Pub Date : 2023-09-15DOI: 10.3390/acoustics5030050
Giovanni Amadasi, Antonella Bevilacqua, Gino Iannace, Amelia Trematerra
Thousands of theatres were built during the Hellenistic period in Greece and overseas colonies. The main elements of the Hellenistic theatre are the following: the orchestra, where music and songs were performed to accompany the acting performance, and the koilon, where the audience sat. Hellenistic theatres were built without any ceiling, with an open-air configuration. This paper reports the acoustic characteristics of the Greek (Hellenistic) theatre located in Morgantina (Sicily, Italy) based on the technical data gathered in different listening positions selected across the sitting area (koilon). The theatre of Morgantina was built in the third century BC and renovated a few decades ago. Nowadays, it is the center of important social and cultural activities. The outcomes of the beamforming technique employed for the survey have been discussed in comparison with traditional acoustic parameters, such as ISO 3382. The scope of this article is to assess the usability of this theatre intended to be used for different types of artistic performances.
{"title":"The Acoustic Characteristics of Hellenistic Morgantina Theatre in Modern Use","authors":"Giovanni Amadasi, Antonella Bevilacqua, Gino Iannace, Amelia Trematerra","doi":"10.3390/acoustics5030050","DOIUrl":"https://doi.org/10.3390/acoustics5030050","url":null,"abstract":"Thousands of theatres were built during the Hellenistic period in Greece and overseas colonies. The main elements of the Hellenistic theatre are the following: the orchestra, where music and songs were performed to accompany the acting performance, and the koilon, where the audience sat. Hellenistic theatres were built without any ceiling, with an open-air configuration. This paper reports the acoustic characteristics of the Greek (Hellenistic) theatre located in Morgantina (Sicily, Italy) based on the technical data gathered in different listening positions selected across the sitting area (koilon). The theatre of Morgantina was built in the third century BC and renovated a few decades ago. Nowadays, it is the center of important social and cultural activities. The outcomes of the beamforming technique employed for the survey have been discussed in comparison with traditional acoustic parameters, such as ISO 3382. The scope of this article is to assess the usability of this theatre intended to be used for different types of artistic performances.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":"201 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135352875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-12DOI: 10.3390/acoustics5030049
João Miguel Silva, Marco António Oliveira, André Ferraz Saraiva, Aníbal J. S. Ferreira
The estimation of the frequency of sinusoids has been the object of intense research for more than 40 years. Its importance in classical fields such as telecommunications, instrumentation, and medicine has been extended to numerous specific signal processing applications involving, for example, speech, audio, and music processing. In many cases, these applications run in real-time and, thus, require accurate, fast, and low-complexity algorithms. Taking the normalized Cramér–Rao lower bound as a reference, this paper evaluates the relative performance of nine non-iterative discrete Fourier transform-based individual sinusoid frequency estimators when the target sinusoid is affected by full-bandwidth quasi-harmonic interference, in addition to stationary noise. Three levels of the quasi-harmonic interference severity are considered: no harmonic interference, mild harmonic interference, and strong harmonic interference. Moreover, the harmonic interference is amplitude-modulated and frequency-modulated reflecting real-world conditions, e.g., in singing and musical chords. Results are presented for when the Signal-to-Noise Ratio varies between −10 dB and 70 dB, and they reveal that the relative performance of different frequency estimators depends on the SNR and on the selectivity and leakage of the window that is used, but also changes drastically as a function of the severity of the quasi-harmonic interference. In particular, when this interference is strong, the performance curves of the majority of the tested frequency estimators collapse to a few trends around and above 0.4% of the DFT bin width.
{"title":"One-Step Discrete Fourier Transform-Based Sinusoid Frequency Estimation under Full-Bandwidth Quasi-Harmonic Interference","authors":"João Miguel Silva, Marco António Oliveira, André Ferraz Saraiva, Aníbal J. S. Ferreira","doi":"10.3390/acoustics5030049","DOIUrl":"https://doi.org/10.3390/acoustics5030049","url":null,"abstract":"The estimation of the frequency of sinusoids has been the object of intense research for more than 40 years. Its importance in classical fields such as telecommunications, instrumentation, and medicine has been extended to numerous specific signal processing applications involving, for example, speech, audio, and music processing. In many cases, these applications run in real-time and, thus, require accurate, fast, and low-complexity algorithms. Taking the normalized Cramér–Rao lower bound as a reference, this paper evaluates the relative performance of nine non-iterative discrete Fourier transform-based individual sinusoid frequency estimators when the target sinusoid is affected by full-bandwidth quasi-harmonic interference, in addition to stationary noise. Three levels of the quasi-harmonic interference severity are considered: no harmonic interference, mild harmonic interference, and strong harmonic interference. Moreover, the harmonic interference is amplitude-modulated and frequency-modulated reflecting real-world conditions, e.g., in singing and musical chords. Results are presented for when the Signal-to-Noise Ratio varies between −10 dB and 70 dB, and they reveal that the relative performance of different frequency estimators depends on the SNR and on the selectivity and leakage of the window that is used, but also changes drastically as a function of the severity of the quasi-harmonic interference. In particular, when this interference is strong, the performance curves of the majority of the tested frequency estimators collapse to a few trends around and above 0.4% of the DFT bin width.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135886067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-11DOI: 10.3390/acoustics5030048
Yadong Zhang, Yijun Liu
A new approach to accelerating the evaluation of monopole and dipole source integrals via the fast multipole method (FMM) in the time domain for general three-dimensional (3-D) aeroacoustic problems is presented in this paper. In this approach, the aeroacoustic field is predicted via a hybrid method that uses computational fluid dynamics (CFD) for near-field flow field calculations and the Ffowcs Williams–Hawkings (FW-H) acoustic analogy for far-field sound field predictions. The evaluation of the surface integrals of the monopole and dipole source terms appearing in the FW-H formulation is accelerated by a 3-D FMM to reduce computational cost. The proposed method is referred to as Fast FW-H in this work. The performance and efficiency of the proposed methodology are demonstrated using several examples. First, aeroacoustic predictions for the cases of a stationary acoustic monopole, moving acoustic monopole and stationary acoustic dipole in a uniform flow are studied, generally showing good agreement with the analytical solutions. Second, the sound field radiating from a flow passing a finite-length circular cylinder and the propeller of an unmanned aerial vehicle (UAV) during forward flight are studied, and the computed results obtained via the FW-H and Fast FW-H methods in the time domain with a stationary, permeable surface are compared. The overall computational efficiency of the sound field solutions obtained via the Fast FW-H method is found to be approximately two times faster than the computational efficiency of the original FW-H method, indicating that this proposed approach can be an accurate and efficient computational tool for modelling far-field aeroacoustic problems.
本文提出了一种利用时域快速多极子法(FMM)加速计算一般三维气动声学问题单极子和偶极子源积分的新方法。在这种方法中，气动声场通过一种混合方法进行预测，该方法使用计算流体力学(CFD)进行近场流场计算，使用Ffowcs williams - hawkins (FW-H)声学类比进行远场声场预测。利用三维FMM加速计算FW-H公式中单极子源项和偶极子源项的表面积分，以降低计算成本。本文将提出的方法称为Fast FW-H。通过几个实例验证了所提方法的性能和效率。首先，研究了均匀流动中静止声单极子、运动声单极子和静止声偶极子情况下的气动声学预测，结果与解析解基本一致。其次，研究了气流通过有限长圆柱体和无人机螺旋桨前飞时的声场，比较了在静止可渗透表面下，采用FW-H法和Fast FW-H法在时域上的计算结果。通过Fast FW-H方法获得的声场解的整体计算效率比原FW-H方法的计算效率快约两倍，表明该方法可以成为模拟远场气动声学问题的准确高效的计算工具。
{"title":"Fast Evaluations of Integrals in the Ffowcs Williams–Hawkings Formulation in Aeroacoustics via the Fast Multipole Method","authors":"Yadong Zhang, Yijun Liu","doi":"10.3390/acoustics5030048","DOIUrl":"https://doi.org/10.3390/acoustics5030048","url":null,"abstract":"A new approach to accelerating the evaluation of monopole and dipole source integrals via the fast multipole method (FMM) in the time domain for general three-dimensional (3-D) aeroacoustic problems is presented in this paper. In this approach, the aeroacoustic field is predicted via a hybrid method that uses computational fluid dynamics (CFD) for near-field flow field calculations and the Ffowcs Williams–Hawkings (FW-H) acoustic analogy for far-field sound field predictions. The evaluation of the surface integrals of the monopole and dipole source terms appearing in the FW-H formulation is accelerated by a 3-D FMM to reduce computational cost. The proposed method is referred to as Fast FW-H in this work. The performance and efficiency of the proposed methodology are demonstrated using several examples. First, aeroacoustic predictions for the cases of a stationary acoustic monopole, moving acoustic monopole and stationary acoustic dipole in a uniform flow are studied, generally showing good agreement with the analytical solutions. Second, the sound field radiating from a flow passing a finite-length circular cylinder and the propeller of an unmanned aerial vehicle (UAV) during forward flight are studied, and the computed results obtained via the FW-H and Fast FW-H methods in the time domain with a stationary, permeable surface are compared. The overall computational efficiency of the sound field solutions obtained via the Fast FW-H method is found to be approximately two times faster than the computational efficiency of the original FW-H method, indicating that this proposed approach can be an accurate and efficient computational tool for modelling far-field aeroacoustic problems.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135980960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-23DOI: 10.3390/acoustics5030047
Chrisoula Alexandraki, Michael Starakis, P. Zervas, R. Bader
Percussionists use a multitude of objects and materials, mounted on their instruments, to achieve a satisfying sound texture. This is a tedious process as there are no guidelines suggesting how to manipulate a percussion instrument to adjust its perceptual characteristics in the desired direction. To this end, the article presents a methodology for computationally identifying how to damp and tune a drumhead by adjusting its mass distribution, e.g., by applying malleable paste on its surface. A dataset of 11,114 sounds has been synthesized using a FDTD solution of the wave equation representing the vibration of a membrane, which is being transmuted through the application of paste. These sounds are investigated to derive conclusions concerning their spectral characteristics and data reduction techniques are used to investigate the feasibility of computationally inferring damping parameters for a given sound. Furthermore, these sounds are used to train a Convolutional Neural Network to infer mass distribution from sound. Results show that computational approaches can provide valuable information to percussionists striving to adjust their personal sound. Although this study has been performed with synthesized sounds, the research methodology presents some inspiring ideas for future investigations with prerecorded sounds.
{"title":"Inferring Drumhead Damping and Tuning from Sound Using Finite Difference Time Domain (FDTD) Models","authors":"Chrisoula Alexandraki, Michael Starakis, P. Zervas, R. Bader","doi":"10.3390/acoustics5030047","DOIUrl":"https://doi.org/10.3390/acoustics5030047","url":null,"abstract":"Percussionists use a multitude of objects and materials, mounted on their instruments, to achieve a satisfying sound texture. This is a tedious process as there are no guidelines suggesting how to manipulate a percussion instrument to adjust its perceptual characteristics in the desired direction. To this end, the article presents a methodology for computationally identifying how to damp and tune a drumhead by adjusting its mass distribution, e.g., by applying malleable paste on its surface. A dataset of 11,114 sounds has been synthesized using a FDTD solution of the wave equation representing the vibration of a membrane, which is being transmuted through the application of paste. These sounds are investigated to derive conclusions concerning their spectral characteristics and data reduction techniques are used to investigate the feasibility of computationally inferring damping parameters for a given sound. Furthermore, these sounds are used to train a Convolutional Neural Network to infer mass distribution from sound. Results show that computational approaches can provide valuable information to percussionists striving to adjust their personal sound. Although this study has been performed with synthesized sounds, the research methodology presents some inspiring ideas for future investigations with prerecorded sounds.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45145442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-22DOI: 10.3390/acoustics5030046
Neil Bruce
This paper proposes the ‘soundsit’ as an alternative method to be used independently or in conjunction with current soundwalking methodological practice. The soundsit seeks to address the limits of the soundwalking method in relation to issues of transition, changing context, event occurrence, temporality, and inclusivity. Soundwalking and soundsitting are both methods of experiencing soundscape: soundwalking involves exploring and listening to the sounds of the environment while moving through it, while soundsitting involves sitting still in a particular place and listening to the sounds that exist in situ. The soundsit provides the participant or researcher with a fixed perspective and place to observe and experience sounds, within a defined soundscape context, enabling them to gain a longer-term experiential understanding of a space. Analogous with acoustic measurements, soundsitting is comparable to capturing average energy equivalent sound level LAeq measurements in allowing the perception of and activities within a soundscape to settle into a steady state. Beyond obtaining a longer-term impression of a chosen sound environment, soundsitting allows for a participant to disengage with the visual, which allows for deeper engagement and focus when listening to a soundscape; in addition, soundsitting removes the safety implications and distractions of walking practice and, as such, is a more inclusive form of activity, allowing those who are unable to walk to engage in the practice. The static nature of the listening experience allows for a different type of immersion through engaged active listening, something which is not possible on a soundwalk, allowing for deeper qualitative analysis and insight into the soundscape of a specific space or location. The primary findings show with test group of n = 6 that both methods are effective soundscape study tools, and further work with diverse groups is required.
{"title":"Extending Soundwalking Practice: Soundsitting as an Inclusive and Complementary Method to Soundwalking","authors":"Neil Bruce","doi":"10.3390/acoustics5030046","DOIUrl":"https://doi.org/10.3390/acoustics5030046","url":null,"abstract":"This paper proposes the ‘soundsit’ as an alternative method to be used independently or in conjunction with current soundwalking methodological practice. The soundsit seeks to address the limits of the soundwalking method in relation to issues of transition, changing context, event occurrence, temporality, and inclusivity. Soundwalking and soundsitting are both methods of experiencing soundscape: soundwalking involves exploring and listening to the sounds of the environment while moving through it, while soundsitting involves sitting still in a particular place and listening to the sounds that exist in situ. The soundsit provides the participant or researcher with a fixed perspective and place to observe and experience sounds, within a defined soundscape context, enabling them to gain a longer-term experiential understanding of a space. Analogous with acoustic measurements, soundsitting is comparable to capturing average energy equivalent sound level LAeq measurements in allowing the perception of and activities within a soundscape to settle into a steady state. Beyond obtaining a longer-term impression of a chosen sound environment, soundsitting allows for a participant to disengage with the visual, which allows for deeper engagement and focus when listening to a soundscape; in addition, soundsitting removes the safety implications and distractions of walking practice and, as such, is a more inclusive form of activity, allowing those who are unable to walk to engage in the practice. The static nature of the listening experience allows for a different type of immersion through engaged active listening, something which is not possible on a soundwalk, allowing for deeper qualitative analysis and insight into the soundscape of a specific space or location. The primary findings show with test group of n = 6 that both methods are effective soundscape study tools, and further work with diverse groups is required.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45151415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-07DOI: 10.3390/acoustics5030045
A. Mayer, E. Mayer, M. Mayer, W. Ruile, V. Chauhan, Thomas Forster, K. Wagner
In the framework of electro-elasticity theory and the finite element method (FEM), a model is set up for the computation of quantities in surface acoustic wave (SAW) devices accounting for nonlinear effects. These include second-order and third-order intermodulations, second and third harmonic generation and the influence of electro-acoustic nonlinearity on the frequency characteristics of SAW resonators. The model is based on perturbation theory, and requires input material constants, e.g., the elastic moduli up to fourth order for all materials involved. The model is two-dimensional, corresponding to an infinite aperture, but all three Cartesian components of the displacement and electrical fields are accounted for. The first version of the model pertains to an infinite periodic arrangement of electrodes. It is subsequently generalized to systems with a finite number of electrodes. For the latter version, a recursive algorithm is presented which is related to the cascading scheme of Plessky and Koskela and strongly reduces computation time and memory requirements. The model is applied to TC-SAW systems with copper electrodes buried in an oxide film on a LiNbO3 substrate. Results of computations are presented for the electrical current due to third-order intermodulations and the displacement field associated with the second harmonic and second-order intermodulations, generated by monochromatic input tones. The scope of this review is limited to methodological aspects with the goal to enable calculations of nonlinear quantities in SAW devices on inexpensive and easily accessible computing platforms.
{"title":"FEM Modeling of Electro-Acoustic Nonlinearities in Surface Acoustic Wave Devices: A Methodological Review","authors":"A. Mayer, E. Mayer, M. Mayer, W. Ruile, V. Chauhan, Thomas Forster, K. Wagner","doi":"10.3390/acoustics5030045","DOIUrl":"https://doi.org/10.3390/acoustics5030045","url":null,"abstract":"In the framework of electro-elasticity theory and the finite element method (FEM), a model is set up for the computation of quantities in surface acoustic wave (SAW) devices accounting for nonlinear effects. These include second-order and third-order intermodulations, second and third harmonic generation and the influence of electro-acoustic nonlinearity on the frequency characteristics of SAW resonators. The model is based on perturbation theory, and requires input material constants, e.g., the elastic moduli up to fourth order for all materials involved. The model is two-dimensional, corresponding to an infinite aperture, but all three Cartesian components of the displacement and electrical fields are accounted for. The first version of the model pertains to an infinite periodic arrangement of electrodes. It is subsequently generalized to systems with a finite number of electrodes. For the latter version, a recursive algorithm is presented which is related to the cascading scheme of Plessky and Koskela and strongly reduces computation time and memory requirements. The model is applied to TC-SAW systems with copper electrodes buried in an oxide film on a LiNbO3 substrate. Results of computations are presented for the electrical current due to third-order intermodulations and the displacement field associated with the second harmonic and second-order intermodulations, generated by monochromatic input tones. The scope of this review is limited to methodological aspects with the goal to enable calculations of nonlinear quantities in SAW devices on inexpensive and easily accessible computing platforms.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44999249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-25DOI: 10.3390/acoustics5030044
Yongjie Zhuang, Yangfan Liu
In commercial non-adaptive active noise control (ANC) applications, an IIR filter structure is often used to reduce real-time computations. On the contrary, an FIR filter structure is usually preferred in the filter design phase because the FIR filter design formulation can be convex and is simple to solve. To combine the benefits of both FIR and IIR filter structures, one common approach in ANC applications is to use an IIR filter structure to fit a pre-designed FIR filter. However, to ensure stability, most of the common IIR filter fitting approaches involve the computation and relocation of poles which can be difficult for high-order cases. In this current work, a stable IIR filter design approach that does not need the computation and relocation of poles is improved to be applicable in ANC applications. The results demonstrate that the proposed method can achieve better fitting accuracy and steady-state noise control performance in high-order non-adaptive applications when the pre-designed noise control FIR filter is fitted. Besides fitting the noise control filter, the proposed method can also be used to fit the secondary path and acoustic feedback path to reduce the required real-time computations if adaptive controllers are applied.
{"title":"A Stable IIR Filter Design Approach for High-Order Active Noise Control Applications","authors":"Yongjie Zhuang, Yangfan Liu","doi":"10.3390/acoustics5030044","DOIUrl":"https://doi.org/10.3390/acoustics5030044","url":null,"abstract":"In commercial non-adaptive active noise control (ANC) applications, an IIR filter structure is often used to reduce real-time computations. On the contrary, an FIR filter structure is usually preferred in the filter design phase because the FIR filter design formulation can be convex and is simple to solve. To combine the benefits of both FIR and IIR filter structures, one common approach in ANC applications is to use an IIR filter structure to fit a pre-designed FIR filter. However, to ensure stability, most of the common IIR filter fitting approaches involve the computation and relocation of poles which can be difficult for high-order cases. In this current work, a stable IIR filter design approach that does not need the computation and relocation of poles is improved to be applicable in ANC applications. The results demonstrate that the proposed method can achieve better fitting accuracy and steady-state noise control performance in high-order non-adaptive applications when the pre-designed noise control FIR filter is fitted. Besides fitting the noise control filter, the proposed method can also be used to fit the secondary path and acoustic feedback path to reduce the required real-time computations if adaptive controllers are applied.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45889908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-20DOI: 10.3390/acoustics5030043
J. Griffin, Steven Jones, B. Perumal, C. Perrin
Welding inspection is a critical process that can be severely time-consuming, resulting in productivity delays, especially when destructive or invasive processes are required. This paper defines the novel approach to investigate the physical correlation between common imperfections found in arc welding and the propensity to determine these through the identification of signatures using acoustic emission sensors. Through a set of experiments engineered to induce prominent imperfections (cracks and other anomalies) using a popular welding process and the use of AE technology (both airborne and contact), it provides confirmation that the verification of physical anomalies can indeed be identified through variations in obtained noise frequency signatures. This in situ information provides signals during and after solidification to inform operators of the deposit/HAZ integrity to support the advanced warning of unwanted anomalies and of whether the weld/fabrication process should be halted to undertake rework before completing the fabrication. Experimentation was carried out based on an acceptable set of parameters where extracted data from the sensors were recorded, analysed, and compared with the resultant microstructure. This may allow signal phenomena to be captured and catalogued for future use in referencing against known anomalies.
{"title":"Investigating the Detection Capability of Acoustic Emission Monitoring to Identify Imperfections Produced by the Metal Active Gas (MAG) Welding Process","authors":"J. Griffin, Steven Jones, B. Perumal, C. Perrin","doi":"10.3390/acoustics5030043","DOIUrl":"https://doi.org/10.3390/acoustics5030043","url":null,"abstract":"Welding inspection is a critical process that can be severely time-consuming, resulting in productivity delays, especially when destructive or invasive processes are required. This paper defines the novel approach to investigate the physical correlation between common imperfections found in arc welding and the propensity to determine these through the identification of signatures using acoustic emission sensors. Through a set of experiments engineered to induce prominent imperfections (cracks and other anomalies) using a popular welding process and the use of AE technology (both airborne and contact), it provides confirmation that the verification of physical anomalies can indeed be identified through variations in obtained noise frequency signatures. This in situ information provides signals during and after solidification to inform operators of the deposit/HAZ integrity to support the advanced warning of unwanted anomalies and of whether the weld/fabrication process should be halted to undertake rework before completing the fabrication. Experimentation was carried out based on an acceptable set of parameters where extracted data from the sensors were recorded, analysed, and compared with the resultant microstructure. This may allow signal phenomena to be captured and catalogued for future use in referencing against known anomalies.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45580346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-14DOI: 10.3390/acoustics5030041
V. Palchikovskiy, A. Kuznetsov, I. Khramtsov, O. Kustov
A comparison is considered of the experimentally obtained impedance of locally reacting acoustic liner samples with the impedance calculated using semi-empirical Goodrich, Sobolev and Eversman models. The semi-empirical impedance models are outlined. In the experiment, the impedance is synchronously measured on a normal incidence impedance tube by the transfer function method and Dean’s method. A modification of the conventional normal incidence impedance tube is proposed to obtain these measurements. To automate the measurements, a program code is developed that controls sound generation and the recording of signals. The code includes an optimization procedure for selecting the voltage on an acoustic driver, providing the required sound pressure level on the face of the sample at different frequencies. The geometry of acoustic liner samples and specifics of synchronous impedance measurements by the aforementioned methods are considered. Experiments are performed at sound pressure levels from 100 to 150 dB in the frequency range of 500–3500 Hz. A comparative analysis of semi-empirical models with the experimental results at different sound pressure levels is carried out.
{"title":"Comparison of Semi-Empirical Impedance Models for Locally-Reacting Acoustic Liners in a Wide Range of Sound Pressure Levels","authors":"V. Palchikovskiy, A. Kuznetsov, I. Khramtsov, O. Kustov","doi":"10.3390/acoustics5030041","DOIUrl":"https://doi.org/10.3390/acoustics5030041","url":null,"abstract":"A comparison is considered of the experimentally obtained impedance of locally reacting acoustic liner samples with the impedance calculated using semi-empirical Goodrich, Sobolev and Eversman models. The semi-empirical impedance models are outlined. In the experiment, the impedance is synchronously measured on a normal incidence impedance tube by the transfer function method and Dean’s method. A modification of the conventional normal incidence impedance tube is proposed to obtain these measurements. To automate the measurements, a program code is developed that controls sound generation and the recording of signals. The code includes an optimization procedure for selecting the voltage on an acoustic driver, providing the required sound pressure level on the face of the sample at different frequencies. The geometry of acoustic liner samples and specifics of synchronous impedance measurements by the aforementioned methods are considered. Experiments are performed at sound pressure levels from 100 to 150 dB in the frequency range of 500–3500 Hz. A comparative analysis of semi-empirical models with the experimental results at different sound pressure levels is carried out.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46428122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-07-13DOI: 10.3390/acoustics5030040
Vaia Tsiokou, L. Shtrepi, E. Badino, A. Astolfi, A. Karatza
Acoustic materials are widely used for improving interior acoustics based on their sound absorptive or sound diffusive properties. However, common acoustic materials only offer limited options for customizable geometrical features, performance, and aesthetics. This paper focuses on the sound absorption performance of highly customizable 3D-printed Hybrid Acoustic Materials (HAMs) by means of parametric stepped thickness, which is used for sound absorption and diffusion. HAMs were parametrically designed and produced using computational design, 3D-printing technology, and feedstock material with adjustable porosity, allowing for the advanced control of acoustic performance through geometry-related sound absorbing/diffusing strategies. The proposed design methodology paves the way to a customizable large-scale cumulative acoustic performance by varying the parametric stepped thickness. The present study explores the challenges posed by the testing of the sound absorption performance of HAMs in an impedance tube. The representativeness of the test samples (i.e., cylindrical sections) with respect to the original (i.e., rectangular) panel samples is contextually limited by the respective impedance tube’s geometrical features (i.e., cylindrical cross-section) and dimensional requirements (i.e., diameter size). To this aim, an interlaboratory comparison was carried out by testing the normal incidence sound absorption of ten samples in two independent laboratories with two different impedance tubes. The results obtained demonstrate a good level of agreement, with HAMs performing better at lower frequencies than expected and behaving like Helmholtz absorbers, as well as demonstrating a frequency shift pattern related to superficial geometric features.
{"title":"Exploratory Acoustic Investigation of Customizable 3D-Printed Hybrid Acoustic Materials (HAMs) through Interlaboratory Impedance Tube Measurements","authors":"Vaia Tsiokou, L. Shtrepi, E. Badino, A. Astolfi, A. Karatza","doi":"10.3390/acoustics5030040","DOIUrl":"https://doi.org/10.3390/acoustics5030040","url":null,"abstract":"Acoustic materials are widely used for improving interior acoustics based on their sound absorptive or sound diffusive properties. However, common acoustic materials only offer limited options for customizable geometrical features, performance, and aesthetics. This paper focuses on the sound absorption performance of highly customizable 3D-printed Hybrid Acoustic Materials (HAMs) by means of parametric stepped thickness, which is used for sound absorption and diffusion. HAMs were parametrically designed and produced using computational design, 3D-printing technology, and feedstock material with adjustable porosity, allowing for the advanced control of acoustic performance through geometry-related sound absorbing/diffusing strategies. The proposed design methodology paves the way to a customizable large-scale cumulative acoustic performance by varying the parametric stepped thickness. The present study explores the challenges posed by the testing of the sound absorption performance of HAMs in an impedance tube. The representativeness of the test samples (i.e., cylindrical sections) with respect to the original (i.e., rectangular) panel samples is contextually limited by the respective impedance tube’s geometrical features (i.e., cylindrical cross-section) and dimensional requirements (i.e., diameter size). To this aim, an interlaboratory comparison was carried out by testing the normal incidence sound absorption of ten samples in two independent laboratories with two different impedance tubes. The results obtained demonstrate a good level of agreement, with HAMs performing better at lower frequencies than expected and behaving like Helmholtz absorbers, as well as demonstrating a frequency shift pattern related to superficial geometric features.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46359107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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