"10.2307/3250107","DOIUrl":"https://doi.org/10.2307/3250107","url":null,"abstract":"Contexte historique et caracteristiques de l'art des laques dans le Japon du 19e siecle a l'epoque de sa premiere modernisation (Meiji), a partir de l'etude des laques du Museo Chiossone de Genes","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"145-173"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250107","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etude du traitement pictural de l'art narratif dans les miniatures du Rāmāyana commande par le prince hindou de Mewar (Udaipur), Rānā Jagat Singh (XVIIe), vingt ans apres le debut de son regne, aux artistes de l'atelier royal d'Udaipur et en particulier, a Sāhīb Dīn, responsable de l'elaboration des deuxieme (Ayodhyākānda) et sixieme (Yuddhakānda) livres, a Manohar, charge des premiers (Bālakānda) et troisieme (Aranyakānda) livres et a d'autres artistes de l'ecole du Dekkan
知道微型叙事的艺术治疗的研究(Rāmāyana订购由亲王Mewar乌代(印度教)、Rānājhagat Singh(十七),20年后他开始盼望,皇家d’Udaipur特别是工作室的艺人,a b SāhīDīn),负责第二的天数(Ayodhyākā(nda)和第六Yuddhakānda)图书、充电头(bāa Manohar lakānda)和第三(Aranyakānda)的书籍和其他艺术家a school Dekkan
{"title":"The treatment of narrative in Jagat Singh's Ramayana : A preliminary study","authors":"Vidya Dehejia","doi":"10.2307/3250121","DOIUrl":"https://doi.org/10.2307/3250121","url":null,"abstract":"Etude du traitement pictural de l'art narratif dans les miniatures du Rāmāyana commande par le prince hindou de Mewar (Udaipur), Rānā Jagat Singh (XVIIe), vingt ans apres le debut de son regne, aux artistes de l'atelier royal d'Udaipur et en particulier, a Sāhīb Dīn, responsable de l'elaboration des deuxieme (Ayodhyākānda) et sixieme (Yuddhakānda) livres, a Manohar, charge des premiers (Bālakānda) et troisieme (Aranyakānda) livres et a d'autres artistes de l'ecole du Dekkan","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"303-324"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250121","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68513464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dans le cadre d'une etude iconographique et archeologique complete du monastere tibetain de Źwa-lu, les auteurs proposent dans cet article quelques observations sur la terminologie et la definition du gSer-khan (Temple d'Or) et du mgon-khan (Chapelle des Protecteurs) du monastere, a partir des references archeologiques et litteraires connues
{"title":"Notes concerning the mgon-khan of Zwa-lu","authors":"F. Ricca, L. Fournier","doi":"10.2307/3250123","DOIUrl":"https://doi.org/10.2307/3250123","url":null,"abstract":"Dans le cadre d'une etude iconographique et archeologique complete du monastere tibetain de Źwa-lu, les auteurs proposent dans cet article quelques observations sur la terminologie et la definition du gSer-khan (Temple d'Or) et du mgon-khan (Chapelle des Protecteurs) du monastere, a partir des references archeologiques et litteraires connues","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"56 1","pages":"343-363"},"PeriodicalIF":0.3,"publicationDate":"1996-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250123","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68514138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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