Art Therapy最新文献

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Minimizing Risk From Workplace Violence in Creative Arts Therapy 创造性艺术治疗中的工作场所暴力风险最小化

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-05-03 DOI: 10.1080/07421656.2023.2199110

Jane Kempf, S. Nelson, Christine Czuhajewski

引用次数: 1

Integrating a Sex-Positive Approach in Art Therapy 在艺术治疗中整合性积极的方法

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-24 DOI: 10.1080/07421656.2023.2193599

M. Kirby

引用次数: 0

Queer Worldmaking in Sex-Positive Art Therapy: Radical Strategies for Individual Healing and Social Transformation 性积极艺术治疗中的酷儿世界建构:个人疗愈与社会转型的激进策略

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-24 DOI: 10.1080/07421656.2023.2193660

Zachary D. Van Den Berg, Mike Anderson

引用次数: 1

Efficacy of a Single Session Mindfulness-based Art Therapy Doodle Intervention 单次以正念为基础的艺术疗法涂鸦干预的效果

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-18 DOI: 10.1080/07421656.2023.2192168

Patricia D. Isis, Rebecca Bokoch, G. Fowler, Noah Hass-Cohen

引用次数: 1

Creative Arts Therapists’ Engagement in Sexuality Dialogues With Clients: Pilot Study 创意艺术治疗师参与与来访者的性对话:初步研究

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-11 DOI: 10.1080/07421656.2023.2189886

引用次数: 0

Power-From-Within: Somatic Art Therapy With an LGBTQIA+ Teenager 来自内心的力量：对LGBTQIA+青少年的身体艺术治疗

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-03 DOI: 10.1080/07421656.2023.2186687

R. Hetherington, Luna

Abstract The integration of somatic approaches in art therapy can counter the trauma of microaggressions. By adopting a power-from-within stance, art therapists can facilitate sessions for clients to affirm their LGBTQIA+ identities while resisting the impact of discrimination. This article, co-written by an art therapist and client, provides lived experience examples of somatic art therapy: Somatic Experiencing® integrated with body tracing, and sensorimotor art therapy (the Clay Field®). The authors concur that somatically integrated art therapy has helped replace automized behavioral patterns based on fear with behavioral choices that emerged from a place of safety. Implications for therapeutic alliance and power dynamics within art therapy sessions are explored as tenets of body-based self-reflection.

摘要在艺术治疗中结合躯体方法可以对抗微侵犯的创伤。通过采取来自内部的力量立场，艺术治疗师可以为客户确认其LGBTQIA提供便利+ 身份认同，同时抵制歧视的影响。这篇文章由一位艺术治疗师和客户共同撰写，提供了躯体艺术治疗的生活体验示例：与身体追踪相结合的躯体体验®和感觉运动艺术治疗（Clay Field®）。作者们一致认为，身体综合艺术疗法有助于用从安全的地方出现的行为选择取代基于恐惧的自动化行为模式。艺术治疗课程中的治疗联盟和权力动态的含义被探索为基于身体的自我反思的原则。

引用次数: 1

Introduction to the Special Issue — Anti-Oppressive Art Therapy: Cultural Humility 特刊简介——反压迫艺术治疗：文化的谦逊

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-03 DOI: 10.1080/07421656.2023.2217073

Louvenia Jackson

引用次数: 0

Multicultural Orientation: Self-Portraiture to Promote Cultural Humility in Art Therapy 多元文化取向：艺术治疗中自我塑造促进文化谦逊

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-03 DOI: 10.1080/07421656.2023.2206356

Stella A. Stepney

Abstract The multicultural orientation framework centers on three pillars of cultural humility, cultural opportunities, and cultural comfort. Cultural humility is the foundational pillar that encompasses intrapersonal and interpersonal essence of which cultural self-awareness is a vital component. Cultural self-awareness involves an awareness of a therapist’s cultural and social identities, beliefs, assumptions, and behaviors. Addressing self-awareness through self-portraiture offers a reflective process for self-exploration.

摘要多元文化取向框架以文化谦逊、文化机遇和文化舒适三大支柱为中心。文化谦逊是包含个人和人际本质的基本支柱，文化自我意识是其中的重要组成部分。文化自我意识包括对治疗师的文化和社会身份、信仰、假设和行为的认识。通过自画像处理自我意识提供了一个自我探索的反思过程。

引用次数: 0

The Decision 这个决定

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-03 DOI: 10.1080/07421656.2023.2217069

Brittney Ferrette Washington

引用次数: 0

A Review of “Creative States of Mind: Psychoanalysis and the Artist’s Process” “创作心态：心理分析与艺术家的创作过程”述评

IF 1.3 Q3 PSYCHOLOGY, CLINICAL

Art Therapy

Pub Date : 2023-04-03 DOI: 10.1080/07421656.2023.2211903

Julia Volonts

Patricia Townsend explores the complexities of what it means to be an artist in her book Creative States of Mind: Psychoanalysis and the Artist’s Process by questioning the internal and external states of an artist and their approach to art-making as it relates to psychoanalytic theory. Drawing from the work of psychoanalysts such as, Donald Winnicott, Melanie Klein, and Christopher Bollas, Townsend provides insight into the stages of the creative process as it evolves from the artists unconscious into a finished artwork. Townsend’s background is in both art and psychoanalysis. Her art practice centers on moving image, photography, and installations. She obtained a PhD from the Slade School of Fine Art, University College London, where she completed much of her research on this topic. In the introduction, Townsend states that she is “interested not only in what artists do as they make a new work but also how they feel” (p. 2). Throughout the book, she argues that there are multiple stages to an artist’s creative process. She breaks down these stages chapter to chapter starting with the “pre-sense” or first unconscious connection an artist may have with a potential idea for an artwork, to its final release into the world for exhibition. Her investigation leads us into the internal and external influences of how an artist develops an idea. Beyond the “pre-sense” and development of an idea, later stages include the artists relationship to their medium, state of mind during creation, experiences of playfulness and also aggression, and how the space of their studio or canvas can act as a container for creative productivity. Her research methods into the artist’s process consist of a heuristic study on Townsend’s own experience as an artist, interviews with 33 artists she has direct access to, and an extensive literature review of psychoanalytic theory as it relates to the research subjects. For example, Townsend draws a connection between early childhood attachment, or the mother-infant relationship, and how an artist forms a relationship to their artwork. She discusses Winnicott’s concept of a transitional object and transitional phenomena as the transition an artist might have during the “pre-sense” stage, where their unconscious connection or spark of artistic inspiration becomes a potential idea that requires further investigation. In each chapter, Townsend provides detailed examples of artists experience along with theoretical text that bring into question the artist’s process, making it easily digestible for the reader. She encompasses the artist experience in what it means to be human as the artist yearns to connect with themselves and the outside world through visual expression. As an art therapist, I find there is a dual identity between the artist and therapist self within our field. Townsend infuses the two, allowing us as clinicians the space to question our own relationship to art-making and the therapeutic value it holds. It would be int

帕特里夏·汤森（Patricia Townsend）在她的《创造性心态：心理分析和艺术家的过程》（Creative States of Mind:Psychoanalysis and the artist’s Process）一书中，通过质疑艺术家的内部和外部状态，以及他们与精神分析理论相关的艺术创作方法，探讨了作为一名艺术家意味着什么的复杂性。汤森借鉴了唐纳德·温尼科特、梅兰妮·克莱因和克里斯托弗·博拉斯等精神分析学家的作品，深入了解了创作过程的各个阶段，从艺术家的无意识演变为最终的艺术品。汤森的背景是艺术和精神分析。她的艺术实践以运动图像、摄影和装置为中心。她获得了伦敦大学学院斯莱德美术学院的博士学位，在那里她完成了关于这个主题的大部分研究。汤森在引言中表示，她“不仅对艺术家在创作新作品时做什么感兴趣，还对他们的感受感兴趣”（第2页）。在整本书中，她认为艺术家的创作过程有多个阶段。她将这些阶段一章接一章地分解，从艺术家可能与艺术品的潜在想法之间的“预先感觉”或第一次无意识的联系开始，直到作品最终发布到世界上进行展览。她的调查使我们了解了艺术家如何发展一种想法的内部和外部影响。除了“前感觉”和想法的发展之外，后期阶段还包括艺术家与媒介的关系、创作过程中的心态、嬉戏和攻击的体验，以及他们工作室或画布的空间如何成为创造性生产力的容器。她对艺术家过程的研究方法包括对汤森自己作为艺术家的经历进行启发式研究，采访她可以直接接触到的33位艺术家，以及对与研究主题相关的精神分析理论进行广泛的文献综述。例如，汤森将幼儿依恋或母婴关系与艺术家如何与他们的艺术作品形成关系联系起来。她讨论了温尼科特关于过渡对象和过渡现象的概念，这些过渡对象和现象是艺术家在“前感觉”阶段可能发生的过渡，在这个阶段，它们之间的无意识联系或艺术灵感的火花成为了一个需要进一步研究的潜在想法。在每一章中，汤森都提供了艺术家经历的详细例子，以及对艺术家过程提出质疑的理论文本，使读者易于理解。当艺术家渴望通过视觉表达与自己和外部世界建立联系时，她将艺术家的体验包含在人的意义中。作为一名艺术治疗师，我发现在我们的领域里，艺术家和治疗师之间存在着双重身份。汤森将两者融合在一起，让我们作为临床医生有空间质疑我们自己与艺术创作的关系及其所具有的治疗价值。如果能更多地了解汤森作为一名精神分析师的职业身份，那将是一件有趣的事情，因为这与她的艺术实践有关。我很想知道这是否比这本书中的艺术家同行更能影响她的创作过程。尽管她直接讲述了自己的艺术过程，但我发现她突出了从艺术家的角度进行创作的行为，而没有充分考虑她的精神分析背景。总的来说，我会向任何有创造力的、专业的艺术家或治疗师推荐这本书，他们有兴趣了解作为一名艺术家的精神分析理论以及艺术品是如何实现的。

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