Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.08
Amos Bitzan
{"title":"Ghost Citizens: Jewish Return to a Postwar City [Dom, którego nie było: powroty ocalałych do powojennego miasta]","authors":"Amos Bitzan","doi":"10.5406/23300841.68.1.08","DOIUrl":"https://doi.org/10.5406/23300841.68.1.08","url":null,"abstract":"","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45156138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.22
Other| April 01 2023 Contributors The Polish Review (2023) 68 (1): 150–152. https://doi.org/10.5406/23300841.68.1.22 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Contributors. The Polish Review 1 April 2023; 68 (1): 150–152. doi: https://doi.org/10.5406/23300841.68.1.22 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressThe Polish Review Search Advanced Search Marek Bernacki is an associate professor of Polish literature at the University of Bielsko-Biala. He is the author of Tropienie Miłosza: Hermeneutyczna “bio-grafia” Poety [Quest for Miłosz: A hermeneutical “bio-graphy” of the poet, 2019] and editor of Peryferie Miłosza: Nieznane konteksty, glosy, nowe rozpoznania [Miłosz's peripheries: Unknown contexts, glosses, new explorations, 2020].Sławomir Buryła is a professor of Polish literature at Warsaw University. He is the author of Opisać Zagładę: Holocaust w twórczości Henryka Grynberga [Describing the Shoah: The Holocaust in the works of Henryk Grynberg, 2006], Wokół Zagłady: Szkice o literaturze Holokaustu [Thinking about the Shoah: Essays on Holocaust literature, 2016], and Rozrachunki z wojną [Reckonings of the war, 2018]. His most recent publication is an anthology entitled Getto warszawskie w literaturze polskiej [The Warsaw ghetto in Polish literature, 2021].Marta Dudzik-Rudkowska holds M.A. degrees in Hebrew and English from Warsaw University and is currently a Ph.D. candidate at... Issue Section: Contributors You do not currently have access to this content.
其他| 2023年4月1日贡献者波兰评论(2023)68(1):150-152。https://doi.org/10.5406/23300841.68.1.22引用图标引用共享图标分享Facebook Twitter LinkedIn电子邮件权限搜索网站引文贡献者。波兰审查2023年4月1日;68(1): 150-152。doi: https://doi.org/10.5406/23300841.68.1.22下载引文文件:Zotero参考文献管理器EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex工具栏搜索搜索下拉菜单工具栏搜索搜索输入搜索输入自动建议过滤您的搜索所有学术出版集体伊利诺斯大学出版社波兰评论搜索高级搜索Marek Bernacki是别尔斯科-比亚拉大学波兰文学副教授。他是《Tropienie Miłosza: Hermeneutyczna“biografia”poetry》的作者[寻求Miłosz:诗人的解释学“传记”，2019年]和《Peryferie Miłosza: Nieznane konteksty, glosy, nowe rozpoznania》的编辑[Miłosz的外围:未知的语境，注释，新的探索，2020年]。Sławomir Buryła是华沙大学波兰文学教授。他的著作有:opisaske Zagładę: Holocaust w twórczości Henryka Grynberga[描述大屠杀:Henryk Grynberg作品中的大屠杀，2006年]，Wokół Zagłady: Szkice o literaturze Holokaustu[对大屠杀的思考:大屠杀文学论文集，2016年]，以及Rozrachunki z wojnje[对战争的反思，2018年]。他最近的出版物是一本名为《波兰文学中的华沙犹太区》的选集。Marta Dudzik-Rudkowska拥有华沙大学希伯来语和英语硕士学位，目前是华沙大学的博士候选人。问题部分:贡献者您目前没有访问此内容的权限。
{"title":"Contributors","authors":"","doi":"10.5406/23300841.68.1.22","DOIUrl":"https://doi.org/10.5406/23300841.68.1.22","url":null,"abstract":"Other| April 01 2023 Contributors The Polish Review (2023) 68 (1): 150–152. https://doi.org/10.5406/23300841.68.1.22 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Contributors. The Polish Review 1 April 2023; 68 (1): 150–152. doi: https://doi.org/10.5406/23300841.68.1.22 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressThe Polish Review Search Advanced Search Marek Bernacki is an associate professor of Polish literature at the University of Bielsko-Biala. He is the author of Tropienie Miłosza: Hermeneutyczna “bio-grafia” Poety [Quest for Miłosz: A hermeneutical “bio-graphy” of the poet, 2019] and editor of Peryferie Miłosza: Nieznane konteksty, glosy, nowe rozpoznania [Miłosz's peripheries: Unknown contexts, glosses, new explorations, 2020].Sławomir Buryła is a professor of Polish literature at Warsaw University. He is the author of Opisać Zagładę: Holocaust w twórczości Henryka Grynberga [Describing the Shoah: The Holocaust in the works of Henryk Grynberg, 2006], Wokół Zagłady: Szkice o literaturze Holokaustu [Thinking about the Shoah: Essays on Holocaust literature, 2016], and Rozrachunki z wojną [Reckonings of the war, 2018]. His most recent publication is an anthology entitled Getto warszawskie w literaturze polskiej [The Warsaw ghetto in Polish literature, 2021].Marta Dudzik-Rudkowska holds M.A. degrees in Hebrew and English from Warsaw University and is currently a Ph.D. candidate at... Issue Section: Contributors You do not currently have access to this content.","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136382797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.10
Piotr H. Kosicki
{"title":"The Polish Catholic Church under German Occupation: The Reichsgau Wartheland, 1939–1945","authors":"Piotr H. Kosicki","doi":"10.5406/23300841.68.1.10","DOIUrl":"https://doi.org/10.5406/23300841.68.1.10","url":null,"abstract":"","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45479337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.06
Halina Filipowicz
Controversy has come to be a predictable feature of Holocaust studies. It is hardly surprising, then, that a process of constructing a transnational canon of Holocaust drama, slowly unfolding in critical commentary since the premieres of Rolf Hochhuth's Der Stellvertreter [The deputy] and Peter Weiss's Die Ermittlung [The investigation] in the 1960s, has been fraught with accusations that this questionable project is as much about forgetting as about remembering. Some critics point out, for example, that it gives scant attention to plays written during World War II and in the first years of peace. Though such oversights may be innocent, they signal the hermeneutical difficulty of recognizing works that for various, often non-artistic reasons have been consigned to oblivion with barely a second glance. One consequence of the oversights is to render the history of Holocaust memory and representation partial, not to say misleading. In this article, I want to recover Czesław Miłosz's only play, Prolog [Prologue, 1942], from obscurity and to argue that this text, written in the bloodiest year of the Holocaust, circles around an unstated center, the Shoah, wrestling with questions that continue to resonate some eighty years later.
{"title":"When Poetry Is Not Enough","authors":"Halina Filipowicz","doi":"10.5406/23300841.68.1.06","DOIUrl":"https://doi.org/10.5406/23300841.68.1.06","url":null,"abstract":"\u0000 Controversy has come to be a predictable feature of Holocaust studies. It is hardly surprising, then, that a process of constructing a transnational canon of Holocaust drama, slowly unfolding in critical commentary since the premieres of Rolf Hochhuth's Der Stellvertreter [The deputy] and Peter Weiss's Die Ermittlung [The investigation] in the 1960s, has been fraught with accusations that this questionable project is as much about forgetting as about remembering. Some critics point out, for example, that it gives scant attention to plays written during World War II and in the first years of peace. Though such oversights may be innocent, they signal the hermeneutical difficulty of recognizing works that for various, often non-artistic reasons have been consigned to oblivion with barely a second glance. One consequence of the oversights is to render the history of Holocaust memory and representation partial, not to say misleading. In this article, I want to recover Czesław Miłosz's only play, Prolog [Prologue, 1942], from obscurity and to argue that this text, written in the bloodiest year of the Holocaust, circles around an unstated center, the Shoah, wrestling with questions that continue to resonate some eighty years later.","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44608804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.02
A. Jarczok
This article examines Rachel Auerbach's journal which was commissioned by Emanuel Ringelblum as part of his project to document the daily life of the Jewish people in the Warsaw Ghetto. Auerbach, who ran a communal soup kitchen in the ghetto, was one of few survivors of the Oyneg Shabes group. After World War II, she was committed to unearth the Ringelblum archive and continued his mission of bearing witness to the Shoah by publishing her memoirs and working for Yad Vashem. Because her work is relatively little known in the United States, this paper first presents the author, her literary career, and her journal. Next, it situates the journal within the broader context of existing research on Holocaust diaries. The final section focuses on the textual aspects of the journal in order to demonstrate that the way Auerbach constructs her narrative—by means of literary devices, intertextual references, intimate details from her private life, and incisiveness of both her style and observation—contributes to an extremely powerful portrait of the atrocities of World War II, in all their horror. I argue not only that her journal should be available in English, but also that it deserves a place in the “canon” of classic diaries from the Warsaw Ghetto, such as Chaim A. Kaplan's or Abraham Lewin's.
这篇文章研究了Rachel Auerbach的日记，这份日记是Emanuel Ringelblum委托撰写的，作为他记录华沙犹太人日常生活项目的一部分。奥尔巴赫在犹太人区经营一家公共施粥所，他是奥尼格·沙比斯组织为数不多的幸存者之一。第二次世界大战后，她致力于发掘林格尔布卢姆档案，并通过出版回忆录和为亚德瓦谢姆工作，继续他见证大屠杀的使命。由于她的作品在美国相对鲜为人知，本文首先介绍了作者，她的文学生涯和她的日记。接下来，它将该期刊置于现有大屠杀日记研究的更广泛背景下。最后一部分关注日记的文本方面，以证明奥尔巴赫构建叙事的方式——通过文学手段、互文参考、私人生活的亲密细节，以及她的风格和观察的敏锐——有助于对二战暴行的极其有力的描绘，在他们所有的恐怖中。我认为，她的日记不仅应该有英文版本，而且应该在华沙犹太区经典日记的“经典”中占有一席之地，比如查伊姆·a·卡普兰(Chaim a . Kaplan)或亚伯拉罕·卢因(Abraham Lewin)的日记。
{"title":"Rachel Auerbach's Literary Ghetto Journal","authors":"A. Jarczok","doi":"10.5406/23300841.68.1.02","DOIUrl":"https://doi.org/10.5406/23300841.68.1.02","url":null,"abstract":"\u0000 This article examines Rachel Auerbach's journal which was commissioned by Emanuel Ringelblum as part of his project to document the daily life of the Jewish people in the Warsaw Ghetto. Auerbach, who ran a communal soup kitchen in the ghetto, was one of few survivors of the Oyneg Shabes group. After World War II, she was committed to unearth the Ringelblum archive and continued his mission of bearing witness to the Shoah by publishing her memoirs and working for Yad Vashem. Because her work is relatively little known in the United States, this paper first presents the author, her literary career, and her journal. Next, it situates the journal within the broader context of existing research on Holocaust diaries. The final section focuses on the textual aspects of the journal in order to demonstrate that the way Auerbach constructs her narrative—by means of literary devices, intertextual references, intimate details from her private life, and incisiveness of both her style and observation—contributes to an extremely powerful portrait of the atrocities of World War II, in all their horror. I argue not only that her journal should be available in English, but also that it deserves a place in the “canon” of classic diaries from the Warsaw Ghetto, such as Chaim A. Kaplan's or Abraham Lewin's.","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44444264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-04-01DOI: 10.5406/23300841.68.1.04
S. Buryła, J. Giebułtowski
This article discusses depictions of the Warsaw ghetto in Polish poetry, prose fiction, and drama. Of all the ghettos established by the German authorities in the former Second Republic of Poland, the Warsaw ghetto is portrayed most frequently by writers. Here, representations of the Warsaw ghetto are presented in chronological order. The article covers portrayals of the Warsaw ghetto during the war, in the immediate postwar years, in the period between the 1950s and 1980s, and after the fall of communism in 1989. The article also discusses selected literary topoi related to the Warsaw ghetto. The biggest changes in the literary portrayal of the ghetto took place after 1989 and were related to the abolition of censorship, the influence of popular culture, and the emergence of writers born after the war, including representatives of the “third generation.”
{"title":"Representing the Warsaw Ghetto in Polish Literature","authors":"S. Buryła, J. Giebułtowski","doi":"10.5406/23300841.68.1.04","DOIUrl":"https://doi.org/10.5406/23300841.68.1.04","url":null,"abstract":"\u0000 This article discusses depictions of the Warsaw ghetto in Polish poetry, prose fiction, and drama. Of all the ghettos established by the German authorities in the former Second Republic of Poland, the Warsaw ghetto is portrayed most frequently by writers. Here, representations of the Warsaw ghetto are presented in chronological order. The article covers portrayals of the Warsaw ghetto during the war, in the immediate postwar years, in the period between the 1950s and 1980s, and after the fall of communism in 1989. The article also discusses selected literary topoi related to the Warsaw ghetto. The biggest changes in the literary portrayal of the ghetto took place after 1989 and were related to the abolition of censorship, the influence of popular culture, and the emergence of writers born after the war, including representatives of the “third generation.”","PeriodicalId":83231,"journal":{"name":"The Polish review","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43699012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：