{"title":"Underground Fanon: A Review of Gavin Arnall, Subterranean Fanon: An Underground Theory of Radical Change","authors":"Anthony Alessandrini","doi":"10.1353/pmc.2022.0007","DOIUrl":"https://doi.org/10.1353/pmc.2022.0007","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42000490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Neither Optimism nor Pessimism: A review of David Marriott, Whither Fanon?","authors":"G. Maher","doi":"10.1353/pmc.2022.0010","DOIUrl":"https://doi.org/10.1353/pmc.2022.0010","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48469221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Challenging Theater in the Special Period: A review of Bretton White, Staging Discomfort: Performance and Queerness in Contemporary Cuba","authors":"Katherine E. Ford","doi":"10.1353/pmc.2022.0009","DOIUrl":"https://doi.org/10.1353/pmc.2022.0009","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48045187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article works out a logic for trash in videogames through its consideration of the ludic artifact. Defining videogame trash as that which graphically outlives the execution of its ludic function, the essay distinguishes trash from objects that signify as real-world refuse, like Mario Kart’s banana peels, and the merely decorative. It also addresses the correlation between technical capability and a graphic verisimilitude that generates trashscapes. Examining videogames from Super Mario Bros. to The Elder Scrolls V: Skyrim, this article’s philosophical, technical, and art-historical approach departs from narratology and garbage studies to offer a prolegomenon for further inquiry.
{"title":"Notes on Contributors: Volume 32, Number 2, January 2022","authors":"","doi":"10.1353/pmc.2022.0000","DOIUrl":"https://doi.org/10.1353/pmc.2022.0000","url":null,"abstract":"Abstract:This article works out a logic for trash in videogames through its consideration of the ludic artifact. Defining videogame trash as that which graphically outlives the execution of its ludic function, the essay distinguishes trash from objects that signify as real-world refuse, like Mario Kart’s banana peels, and the merely decorative. It also addresses the correlation between technical capability and a graphic verisimilitude that generates trashscapes. Examining videogames from Super Mario Bros. to The Elder Scrolls V: Skyrim, this article’s philosophical, technical, and art-historical approach departs from narratology and garbage studies to offer a prolegomenon for further inquiry.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"32 1","pages":"- - - - - - - - - - - - - - - - - - - - -"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48328558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In Voyage of the Sable Venus and Other Poems (2015), Robin Coste Lewis deploys “horrible beauty” as a dissensual aesthetic experience that challenges the perceiving subject. To experience horrible beauty, in Lewis’s poetry, is to be called to reflect on and critique the pathologies of whiteness upheld and perpetuated by aesthetic scenes, as well as to reframe what has been rendered either invisible or hypervisible. By arresting the perceiving subject, horrible beauty functions as a political aesthetic in its critique of the ways that regimes of race, gender, and sexuality both shape and foreclose experience.
摘要：罗宾·科斯特·刘易斯（Robin Coste Lewis）在《金星之旅》（Voyage of the Sable Venus）和《其他诗歌》（2015）中，将“可怕的美”作为一种挑战感知主体的异议美学体验。在刘易斯的诗歌中，体验可怕的美是为了反思和批判审美场景所维护和延续的白人病态，以及重塑被渲染为无形或超可视的东西。通过捕捉感知主体，可怕的美在其对种族、性别和性制度塑造和剥夺经验的方式的批判中起到了政治美学的作用。
{"title":"Horrible Beauty: Robin Coste Lewis’s Black Aesthetic Practice","authors":"M. Scully","doi":"10.1353/pmc.2022.0004","DOIUrl":"https://doi.org/10.1353/pmc.2022.0004","url":null,"abstract":"Abstract:In Voyage of the Sable Venus and Other Poems (2015), Robin Coste Lewis deploys “horrible beauty” as a dissensual aesthetic experience that challenges the perceiving subject. To experience horrible beauty, in Lewis’s poetry, is to be called to reflect on and critique the pathologies of whiteness upheld and perpetuated by aesthetic scenes, as well as to reframe what has been rendered either invisible or hypervisible. By arresting the perceiving subject, horrible beauty functions as a political aesthetic in its critique of the ways that regimes of race, gender, and sexuality both shape and foreclose experience.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49336422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Against Digital Worldlessness: Arendt, Narrative, and the Onto-Politics of Big Data/AI Technologies","authors":"E. Ziarek","doi":"10.1353/pmc.2022.0002","DOIUrl":"https://doi.org/10.1353/pmc.2022.0002","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47236620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Climates of the Absurd in Chantal Peñalosa and José-Luis Moctezuma’s “CCTV”","authors":"Judith Goldman","doi":"10.1353/pmc.2022.0005","DOIUrl":"https://doi.org/10.1353/pmc.2022.0005","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47016714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dispossession, Property, and the Clash of Interests: Reflections on Early Marx and Late Bensaïd: A review of Daniel Bensaïd, The Dispossessed: Karl Marx’s Debates on Wood Theft and the Right of the Poor","authors":"Bret Benjamin","doi":"10.1353/pmc.2021.0013","DOIUrl":"https://doi.org/10.1353/pmc.2021.0013","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45761883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Democracy becomes modern after it abolishes slavery and assumes its primary feature—race. Paradoxically, political theory cannot formalize a notion of democracy that incorporates the ex-slave or a post-slavery democracy that does not prescribe racial genocide. This essay shows that this paradox is structural, and tracks its transformation from Alexis de Tocqueville’s and Gustave de Beaumont’s nineteenth-century meditations on the specter of abolition to UNESCO’s postwar statements on race, particularly through Claude Lévi-Strauss’s and W.E.B. Du Bois’s subsequent critiques of racial capitalism. It concludes by reflecting on the ethics of war as a materialization of the impossibility of multiracial democracy.
{"title":"The Impossibility of Multiracial Democracy","authors":"Christopher Chamberlin","doi":"10.1353/pmc.2021.0011","DOIUrl":"https://doi.org/10.1353/pmc.2021.0011","url":null,"abstract":"Abstract:Democracy becomes modern after it abolishes slavery and assumes its primary feature—race. Paradoxically, political theory cannot formalize a notion of democracy that incorporates the ex-slave or a post-slavery democracy that does not prescribe racial genocide. This essay shows that this paradox is structural, and tracks its transformation from Alexis de Tocqueville’s and Gustave de Beaumont’s nineteenth-century meditations on the specter of abolition to UNESCO’s postwar statements on race, particularly through Claude Lévi-Strauss’s and W.E.B. Du Bois’s subsequent critiques of racial capitalism. It concludes by reflecting on the ethics of war as a materialization of the impossibility of multiracial democracy.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48238597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines the relation between neoliberalism and the alt-right, showing that their shared cynical amoralism elevates irresponsibility to the level of absolute morality, such that the Democrats’ exhortation to shame proves counterproductive. The alt-right’s outrage-inducing effect on the Democrats is due to its double relation to biopower: insofar as biopower governs the society of shameless jouissance, the alt-right conforms to the biopolitical rules and flaunts its own modes of jouissance; but insofar as biopower must hide its political nature, the alt-right breaks the rules by revealing biopower’s hidden (sovereign) underside. This raises the question of whether resistance should operate according to the rules of overt or covert sovereignty.
{"title":"Resistance and Biopower: Shame, Cynicism, and Struggle in the Era of Neoliberalism and the Alt-Right","authors":"A. K. Kordela","doi":"10.1353/pmc.2021.0009","DOIUrl":"https://doi.org/10.1353/pmc.2021.0009","url":null,"abstract":"Abstract:This essay examines the relation between neoliberalism and the alt-right, showing that their shared cynical amoralism elevates irresponsibility to the level of absolute morality, such that the Democrats’ exhortation to shame proves counterproductive. The alt-right’s outrage-inducing effect on the Democrats is due to its double relation to biopower: insofar as biopower governs the society of shameless jouissance, the alt-right conforms to the biopolitical rules and flaunts its own modes of jouissance; but insofar as biopower must hide its political nature, the alt-right breaks the rules by revealing biopower’s hidden (sovereign) underside. This raises the question of whether resistance should operate according to the rules of overt or covert sovereignty.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44376225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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