Cet article est consacre a l'etude iconographique des divers visages de la divinite Eklingjī. L'A s'interesse au site dynastique de la maison royale de Mewar, Ekling, situe au nord-ouest de l'Inde. Erige au VIIIe s. ap. J.-C., ce complexe comprend un temple, temoin historique detruit puis reconstruit au cours de plusieurs invasions croyant demoraliser l'etat en demolissant son principal temple et l'icone de Eklingjī. L'A retrace donc les evenements grâce aux temoignages de plusieurs artistes.
{"title":"The Changing Faces of Eklingji: A Dynastic Shrine and Its Artists","authors":"Tryna Lyons","doi":"10.2307/3250019","DOIUrl":"https://doi.org/10.2307/3250019","url":null,"abstract":"Cet article est consacre a l'etude iconographique des divers visages de la divinite Eklingjī. L'A s'interesse au site dynastique de la maison royale de Mewar, Ekling, situe au nord-ouest de l'Inde. Erige au VIIIe s. ap. J.-C., ce complexe comprend un temple, temoin historique detruit puis reconstruit au cours de plusieurs invasions croyant demoraliser l'etat en demolissant son principal temple et l'icone de Eklingjī. L'A retrace donc les evenements grâce aux temoignages de plusieurs artistes.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"253-271"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250019","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etude de la peinture de l'artiste moghol Bālchand representant la mort de l'empereur indien Ināyat Khān.
艺术家的绘画研究矛盾Bālchand代表印度皇帝去世Inā北门Khān。
{"title":"The Death of Inayat Khan by the Mughal Artist Balchand","authors":"Ellen S. Smart","doi":"10.2307/3250020","DOIUrl":"https://doi.org/10.2307/3250020","url":null,"abstract":"Etude de la peinture de l'artiste moghol Bālchand representant la mort de l'empereur indien Ināyat Khān.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"273-279"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250020","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Dieter Kuhn, J. Watt, A. E. Wardwell, Morris Rossabi
{"title":"When Silk Was Gold","authors":"Dieter Kuhn, J. Watt, A. E. Wardwell, Morris Rossabi","doi":"10.2307/3250026","DOIUrl":"https://doi.org/10.2307/3250026","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"28 1","pages":"353"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250026","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68511004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etude complete des structures dynamiques dans les mandalas bouddhistes. L'A analyse dans les details les differents tantras a travers les rites d'initiation, les divinites (et les modeles de repartition de celles-ci dans les mandalas), le mouvement qui regit les mandalas ainsi que les quatre classes de tantras existantes (Kriyātantra, Caryātantra, Yogatantra et Anuttarayogatantra).
{"title":"Dynamic structures in Buddhist Mandalas : Apradaksina and mystic heat in the mother tantra section of the Anuttarayoga tantras","authors":"H. Stoddard","doi":"10.2307/3250017","DOIUrl":"https://doi.org/10.2307/3250017","url":null,"abstract":"Etude complete des structures dynamiques dans les mandalas bouddhistes. L'A analyse dans les details les differents tantras a travers les rites d'initiation, les divinites (et les modeles de repartition de celles-ci dans les mandalas), le mouvement qui regit les mandalas ainsi que les quatre classes de tantras existantes (Kriyātantra, Caryātantra, Yogatantra et Anuttarayogatantra).","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"169-213"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Transformation of forms of indian temples takes place through a dual process-time as well as space. This 2 patterns of transformation, through time and in space reflect one another closely. One of the richest traditions of temple building that India has produced took shape in the 7th century A.D,centred in what is now the state of Karanataka, and lasted until the 13th century. This was one of the 2 main branches of Dravida or southern temple architecture, giving rise to such famous temples as the Virupaksha, Pattadakal, the Kailasa, Ellora. The present volume shows how to look at this great monuments, and make their complex architecture accessible. It shows how the formal structure of a temple makes concrete the idea of manifestation of the eternal and infinite into the shifting multiplicity of existence and the limitless unity from which they have come.
{"title":"Indian temple architecture : form and transformation ; the Karṇāṭa Drāviḍa tradition, 7th to 13th centuries","authors":"A. Hardy","doi":"10.2307/3250027","DOIUrl":"https://doi.org/10.2307/3250027","url":null,"abstract":"Transformation of forms of indian temples takes place through a dual process-time as well as space. This 2 patterns of transformation, through time and in space reflect one another closely. One of the richest traditions of temple building that India has produced took shape in the 7th century A.D,centred in what is now the state of Karanataka, and lasted until the 13th century. This was one of the 2 main branches of Dravida or southern temple architecture, giving rise to such famous temples as the Virupaksha, Pattadakal, the Kailasa, Ellora. The present volume shows how to look at this great monuments, and make their complex architecture accessible. It shows how the formal structure of a temple makes concrete the idea of manifestation of the eternal and infinite into the shifting multiplicity of existence and the limitless unity from which they have come.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"95 1","pages":"358"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250027","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68511115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This book employs the multi-disciplinary methodologies of art historical interpretation to contextualise nearly the whole range of Saptamatrka icons within the larger historical evolution of Brahmanical religion, myhtology, and theology.
{"title":"Saptamātr̥kā worship and sculptures : an iconological interpretation of conflicts and resolutions in the storied Brāhmanical icons","authors":"S. Panikkar","doi":"10.2307/3250028","DOIUrl":"https://doi.org/10.2307/3250028","url":null,"abstract":"This book employs the multi-disciplinary methodologies of art historical interpretation to contextualise nearly the whole range of Saptamatrka icons within the larger historical evolution of Brahmanical religion, myhtology, and theology.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"362"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250028","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68511259","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L'A aborde ici la question du portrait en Inde du Sud vers 970-1000 ap. J.-C. Dans une etude anterieure, il evoque les qualites particulieres qui caracterisent le portrait dans la region de Tamil au debut du regne de la dynastie Chola. Ainsi il affirme que ces gravures en relief decorant les temples rejoignent une definition semiotique du portrait. Quant a la fonction des portraits, elle est liee au contexte culturel. Vers 970, un changement apparait dans le mecenat du temple et dans la maniere du portrait avec le commencement d'un programme de construction par la reine Chola, Sembiyan Mahādevi. L'A parle alors de phase I pour la periode 870-970 (style Kāvērī) et de phase II pour la periode 970-1000. Il s'interesse donc ici aux portraits de cette seconde phase et compare les portraits des deux phases. La phase II est essentiellement marquee par un abandon de l'individualisation.
{"title":"The problem of portraiture in South India, circa 970-1000 A.D.","authors":"P. Kaimal","doi":"10.2307/3249862","DOIUrl":"https://doi.org/10.2307/3249862","url":null,"abstract":"L'A aborde ici la question du portrait en Inde du Sud vers 970-1000 ap. J.-C. Dans une etude anterieure, il evoque les qualites particulieres qui caracterisent le portrait dans la region de Tamil au debut du regne de la dynastie Chola. Ainsi il affirme que ces gravures en relief decorant les temples rejoignent une definition semiotique du portrait. Quant a la fonction des portraits, elle est liee au contexte culturel. Vers 970, un changement apparait dans le mecenat du temple et dans la maniere du portrait avec le commencement d'un programme de construction par la reine Chola, Sembiyan Mahādevi. L'A parle alors de phase I pour la periode 870-970 (style Kāvērī) et de phase II pour la periode 970-1000. Il s'interesse donc ici aux portraits de cette seconde phase et compare les portraits des deux phases. La phase II est essentiellement marquee par un abandon de l'individualisation.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"59 1","pages":"139-179"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249862","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68506204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article est consacre aux diverses representations de la divinite chinoise Mazu, patronne des marins, dans l'art pictural. L'A aborde, en premier lieu, les peintures conservees au Rijksmuseum (Pays-Bas) traitant de miracles effectues par la divinite, puis il analyse les peintures murales du temple du village de Fengtingzhen puis s'interesse aux representations de ce culte non bouddhiste dans le domaine de la sculpture.
{"title":"Mazu, the patroness of sailors, in Chinese pictorial art","authors":"K. Ruitenbeek","doi":"10.2307/3250021","DOIUrl":"https://doi.org/10.2307/3250021","url":null,"abstract":"Cet article est consacre aux diverses representations de la divinite chinoise Mazu, patronne des marins, dans l'art pictural. L'A aborde, en premier lieu, les peintures conservees au Rijksmuseum (Pays-Bas) traitant de miracles effectues par la divinite, puis il analyse les peintures murales du temple du village de Fengtingzhen puis s'interesse aux representations de ce culte non bouddhiste dans le domaine de la sculpture.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"281-330"},"PeriodicalIF":0.3,"publicationDate":"1999-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250021","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Etude du temple du pic septentrional (Beiyuemiao) a Quyang, en Chine, a l'epoque des Yuan, sous le regne des Mongols. L'A analyse le temple (plan, decoration, caracteristiques) puis le contexte historique et religieux du site pour en deduire la fonction politique et surtout religieuse (daoiste) de ce complexe en perpetuel developpement et construction.
{"title":"The Temple to the Northern Peak in Quyang","authors":"N. Steinhardt","doi":"10.2307/3249995","DOIUrl":"https://doi.org/10.2307/3249995","url":null,"abstract":"Etude du temple du pic septentrional (Beiyuemiao) a Quyang, en Chine, a l'epoque des Yuan, sous le regne des Mongols. L'A analyse le temple (plan, decoration, caracteristiques) puis le contexte historique et religieux du site pour en deduire la fonction politique et surtout religieuse (daoiste) de ce complexe en perpetuel developpement et construction.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"69-90"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249995","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68509905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"L'architecture et la ville du Japan ancien: Espace architectural de la ville de Kyoto et des residences shogunales aux 14e et 15e siecles","authors":"Manfred Speidel, Nicolas Fiévé","doi":"10.2307/3250002","DOIUrl":"https://doi.org/10.2307/3250002","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"58 1","pages":"159"},"PeriodicalIF":0.3,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68510025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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