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“We Were Involved with the Club” “我们加入了俱乐部”
Pub Date : 2019-11-01 DOI: 10.1525/scq.2019.101.4.396
F. Ducros
During the second half of the Great Migration, circa 1940s–1970s, many Creole Louisianans migrated to Los Angeles, where they established recreational social clubs like those in New Orleans. This article analyzes the experiences and social functions of the clubs among first and second generations based on personal interviews, revealing the shifting roles and meanings across regions and generations. It enriches our understanding of the Great Migration and the clubs’ roles in fostering migrant adaptation and social cohesion among one element of the Los Angeles Black population.
在大迁徙的后半期,大约在20世纪40年代至70年代,许多克里奥尔-路易西安人移民到洛杉矶,在那里他们建立了像新奥尔良那样的娱乐社交俱乐部。本文以个人访谈为基础,分析了俱乐部在第一代和第二代人中的经历和社会功能,揭示了跨地区、跨代人的角色和意义的转变。它丰富了我们对大移民的理解,以及俱乐部在促进洛杉矶黑人人口中移民适应和社会凝聚力方面的作用。
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引用次数: 0
Review: Pasadena Before the Roses: Race, Identity, and Land Use in Southern California, 1771–1890 by Yvette J. Saavedra 评论:《玫瑰前的帕萨迪纳:南加州的种族、身份和土地利用,1771–1890》,作者:Yvette J.Saavedra
Pub Date : 2019-11-01 DOI: 10.1525/scq.2019.101.4.467
A. Essington
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引用次数: 0
“A Private Passion” 《私人激情》
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.317
A. Ainsworth
Photographer Bob Douglas’s 1940s–1990s career illustrates the race-based constraints experienced by African American photographers. Analyses of his images of jazz performers bring to light his rapport with the musicians and his sensitivity to their music and the differences between his practice and from that of white jazz photographers. His oeuvre is an important contribution to the history of both jazz and photography.
摄影师鲍勃·道格拉斯(Bob Douglas)在20世纪40年代至90年代的职业生涯说明了非裔美国摄影师所经历的基于种族的限制。通过分析他拍摄的爵士表演者的照片,我们可以看出他与音乐家之间的融洽关系、他对他们音乐的敏感度,以及他与白爵士摄影师的不同之处。他的作品对爵士乐和摄影的历史都做出了重要贡献。
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引用次数: 0
Sea Otter Hunting and Conservation in Southern California since the Gold Rush 淘金热以来南加州的海獭狩猎和保护
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.265
R. Ravalli, Michael C. C. McGrann
Abstract:The sea otter population along the Southern California coast was reduced by maritime hunting in the late nineteenth and early twentieth centuries but not entirely driven to extinction. Based on historical sources and archival newspaper accounts, the authors have devised a conservative estimate of otter hunting activity between 1855 and 1908 and determined where hunting was concentrated. Conservation efforts in the Progressive Era and the 1970s and a translocation program in the late twentieth century have resulted in a limited population resurgence.
摘要:19世纪末和20世纪初,南加州海岸的海獭数量因海上狩猎而减少,但并未完全灭绝。根据历史资料和报纸档案,作者对1855年至1908年间的水獭狩猎活动进行了保守估计,并确定了狩猎活动的集中地点。进步时代和20世纪70年代的保护工作以及20世纪末的迁移计划导致了有限的人口复苏。
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引用次数: 0
The 1942 Santa Anita Detainment Center Labor Strike and Japanese American Incarceration during Ꮤorld Ꮤar II 1942年Santa Anita拘留中心劳工罢工和日裔美国人在Ꮤ世界Ꮤar II
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.285
Stephanie Hinnershitz
Abstract:This article studies a brief strike by Nikkei incarcerees at the Santa Anita Assembly Center in 1942. Employed in the industrial production of camouflage nets, the imprisoned Japanese Americans staged a strike over pay, worker safety, and rights. Ꮤithout previous guidelines, the center's administrators had to devise a resolution to this halt in the production of war materiel. The Santa Anita netmakers' strike and its resolution provided a foundation for handling labor disputes at the permanent ᏔRA camps later. The author identifies the administration, division of labor, pay, and unsafe work conditions, along with the strike leadership, management's response, and the outcome of the strike.
摘要:本文研究了1942年日本经济新闻记者在圣塔安妮塔集会中心的一次短暂罢工。被监禁的日裔美国人受雇于伪装网的工业生产,他们就工资、工人安全和权利举行了罢工。Ꮤ在没有之前的指导方针的情况下,该中心的管理人员不得不制定一个解决方案来停止战争物资的生产。Santa Anita网络制造商的罢工及其解决为处理永久性的劳资纠纷奠定了基础ᏔRA营地。作者确定了行政管理、劳动分工、薪酬和不安全的工作条件,以及罢工领导层、管理层的反应和罢工的结果。
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引用次数: 0
Review: The Integration of the Pacific Coast League: Race and Baseball on the West Coast, by Amy Essington 评论:《太平洋海岸联盟的整合:西海岸的种族与棒球》,艾米·埃辛顿著
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.347
J. Alamillo
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引用次数: 0
Review: Father Luis Olivares: Faith Politics and the Origins of the Sanctuary Movement, by Mario T. Garcia 书评:《路易斯·奥利瓦雷斯神父:信仰政治和庇护运动的起源》,作者:马里奥·加西亚
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.348
D. Bare
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引用次数: 0
Review: Freedom’s Racial Frontier: African Americans in the Twentieth Century West, by Herbert G. Ruffin II and Dwayne A. Mack 书评:《自由的种族边界:20世纪西方的非裔美国人》,作者:赫伯特·g·鲁芬二世和德韦恩·a·麦克
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.342
Marne L. Campbell
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引用次数: 0
Review: California at War: The State and the People During World War I, by Diane M.T. North 书评:《战争中的加利福尼亚:第一次世界大战期间的国家和人民》,黛安·M.T.诺斯著
Pub Date : 2019-08-01 DOI: 10.1525/SCQ.2019.101.3.344
M. Irwin
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引用次数: 0
The Historian’s Eye 历史学家的眼光
Pub Date : 2019-05-13 DOI: 10.1525/scq.2019.101.1.114
Matthew Frye Jacobson
Between 2009 and 2013, as the nation contemplated the historic election of Barack Obama and endured the effects of the Great Recession, Matthew Frye Jacobson set out with a camera to explore and document what was discernible to the "historian's eye" during this tumultuous period. Having collected several thousand images, Jacobson began to reflect on their raw, informal immediacy alongside the recognition that they comprised an archive of a moment with unquestionable historical significance. This book presents more than 100 images alongside Jacobson's recollections of their moments of creation and his understanding of how they link past, present, and future.The images reveal diverse expressions of civic engagement that are emblematic of the aspirations, expectations, promises, and failures of this period in American history. Myriad closed businesses and abandoned storefronts stand as public monuments to widespread distress; omnipresent, expectant Obama iconography articulates a wish for new national narratives; flamboyant street theater and wry signage bespeak a common impulse to talk back to power. Framed by an introductory essay, these images reflect the sober grace of a time that seems perilous, but in which “hope” has not ceased to hold meaning.
2009年至2013年间,当美国考虑巴拉克·奥巴马的历史性选举并承受大衰退的影响时,马修·弗莱·雅各布森(Matthew Frye Jacobson)带着相机出发,探索和记录在这段动荡时期“历史学家的眼睛”所能察觉到的东西。在收集了数千张图像后,雅各布森开始反思它们原始的、非正式的即时性,同时认识到它们构成了一个具有毋庸置疑历史意义的时刻的档案。这本书展示了100多幅图像,以及雅各布森对他们创作时刻的回忆,以及他对他们如何联系过去、现在和未来的理解。这些图像揭示了公民参与的不同表达,象征着美国历史上这一时期的愿望、期望、承诺和失败。无数关闭的企业和废弃的店面成为普遍苦难的公共纪念碑;无处不在、充满期待的奥巴马肖像表达了对新的国家叙事的渴望;华丽的街头剧场和扭曲的标志标志着一种回归权力的普遍冲动。在一篇介绍性文章的框架下,这些图像反映了一个看似危险的时代的冷静优雅,但在这个时代,“希望”并没有停止意义。
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引用次数: 0
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Southern California quarterly
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