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Art, Science, and the Politics of Knowledge 艺术、科学和知识的政治
Pub Date : 2023-03-29 DOI: 10.1162/leon_r_02388
Jacob Thompson-Bell
war, Italy had turned rapidly into a highly capitalist country, but one with a strong leftist sensibility (hence the quite exceptional stance of the country in the Cold War era) and an important Communist Party—a very “glocalised” one, however, that is, a party that did not blindly follow Moscow’s orders. At the same time, the Italian PC had to make so many compromises that it was soon no longer capable to channel the countercultural and new revolutionary tendencies that emerged in the 60s and further developed in the 70s. Caplan analyzes the position as well as the transformations of Arte Programmata considering this political context, including the way in which the art and technology debate was framed in its relationships to other fields (industry, design, daily life, politics). The book offers, for instance, outstanding new readings of Umberto Eco’s work on the “open work,” the debates on information and cybernetics, and the rapid growth of computer art. This double focus—the internal reflection of freedom versus control in the works and writings themselves, but also in the reactions of the audience and the larger debates that followed; the external comparison with the ideas on freedom versus control in the already very globalized art and science environment—fosters a good understanding of the life and afterlife of Arte Programmata, with for instance a very relevant interpretation of why the group shifted from art to design around 1970 and how this apparent retreat from the art world was the logical prerequisite of a stronger involvement with the political and ideological ambitions of Arte Programmata. Caplan’s book is thus a very welcome contribution to the history of a lesser-known avant-garde and the reflection on the importance of these historical debates for our current thinking on vital notions, such as for instance the “system” as a form of agency and empowerment or as a form of domination. On the one hand, it fills an important historical gap, given that Arte Programmata is quite different from the countercultural 60s as we tend to imagine it, while also underlining the problems of a uniformly structured history that easily tends to become purely global, that is Americanized. On the other hand, it insists on the impossibility of separating art and society—more precisely, art and politics—including politics in the very practical sense of the term, having to do with concrete interventions in the public and individual sphere.
二战结束后,意大利迅速转变为一个高度资本主义的国家,但同时也是一个具有强烈左派敏感性的国家(因此,这个国家在冷战时期的立场相当特殊)和一个重要的共产党——一个非常“全球化”的党,然而,也就是说,一个不盲目听从莫斯科命令的党。与此同时,意大利共产党不得不做出如此多的妥协,以至于它很快就不再有能力引导反文化和新革命的趋势,这些趋势在60年代出现,并在70年代进一步发展。Caplan分析了Arte Programmata在这种政治背景下的地位和转变,包括艺术和技术辩论在其与其他领域(工业、设计、日常生活、政治)的关系中形成的方式。例如,这本书对翁贝托·艾柯(Umberto Eco)关于“开放工作”的著作、关于信息和控制论的辩论以及计算机艺术的快速发展提供了出色的新解读。这种双重关注——作品和作品本身对自由与控制的内在反思,以及观众的反应和随后的更大的辩论;在已经非常全球化的艺术和科学环境中,与自由与控制思想的外部比较促进了对Arte Programmata的生活和来世的良好理解,例如,对1970年左右该团体为什么从艺术转向设计的非常相关的解释,以及这种从艺术界的明显撤退是如何成为Arte Programmata更强烈地参与政治和意识形态野心的逻辑前提。因此,卡普兰的书对一个鲜为人知的先锋派的历史做出了非常受欢迎的贡献,并反思了这些历史辩论对我们当前对重要概念的思考的重要性,例如“系统”作为一种代理和授权的形式或一种统治的形式。一方面,它填补了一个重要的历史空白,因为纲领艺术与我们想象的60年代的反文化有很大的不同,同时也强调了统一结构的历史的问题,这种历史很容易变得纯粹全球化,也就是美国化。另一方面,它坚持不可能将艺术和社会分开——更准确地说,艺术和政治——包括政治在这个术语的非常实际的意义上,必须与公共和个人领域的具体干预有关。
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引用次数: 0
Cartography of Touch: Transformation of touch through anatomical projections 触觉制图:通过解剖投影的触觉转换
Pub Date : 2023-03-29 DOI: 10.1162/leon_a_02403
Hana Pokojna
The idea of how people connect changes with evolving technology and circumstances under which we interact. Both of these have drastically changed with the onset of the global pandemic. The perception of how people interact and perceive closeness is different from what was pre-pandemic and what is now, during the decline of the pandemic threat. The art installation Cartography of Touch aims to point out the need for human touch and uses digital and physical media of 3D printing and projection mapping of human physiology. It depicts response to touch to simulate the joining of technological age and the need for essential human interaction through physical touch, which cannot be replaced. The physical touch is shown through the plastic human hands with artificial responses.
人们如何将变化与不断发展的技术和我们互动的环境联系起来。随着全球大流行病的爆发,这两者都发生了巨大变化。人们如何互动和感知亲密关系的看法与大流行前和现在大流行威胁减弱期间的情况不同。艺术装置《触摸的制图》旨在指出人类触摸的必要性,并使用3D打印和人体生理学投影映射的数字和物理媒介。它描绘了对触摸的反应,以模拟技术时代的结合和通过身体触摸进行基本的人类互动的需要,这是无法取代的。物理接触是通过带有人工反应的塑料人手来展示的。
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引用次数: 0
Introduction to Special Section: Disremembering the Harrisons 特别部分导言:忘记哈里森一家
Pub Date : 2023-03-29 DOI: 10.1162/leon_a_02378
Janeil Engelstad
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引用次数: 0
Leonardo@Djerassi 2022: Gallery
Pub Date : 2023-03-29 DOI: 10.1162/leon_a_02375
Krista DeNio, B. House, Haein Kang, Mark Mayer, Lisa Rosenberg, Jenifer Wightman
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引用次数: 0
Tending to the Life Web 趋向于生命网
Pub Date : 2023-03-26 DOI: 10.1162/leon_a_02383
D. McConville, D. Danby
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引用次数: 0
Endless Intervals: Cinema, Psychology, and Semiotechnics Around 1900 无尽的间隔:电影、心理学和半技术
Pub Date : 2023-03-26 DOI: 10.1162/leon_r_02392
Michael Punt
but whose bodies can be butchered as meat. Animal suffering, even on small farms, has become a commodity to be sold. The result is revenue at the expense of painfully ending individual life. Their point is that philosophical theories (e.g. utilitarianism as an aspect of consequentialism) distract us from the reality of the emotional, social, and intellectual lives of the animals we eat. For a consequentialist, value is based on the best outcome. For a utilitarian, value is placed on function or pleasure over pain. There’s human worth and then animal worth, an inequality that is proportioned unfairly. Results matter for the utilitarian, not the individual; that’s moral irrelevancy. Behavioral intelligence related to environs, predators, prey, etc. is shown at the beginning of Chapter 4 on minds and octopi. This gets to the authors’ thesis: normative considerations and meaning are not, as in academia, separated from reality. Animals are not lab subjects or philosophical abstractions; they and their world, the earth we share, are in crisis, with extinction along with habitat loss. These are moral concerns, since many animals have consciousness, affective states, minds that experience physical suffering and emotional deprivation. The authors discuss animal empathy, especially in rats (Chapter 5), and ask, How do we consider the “moral significance” (p. 82) of rats? Like many people, rats are forced into constrained, crowded human places that make us label them pests. To resolve this dilemma, especially for animal advocates, would be to gravitate away from human-constructed hierarchies and point to the inherent dignity of animals. Rats, for example, as shown from experiments in the late 1950s, have demonstrated sympathy for conspecifics in trouble and should not be categorically shunned as vermin. Likewise, the authors relate, animals are ridiculed in circuses or treated as food for humans. It’s not hard to see the ethical crisis here: many social structures across countries similarly demean and demoralize people. Building away from Kant’s emphasis on human reason, the authors explain through contemporary philosophers like Martha Nussbaum and Judith Butler that animals possess capabilities to live well. Humans are not supreme creatures but live in a community of species, all of whom are “vulnerable” (p. 89) to the present danger of climate crisis. Crary and Gruen confirm that the equation of capitalism includes disdain for and oppression of animals as well as people, especially women, marginalized persons, and those of color. The authors see problems in the emphasis on humanity as separate from animals. While a broader discussion could be made about illegal poaching and trading of animals, hastening their extinction, the authors focus on parrots in Chapter 6. Animals should not be considered commodities to be bought and sold. Colorful birds in faraway places of the Amazon fetch sizeable sums of cash, opening an irresistible temptation for poor people.
但他们的尸体可以当肉宰了。动物的痛苦,即使是在小农场,也已经成为一种可供出售的商品。结果是以痛苦地结束个人生命为代价的收入。他们的观点是,哲学理论(例如功利主义作为结果主义的一个方面)使我们忽视了我们所吃动物的情感、社会和智力生活的现实。对于结果主义者来说,价值是基于最好的结果。对于功利主义者来说,价值在于功能或快乐而不是痛苦。有人类的价值,也有动物的价值,这种不平等的比例是不公平的。结果对功利主义者来说很重要,而不是对个人;这是与道德无关的。与环境、捕食者、猎物等相关的行为智能在第四章心灵和章鱼的开头展示。这就引出了作者的论点:规范性的考虑和意义并不像学术界那样与现实分离。动物不是实验对象,也不是抽象的哲学概念;它们和它们的世界,以及我们共同拥有的地球,正处于危机之中,物种灭绝,栖息地丧失。这些都是道德问题,因为许多动物都有意识,情感状态,经历身体痛苦和情感剥夺的思想。作者讨论了动物的同理心,尤其是老鼠(第5章),并问道,我们如何考虑老鼠的“道德意义”(第82页)?像许多人一样,老鼠被迫进入受限、拥挤的人类场所,这让我们给它们贴上了害虫的标签。要解决这一困境,特别是对动物倡导者来说,将是远离人类构建的等级制度,并指出动物固有的尊严。例如,从20世纪50年代末的实验中可以看出,老鼠对遇到麻烦的同种动物表现出同情,不应该把它们当作害虫而断然避开。同样,作者提到,动物在马戏团被嘲笑或被当作人类的食物。从这里不难看出道德危机:各国的许多社会结构都同样贬低和败坏人们的道德。在康德强调人类理性的基础上,作者通过玛莎·努斯鲍姆(Martha Nussbaum)和朱迪思·巴特勒(Judith Butler)等当代哲学家的观点解释说,动物拥有良好生活的能力。人类不是至高无上的生物,而是生活在一个物种群落中,面对当前气候危机的危险,所有物种都是“脆弱的”(第89页)。Crary和Gruen证实,资本主义的等式包括对动物和人的蔑视和压迫,特别是对妇女、边缘人群和有色人种。两位作者认为,强调人类与动物是分开的存在问题。虽然可以对非法偷猎和动物交易进行更广泛的讨论,加速它们的灭绝,但作者在第6章集中讨论了鹦鹉。动物不应被视为买卖的商品。在亚马逊遥远的地方,五颜六色的鸟可以卖到大笔的钱,这对穷人来说是不可抗拒的诱惑。在书的最后一章,克拉里和格伦提到了人类对抗昆虫的化学战争。问题是杀虫剂杀死了传粉者,然后是吃有毒昆虫的鸟类。作者似乎在说,人与动物的互动是由大企业操纵的政治所控制的。动物危机的核心不是关注个人行为、动物福利或权利,而是继续压迫动物和人类的“政治结构”(第127页)。伤害动物的政策必须受到挑战。在联邦和州农业部门的支持下,食品企业对动物毫不关心,而是利用动物牟利,将“自由放养”或“草饲”等不诚实的标签强加给不加思考和不知情的消费者。该书对生态女权主义进行了简明而深入的讨论。生态女权主义是一个社会问题,在这个问题上,女性和环境都被视为劳动力或利润的资源,受到控制和操纵。她们说,生态女权主义者利用理性和情感,帮助我们意识到“价值的敏感辨别”(134页),它涉及任何有机体和被政治资本主义结构边缘化的群体之间的联系。蜱虫可以在没有食物的情况下存活多年,在暂停的时间里等待。然而,人类是短视的,活在当下,永远在消费。人类对地球的破坏不会到来,它就在这里。这种困境就是为什么需要一种关注“动物”危机的新批判理论,与那些贬低、败坏和毁灭人、动物和环境的现有企业、资本主义和政治制度作斗争。作者建议,需要以叙事和视觉艺术的形式进行道德革命和社会抵抗,以创造物种间的公地,正如他们提到的一些生态女权主义者的庇护所所看到的那样,以对抗“破坏生命的结构”(第144页)。
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引用次数: 0
Tipping the Scales: The Harrisons and the Force Majeure 颠覆天平:哈里森和不可抗力
Pub Date : 2023-03-26 DOI: 10.1162/leon_a_02385
E. Shanken
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引用次数: 9
The Passing of Newton Harrison 牛顿·哈里森的逝世
Pub Date : 2023-03-26 DOI: 10.1162/leon_a_02380
Barbara L. Benish
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引用次数: 0
Newton Harrison and the Trial by Fire 牛顿·哈里森和火的审判
Pub Date : 2023-03-26 DOI: 10.1162/leon_a_02381
L. Bon
{"title":"Newton Harrison and the Trial by Fire","authors":"L. Bon","doi":"10.1162/leon_a_02381","DOIUrl":"https://doi.org/10.1162/leon_a_02381","url":null,"abstract":"","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"5 1","pages":"303-303"},"PeriodicalIF":0.0,"publicationDate":"2023-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76369864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Helen and Newton Harrison: Visionary EcoArtists 海伦和牛顿·哈里森:有远见的生态艺术家
Pub Date : 2023-03-26 DOI: 10.1162/leon_a_02386
Ruth Wallen
{"title":"Helen and Newton Harrison: Visionary EcoArtists","authors":"Ruth Wallen","doi":"10.1162/leon_a_02386","DOIUrl":"https://doi.org/10.1162/leon_a_02386","url":null,"abstract":"","PeriodicalId":93330,"journal":{"name":"Leonardo (Oxford, England)","volume":"25 1","pages":"312-313"},"PeriodicalIF":0.0,"publicationDate":"2023-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87684270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
Leonardo (Oxford, England)
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