Pub Date : 2024-09-10DOI: 10.1080/17409292.2024.2384792
Dominique Viart
In Désert physique (1987) by Alain Nadaud, an archaeologist discovers traces of the first human library while war (Iran vs Iraq, never named) threatens to erase them forever. In Dernière oasis (202...
在阿兰-纳尔多（Alain Nadaud）创作的 Désert physique（1987 年）中，一位考古学家发现了人类第一座图书馆的痕迹，而战争（伊朗与伊拉克，从未点名）却有可能永远抹去这些痕迹。在 Dernière oasis（202...
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342680
Charles Forsdick
The article explores the emergence of Francophone Caribbean studies in Great Britain and Ireland. It focuses on the first generation of scholars—Richard D.E. Burton, Bridget Jones, Roger Little and...
{"title":"“Every Discipline […] is a Lineage of Begetting”: The Generation(s) of Francophone Caribbean Studies in the UK and Ireland","authors":"Charles Forsdick","doi":"10.1080/17409292.2024.2342680","DOIUrl":"https://doi.org/10.1080/17409292.2024.2342680","url":null,"abstract":"The article explores the emergence of Francophone Caribbean studies in Great Britain and Ireland. It focuses on the first generation of scholars—Richard D.E. Burton, Bridget Jones, Roger Little and...","PeriodicalId":10546,"journal":{"name":"Contemporary French and Francophone Studies","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141518429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342658
Kate Hodgson
This article examines revolutionary episodes, particularly the events of January 1946 in Haiti, which stage the exclusion/inclusion of women’s bodies in post-revolutionary politics. These were tens...
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342657
Lorna Milne
This article examines Gisèle Pineau’s Fleur de Barbarie (2007), Fabienne Kanor’s Je ne suis pas un homme qui pleure (2016) and Gaël Octavia’s La Bonne Histoire de Madeleine Démétrius (2020). Striki...
本文探讨了 Gisèle Pineau 的《Fleur de Barbarie》（2007 年）、Fabienne Kanor 的《Je ne suis pas un homme qui pleure》（2016 年）和 Gaël Octavia 的《La Bonne Histoire de Madeleine Démétrius》（2020 年）。令人震惊的是
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342661
Margaret Cunningham
This article interrogates the preoccupation with transgenerational endurance and duration apparent in béké representations of “natural” disaster. It begins with a brief overview of the earliest lit...
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342681
Martin Munro
This article engages with the legacy of a generation of scholars working at the University of the West Indies (UWI), principally at Mona, Jamaica, in the late 1960s. Drawing on interviews with some...
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342663
Patrick Crowley
In his work, Fanon generously cites Césaire’s poetry. His citation from Césaire’s tragedy Et les chiens se taisaient in Peau noir masques blancs, and later in Les Damnés de la terre, in support of ...
在作品中，法农慷慨地引用了塞泽尔的诗歌。他在 Peau noir masques blancs 和后来的 Les Damnés de la terre 中引用塞泽尔的悲剧 Et les chiens se taisaient 来支持......
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342670
Hugues Azérad
Glissant’s novel Malemort triggered in Chamoiseau a lasting fascination for this style of writing that was both negative and almost impenetrable in its language and narration, but paradoxically lib...
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Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342653
Roger Celestin, Margaret Cunningham, Laura Kennedy, Maeve McCusker, Martin Munro
Published in Contemporary French and Francophone Studies (Vol. 28, No. 3, 2024)
发表于《当代法语和法语国家研究》（第 28 卷第 3 期，2024 年）
{"title":"Editors’ Introduction","authors":"Roger Celestin, Margaret Cunningham, Laura Kennedy, Maeve McCusker, Martin Munro","doi":"10.1080/17409292.2024.2342653","DOIUrl":"https://doi.org/10.1080/17409292.2024.2342653","url":null,"abstract":"Published in Contemporary French and Francophone Studies (Vol. 28, No. 3, 2024)","PeriodicalId":10546,"journal":{"name":"Contemporary French and Francophone Studies","volume":"81 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141612468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-06-26DOI: 10.1080/17409292.2024.2342655
Maeve McCusker
This essay reads Maryse Condé’s 1999 récit d’enfance, Le Cœur à rire et à pleurer, as a “generational text”; a text that is both about the unresolved and ambivalent feelings aroused by writing abou...
本文将玛丽斯-孔戴（Maryse Condé）1999 年创作的童年叙事诗《Le Cœur à rire et à pleurer》视为 "代际文本"；该文本既涉及因书写关于童年的故事而引发的悬而未决的矛盾情感，也涉及因书写关于童年的故事而引发的......
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