148 not just to enable one to (re)see and (re)hear the affective qualities of the material but actually to reflect directly upon them, to critique affect by means of affect.” Chiara Grizzaffi’s review highlights the essay’s “formal use of repetition,” which “serves both to draw and outline the connection between the two stars and to evoke the fetishistic pleasure of rewatching and replaying a favorite performance.” The use of affect and repetition was the result of working with the original source material rather than based on a planned strategy. The peer-review process has made this explicit, as well as assuring me that the essay—in all its meta-cheesy-ness—is not a very inferior piece of camp after all. ✽
{"title":"Star Studies in Transition: Notes on Experimental Videographic Approaches to Film Performance","authors":"Catherine A. Grant","doi":"10.1353/CJ.2017.0047","DOIUrl":"https://doi.org/10.1353/CJ.2017.0047","url":null,"abstract":"148 not just to enable one to (re)see and (re)hear the affective qualities of the material but actually to reflect directly upon them, to critique affect by means of affect.” Chiara Grizzaffi’s review highlights the essay’s “formal use of repetition,” which “serves both to draw and outline the connection between the two stars and to evoke the fetishistic pleasure of rewatching and replaying a favorite performance.” The use of affect and repetition was the result of working with the original source material rather than based on a planned strategy. The peer-review process has made this explicit, as well as assuring me that the essay—in all its meta-cheesy-ness—is not a very inferior piece of camp after all. ✽","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"34 1","pages":"148 - 158"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87999655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract: This article posits a connection between questions of materiality, embodiment, and gender at the center of the love affair between a man and his computer operating system in Her (Spike Jonze, 2013) and the relationship between the technologies of traditional filmmaking and those of digital film production. As the film’s lovers attempt to strategically deny and forestall the collapse of the traditional gendered subjecthood on which their relationship rests, so too does the film engage with the possibility of a future wherein digital film departs from the ontologies of its celluloid predecessor toward the creation of new, uncertain forms.
{"title":"From Posthuman to Postcinema: Crises of Subjecthood and Representation in Her","authors":"D. Kornhaber","doi":"10.1353/CJ.2017.0038","DOIUrl":"https://doi.org/10.1353/CJ.2017.0038","url":null,"abstract":"Abstract: This article posits a connection between questions of materiality, embodiment, and gender at the center of the love affair between a man and his computer operating system in Her (Spike Jonze, 2013) and the relationship between the technologies of traditional filmmaking and those of digital film production. As the film’s lovers attempt to strategically deny and forestall the collapse of the traditional gendered subjecthood on which their relationship rests, so too does the film engage with the possibility of a future wherein digital film departs from the ontologies of its celluloid predecessor toward the creation of new, uncertain forms.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"2 1","pages":"25 - 3"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87483269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Corey K. Creekmur, Melanie E. S. Kohnen, J. Mcintosh, Lori Morimoto, Katherine E. Morrissey, S. Scott, L. Stein
{"title":"Roundtable: Remix and Videographic Criticism","authors":"Corey K. Creekmur, Melanie E. S. Kohnen, J. Mcintosh, Lori Morimoto, Katherine E. Morrissey, S. Scott, L. Stein","doi":"10.1353/CJ.2017.0044","DOIUrl":"https://doi.org/10.1353/CJ.2017.0044","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"16 1","pages":"159 - 184"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75881802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Of course, from childhood to forever, we are always thought to love reading. It is not only reading the lesson book but also reading everything good is the choice of getting new inspirations. Religion, sciences, politics, social, literature, and fictions will enrich you for not only one aspect. Having more aspects to know and understand will lead you become someone more precious. Yea, becoming precious can be situated with the presentation of how your knowledge much.
{"title":"Don’t Call It a Comeback","authors":"W. Brooker","doi":"10.1353/CJ.2017.0037","DOIUrl":"https://doi.org/10.1353/CJ.2017.0037","url":null,"abstract":"Of course, from childhood to forever, we are always thought to love reading. It is not only reading the lesson book but also reading everything good is the choice of getting new inspirations. Religion, sciences, politics, social, literature, and fictions will enrich you for not only one aspect. Having more aspects to know and understand will lead you become someone more precious. Yea, becoming precious can be situated with the presentation of how your knowledge much.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"69 11","pages":"1 - 2"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/CJ.2017.0037","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72375625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.
如果您认为某些材料的数字出版侵犯了您的任何权利或(隐私)利益，请告知图书馆，说明您的理由。如有合法的投诉，图书馆将使资料无法访问和/或从网站上删除。请咨询图书馆:https://uba.uva.nl/en/contact，或致函:阿姆斯特丹大学图书馆，秘书处，Singel 425, 1012 WP Amsterdam, the Netherlands。我们会尽快与您联系。
{"title":"Imperfect Creative Criticism","authors":"P. Pisters","doi":"10.1353/cj.2017.0051","DOIUrl":"https://doi.org/10.1353/cj.2017.0051","url":null,"abstract":"Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"186 1","pages":"145 - 146"},"PeriodicalIF":0.0,"publicationDate":"2017-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76963750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract: In this article we investigate the astonishing variety of emotions that a brief scene in a film melodrama can evoke. We thus take issue with the reductive view of melodrama that limits this genre’s emotional effects to sadness, pity, and tear-jerking potential. Through a close analysis of a melodramatic standard situation—a “news of death” scene—in Alejandro González Iñárritu’s 21 Grams (2003), we reveal the emotional dynamics and the high density as well as rich variety of affective phenomena likely to be experienced during the trajectory of this two-minute scene.
{"title":"Beyond Sadness: The Multi-Emotional Trajectory of Melodrama","authors":"Julian Hanich, Winfried Menninghaus, Steve Wilder","doi":"10.1353/CJ.2017.0041","DOIUrl":"https://doi.org/10.1353/CJ.2017.0041","url":null,"abstract":"Abstract: In this article we investigate the astonishing variety of emotions that a brief scene in a film melodrama can evoke. We thus take issue with the reductive view of melodrama that limits this genre’s emotional effects to sadness, pity, and tear-jerking potential. Through a close analysis of a melodramatic standard situation—a “news of death” scene—in Alejandro González Iñárritu’s 21 Grams (2003), we reveal the emotional dynamics and the high density as well as rich variety of affective phenomena likely to be experienced during the trajectory of this two-minute scene.","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"29 1","pages":"101 - 76"},"PeriodicalIF":0.0,"publicationDate":"2017-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81291569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Critics and Makers","authors":"Maria A. Vélez-Serna","doi":"10.1353/cj.2017.0052","DOIUrl":"https://doi.org/10.1353/cj.2017.0052","url":null,"abstract":"","PeriodicalId":92490,"journal":{"name":"Cinema journal","volume":"3 1","pages":"143 - 144"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82745730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：