{"title":"Alone We Fall: A review of Jennifer Gaffney, Political Loneliness: Modern Liberal Subjects in Hiding","authors":"S. Lederman","doi":"10.1353/pmc.2021.0015","DOIUrl":"https://doi.org/10.1353/pmc.2021.0015","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41909199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article puts to question performative contradictions in theories developing a resistance to anthropocentrism in the context of rising interest in the Anthropocene narrative and Posthumanist theories seeking to evade human exceptionalism. By developing the aesthetic category of the hysterical sublime—a term first coined by Fredric Jameson in his early writing on postmodernism—this article challenges theoretical attempts to resist anthropocentrism and, instead, proposes a renewed conception of a universal and dialectical humanism as a methodological and ethical framework for grappling with contemporary crises such as climate change and the rise of digital automation.
{"title":"Renewing Humanism Against the Anthropocene: Towards a Theory of the Hysterical Sublime","authors":"Matthew Flisfeder","doi":"10.1353/pmc.2021.0012","DOIUrl":"https://doi.org/10.1353/pmc.2021.0012","url":null,"abstract":"Abstract:This article puts to question performative contradictions in theories developing a resistance to anthropocentrism in the context of rising interest in the Anthropocene narrative and Posthumanist theories seeking to evade human exceptionalism. By developing the aesthetic category of the hysterical sublime—a term first coined by Fredric Jameson in his early writing on postmodernism—this article challenges theoretical attempts to resist anthropocentrism and, instead, proposes a renewed conception of a universal and dialectical humanism as a methodological and ethical framework for grappling with contemporary crises such as climate change and the rise of digital automation.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"32 1","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41846786","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay approaches the theme of “impasse and democracy” through the motif of the American dream, a dream, as many have noted, unfulfilled both at home and abroad. This lack of fulfilment is here read as a structural impasse within democracy, as a sign that democracy dreams, or is a dream, because it cannot come into its own. Building toward a sustained reading of a typically neglected volume in the Freudian corpus, his collaborative study (with William C. Bullitt) of Woodrow Wilson, this essay teases out the theoretical and political implications of thinking the dream that America remains, ambivalently idling, from a psychoanalytical point of view.
摘要:本文以美国梦为主题，探讨“僵局与民主”这一主题。正如许多人所注意到的那样，美国梦在国内外都没有实现。在这里，这种满足感的缺乏被解读为民主内部的结构性僵局，是民主在做梦的迹象，或者是一个梦，因为它无法实现自己。他与威廉·c·布利特(William C. Bullitt)合作研究了伍德罗·威尔逊(Woodrow Wilson)，这篇文章从精神分析的角度梳理了思考美国仍在矛盾地空转的梦想的理论和政治含义，旨在持续阅读弗洛伊德语料库中一本通常被忽视的书。
{"title":"The Impassable Dream","authors":"John Mowitt","doi":"10.1353/pmc.2021.0010","DOIUrl":"https://doi.org/10.1353/pmc.2021.0010","url":null,"abstract":"Abstract:This essay approaches the theme of “impasse and democracy” through the motif of the American dream, a dream, as many have noted, unfulfilled both at home and abroad. This lack of fulfilment is here read as a structural impasse within democracy, as a sign that democracy dreams, or is a dream, because it cannot come into its own. Building toward a sustained reading of a typically neglected volume in the Freudian corpus, his collaborative study (with William C. Bullitt) of Woodrow Wilson, this essay teases out the theoretical and political implications of thinking the dream that America remains, ambivalently idling, from a psychoanalytical point of view.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46850849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pork to the Future: A review of João Florêncio, Bareback Porn, Porous Masculinities, Queer Futures: The Ethics of Becoming-Pig","authors":"Steven Ruszczycky","doi":"10.1353/pmc.2021.0007","DOIUrl":"https://doi.org/10.1353/pmc.2021.0007","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"31 1","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66300448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Patterns within Grids: A review of Tom Roach, Screen Love: Queer Intimacies in the Grindr Era. SUNY Press, 2021","authors":"Susanna Paasonen","doi":"10.1353/pmc.2021.0006","DOIUrl":"https://doi.org/10.1353/pmc.2021.0006","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45264473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"No Country for Old White Men: Living at the Boundary of Blackness: A review of Joshua Bennett, Being Property Once Myself: Blackness and the End of Man and Zakiyyah Iman Jackson, Becoming Human: Matter and Meaning in an Antiblack World","authors":"Sharon P. Holland","doi":"10.1353/pmc.2021.0005","DOIUrl":"https://doi.org/10.1353/pmc.2021.0005","url":null,"abstract":"","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49526914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay examines Alain Badiou's claims concerning the historical end of what he calls "the Age of the Poets": a configuration of thought that keeps philosophy sutured to poetry, which can never be the only condition of philosophy but merely one of them. The Age of the Poets stretches from Friedrich Nietzsche to Paul Celan, and Martin Heidegger becomes its major upholder and representative. For Badiou, undoing the poetico-philosophical suture is a condition of the freedom of philosophy. This essay proposes that Badiou's liberation of philosophy from poetry is simultaneously a liberation of poetry from philosophy that makes a better encounter possible.
{"title":"Alain Badiou's Age of the Poets: The Desacralizing of the Poem","authors":"A. Moreiras","doi":"10.1353/pmc.2021.0000","DOIUrl":"https://doi.org/10.1353/pmc.2021.0000","url":null,"abstract":"Abstract:This essay examines Alain Badiou's claims concerning the historical end of what he calls \"the Age of the Poets\": a configuration of thought that keeps philosophy sutured to poetry, which can never be the only condition of philosophy but merely one of them. The Age of the Poets stretches from Friedrich Nietzsche to Paul Celan, and Martin Heidegger becomes its major upholder and representative. For Badiou, undoing the poetico-philosophical suture is a condition of the freedom of philosophy. This essay proposes that Badiou's liberation of philosophy from poetry is simultaneously a liberation of poetry from philosophy that makes a better encounter possible.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":"31 1","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42263180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.
{"title":"My Mother's Bones: The Photographic Bodies of Camera Lucida and Halving the Bones","authors":"Chelsea Oei Kern","doi":"10.1353/pmc.2021.0004","DOIUrl":"https://doi.org/10.1353/pmc.2021.0004","url":null,"abstract":"Abstract:This essay brings together Roland Barthes's Camera Lucida and Ruth Ozeki's documentary Halving the Bones in order to situate the conceit of maternal photography within discourses of social and racial reproduction. Although Barthes's theory of photography neglects race, it prepares the ground for a logic of maternal reproduction through photography that is not realized within Camera Lucida. Ozeki extends Barthes's theory of photography-as-mothering to posit film as a medium that meets the needs of a contentious, mixed-race Asian body—both to escape narratives of race as enforced through the photograph, and to ensure the continued visibility of that body.","PeriodicalId":55953,"journal":{"name":"POSTMODERN CULTURE","volume":" ","pages":"-"},"PeriodicalIF":0.3,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43605636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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