Pub Date : 2023-03-06DOI: 10.3390/acoustics5010017
Chiara Rubino, S. Liuzzi, F. Martellotta
Resource-efficient buildings are one of the most important challenges of the construction industry, which could be achieved by limiting the extraction of natural resources and by replacing them with industrial residues. The present work proposes innovative panels made from textile wastes as an efficient solution for making the semi-open atrium in the Polytechnic University of Bari, acoustically suitable for use as an area of study. Several measurements were carried out in the atrium under empty and occupied conditions in order to characterize the sound field of the space (i.e., the reverberation time and the sound pressure level) and the actual sound sources (i.e., the sound power level of the students occupying the space). The on-site measurement results were useful to calibrate a geometrical acoustic model implemented in CATT-Acoustic software and used to predict the effect of the proposed treatments. About 700 m2 of absorbent panels were distributed, leading to a predicted reduction in the reverberation time from 2.4 s to 1.4 s at 500 Hz, and consequently to an estimated 3 dB reduction in sound pressure level, resulting in a reduction in the background noise level due to speech. Furthermore, as a consequence of the “Lombard effect”, a decrease in the background noise level will likely reduce the sound power level of the speakers by 2 dB, with an expected overall reduction of 5 dB.
{"title":"Sustainable Sound Absorbers to Improve Acoustical Comfort in Atria: A Methodological Approach","authors":"Chiara Rubino, S. Liuzzi, F. Martellotta","doi":"10.3390/acoustics5010017","DOIUrl":"https://doi.org/10.3390/acoustics5010017","url":null,"abstract":"Resource-efficient buildings are one of the most important challenges of the construction industry, which could be achieved by limiting the extraction of natural resources and by replacing them with industrial residues. The present work proposes innovative panels made from textile wastes as an efficient solution for making the semi-open atrium in the Polytechnic University of Bari, acoustically suitable for use as an area of study. Several measurements were carried out in the atrium under empty and occupied conditions in order to characterize the sound field of the space (i.e., the reverberation time and the sound pressure level) and the actual sound sources (i.e., the sound power level of the students occupying the space). The on-site measurement results were useful to calibrate a geometrical acoustic model implemented in CATT-Acoustic software and used to predict the effect of the proposed treatments. About 700 m2 of absorbent panels were distributed, leading to a predicted reduction in the reverberation time from 2.4 s to 1.4 s at 500 Hz, and consequently to an estimated 3 dB reduction in sound pressure level, resulting in a reduction in the background noise level due to speech. Furthermore, as a consequence of the “Lombard effect”, a decrease in the background noise level will likely reduce the sound power level of the speakers by 2 dB, with an expected overall reduction of 5 dB.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43174022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-06DOI: 10.3390/acoustics5010018
L. Álvarez-Morales, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich, M. Díaz‐Andreu
In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried out in the rock art complex of Bacinete, Cádiz (Spain). After describing the archaeological site and its importance, a representative set of monaural and spatial IRs gathered onsite is thoroughly analysed to explore the hypothesis that the sonic component of the site played an important role in how prehistoric people interacted with it. Additionally, we briefly discuss the challenges of analysing the acoustics of open-air spaces following the recommendations of the ISO 3382-1 guidelines, a standard developed not for open-air spaces, but for room acoustics. The results obtained confirm the favourable acoustic conditions of the Bacinete main shelter for speech transmission. The different subjective acoustic impressions obtained in a somewhat similar shelter located nearby, Bacinete III, are also explained, alluding to a lesser degree of intimacy felt in the latter.
{"title":"The Bacinete Main Shelter: A Prehistoric Theatre?","authors":"L. Álvarez-Morales, Neemias Santos da Rosa, Daniel Benítez-Aragón, Laura Fernández Macías, María Lazarich, M. Díaz‐Andreu","doi":"10.3390/acoustics5010018","DOIUrl":"https://doi.org/10.3390/acoustics5010018","url":null,"abstract":"In the last few years, archaeoacoustic studies of rock art sites and landscapes have undergone significant growth as a result of renewed interest in the intangible aspects of the archaeological record. This article focuses on the acoustic study carried out in the rock art complex of Bacinete, Cádiz (Spain). After describing the archaeological site and its importance, a representative set of monaural and spatial IRs gathered onsite is thoroughly analysed to explore the hypothesis that the sonic component of the site played an important role in how prehistoric people interacted with it. Additionally, we briefly discuss the challenges of analysing the acoustics of open-air spaces following the recommendations of the ISO 3382-1 guidelines, a standard developed not for open-air spaces, but for room acoustics. The results obtained confirm the favourable acoustic conditions of the Bacinete main shelter for speech transmission. The different subjective acoustic impressions obtained in a somewhat similar shelter located nearby, Bacinete III, are also explained, alluding to a lesser degree of intimacy felt in the latter.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41455210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.3390/acoustics5010015
R. Fernandez Martinez, P. Jimbert, E. M. Sumner, M. Riedel, Runar Unnthorsson
The generation of a virtual, personal, auditory space to obtain a high-quality sound experience when using headphones is of great significance. Normally this experience is improved using personalized head-related transfer functions (HRTFs) that depend on a large degree of personal anthropometric information on pinnae. Most of the studies focus their personal auditory optimization analysis on the study of amplitude versus frequency on HRTFs, mainly in the search for significant elevation cues of frequency maps. Therefore, knowing the HRTFs of each individual is of considerable help to improve sound quality. The following work proposes a methodology to model HRTFs according to the individual structure of pinnae using multilayer perceptron and linear regression techniques. It is proposed to generate several models that allow knowing HRTFs amplitude for each frequency based on the personal anthropometric data on pinnae, the azimuth angle, and the elevation of the sound source, thus predicting frequency magnitudes. Experiments show that the prediction of new personal HRTF generates low errors, thus this model can be applied to new heads with different pinnae characteristics with high confidence. Improving the results obtained with the standard KEMAR pinna, usually used in cases where there is a lack of information.
{"title":"Prediction of Head Related Transfer Functions Using Machine Learning Approaches","authors":"R. Fernandez Martinez, P. Jimbert, E. M. Sumner, M. Riedel, Runar Unnthorsson","doi":"10.3390/acoustics5010015","DOIUrl":"https://doi.org/10.3390/acoustics5010015","url":null,"abstract":"The generation of a virtual, personal, auditory space to obtain a high-quality sound experience when using headphones is of great significance. Normally this experience is improved using personalized head-related transfer functions (HRTFs) that depend on a large degree of personal anthropometric information on pinnae. Most of the studies focus their personal auditory optimization analysis on the study of amplitude versus frequency on HRTFs, mainly in the search for significant elevation cues of frequency maps. Therefore, knowing the HRTFs of each individual is of considerable help to improve sound quality. The following work proposes a methodology to model HRTFs according to the individual structure of pinnae using multilayer perceptron and linear regression techniques. It is proposed to generate several models that allow knowing HRTFs amplitude for each frequency based on the personal anthropometric data on pinnae, the azimuth angle, and the elevation of the sound source, thus predicting frequency magnitudes. Experiments show that the prediction of new personal HRTF generates low errors, thus this model can be applied to new heads with different pinnae characteristics with high confidence. Improving the results obtained with the standard KEMAR pinna, usually used in cases where there is a lack of information.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43124384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.3390/acoustics5010016
S. Alekseev, N. Polzikova, V. Luzanov
The hybrid high overtone bulk acoustic wave resonators (HBARs) consisting of a piezoelectric film transducers and gallium gadolinium garnet substrates with yttrium iron garnet films (YIG-GGG-YIG) are used for experimental excitation and detection of acoustically driven spin waves (ADSWs). Two types of HBAR transducers made of Al-ZnO-Al films (differed through the electrodes’ geometry) were deposited onto YIG-GGG-YIG trilayers with different YIG film thicknesses and doping levels and served for excitation of multimode HBAR at gigahertz frequencies. ADSWs were detected by measuring the shifts of resonant HBAR modes in a tangential external magnetic field when the conditions for magnetoelastic resonance (MER) were satisfied. It was shown that the design of the transducer with a continuous bottom electrode provides all acoustical excitation of spin waves (pure ADSWs), suppressing the additional inductive magnetic dynamics excitation due to the electrodes’ geometry. The theoretical study of the HBAR spectrum in a magnetic field showed that the resonance harmonics in the MER region can either almost continuously transfer from one to another, or decay and form an evident magnetoelastic gap. In this case, the shift of resonant frequencies can achieve several intermodal distances. The results obtained are important for applications of HBAR-based devices in spintronics and magnonics.
{"title":"All Acoustical Excitation of Spin Waves in High Overtone Bulk Acoustic Resonator","authors":"S. Alekseev, N. Polzikova, V. Luzanov","doi":"10.3390/acoustics5010016","DOIUrl":"https://doi.org/10.3390/acoustics5010016","url":null,"abstract":"The hybrid high overtone bulk acoustic wave resonators (HBARs) consisting of a piezoelectric film transducers and gallium gadolinium garnet substrates with yttrium iron garnet films (YIG-GGG-YIG) are used for experimental excitation and detection of acoustically driven spin waves (ADSWs). Two types of HBAR transducers made of Al-ZnO-Al films (differed through the electrodes’ geometry) were deposited onto YIG-GGG-YIG trilayers with different YIG film thicknesses and doping levels and served for excitation of multimode HBAR at gigahertz frequencies. ADSWs were detected by measuring the shifts of resonant HBAR modes in a tangential external magnetic field when the conditions for magnetoelastic resonance (MER) were satisfied. It was shown that the design of the transducer with a continuous bottom electrode provides all acoustical excitation of spin waves (pure ADSWs), suppressing the additional inductive magnetic dynamics excitation due to the electrodes’ geometry. The theoretical study of the HBAR spectrum in a magnetic field showed that the resonance harmonics in the MER region can either almost continuously transfer from one to another, or decay and form an evident magnetoelastic gap. In this case, the shift of resonant frequencies can achieve several intermodal distances. The results obtained are important for applications of HBAR-based devices in spintronics and magnonics.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48737870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-03-01DOI: 10.3390/acoustics5010005
Maryam Naghibolhosseini
The goal of this study is to compare three of the most commonly used primary-level relation paradigms (i.e., Scissors, Boys Town 'Optimal', and Equal-Level) in generation of distortion product otoacoustic emissions (DPOAEs) in normal hearing adults. The generator and reflection components were extracted from DPOAEs in each paradigm. The generator and reflection component levels and input/output (I/O) functions were compared across paradigms and primary-tone levels. The results showed a different I/O function growth behavior across frequency and levels among paradigms. The Optimal paradigm showed a systematic change in the generator and reflection component levels and I/O slopes across primary levels among subjects. Moreover, the levels and slopes in the Optimal paradigm were more distinct across levels with less variations across frequency leading to a systematic change in the DPOAE fine structure across levels. The I/O functions were found to be more sensitive to the selected paradigm; especially the I/O function for the reflection component. The I/O functions of the reflection components showed large variability across frequencies due to different frequency shifts in their microstructure depending on the paradigm. The findings of this study suggested the Optimal paradigm as the proper primary-level relation to study cochlear amplification/compression. The findings of this study shows that care needs to be taken in comparing the findings of different studies that generated DPOAEs with a different level-relation paradigm.
{"title":"The Effect of Stimuli Level on Distortion Product Otoacoustic Emission in Normal Hearing Adults.","authors":"Maryam Naghibolhosseini","doi":"10.3390/acoustics5010005","DOIUrl":"https://doi.org/10.3390/acoustics5010005","url":null,"abstract":"<p><p>The goal of this study is to compare three of the most commonly used primary-level relation paradigms (i.e., Scissors, Boys Town 'Optimal', and Equal-Level) in generation of distortion product otoacoustic emissions (DPOAEs) in normal hearing adults. The generator and reflection components were extracted from DPOAEs in each paradigm. The generator and reflection component levels and input/output (I/O) functions were compared across paradigms and primary-tone levels. The results showed a different I/O function growth behavior across frequency and levels among paradigms. The Optimal paradigm showed a systematic change in the generator and reflection component levels and I/O slopes across primary levels among subjects. Moreover, the levels and slopes in the Optimal paradigm were more distinct across levels with less variations across frequency leading to a systematic change in the DPOAE fine structure across levels. The I/O functions were found to be more sensitive to the selected paradigm; especially the I/O function for the reflection component. The I/O functions of the reflection components showed large variability across frequencies due to different frequency shifts in their microstructure depending on the paradigm. The findings of this study suggested the Optimal paradigm as the proper primary-level relation to study cochlear amplification/compression. The findings of this study shows that care needs to be taken in comparing the findings of different studies that generated DPOAEs with a different level-relation paradigm.</p>","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":"5 1","pages":"72-86"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9930411/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"10817305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-27DOI: 10.3390/acoustics5010014
Giovanna Cardoso Pinto, C. Rocha, C. Matas, A. G. Samelli
(1) Background: To assess and compare speech intelligibility with conventional and universal musician-specific hearing protection devices (HPD); (2) Methods: The sample comprised 15 normal-hearing musicians of both sexes who had been professionals for more than 5 years. They underwent thorough audiological assessment and free-field audiometry to measure the attenuation levels of three HPD models (musician-specific, silicone, and foam devices). The sentence recognition thresholds in quiet (SRTQ) and noise (SRTN) were assessed with the Lists of Sentences in Portuguese. User satisfaction with musician HPD was assessed after 2 months; (3) Results: Conventional HPD had higher pure-tone mean attenuation levels than musician HPD. No statistically significant differences were found in SRTQ and SRTN between the three HPD types. However, the musician HPD had higher mean signal-to-noise ratios and percentages of correct words from sentences presented in noise than the other HPD. The answers also indicated a positive trend toward satisfaction with the musician-specific HPD; (4) Conclusions: Despite the lack of significant differences in speech intelligibility while wearing the three HPD models in either quiet or noise, the musician-specific HPD provided greater musical sound quality. This reinforces the possibility of an effective and adequate use of protection to preserve musicians’ hearing.
{"title":"Effects of Conventional and Musician-Specific Hearing Protection Devices on Speech Intelligibility","authors":"Giovanna Cardoso Pinto, C. Rocha, C. Matas, A. G. Samelli","doi":"10.3390/acoustics5010014","DOIUrl":"https://doi.org/10.3390/acoustics5010014","url":null,"abstract":"(1) Background: To assess and compare speech intelligibility with conventional and universal musician-specific hearing protection devices (HPD); (2) Methods: The sample comprised 15 normal-hearing musicians of both sexes who had been professionals for more than 5 years. They underwent thorough audiological assessment and free-field audiometry to measure the attenuation levels of three HPD models (musician-specific, silicone, and foam devices). The sentence recognition thresholds in quiet (SRTQ) and noise (SRTN) were assessed with the Lists of Sentences in Portuguese. User satisfaction with musician HPD was assessed after 2 months; (3) Results: Conventional HPD had higher pure-tone mean attenuation levels than musician HPD. No statistically significant differences were found in SRTQ and SRTN between the three HPD types. However, the musician HPD had higher mean signal-to-noise ratios and percentages of correct words from sentences presented in noise than the other HPD. The answers also indicated a positive trend toward satisfaction with the musician-specific HPD; (4) Conclusions: Despite the lack of significant differences in speech intelligibility while wearing the three HPD models in either quiet or noise, the musician-specific HPD provided greater musical sound quality. This reinforces the possibility of an effective and adequate use of protection to preserve musicians’ hearing.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69874692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-24DOI: 10.3390/acoustics5010013
F. Cotana, F. Asdrubali, G. Arcangeli, S. Luzzi, G. Ricci, Lucia Busa, M. Goretti, Alfonso Tortorella, Paola Pulella, Piergiovanni Domenighini, V. Gambacorta, C. Guattari, Federica Cirimbilli, A. Nicolini, P. Nataletti, D. Annesi, F. Sanjust, L. Cerini
Noise exposure may cause auditory and extra-auditory effects. School teachers and students are exposed to high noise levels which have an impact on perceptual-cognitive and neurobehavioral aspects. The latter influence teaching conditions and student school performance. A Protocol was defined and parameters to be investigated were identified for acoustic characterization of unoccupied and occupied school environments, assessment of users by means of questionnaires completed by teachers and students, and vocal effort evaluation. Classrooms, laboratories, auditoriums, gymnasiums, common areas, canteens and outdoor areas were analysed in terms of acoustic features and identification of the origin of noise. The Protocol was tested in three kindergartens, three primary schools and three secondary schools placed in Rome, Florence and Perugia. Results of nine case studies are presented, including comparisons of objective and subjective investigations. Generally, the acoustic performances of the spaces under investigation do not meet the requirements of current Italian legislation. In particular, student activity determines high noise levels in laboratories, gymnasiums, and canteens. Students notice that noise mainly causes loss of concentration, fatigue, boredom, and headache. The outcomes of this research will be the starting point to define strategies and solutions for noise control and mitigation in schools and to draft guidelines for the acoustical school design.
{"title":"Extra-Auditory Effects from Noise Exposure in Schools: Results of Nine Italian Case Studies","authors":"F. Cotana, F. Asdrubali, G. Arcangeli, S. Luzzi, G. Ricci, Lucia Busa, M. Goretti, Alfonso Tortorella, Paola Pulella, Piergiovanni Domenighini, V. Gambacorta, C. Guattari, Federica Cirimbilli, A. Nicolini, P. Nataletti, D. Annesi, F. Sanjust, L. Cerini","doi":"10.3390/acoustics5010013","DOIUrl":"https://doi.org/10.3390/acoustics5010013","url":null,"abstract":"Noise exposure may cause auditory and extra-auditory effects. School teachers and students are exposed to high noise levels which have an impact on perceptual-cognitive and neurobehavioral aspects. The latter influence teaching conditions and student school performance. A Protocol was defined and parameters to be investigated were identified for acoustic characterization of unoccupied and occupied school environments, assessment of users by means of questionnaires completed by teachers and students, and vocal effort evaluation. Classrooms, laboratories, auditoriums, gymnasiums, common areas, canteens and outdoor areas were analysed in terms of acoustic features and identification of the origin of noise. The Protocol was tested in three kindergartens, three primary schools and three secondary schools placed in Rome, Florence and Perugia. Results of nine case studies are presented, including comparisons of objective and subjective investigations. Generally, the acoustic performances of the spaces under investigation do not meet the requirements of current Italian legislation. In particular, student activity determines high noise levels in laboratories, gymnasiums, and canteens. Students notice that noise mainly causes loss of concentration, fatigue, boredom, and headache. The outcomes of this research will be the starting point to define strategies and solutions for noise control and mitigation in schools and to draft guidelines for the acoustical school design.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47864535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-24DOI: 10.3390/acoustics5010012
Aglaia Foteinou, D. Murphy, J. Cooper
This paper presents an acoustic reconstruction of the UK House of Commons between c. 1820 and 1834. Focusing on a historically important site where political decisions were debated over the centuries, we aim to simulate and present the intangible principles of the acoustic properties and sounds heard within the space. The acoustic model was created based on available historical evidence with the aid of commercial acoustic simulation software. We discuss the decisions made for this reconstruction based on further experimentation with the acoustic characteristics of the constituent materials and settings of the available software. An additional comparison of the achieved acoustic results with spaces of similar historical importance and layout is presented, as a calibration of the model with in situ measurements was not possible in this case study. The values of T30, EDT, C50 and Ts are presented, while auralization examples are also available for a subjective evaluation of the results.
{"title":"An Acoustic Reconstruction of the House of Commons, c. 1820–1834","authors":"Aglaia Foteinou, D. Murphy, J. Cooper","doi":"10.3390/acoustics5010012","DOIUrl":"https://doi.org/10.3390/acoustics5010012","url":null,"abstract":"This paper presents an acoustic reconstruction of the UK House of Commons between c. 1820 and 1834. Focusing on a historically important site where political decisions were debated over the centuries, we aim to simulate and present the intangible principles of the acoustic properties and sounds heard within the space. The acoustic model was created based on available historical evidence with the aid of commercial acoustic simulation software. We discuss the decisions made for this reconstruction based on further experimentation with the acoustic characteristics of the constituent materials and settings of the available software. An additional comparison of the achieved acoustic results with spaces of similar historical importance and layout is presented, as a calibration of the model with in situ measurements was not possible in this case study. The values of T30, EDT, C50 and Ts are presented, while auralization examples are also available for a subjective evaluation of the results.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43510209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-05DOI: 10.3390/acoustics5010011
Rossella Cottone, L. Shtrepi, V. Serra, S. Pagliolico
The agricultural activity of pruning olive trees generates waste which, due to long-standing practices and unawareness of the consequences, are burned on site, thereby producing CO2 emissions in the atmosphere. Therefore, in order to prevent environmental pollution and a waste of resources, the aim of this research investigation was to highlight some alternative uses of the pruning of olive trees waste. This work focuses on recycled and reused by-products as a secondary raw material for the implementation of interior components that can be used for indoor acoustic correction purposes and evaluates their potential as absorbing materials, without overlooking the aesthetic dimension. In this paper, different configurations based on plywood frames with loose olive pruning chips used as a filler, namely, modules and sub-modules, were investigated. Moreover, other technological details, that is, the influence of a Tissue-Non-Tissue (TNT) layer and a spray film coating applied over the external surface of the loose material, were measured. Sound absorption measurements were conducted inside a small-scale reverberation room (SSRR) and the experimental results demonstrated that the samples, for the given thickness, have weighted sound absorption values (αw) of between 0.15 and 0.35 and single third-octave band values that can reach higher values than 0.50 above 500 Hz. The frequency curves and weighted values of the samples in which the influence of TNT and the spray film coating were tested remained unchanged. This is a design aspect that allows absorbing surfaces to be modeled and integrated with existing walls, while maintaining the acoustic performance and the specific aesthetic features of the loose material.
{"title":"The Recycling and Reuse of Natural Materials: Sound Absorbing Box Patterns That Use Waste from Olive Tree Pruning","authors":"Rossella Cottone, L. Shtrepi, V. Serra, S. Pagliolico","doi":"10.3390/acoustics5010011","DOIUrl":"https://doi.org/10.3390/acoustics5010011","url":null,"abstract":"The agricultural activity of pruning olive trees generates waste which, due to long-standing practices and unawareness of the consequences, are burned on site, thereby producing CO2 emissions in the atmosphere. Therefore, in order to prevent environmental pollution and a waste of resources, the aim of this research investigation was to highlight some alternative uses of the pruning of olive trees waste. This work focuses on recycled and reused by-products as a secondary raw material for the implementation of interior components that can be used for indoor acoustic correction purposes and evaluates their potential as absorbing materials, without overlooking the aesthetic dimension. In this paper, different configurations based on plywood frames with loose olive pruning chips used as a filler, namely, modules and sub-modules, were investigated. Moreover, other technological details, that is, the influence of a Tissue-Non-Tissue (TNT) layer and a spray film coating applied over the external surface of the loose material, were measured. Sound absorption measurements were conducted inside a small-scale reverberation room (SSRR) and the experimental results demonstrated that the samples, for the given thickness, have weighted sound absorption values (αw) of between 0.15 and 0.35 and single third-octave band values that can reach higher values than 0.50 above 500 Hz. The frequency curves and weighted values of the samples in which the influence of TNT and the spray film coating were tested remained unchanged. This is a design aspect that allows absorbing surfaces to be modeled and integrated with existing walls, while maintaining the acoustic performance and the specific aesthetic features of the loose material.","PeriodicalId":72045,"journal":{"name":"Acoustics (Basel, Switzerland)","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43124780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-02DOI: 10.3390/acoustics5010010
E. Kaselouris, Stella Paschalidou, Chrisoula Alexandraki, V. Dimitriou
The transient acoustic dynamics of a splash cymbal are investigated via the Finite Element Method-Boundary Element Method. Real three-dimensional motion data recorded from the interaction of drummer–drumstick–cymbal provide the initial and the loading conditions to the simulated interaction of the drumstick–cymbal Finite Element Models. Progressively intensified free strokes are used as loading conditions for both experiment and simulation. The velocity values of the moving drumstick in various drumming conditions are monitored, recorded, and analysed to provide input data into the time domain simulations. The synergy of motion capturing and numerical methods allows computing the sound generated by the combined interaction of the vibroacoustic behaviour of the cymbal with the motor-interaction of the performer. The proposed methodology promotes a novel perspective in musical instrument design, optimization, and manufacturing considering performance discrepancies intentionally introduced by performers.
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