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The Development of Digital Humanities in Poland as an Opportunity for New Research Perspectives 波兰数字人文的发展为新的研究视角提供了契机
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.02
Danuta Smołucha
Digital humanities is a new discipline, the emergence of which was determined by several important factors. One of them was the development of computer technologies and the possibilities offered by the automation of tasks performed by computers. The second was the progressive dataization of reality, that is, registering a large amount of information in a digital form. Also, cultural heritage has been digitalized to a great extent and can be processed by advanced algorithms. The development of digital humanities was also influenced by the very nature of contemporary culture, in which the perception of reality takes place mainly through the absorption of images. Digital humanities allows for the transmission of information in a visualized form, and its projects are of interactive and multimedia nature, which is in line with the prevailing cultural trends. The article discusses the processes which influenced the development of digital humanities in Poland over the last thirty years. An attempt is also made to answer the question of the position Poland currently holds in the international arena in the context of the dynamic development of this modern branch of the humanities in the world.
数字人文学科是一门新兴学科,它的出现是由几个重要因素决定的。其中之一是计算机技术的发展以及由计算机执行的任务自动化所提供的可能性。第二是现实的逐步数据化,即以数字形式登记大量信息。此外,文化遗产已经在很大程度上数字化,可以通过先进的算法进行处理。数字人文学科的发展也受到当代文化本质的影响,在当代文化中,对现实的感知主要是通过吸收图像来实现的。数字人文学科以可视化的形式传递信息,其项目具有互动性和多媒体性质,符合当前的文化趋势。本文讨论了过去三十年来影响波兰数字人文学科发展的过程。还试图在世界人文学科这一现代分支的蓬勃发展的背景下回答波兰目前在国际舞台上所持立场的问题。
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引用次数: 0
On Military Assistance to the Fighters of the Jewish Ghetto in Warsaw 关于向华沙犹太人聚居区战士提供军事援助
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.01
D. Libionka, Philip Earl Steele
This article describes and analyzes the coalescence and subsequent evolution of the accounts of military assistance provided to the Jewish fighters in the Warsaw Ghetto Uprising of April and May 1943. The author carefully illustrates the way these accounts, already during the war, were crafted to serve the contrasting political purposes of their differing narrators, and how the swiftly snowballing stories were thereby distorted above all by self-aggrandizement and, conversely, the belittling of ideological opponents. Indeed, in significant aspects the story-telling was outright hijacked by con men who fabricated whole episodes of coming to the ghetto's assistance. Thus, in weaving together the conflicting, often mythic accounts of Polish communists, former members of the Home Army and other underground organizations, and Jewish veterans of the Jewish Fighting Organization during the postwar decades, a narrative tapestry was created—only to begin to unravel in the 1980s, to become threadbare in the 1990s, and to disintegrate in the first decade of the twenty-first century owing to thorough-going archival research. What remains is the powerlessness of those in Nazi-occupied Warsaw to meaningfully aid one another—and thereafter to come to terms with that powerlessness. The paper concludes with an admonition regarding certain of today's penchants for state-led historical policy.
本文描述并分析了1943年4月至5月华沙犹太区起义中向犹太战士提供军事援助的叙述的合并和随后的演变。作者仔细地阐述了这些已经发生在战争期间的故事是如何被精心制作的,以服务于不同叙述者截然不同的政治目的,以及这些迅速滚雪球般的故事是如何被自我夸大和相反的贬低意识形态对手所扭曲的。事实上,在重要的方面,故事的讲述完全被骗子们所劫持,他们编造了整个来犹太人区援助的情节。因此,在战后几十年里,波兰共产党人、前家庭军成员和其他地下组织成员,以及犹太战斗组织的犹太老兵,这些相互矛盾的、往往是虚构的叙述交织在一起,形成了一幅叙事的挂毯——只是在20世纪80年代开始瓦解,在90年代变得陈旧,并在21世纪的第一个十年,由于彻底的档案研究而解体。剩下的是那些在纳粹占领下的华沙的人们的无能为力,他们无法有意义地互相帮助,此后也无法接受这种无能为力。文章最后对当今某些国家主导的历史政策的倾向提出了警告。
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引用次数: 0
Antoni Kątski: Lew estrady XIX wieku [Antoni Kątski: Lion of the nineteenth-century stage] 安东尼-卡茨基:安东尼-卡茨基:十九世纪舞台上的雄狮
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.12
Slawomir Dobrzanski
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引用次数: 0
One Star Away 一星之遥
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.14
Harriet Napierkowski
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引用次数: 0
The Teacher 教师
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.04
Jarosław Iwaszkiewicz, Jack J. B. Hutchens
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引用次数: 0
The Polish Bookstore Orbis in London and the End of an Era 伦敦的波兰书店 Orbis 和一个时代的终结
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.16
Katarzyna Zechenter
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引用次数: 0
Active Theatre and the Technology of the Self: Polish Caroling with Projekt Terenowy of “Wegajty” Theatre (1998–2001) 活跃的戏剧与自我技术:"Wegajty "剧院 Projekt Terenowy 的波兰颂歌表演(1998-2001 年)
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.13
Kris Salata
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引用次数: 0
The West Becoming “Westless” and the Polish Experience of Totalitarianism and Modernity 成为 "无西方 "的西方以及波兰的极权主义和现代性经验
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.06
Marek Cichocki
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引用次数: 0
Polish Cinema Today: A Bold New Era in Film 今日波兰电影大胆的电影新时代
Pub Date : 2023-12-01 DOI: 10.5406/23300841.68.4.11
Łukasz Siciński
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引用次数: 0
Renaissance Weddings and the Antique, Italian Domestic Paintings from the Lanckoroński Collection 文艺复兴时期的婚礼和古董,Lanckoroński收藏的意大利国内绘画
Pub Date : 2023-10-01 DOI: 10.5406/23300841.68.3.18
D. Batorska
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引用次数: 0
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The Polish review
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