This article aims to analyze biographical trauma writing in Ian McEwan’s Atonement (2001). In this novel, the narrator and protagonist Briony Tallis decides to become a nurse during The Second World War, as some kind of personal penance. Her auto fictional writing, nonetheless, reveals a possibility to repair her past trauma. The text addresses, more remarkably, the therapeutic properties of autobiographical fiction writing, having as references current assumptions both on trauma theory and life-writing.
{"title":"WRITING AS REPARATION: BIOGRAPHICAL TRAUMA WRITING IN IAN MCEWAN’S ATONEMENT.","authors":"D. Abreu, Anu","doi":"10.1344/aflc2018.8.9","DOIUrl":"https://doi.org/10.1344/aflc2018.8.9","url":null,"abstract":"This article aims to analyze biographical trauma writing in Ian McEwan’s Atonement (2001). In this novel, the narrator and protagonist Briony Tallis decides to become a nurse during The Second World War, as some kind of personal penance. Her auto fictional writing, nonetheless, reveals a possibility to repair her past trauma. The text addresses, more remarkably, the therapeutic properties of autobiographical fiction writing, having as references current assumptions both on trauma theory and life-writing.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76435990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A LITERATURA DE PARENTESCO IDEOLÓGICO COM O NAZISMO.","authors":"","doi":"10.1344/aflc2018.8.3","DOIUrl":"https://doi.org/10.1344/aflc2018.8.3","url":null,"abstract":"","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84151248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Within French post-war society, the reassessment of the Second World War and the French collaboration with the national socialist occupants started comparatively late. According to French historiographer Henry Rousso, France suffered from ‘Vichy-Syndrome’ until the 1970s, when the suppressed past surged and brought about an obsessive focus on the period of the Occupation, that France hasn’t overcome until this day (Rousso/Conan 2013). Since the mid-1970s, the period of the Occupation has also increasingly been made a topic of fictional literature. Especially around the turn of the millennium is when many novels are published that discuss the time of the German occupation in France (1940-44). This article analyzes three novels that deconstruct the Gaullist myth of the France resistante and turn against the metaphor of the annees noires. The novels Dora Bruder (Patrick Modiano, 1997), La cliente (Pierre Assouline, 1998) and Un amour sans resistance (Gilles Rozier, 2003) make the gaps in the official discourse of memory visible and highlight the shades of gray that lie between resistance and collaboration.
{"title":"Le miroir brisé: Reassessing the Occupation (1940-44) in Novels by Modiano, Assouline and Rozier.","authors":"Ursula Hennigfeld","doi":"10.1344/aflc2018.8.8","DOIUrl":"https://doi.org/10.1344/aflc2018.8.8","url":null,"abstract":"Within French post-war society, the reassessment of the Second World War and the French collaboration with the national socialist occupants started comparatively late. According to French historiographer Henry Rousso, France suffered from ‘Vichy-Syndrome’ until the 1970s, when the suppressed past surged and brought about an obsessive focus on the period of the Occupation, that France hasn’t overcome until this day (Rousso/Conan 2013). Since the mid-1970s, the period of the Occupation has also increasingly been made a topic of fictional literature. Especially around the turn of the millennium is when many novels are published that discuss the time of the German occupation in France (1940-44). This article analyzes three novels that deconstruct the Gaullist myth of the France resistante and turn against the metaphor of the annees noires. The novels Dora Bruder (Patrick Modiano, 1997), La cliente (Pierre Assouline, 1998) and Un amour sans resistance (Gilles Rozier, 2003) make the gaps in the official discourse of memory visible and highlight the shades of gray that lie between resistance and collaboration.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"116 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86796169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nannü: una sortida al cercle viciós del dualisme?.","authors":"","doi":"10.1344/aflc2018.8.13","DOIUrl":"https://doi.org/10.1344/aflc2018.8.13","url":null,"abstract":"","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80215628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Der Täter als Überlebender: Der KZ-Arzt im Kino.","authors":"","doi":"10.1344/aflc2018.8.11","DOIUrl":"https://doi.org/10.1344/aflc2018.8.11","url":null,"abstract":"","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"236 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86926972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El present article examina les representacions corporals en la novel·la Infinite Jest (David Foster Wallace, 1996) amb la guia d’algunes preguntes. Quina es la concepcio ontologica del cos que es soste en la novel·la? Quin es el paradigma relacional que des d’aqui es proposa? L’article s’obre amb l’analisi de la presencia d’algunes corporalitats considerades no normatives i la seva construccio –en primer lloc, els cossos malalts i discapacitats–, des dels principis de l’estetica de l’assemblage, de costat amb el dispositiu narratiu de la novel·la. Mes endavant, s’estudiaran alguns casos individuals amb l’objectiu de contrastar la hipotesi segons la qual el que hi ha en joc en l’obra es la reescriptura de la concepcio tradicional de la corporalitat, concebuda com a hermetica, autosuficient i sostinguda en els limits de la individualitat. Per reforcar aquesta idea es posara especial emfasi en la relacio amb els altres cossos i, particularment, amb les substancies additives: aquestes darreres permetran l’aproximacio a la idea de transcorporalitat, que es manifesta com a expressio superlativa del rebuig a la forma unitaria i tancada del cos.
{"title":"LA CONSTRUCCIÓ DE LES CORPORALITATS A INFINITE JEST: DE L’ESTÈTICA DE L’ASSEMBLAGE A LA TRANSCORPORALITAT.","authors":"Maria Isern Ordeig","doi":"10.1344/AFLC2018.8.16","DOIUrl":"https://doi.org/10.1344/AFLC2018.8.16","url":null,"abstract":"El present article examina les representacions corporals en la novel·la Infinite Jest (David Foster Wallace, 1996) amb la guia d’algunes preguntes. Quina es la concepcio ontologica del cos que es soste en la novel·la? Quin es el paradigma relacional que des d’aqui es proposa? L’article s’obre amb l’analisi de la presencia d’algunes corporalitats considerades no normatives i la seva construccio –en primer lloc, els cossos malalts i discapacitats–, des dels principis de l’estetica de l’assemblage, de costat amb el dispositiu narratiu de la novel·la. Mes endavant, s’estudiaran alguns casos individuals amb l’objectiu de contrastar la hipotesi segons la qual el que hi ha en joc en l’obra es la reescriptura de la concepcio tradicional de la corporalitat, concebuda com a hermetica, autosuficient i sostinguda en els limits de la individualitat. Per reforcar aquesta idea es posara especial emfasi en la relacio amb els altres cossos i, particularment, amb les substancies additives: aquestes darreres permetran l’aproximacio a la idea de transcorporalitat, que es manifesta com a expressio superlativa del rebuig a la forma unitaria i tancada del cos.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74609486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Der Artikel bietet zunachst einen interpretativen Uberblick uber die wesentlichen Phasen der deutschen Aufarbeitung des 3. Reiches, bis hin zu jenem Erinnerungsboom in Literatur und Film, der Ende der Neunziger Jahre einsetzte. Dieser Boom ist einerseits gekennzeichnet durch eine extreme Kommerzialisierung der Vergangenheit, andererseits aber auch durch kritische Ruckblicke auf fruhere Phasen des Erinnerns, in denen eine klare Instrumentalisierung des Schuldvorwurfs der Nachkriegsgeborenen gegen ihre Elterngeneration aufgedeckt wird. Die Erkenntnis leitende Motivation nachgeborener Generationen hatte teilweise, so der Vorwurf, mehr mit eigenen moralischen und politischen Projektionen als mit der Vergangenheit und ihren Akteuren selber zu tun. Das legt die Hypothese nahe, dass die literarische Suche nach Wahrheit und Gerechtigkeit mit zunehmender zeitlicher Distanz zum 2. Weltkrieg an Glaubwurdigkeit verlor. Dafur wurde sprechen, und das macht den zweiten Teil der Untersuchung aus, dass viele unmittelbar nach Kriegsende publizierten und teilweise noch im Krieg verfassten Texte auf eine viel differenziertere Weise die sehr unterschiedlichen Grade der Verstrickung in das Bose offenlegten, als dies in spateren Jahrzehnten ublich war. Sie kannten vielfaltige Moglichkeiten des Schuldig-Werdens und prasentierten sogar Situationen, in denen es unmoglich ist, nicht schuldig zu werden. Diese Einsichten in das moralische Dilemma der menschlichen Existenz, so die These des Artikels, gingen in den folgenden Jahrzehnten weitgehend verloren.
{"title":"VOM VERLUST DER ERSTEN EINSICHTEN. DIE SCHULDFRAGE IN DER DEUTSCHEN LITERATUR UNMITTELBAR NACH KRIEGSENDE UND IHRE BEDEUTUNG FÜR DIE AUFARBEITUNG DER NS-GESCHICHTE IN DEUTSCHLAND.","authors":"Bernd F. W. Springer","doi":"10.1344/AFLC2018.8.5","DOIUrl":"https://doi.org/10.1344/AFLC2018.8.5","url":null,"abstract":"Der Artikel bietet zunachst einen interpretativen Uberblick uber die wesentlichen Phasen der deutschen Aufarbeitung des 3. Reiches, bis hin zu jenem Erinnerungsboom in Literatur und Film, der Ende der Neunziger Jahre einsetzte. Dieser Boom ist einerseits gekennzeichnet durch eine extreme Kommerzialisierung der Vergangenheit, andererseits aber auch durch kritische Ruckblicke auf fruhere Phasen des Erinnerns, in denen eine klare Instrumentalisierung des Schuldvorwurfs der Nachkriegsgeborenen gegen ihre Elterngeneration aufgedeckt wird. Die Erkenntnis leitende Motivation nachgeborener Generationen hatte teilweise, so der Vorwurf, mehr mit eigenen moralischen und politischen Projektionen als mit der Vergangenheit und ihren Akteuren selber zu tun. Das legt die Hypothese nahe, dass die literarische Suche nach Wahrheit und Gerechtigkeit mit zunehmender zeitlicher Distanz zum 2. Weltkrieg an Glaubwurdigkeit verlor. Dafur wurde sprechen, und das macht den zweiten Teil der Untersuchung aus, dass viele unmittelbar nach Kriegsende publizierten und teilweise noch im Krieg verfassten Texte auf eine viel differenziertere Weise die sehr unterschiedlichen Grade der Verstrickung in das Bose offenlegten, als dies in spateren Jahrzehnten ublich war. Sie kannten vielfaltige Moglichkeiten des Schuldig-Werdens und prasentierten sogar Situationen, in denen es unmoglich ist, nicht schuldig zu werden. Diese Einsichten in das moralische Dilemma der menschlichen Existenz, so die These des Artikels, gingen in den folgenden Jahrzehnten weitgehend verloren.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"100 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83242354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The literary work of Annemarie Schwarzenbach is part of the German Swiss literature from the interwar period. The novel Das gluckliche Tal (1940) has been considered by Rohlf (2002) as an example of exile literature although it was not written in exile. The objective of this essay is to determine, to what extent the notion of ”exile literature“ can be applied to this and other works of Schwarzenbach. It develops the concepts of the antifascist literature about exile, the motif of the exiled and the wandering traveller, as well as the metaphor of exile. Reading the novels Flucht nach oben and Tod in Persien and the short stories “Das gelobte Land“, “Verklartes Europa“, “Sehr viel Geduld...“ and ”Drei Tage Morgendammerung“ under the scope of exile, one arrives at the conclusion that the literal concepts of exile are fading in light of a more metaphorical sense of exile. The essay ascertains that the designation of Swiss exile literature is only applicable if we situate every work in the historical context of its aesthetics and its testimonial value.
安妮玛丽·施瓦岑巴赫的文学作品是两次世界大战期间德国瑞士文学的一部分。小说Das gluckliche Tal(1940)被罗尔夫(2002)认为是流亡文学的一个例子，尽管它不是在流亡期间写的。本文的目的是确定，“流亡文学”的概念在多大程度上可以应用于施瓦岑巴赫的这部作品和其他作品。它发展了反法西斯流亡文学的概念、流亡者和流浪旅行者的母题以及流亡的隐喻。读小说《在波斯的福尔希特·奥本》和《托德》，读短篇小说《大地》、《欧罗巴》、《我的世界》……和" Drei Tage Morgendammerung "在流放的范围下，我们得出的结论是，流放的字面概念在流放的隐喻意义下逐渐消失。本文确定了瑞士流亡文学的称号只有在我们将每一部作品置于其美学和见证价值的历史语境中才能适用。
{"title":"Consideraciones sobre una literatura de exilio suiza: Annemarie Schwarzenbach.","authors":"Guiomar Susana Topf Monge","doi":"10.1344/AFLC2018.8.6","DOIUrl":"https://doi.org/10.1344/AFLC2018.8.6","url":null,"abstract":"The literary work of Annemarie Schwarzenbach is part of the German Swiss literature from the interwar period. The novel Das gluckliche Tal (1940) has been considered by Rohlf (2002) as an example of exile literature although it was not written in exile. The objective of this essay is to determine, to what extent the notion of ”exile literature“ can be applied to this and other works of Schwarzenbach. It develops the concepts of the antifascist literature about exile, the motif of the exiled and the wandering traveller, as well as the metaphor of exile. Reading the novels Flucht nach oben and Tod in Persien and the short stories “Das gelobte Land“, “Verklartes Europa“, “Sehr viel Geduld...“ and ”Drei Tage Morgendammerung“ under the scope of exile, one arrives at the conclusion that the literal concepts of exile are fading in light of a more metaphorical sense of exile. The essay ascertains that the designation of Swiss exile literature is only applicable if we situate every work in the historical context of its aesthetics and its testimonial value.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"139 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82262249","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El llibre de poesia El bell pais on els homes desitgen els homes , de Biel Mesquida, ha estat considerat sovint un text transgressor per diversos critics i estudiosos. Dificilment, pero, aquesta formulacio de la transgressio ha estat definida de manera clara: que transgredeixen els poemes i com se suposa que ho fan? L’objectiu d’aquesta investigacio es confrontar la nocio de “transgressio” en la seva arrel etimologica amb els poemes que conformen el volum de Mesquida, i fer-ho mes concretament analitzant la transgressio d’alguns codis sexuals i de genere. Aixi doncs, aquest estudi reposa sobre el caracter transitiu i contextual del fenomen de la transgressio i ho fa a partir de l’analisi de la resignificacio de la sexualitat a traves de la paraula. Amb el contingut i tambe amb alguns aspectes formals presents en els poemes d’ El bell pais… , Mesquida contradiu, estrafa, amplia i subverteix nombrosos codis socials relacionats amb la sexualitat i estableix un dialeg universal amb l’escriptura del cos i del desig.
{"title":"Un país fet bell. Transgressio´ i resignificacio´ de la sexualitat a El bell pai´s on els homes desitgen els homes, de Biel Mesquida.","authors":"Sebastià Portell","doi":"10.1344/AFLC2018.8.15","DOIUrl":"https://doi.org/10.1344/AFLC2018.8.15","url":null,"abstract":"El llibre de poesia El bell pais on els homes desitgen els homes , de Biel Mesquida, ha estat considerat sovint un text transgressor per diversos critics i estudiosos. Dificilment, pero, aquesta formulacio de la transgressio ha estat definida de manera clara: que transgredeixen els poemes i com se suposa que ho fan? L’objectiu d’aquesta investigacio es confrontar la nocio de “transgressio” en la seva arrel etimologica amb els poemes que conformen el volum de Mesquida, i fer-ho mes concretament analitzant la transgressio d’alguns codis sexuals i de genere. Aixi doncs, aquest estudi reposa sobre el caracter transitiu i contextual del fenomen de la transgressio i ho fa a partir de l’analisi de la resignificacio de la sexualitat a traves de la paraula. Amb el contingut i tambe amb alguns aspectes formals presents en els poemes d’ El bell pais… , Mesquida contradiu, estrafa, amplia i subverteix nombrosos codis socials relacionats amb la sexualitat i estableix un dialeg universal amb l’escriptura del cos i del desig.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"36 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74346266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
T he literary sources of the “back-to-nature” theme —as it is famously deployed in Heinrich v. Kleist´s Das Erdbeben in Chili (1807) — haven´t been yet enough studied. In the present essay we propose two important philological precedents, recognizable in C. M. Wieland´s Beytrage zur geheimen Geschichte des menschlichen Verstandes und Herzens (1770) and in Chapter Five, Book IV, from J. W. Goethe´s Wilhelm Meisters Lehrjahre (1795). Our main thesis is that Kleist´s literary approach to the intellectual and ideological issues involved in the different versions of the topic displays an unusual reading of J-J. Rousseau´s work in the aftermath of the French Revolution.
“回归自然”主题的文学来源——正如海因里希·v·克莱斯特(Heinrich v. Kleist)在1807年的《智利的一切》(Das Erdbeben in Chili)中所表达的那样——还没有得到足够的研究。在本文中，我们提出了两个重要的文献学先例，可以在C. M. Wieland的《人的本质》(1770)和J. W. Goethe的《Wilhelm meister Lehrjahre》(1795)的第四卷第五章中识别。我们的主要论点是克莱斯特的文学方法涉及的知识和意识形态问题的不同版本的主题显示了一个不同寻常的阅读J-J。卢梭在法国大革命后的作品。
{"title":"VERSIONES DE ROUSSEAU: DAS ERDBEBEN IN CHILI O EL “RETORNO A LA NATURALEZA” COMO PALIMPSESTO LITERARIO.","authors":"Martín Baigorria","doi":"10.1344/AFLC2018.8.1","DOIUrl":"https://doi.org/10.1344/AFLC2018.8.1","url":null,"abstract":"T he literary sources of the “back-to-nature” theme —as it is famously deployed in Heinrich v. Kleist´s Das Erdbeben in Chili (1807) — haven´t been yet enough studied. In the present essay we propose two important philological precedents, recognizable in C. M. Wieland´s Beytrage zur geheimen Geschichte des menschlichen Verstandes und Herzens (1770) and in Chapter Five, Book IV, from J. W. Goethe´s Wilhelm Meisters Lehrjahre (1795). Our main thesis is that Kleist´s literary approach to the intellectual and ideological issues involved in the different versions of the topic displays an unusual reading of J-J. Rousseau´s work in the aftermath of the French Revolution.","PeriodicalId":7554,"journal":{"name":"AFEL","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85889238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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