Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.971660
E. Karaçor, Kıymet Uzun Yüksel, Berfin Şenik
Fiziksel mekanlarin algisal tasarim kalitesi son yillarda literaturde giderek daha fazla calisilmaktadir. Ancak, farkli donemlerde insa edilen kent parklarinin tasarim kalitesinin bugun nasil algilandigi konusunda peyzaj mimarligi alanindaki calismalar yetersiz kalmaktadir. Bu calisma, modern ve postmodern tasarimlari yansitan kentsel parklari tasarim kalite kriterleri acisindan karsilastirmayi amaclamaktadir. Bu baglamda, Prospect Park ve Parc des Buttes-Chaumont modern donem parklari ile Millennium Park ve Parc de la Villette postmodern donem parklari icin 4 subjektif tasarim kalite kriteri (imgelenebilirlik, okunabilirlik, canlilik, cesitlilik) degerlendirilmistir. Tasarim kriterlerinin ve kent parklarinin seciminde uzman gorusune basvurulmustur. Modern ve postmodern donem parklarini karsilastirmak icin Analitik Hiyerarsi Sureci’ne basvurulmus ve Expert Choice yazilimi kullanilmistir. Bu calismada 4 kent parki alternatif, 4 tasarim kalitesi ise kriter olarak tanimlanmistir. Elde edilen bulgular, postmodern tasarim cizgisini yansitan kent parklarinin daha yuksek kaliteli algilandigini ortaya koymustur. Ayrica, tasarim kriterleri arasinda en fazla one cikan kriter “imgelenebilirlik” olarak bulunmustur. Bu calisma, farkli donemlerdeki kent parklarinin tasarim kalitesinin karsilastirilmasina algisal acidan katki saglamaktadir.
在过去的几年里，文献中对物理位置的代数设计质量进行了进一步的分析。然而，在不同的领域，城市公园的设计质量不足以满足当今景观建筑中的要求。这种calismus、现代和后现代的设计旨在减少城市公园的设计质量标准。在这种情况下，展望公园（Prospect Park）和巴特斯-肖蒙公园（Parc des Buttes Chaumont）现代捐赠公园、千禧公园（Millennium Park）和维莱特公园（Parc de la Villette）后现代捐赠公园受四个设计质量标准的约束（可能性、可读性、寿命、停止）。Tasarim标准和城市公园的顺序必须应用于最高程度的专业知识。为了雕刻现代和后现代的捐赠公园，分析层次结构被用作Expert Choice的软件工程师。另一方面，4个钾元素是钾元素。Elde edilen bulgular，后现代主义的tasarim cigisini yansitan kent parklarinin daha yuksek kaliteli algilandigini ortaya koymustur。此外，设计标准之间的最高循环标准是“可预测的”。这种钙是对不同边界城市公园carsilastic质量的主要威胁。
{"title":"MODERNITY VS. POSTMODERNITY: ASSESSING THE DESIGN QUALITY OF URBAN PARKS BY AHP","authors":"E. Karaçor, Kıymet Uzun Yüksel, Berfin Şenik","doi":"10.20488/SANATTASARIM.971660","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.971660","url":null,"abstract":"Fiziksel mekanlarin algisal tasarim kalitesi son yillarda literaturde giderek daha fazla calisilmaktadir. Ancak, farkli donemlerde insa edilen kent parklarinin tasarim kalitesinin bugun nasil algilandigi konusunda peyzaj mimarligi alanindaki calismalar yetersiz kalmaktadir. Bu calisma, modern ve postmodern tasarimlari yansitan kentsel parklari tasarim kalite kriterleri acisindan karsilastirmayi amaclamaktadir. Bu baglamda, Prospect Park ve Parc des Buttes-Chaumont modern donem parklari ile Millennium Park ve Parc de la Villette postmodern donem parklari icin 4 subjektif tasarim kalite kriteri (imgelenebilirlik, okunabilirlik, canlilik, cesitlilik) degerlendirilmistir. Tasarim kriterlerinin ve kent parklarinin seciminde uzman gorusune basvurulmustur. Modern ve postmodern donem parklarini karsilastirmak icin Analitik Hiyerarsi Sureci’ne basvurulmus ve Expert Choice yazilimi kullanilmistir. Bu calismada 4 kent parki alternatif, 4 tasarim kalitesi ise kriter olarak tanimlanmistir. Elde edilen bulgular, postmodern tasarim cizgisini yansitan kent parklarinin daha yuksek kaliteli algilandigini ortaya koymustur. Ayrica, tasarim kriterleri arasinda en fazla one cikan kriter “imgelenebilirlik” olarak bulunmustur. Bu calisma, farkli donemlerdeki kent parklarinin tasarim kalitesinin karsilastirilmasina algisal acidan katki saglamaktadir.","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.971032
Sacit Hadi Akdede, Ş. Özpınar
{"title":"TÜRKİYE'DE ÖZEL TİYATROLARA DEVLET YARDIMI: AMPİRİK BİR ANALİZ","authors":"Sacit Hadi Akdede, Ş. Özpınar","doi":"10.20488/SANATTASARIM.971032","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.971032","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.971365
Eren Görgülü
: This article titled “Portrait Typologies in Photography Art” aims to bring together typological portrait studies created with photographic portraits from the nineteenth century to the present. For this purpose, photographic works, in which portraits are brought together comprehensively, are covered in this article. The use of photography, which is used to record social, scientific, and artistic activities, by many disciplines from anthropology to zoology, medicine to botany, for documentation and visual data creation reveals the importance of the subject. The data about typological portraits in the art of photography were reached within the framework of a literature review and these studies were analysed using the content analysis method. The works of Dr. Hugh Welch Diamond, Guillaume Duchenne de Boulogne, Francis Galton, and Alphonse Bertillon are important in terms of subject as the first typological examples in the nineteenth century leading portrait typologies. The typologies of August Sander and Walker Evans in portrait typology are remarkable studies in twentieth century photography art. And, in portrait typologies in contemporary photography, artists such as Boris Mikhailov, Taryn Simon, JR, Martin Schoeller, and Angelica Dass have brought a different perspective to the concepts of individual and identity by applying the typology method to portrait photography. The expression method, typological grouping, style of expression, and content of the meaning that artists attribute to the portraits in their typological portrait works are analysed and interpreted in terms of technical approach. The typological portraits in the text are discussed and evaluated chronologically.
{"title":"FOTOĞRAF SANATINDA PORTRE TİPOLOJİLERİ","authors":"Eren Görgülü","doi":"10.20488/SANATTASARIM.971365","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.971365","url":null,"abstract":": This article titled “Portrait Typologies in Photography Art” aims to bring together typological portrait studies created with photographic portraits from the nineteenth century to the present. For this purpose, photographic works, in which portraits are brought together comprehensively, are covered in this article. The use of photography, which is used to record social, scientific, and artistic activities, by many disciplines from anthropology to zoology, medicine to botany, for documentation and visual data creation reveals the importance of the subject. The data about typological portraits in the art of photography were reached within the framework of a literature review and these studies were analysed using the content analysis method. The works of Dr. Hugh Welch Diamond, Guillaume Duchenne de Boulogne, Francis Galton, and Alphonse Bertillon are important in terms of subject as the first typological examples in the nineteenth century leading portrait typologies. The typologies of August Sander and Walker Evans in portrait typology are remarkable studies in twentieth century photography art. And, in portrait typologies in contemporary photography, artists such as Boris Mikhailov, Taryn Simon, JR, Martin Schoeller, and Angelica Dass have brought a different perspective to the concepts of individual and identity by applying the typology method to portrait photography. The expression method, typological grouping, style of expression, and content of the meaning that artists attribute to the portraits in their typological portrait works are analysed and interpreted in terms of technical approach. The typological portraits in the text are discussed and evaluated chronologically.","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.970956
Fatma Filiz Özsuca
{"title":"2014-2019 YILLARI ARASINDA GERÇEKLEŞEN ENDÜSTRİYEL TASARIM EĞİTİMİNDE ORTAK TEMEL TASARIM ÇALIŞTAYLARININ ETKİLERİ","authors":"Fatma Filiz Özsuca","doi":"10.20488/SANATTASARIM.970956","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.970956","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48565663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.970913
Esin Düzakın
{"title":"SÜRDÜRÜLEBİLİR TASARIM YAKLAŞIMI AÇISINDAN BİYOPLASTİKLERİN İNCELENMESİ","authors":"Esin Düzakın","doi":"10.20488/SANATTASARIM.970913","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.970913","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47220468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.970992
Gülru Düzce, Seher Kurt
{"title":"''SOYLULAŞTIRMA'' KAVRAMI ÜZERİNDEN ÜRETİM YAPAN SANATÇILARA YÖNELİK BİR İNCELEME","authors":"Gülru Düzce, Seher Kurt","doi":"10.20488/SANATTASARIM.970992","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.970992","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.971376
H. E. Oskay
{"title":"BİLİM GERÇEKLİK / İMGESEL İHTİMAL: SANAT PRATİĞİNDE DÜŞÜNCENİN OLASILIKLARINI ÇOĞALTMAK","authors":"H. E. Oskay","doi":"10.20488/SANATTASARIM.971376","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.971376","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.970754
Pelin Kaya
{"title":"FRANK LLOYD WRIGHT'IN MEKAN ANLAYIŞI: FREDERICK ROBIE EVİ ÜZERİNDEN BİR OKUMA","authors":"Pelin Kaya","doi":"10.20488/SANATTASARIM.970754","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.970754","url":null,"abstract":"","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.971357
Bekir Kirişcan
Grafik tasarimin en temel calisma alanlarindan birisi olan afis, zaman ve teknolojik gelismelerin etkisiyle, bircok tasarim mecrasinda oldugu gibi, gunumuzde yeni formlar ile karsimiza cikmaktadir. Bu surecte tasarimcilar, yeni teknolojik imkanlari kullanarak, geleneksel basili afise alternatif olabilecek, hareketli, sesli veya etkilesimli bazi yeni afis formlari tasarlamaya baslamislardir. Bu calisma, hareketli afisin tarihi, Turkiye’de ortaya cikis sureci ve kalici bir mecra olup olamayacagi ile ilgili bulgular sunmaktadir. Arastirma kapsaminda Turkiye’den hareketli afis tasarimi alaninda calisma yapmis on sekiz tasarimcinin gorusleri nicel yontemler kullanilarak alinmistir. Hareketli afis ve afisin gelecegi ile ilgili elde edilen bu veriler cekim kurami baglaminda analiz edilmistir. Bulgular, tasarimcilarin hareketli afisi, afisin geleceginde onemli rol oynayacak bir tasarim mecrasi olarak gorduklerini desteklemektedir. Tasarimcilarin buyuk cogunlugu geleneksel basili afisin de afisin yeni dijital formlariyla birlikte var olmaya devam edecegini dusunmektedir. Ancak tasarlanan hareketli afislerin arz talep oranlari incelendiginde ve bu oranlar cekim kurami baglaminda degerlendirildiginde, hareketli afise talebin henuz arzin oldukca altinda oldugunu gostermektedir.
由于平面设计的主要领域之一是受时间和技术发展的影响，由于我们处于一个多设计机制中，它在我们的网站上出现了新的形式。这些形象设计师利用新的技术机遇，推动设计新的海报形式，可以替代传统的基本海报。这种calismus提供了运动历史、土耳其的平均形象以及它是否可以成为一种能力的证据。在Arastirma胶囊中，土耳其海报设计运动的calismus源自八位设计师的九个组合。这些数据是收集的，是关于未来一次又一次的迁徙，并在夹克的行李中进行分析。这些发现支持了设计师在海报未来扮演小数角色的运动。Tasarimclarin buyuk cogunlugu geleneksel basili是一种新的形式，它是一种很好的形式。然而，当指定的职位审查行动要求的数量时，当这些数字被放在夹克的行李中时，明信片的动议请求可以猜测行动要求仍在考虑中。
{"title":"TÜRKİYE'DE HAREKETLİ AFİŞİN ONTOLOJİSİ","authors":"Bekir Kirişcan","doi":"10.20488/SANATTASARIM.971357","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.971357","url":null,"abstract":"Grafik tasarimin en temel calisma alanlarindan birisi olan afis, zaman ve teknolojik gelismelerin etkisiyle, bircok tasarim mecrasinda oldugu gibi, gunumuzde yeni formlar ile karsimiza cikmaktadir. Bu surecte tasarimcilar, yeni teknolojik imkanlari kullanarak, geleneksel basili afise alternatif olabilecek, hareketli, sesli veya etkilesimli bazi yeni afis formlari tasarlamaya baslamislardir. Bu calisma, hareketli afisin tarihi, Turkiye’de ortaya cikis sureci ve kalici bir mecra olup olamayacagi ile ilgili bulgular sunmaktadir. Arastirma kapsaminda Turkiye’den hareketli afis tasarimi alaninda calisma yapmis on sekiz tasarimcinin gorusleri nicel yontemler kullanilarak alinmistir. Hareketli afis ve afisin gelecegi ile ilgili elde edilen bu veriler cekim kurami baglaminda analiz edilmistir. Bulgular, tasarimcilarin hareketli afisi, afisin geleceginde onemli rol oynayacak bir tasarim mecrasi olarak gorduklerini desteklemektedir. Tasarimcilarin buyuk cogunlugu geleneksel basili afisin de afisin yeni dijital formlariyla birlikte var olmaya devam edecegini dusunmektedir. Ancak tasarlanan hareketli afislerin arz talep oranlari incelendiginde ve bu oranlar cekim kurami baglaminda degerlendirildiginde, hareketli afise talebin henuz arzin oldukca altinda oldugunu gostermektedir.","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67621625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-07-09DOI: 10.20488/SANATTASARIM.970721
Sema Çağlar, Esra Varol
Tasarim teori ve strateji incelemeleri sonucunda yaratici tasarim dusuncesini gelistirme olanaklari kesfedilmeye calisilmaktadir. Tasarim arastirmalari, sureclere ayrilan tasarim adimlarinin zaman ve oncelik siralamalarinin farkli tasarim bilis turlerini ortaya cikardigini ve tasarimcilarin bilis turlerinin olcek uygulamasiyla belirlemenin mumkun oldugunu gostermektedir. Bu arastirmanin temel amaci, moda tasarimi ogrencilerinin tasarim sureclerini sekillendiren ve odaklandiklari tasarim bilis turlerinin, orneklemde yer alan universitelere ve ogrenim duzeyine gore incelenmesidir. Arastirmada, nicel arastirma yontemlerinden genel tarama modellerinden iliskisel tarama modeli kullanilmistir. Arastirmada veri toplama araci olarak 5’li likert tipinde 20 maddeden olusan Tasarim Bilis Turu olcegi kullanilmistir. Orneklemdeki ogrencilerin, universitelere ve ogrenim duzeylerine gore tasarim bilis turu tercihlerine yonelik bulgular degerlendirilmis ve tasarim sureclerinde genel olarak sorun odakli tasarim bilis turune odaklandiklari sonucuna ulasilmistir. Orneklemin ogrenim duzeylerine gore tasarim bilis turu tercihleri de sorun odakli tasarim bilis turune yoneliktir. Universitelere ve universitelerin ogrenim duzeylerine gore ise farkli tasarim bilis turu tercihlerinin oldugu gorulmektedir.
{"title":"MODA TASARIMI ÖĞRENCİLERİNİN TASARIM BİLİŞ TÜRLERİNİN BELİRLENMESİ","authors":"Sema Çağlar, Esra Varol","doi":"10.20488/SANATTASARIM.970721","DOIUrl":"https://doi.org/10.20488/SANATTASARIM.970721","url":null,"abstract":"Tasarim teori ve strateji incelemeleri sonucunda yaratici tasarim dusuncesini gelistirme olanaklari kesfedilmeye calisilmaktadir. Tasarim arastirmalari, sureclere ayrilan tasarim adimlarinin zaman ve oncelik siralamalarinin farkli tasarim bilis turlerini ortaya cikardigini ve tasarimcilarin bilis turlerinin olcek uygulamasiyla belirlemenin mumkun oldugunu gostermektedir. Bu arastirmanin temel amaci, moda tasarimi ogrencilerinin tasarim sureclerini sekillendiren ve odaklandiklari tasarim bilis turlerinin, orneklemde yer alan universitelere ve ogrenim duzeyine gore incelenmesidir. Arastirmada, nicel arastirma yontemlerinden genel tarama modellerinden iliskisel tarama modeli kullanilmistir. Arastirmada veri toplama araci olarak 5’li likert tipinde 20 maddeden olusan Tasarim Bilis Turu olcegi kullanilmistir. Orneklemdeki ogrencilerin, universitelere ve ogrenim duzeylerine gore tasarim bilis turu tercihlerine yonelik bulgular degerlendirilmis ve tasarim sureclerinde genel olarak sorun odakli tasarim bilis turune odaklandiklari sonucuna ulasilmistir. Orneklemin ogrenim duzeylerine gore tasarim bilis turu tercihleri de sorun odakli tasarim bilis turune yoneliktir. Universitelere ve universitelerin ogrenim duzeylerine gore ise farkli tasarim bilis turu tercihlerinin oldugu gorulmektedir.","PeriodicalId":56168,"journal":{"name":"Anadolu Universitesi Sanat & Tasarim Dergisi-Anadolu University Journal of Art & Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48053492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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