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An open educational resource for doing netnography in the digital arts and humanities 一个开放的教育资源,用于在数字艺术和人文学科中做网络摄影
Pub Date : 2023-06-15 DOI: 10.3233/efi-230024
Fredrik Hanell, P. Severson
As a part of the DiMPAH-project, the authors have developed an open educational resource (OER) on netnography. In this paper, the OER is presented and critically discussed as the broader problem identified during course-development is made explicit and explored through two research questions: 1) How can an OER be designed that positions netnography as a viable methodology for the digital humanities? 2) How can an OER be designed that theoretically and methodologically combines both quantitative and qualitative approaches for doing netnography? An up-to-date theoretical overview of netnography as a methodology for studying social experiences online is provided. Methodological considerations are presented, aimed for sensitizing students to nuances of active (participatory) and passive (non-participatory) netnography through two analytical concepts. The OER is presented through three case studies and a learning scenario offering flexible and authentic technology-integrated learning. Netnography is found to contribute to the digital humanities, overall characterized by method-driven and quantitative approaches, with reflexivity and a potential for critical research and pedagogy. The two analytical concepts community-based netnography and consociality-based netnography allow for a nuanced methodological understanding of how and when qualitative and quantitative approaches should be employed, and how they may complement each other.
作为dimpah项目的一部分,作者开发了一个关于网络学的开放教育资源(OER)。在本文中,OER被提出并批判性地讨论,因为在课程开发过程中发现的更广泛的问题是明确的,并通过两个研究问题进行了探索:1)如何设计OER,使网络学成为数字人文学科的可行方法?2)如何设计OER,使其在理论和方法上结合定量和定性方法进行网络学研究?一个最新的理论概述网络作为研究社会经验的方法在线提供。提出了方法上的考虑,旨在通过两个分析概念使学生对主动(参与性)和被动(非参与性)网络学的细微差别敏感。OER通过三个案例研究和一个学习场景来呈现,提供灵活和真实的技术集成学习。网络学被认为对数字人文学科做出了贡献,总体上以方法驱动和定量方法为特征,具有反思性和批判性研究和教学法的潜力。基于社区的网络学和基于社会的网络学这两个分析概念允许对如何以及何时采用定性和定量方法以及它们如何相互补充进行细致入微的方法学理解。
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引用次数: 0
An OER on digital historical research on European historical newspapers with the NewsEye platform 基于neweye平台的欧洲历史报纸数字化历史研究OER
Pub Date : 2023-05-18 DOI: 10.3233/efi-230026
Cyrille Suire, Nicolas Sidère, Antoine Doucet
In this article, we introduce an Open Education Resource (OER) on digital historical research with historical newspapers,11The URL will be given with the camera-ready version of this paper. intended to give students the means to understand the induced risks in working with large collections of digitised documents, as well as the keys to benefit from the advances of natural language processing over large multilingual collections of European historical newspapers. This resource exploits results of the NewsEye Horizon 2020 research and innovation project. It is part of a set of 7 OERs developed and shared within the Erasmus+ project Digital Methods Platform for Arts and Humanities (DiMPAH).
在本文中,我们介绍了一个开放教育资源(OER),用于历史报纸的数字历史研究,11 URL将与本文的相机版本一起提供。旨在让学生了解处理大量数字化文档的风险,以及从自然语言处理的进步中受益的关键,而不是大型多语种的欧洲历史报纸。该资源利用了neweye Horizon 2020研究和创新项目的成果。它是在Erasmus+项目艺术与人文学科数字方法平台(DiMPAH)中开发和共享的一套7个OERs的一部分。
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引用次数: 0
E-spect@tor for performing arts 表演艺术E-spect@tor
Pub Date : 2023-04-20 DOI: 10.3233/efi-230042
Cécile Chantraine Braillon, Fatiha Idmhand
In the framework of DiMPAH (Digital Methods Platform for Arts and Humanities), an online course “e-spect@tor for performing arts” has been designed to make available digital methods created by the Digital Humanities project “The spectator’s school” to the scientific community and the students. The main aim of this course is to train learners to analyse performative works from video recordings. Those analysis are notably achieved with the use of the digital tool e-spect@tor developed by “The spectator’s school” to annotate live art videos with different features that allows to study performative aspects. While “Unit I” is focused on introducing the “Performing arts”, “Unit II” is dedicated to the analysis of case studies proposed to serve as models. The course can be used on e-learning and in a hybrid teaching format through a possible course structure and aims as described and tested with students. Furthermore, by using digital technology, this course can be at the forefront of new stories for Europe in terms of pedagogy as it trains to enable new media literacy and to analyse any activity that is staged such as political discourses, public meetings, or interviews.
在DiMPAH(艺术与人文数字方法平台)的框架下,设计了一门名为“e-spect@tor表演艺术”的在线课程,将数字人文项目“观众学校”创造的数字方法提供给科学界和学生。本课程的主要目的是训练学习者从录像中分析表演作品。这些分析主要是通过使用“观众学校”开发的数字工具e-spect@tor来实现的,该工具可以对具有不同特征的现场艺术视频进行注释,从而可以研究表演方面。“单元一”的重点是介绍“表演艺术”,“单元二”的重点是分析个案研究,以供示范。该课程可用于电子学习和混合教学形式,通过可能的课程结构和目标进行描述,并与学生进行测试。此外,通过使用数字技术,这门课程可以在教学法方面成为欧洲新故事的最前沿,因为它训练人们具备新媒体素养,并分析任何正在进行的活动,如政治演讲、公共会议或采访。
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引用次数: 0
Subject-based knowledge organisation: An OER for supporting (digital) humanities research 基于学科的知识组织:支持(数字)人文学科研究的OER
Pub Date : 2023-04-20 DOI: 10.3233/efi-230037
Koraljka Golub, Olívia Pestana
Humanities scholars can today engage in research inquiry using data from a range of varied collections which are often characterised by poor subject access, often resulting in systems that underperform and even effectively prevent access to data, information and knowledge. In spite of the availability of professional standards and guidelines to provide quality-controlled subject access through knowledge organisation systems (KOS), subject access in such collections is rarely based on KOS. At the same time, KOS themselves may come with problems such as being slow to update, being rigidly structured and not incorporating end-users’ vocabulary. It may therefore be useful to consider methods for remediating these deficiencies in KOSs, such as collecting user-generated metadata via social tagging or complementing automated indexing techniques with manual ones. To help address the above problems, the paper discusses these challenges and points to possible solutions in different contexts. It does so by reflecting on an open educational resource (OER) devoted to this theme, titled Introduction to Knowledge Organisation Systems for Digital Humanities. It was developed as part of an EU project called DiMPAH (Digital Methods Platform for the Arts and Humanities), 2021–2023, creating seven OERs for inclusion in DARIAH Teach.
人文学者今天可以使用来自一系列不同集合的数据进行研究调查,这些集合的特点往往是难以获得主题,这往往导致系统表现不佳,甚至有效地阻止了对数据、信息和知识的访问。尽管有专业标准和指导方针通过知识组织系统(KOS)提供质量控制的主题访问,但此类馆藏中的主题访问很少基于KOS。与此同时,KOS本身可能会出现一些问题,比如更新缓慢、结构僵化以及没有纳入最终用户的词汇表。因此,考虑一些方法来弥补KOSs中的这些缺陷可能是有用的,例如通过社会标记收集用户生成的元数据,或者用手动索引技术补充自动索引技术。为了帮助解决上述问题,本文讨论了这些挑战,并指出了在不同背景下可能的解决方案。它通过反思一个致力于这一主题的开放教育资源(OER)来做到这一点,该资源名为“数字人文学科知识组织系统介绍”。它是欧盟2021-2023年名为DiMPAH(艺术与人文数字方法平台)项目的一部分,为DARIAH Teach创建了7个OERs。
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引用次数: 0
An open educational resource to introduce data analysis in Python for the Humanities 一个开放的教育资源,为人文学科介绍Python中的数据分析
Pub Date : 2023-04-20 DOI: 10.3233/efi-230020
Tobias Blanke, Giovanni Colavizza, Zarah van Hout
The article presents an open educational resource (OER) to introduce humanities students to data analysis with Python. The article beings with positioning the OER within wider pedagogical debates in the digital humanities. The OER is built from our research encounters and committed to computational thinking rather than technicalities. Furthermore, we argue that students best learn with the ‘whole game’ methodology Learners need to be exposed to meaningful activities as soon and as far as possible. The article presents two examples that implement our approach. The first introduces Python as a data analysis language to students of the humanities. It is different because it concentrates on the principles of the computational thinking behind data analysis rather than programming details. The second example takes the students into the world of machine learning and the whole game of social and cultural research with it. Students learn useful skills such as web scraping but will also run their own machine learning algorithms to follow concrete research questions.
本文提供了一个开放教育资源(OER),向人文学科的学生介绍使用Python进行数据分析。文章将OER定位在数字人文学科更广泛的教学辩论中。OER是建立在我们的研究经验和致力于计算思维,而不是技术。此外,我们认为学生最好通过“整体游戏”方法来学习,学习者需要尽可能快地接触有意义的活动。本文提供了实现我们的方法的两个示例。第一部分向人文学科的学生介绍Python作为一种数据分析语言。它的不同之处在于,它专注于数据分析背后的计算思维原理,而不是编程细节。第二个例子将学生带入机器学习的世界,以及与之相关的社会和文化研究的整个游戏。学生将学习有用的技能,如网络抓取,但也将运行自己的机器学习算法来跟踪具体的研究问题。
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引用次数: 0
Learning text analytics without coding? An introduction to KNIME 不用编码就能学习文本分析?介绍KNIME
Pub Date : 2023-04-20 DOI: 10.3233/efi-230027
Daniel Ihrmark, J. Tyrkkö
The combination of the quantitative turn in linguistics and the emergence of text analytics has created a demand for new methodological skills among linguists and data scientists. This paper introduces KNIME as a low-code programming platform for linguists interested in learning text analytic methods, while highlighting the considerations necessary from a linguistics standpoint for data scientists. Examples from an Open Educational Resource created for the DiMPAH project are used to demonstrate KNIME’s value as a low-code option for text analysis, using sentiment analysis and topic modelling as examples. The paper provides detailed step-by-step descriptions of the workflows for both methods, showcasing how these methods can be applied without writing code. The results suggest that visual or low-code programming tools are useful as an introduction for linguists and humanities scholars who wish to gain an understanding of text analytic workflows and computational thinking. However, as with more traditional programming, caution must be exercised when using methods without fully understanding them. In conclusion, KNIME is a potential avenue for innovative research and teaching computational methods to humanities scholars.
语言学的定量转向和文本分析的出现相结合,在语言学家和数据科学家中创造了对新的方法论技能的需求。本文介绍了KNIME作为对学习文本分析方法感兴趣的语言学家的低代码编程平台,同时强调了从语言学角度对数据科学家的必要考虑。本文使用了为DiMPAH项目创建的开放教育资源中的示例,以情感分析和主题建模为例,演示了KNIME作为文本分析的低代码选项的价值。本文对这两种方法的工作流程提供了详细的一步一步的描述,展示了如何在不编写代码的情况下应用这些方法。结果表明,可视化或低代码编程工具对于希望了解文本分析工作流程和计算思维的语言学家和人文学者来说是有用的介绍。然而,与更传统的编程一样,在没有完全理解方法的情况下使用方法时必须谨慎。总之,KNIME是创新研究和向人文学者教授计算方法的潜在途径。
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引用次数: 0
Developing augmented reality applications to promote digital storytelling: The cases of Choirokoitia and Sandby Borg 开发增强现实应用以促进数字故事叙述:Choirokoitia和Sandby Borg的案例
Pub Date : 2023-04-20 DOI: 10.3233/efi-230030
Stella K. Hadjistassou, Shaunna Joannidou, Pedro Jesus Molina Muñoz, Petros Louca, Ludvig Papmehl-Dufay
Drawing on Kucher’s (2021) framework on digital game-based learning (DGBL), this paper introduces the development of game-based scenarios in two culturally distinctive and salient heritage sites in Cyprus and Sweden, the Neolithic village of Choirokoitia and the Iron Age Ringfort of Sandby Borg. The aim was to implement Kucher’s (2021) five proposed principles and digital storytelling as a framework for the development of game-based Augmented Reality (AR) scenarios to promote exploration, understanding, collaboration, and learning on culturally important sites and guide users in becoming acquainted with cultural artifacts that reflect on cultural values, practices, and norms of that era. Using a bottom-up approach in the design and development process, the two case studies were designed to promote interactive and immersive learning experiences entrenched in problem-solving activities, constructive evaluative feedback, and enact opportunities for flexibility in exploration. To achieve this goal, an introductory scene and three subsequent AR game-based scenarios were developed for Choirokoitia, and an introductory scene and three subsequent AR game-based scenarios for Sandby Borg.
借鉴Kucher(2021)关于数字游戏学习(DGBL)的框架,本文介绍了塞浦路斯和瑞典两个具有文化特色和突出的遗产遗址(新石器时代的Choirokoitia村庄和Sandby Borg的铁器时代Ringfort)中基于游戏的场景的发展。其目的是实施Kucher(2021)提出的五项原则和数字叙事作为开发基于游戏的增强现实(AR)场景的框架,以促进对文化重要地点的探索、理解、协作和学习,并指导用户熟悉反映那个时代文化价值观、实践和规范的文化文物。在设计和开发过程中采用自下而上的方法,这两个案例研究的目的是促进互动和沉浸式学习体验,巩固在解决问题的活动中,建设性的评估反馈,并制定探索灵活性的机会。为了实现这一目标,我们为《Choirokoitia》开发了一个介绍场景和三个随后的基于AR游戏的场景,为《Sandby Borg》开发了一个介绍场景和三个随后的基于AR游戏的场景。
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引用次数: 0
University libraries innovation capability: A framework from Indonesia 大学图书馆创新能力:来自印尼的框架
Pub Date : 2023-03-02 DOI: 10.3233/efi-220035
Johan Jang, Poltak Sinaga, Niko Sudibjo, R. Pramono
Highlights – Innovation capability (IC) research by university libraries is lacking but provides a clear view of the current body of knowledge. – The themes underpinning innovation capability were explored while a novel framework was developed. – The IC could be established when libraries reflect organisational relevancy (OR) and librarians’ confidence (LC) moderated by relationship-based leadership (RL). – The IC potentially facilitates innovation performance (IP). – The RL is a unique variable that must be examined in the wider context. Given the current dynamism of university libraries as knowledge hubs through innovations and adaptations, this qualitative study incorporated the practices of developing innovation capabilities (IC) in libraries, particularly for Indonesian state-owned higher education institutions using grounded theory. In expanding the current body of literature on IC, this research highlighted non-profit stances and proposed a framework for the present context. As the first empirical work to map IC processes from university libraries, this study presented an in-depth view of their progress and a novel variable, relationship-based leadership (RL), for further examination. Notably, potential research topics were formulated for future works.
亮点——大学图书馆的创新能力(IC)研究缺乏,但提供了当前知识体系的清晰视图。——探索支撑创新能力的主题,构建创新框架。-当图书馆反映组织相关性(OR)和馆员信心(LC)时,可以建立基于关系的领导(RL)。—集成电路有可能促进创新绩效。- RL是一个独特的变量,必须在更广泛的背景下进行检查。鉴于目前大学图书馆通过创新和适应作为知识中心的活力,本定性研究结合了图书馆发展创新能力(IC)的实践,特别是印度尼西亚国有高等教育机构使用扎根理论。在扩展当前的IC文献中,本研究强调了非营利立场,并为当前背景提出了一个框架。作为第一个绘制大学图书馆集成集成过程的实证研究,本研究对其进展进行了深入的研究,并提出了一个新的变量——基于关系的领导(RL),以供进一步研究。值得注意的是,为未来的工作制定了潜在的研究课题。
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引用次数: 1
Information behavior research in dialogue with neighboring fields 与邻域对话中的信息行为研究
Pub Date : 2022-12-29 DOI: 10.3233/efi-220073
Isto Huvila, Ying-Hsang Liu
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引用次数: 0
A new prohibition era: Book banning, prison abolition, and librarians 一个新的禁书时代:禁书、废除监狱和图书馆员
Pub Date : 2022-11-28 DOI: 10.3233/efi-220065
Stephanie Birc
Banned Books Week is a hallmark tradition among US-based librarians and the American Library Association. Yet, the ALA and librarians across the profession are excluding the most significant and egregious violations of intellectual freedom and access to literature and information in our so-called free society – the US prison system. In this essay, the author discusses the significance of carceral book banning and why libraries’ interest divergence from social and prison justice movements are counterproductive and uphold systems of racial injustice.
禁书周是美国图书馆员和美国图书馆协会的标志性传统。然而,美国图书馆协会和整个行业的图书馆员都在排除在我们所谓的自由社会中最严重和最严重的侵犯知识自由和获取文学和信息的行为——美国监狱系统。在这篇文章中,作者讨论了监狱禁书的意义,以及为什么图书馆与社会和监狱正义运动的利益分歧会适得其反,并支持种族不公正的制度。
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引用次数: 0
期刊
Environmental education and information
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