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Comic Con Africa (2022). Cosplaying Identities 非洲动漫展(2022年)。动漫真人秀的身份
Pub Date : 2022-06-01 DOI: 10.1016/j.techum.2022.11.002
Keyan G. Tomaselli

The four-day Comic Con Africa festival was billed as the ultimate pop culture and gaming experience where conventioneers can immerse themselves in the worlds of their superheroes and comic artists. Visitors participated in a variety of physical, augmented, and virtual interactive experiences. This essay relates the author's immersed experience of day four, when he was monitoring a particular stand in the context of the whole exhibition at the Rand Show Grounds, Johannesburg, South Africa. The research method was participant observation, involving brief informal discussions with some exhibitors and conducting an impressionistic tour of the whole exhibition area. A description of some of the exhibitor guidelines frames the author's observations of the conduct of conventioneers when examining one particular comic. Drawing on post-phenomenology, some thoughts are offered on how new media technologies shape browser behavior and media reception. The exhibitor's interactions with conventioneers visiting his particular booth reveals some pointers on delegate interactions with technologies of representation.

为期四天的非洲动漫展被宣传为终极流行文化和游戏体验,与会者可以沉浸在他们的超级英雄和漫画艺术家的世界里。参观者参与了各种物理的、增强的和虚拟的互动体验。这篇文章讲述了作者沉浸在第四天的经历,当时他在南非约翰内斯堡的兰德展览场地监视整个展览背景下的一个特定展台。研究方法为参与式观察,与部分参展商进行了简短的非正式讨论,并对整个展区进行了印象式参观。一些参展商的指导方针的描述框架的作者的行为的惯例,当检查一个特定的漫画。从后现象学的角度出发,对新媒体技术如何塑造浏览器行为和媒体接受提出了一些思考。参展商与参观其特定展位的与会者的互动揭示了代表与代表技术互动的一些指示。
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引用次数: 0
2020 Report on the development of Chinese Internet literature 2020年中国网络文学发展报告
Pub Date : 2022-06-01 DOI: 10.1016/j.techum.2022.100004
Jinghong Xiao , Dingjia Chen , Qiao Tang , Luo Suo , Xingjie Zhou , Wenjing Wang , Wei Zheng , Man Zhou

The Research Group of the “Internet Literature Development Report” (the Report), with members including experts and scholars from the Literary Study Institute of the Chinese Academy of Social Sciences, has looked into the development of Internet literature from an academic research perspective and kept ongoing attention on the topic. The Report seeks to highlight the national emphasis on making China a culturally strong nation, strengthen the national position of promoting mainstream cultures, broaden the international perspective of Internet literature as it develops, and enhance the world-oriented vision of Chinese Internet literature. Led by national policies, the Report focuses on the current development situation of the Internet literature industry, analyzes its development problems, and predicts industry development trends. The Report studies and evaluates the 2020 achievements in Internet literature in a factual and thorough manner. It aims to provide information for Internet literature creators, readers, operators, administrators, and overseas Internet literature stakeholders, so that they can draw inspiration for creation, reference, or better management.

《网络文学发展报告》(以下简称《报告》)课题组由中国社会科学院文学研究所的专家学者组成,从学术研究的角度审视了网络文学的发展,并持续关注这一话题。《报告》旨在突出建设文化强国的国家重点,加强推动主流文化的国家地位,拓宽网络文学发展的国际视野,增强中国网络文学面向世界的视野。《报告》在国家政策的引领下,聚焦网络文学行业发展现状,分析其发展问题,预测行业发展趋势。《报告》实事求是、深入研究和评价了2020年网络文学的成就。旨在为网络文学创作者、读者、运营者、管理者以及海外网络文学利益相关者提供信息,为他们的创作、参考或更好的管理提供灵感。
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引用次数: 2
The Faustian Machine and the Chrome Lotus: On the diversity of perspectives on the metaphysics of artificial intelligence with a particular focus on the contributions of traditional non-Western thought 浮士德机器和铬莲花:关于人工智能形而上学的不同观点,特别关注传统非西方思想的贡献
Pub Date : 2021-12-01 DOI: 10.1016/j.techum.2021.100001
Dr. Johan Eddebo

This article intends to provide an outline of the diversity of philosophical perspecives pertaining to artificial subjectivity, with special regard to non-Western approaches and their potential to contribute to the discussion. The premise is that the popular-scientific as well as academic debate on artificial subjectivity is somewhat narrow, with a bias towards reductionist and functionalist approaches. This prevents the inclusion of the plethora of perspectives inherent in the Western philosophical tradition, while also blocking potentially fruitful input from non-Western traditions. The outsider role of the latter perspectives in relation to the narratives of modern technological society has the clear potential to supplant them where they become myopic, and this overview provides several examples of possibly fruitful contributions. Of particular importance is their evident sensitivity to the political and cultural implications of technology, as well as a set of unique methodologies and approaches suited to uncovering and addressing problems pertaining to the interactions between technology, individuals and society.

本文旨在概述与人为主体性有关的哲学观点的多样性,特别关注非西方方法及其对讨论的贡献潜力。前提是,关于人为主体性的科普和学术辩论有些狭隘,倾向于还原主义和功能主义的方法。这阻止了西方哲学传统中固有的过多观点的纳入,同时也阻止了来自非西方传统的潜在的富有成效的输入。后一种观点的局外人角色与现代技术社会的叙述有关,在它们变得短视的地方,有明显的潜力取代它们,本综述提供了几个可能富有成效的贡献的例子。特别重要的是他们对技术的政治和文化影响的明显敏感性,以及一套适合于揭示和处理与技术、个人和社会之间相互作用有关的问题的独特方法和方法。
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引用次数: 3
New media: Ancient signs of literacy, modern signs of tracking 新媒体:古代的识字标志,现代的追踪标志
Pub Date : 2021-12-01 DOI: 10.1016/j.techum.2021.100002
Keyan G Tomaselli, Damien R Tomaselli

This essay briefly discusses the development of new media, starting with its origins in the ancient science of tracking by hunter-gatherers; then jumping forward to the electrical and electronic ages when new technologies were developed from computers that had the effect of immersing viewers within interactive mediated and electronically tracked environments. Amongst the early scholars briefly discussed are Arthur C Clarke, Marshall McLuhan, Gene Youngblood, and Teilhard de Chardin, some of whom drew philosophical inspiration from China. Our essay threads the conceptual trajectories enunciated by these visionaries through the analogue to the digital age. The often forgotten early history of the new media is briefly recovered in a period when new software and technologies are appearing by the hour. The metaphor that will be applied is the idea of ‘tracking-as-reading’, tracking-as-leaving footprints, and tracking-the-future.

本文简要讨论了新媒体的发展,从它在古代狩猎采集者追踪科学中的起源说起;然后跳跃到电气和电子时代,新技术从计算机发展而来,这些技术可以使观众沉浸在互动媒介和电子跟踪的环境中。简要讨论的早期学者包括Arthur C . Clarke、Marshall McLuhan、Gene Youngblood和Teilhard de Chardin,他们中的一些人从中国获得了哲学灵感。我们的文章通过对数字时代的模拟来梳理这些有远见的人所阐述的概念轨迹。新媒体的早期历史常常被人遗忘,但在新软件和新技术不断涌现的时代,这段历史得以短暂重现。将被应用的比喻是“追踪即阅读”、“追踪即留下足迹”和“追踪未来”的想法。
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引用次数: 5
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New Techno-Humanities
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