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Beyond the Neo-Liberal University: The R.O.S.I. Website Project and the Liberation of our General Intellect 超越新自由主义大学:R.O.S.I.网站计划与我们一般智力的解放
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-06-04 DOI: 10.14288/CE.V9I9.186367
J. Lazarus
The struggle to liberate our common powers of creation - our ‘general intellect’ – transcends the university. This struggle requires the development of ‘hybrid’ (combined online and offline) pedagogical technologies that empower us to democratise or re-common the ownership, means, and the objectives of knowledge production. In this paper, I describe the R.O.S.I. Website Project (Reviving Our Sociological Imaginations) – an experimental pedagogical project run at the University of Warwick in 2016 in which ten undergraduate students were invited to co-design a website that could help its users to cultivate their sociological imaginations – that essential ability to situate our personal problems within their social and historical contexts. This experience leads me to consider the politics of possibility within and beyond the neoliberal university today. Whilst everyday micro-practices of collective freedom can undermine neoliberalism within, our emancipatory objectives may demand macro-practices – the establishment of alternative commons-based institutions beyond the neoliberal university.
解放我们共同的创造能力——我们的“一般智力”——的斗争超越了大学。这场斗争需要发展“混合”(结合线上和线下)教学技术,使我们能够使知识生产的所有权、手段和目标民主化或重新共同化。在本文中,我描述了R.O.S.I.网站项目(重振我们的社会学想象力)——这是2016年在华威大学开展的一个实验性教学项目,其中10名本科生被邀请共同设计一个网站,可以帮助其用户培养他们的社会学想象力——这种基本能力将我们的个人问题置于他们的社会和历史背景中。这段经历让我思考今天新自由主义大学内外的可能性政治。虽然集体自由的日常微观实践可能会破坏内部的新自由主义,但我们的解放目标可能需要宏观实践——在新自由主义大学之外建立另一种基于共同基础的机构。
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引用次数: 1
Allies, Accomplices, or Troublemakers: Black Families and Scholar Activists Working for Social Justice in a Race-Conscious Parent Engagement Program 盟友,帮凶,还是麻烦制造者:黑人家庭和学者积极分子在一个有种族意识的家长参与项目中为社会正义而努力
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-05-01 DOI: 10.14288/CE.V9I8.186343
Denise G. Yull, M. Wilson
Using the complementary theoretical lenses of critical liberatory (Freirean) pedagogy, critical race theory and blackcrit theory in education, this paper critically examines the experiences of researchers and Black parent activists engaged in grassroots activism directed at challenging the adultification of Black children and their subjugation to disproportionate and punitive disciplining. We look at the barriers Black parents and a multiracial team of researchers have faced when encountering an ideology of anti-blackness as they tried to push the school district away from the zero tolerance disciplinary practices which primarily targeted Black students in Rivertown.
本文运用批判性解放(Freirean)教学法、批判性种族理论和教育中的黑批判理论的互补理论视角,批判性地考察了从事基层活动的研究人员和黑人家长活动家的经验,这些活动旨在挑战黑人儿童的成人化以及他们对不成比例和惩罚性纪律的服从。我们来看看黑人家长和一个多种族研究团队在遇到反黑人意识形态时所面临的障碍,他们试图推动学区摆脱零容忍的纪律做法,这种纪律做法主要针对河镇的黑人学生。
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引用次数: 1
Mirrored Repressions: Students and Inmates in a Colonial Landscape 镜像压抑:殖民景观中的学生和囚犯
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-17 DOI: 10.14288/CE.V9I7.186120
Marisol Ruiz, Dulcinea Lara, D. Greene
In this essay we use Althusser as our theoretical framework in order to show how schools are no longer ideological state apparatus (ISA) but repressive state apparatus (RSA). In order to show this we give a brief historical timeline.  Then we aesthetically compare aesthetic photographs of schools and prisons to show how schools have become RSAs .  In addition we compare school rules and prison rules to show how schools have become RSAs..  We conclude that schools were constructed for children and youth to be part of the colonial project.  Hence schools are doing exactly what they were intended to do.
在本文中,我们使用阿尔都塞作为我们的理论框架,以表明学校如何不再是意识形态国家机器(ISA),而是镇压国家机器(RSA)。为了说明这一点,我们给出了一个简短的历史时间表。然后,我们从美学上比较了学校和监狱的美学照片,以显示学校是如何成为rsa的。此外,我们还比较了学校的规章制度和监狱的规章制度,以说明学校是如何成为安全机构的。我们的结论是,为儿童和青年建造学校是殖民项目的一部分。因此,学校所做的正是它们应该做的。
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引用次数: 0
Language and borders revisited: Colonizing language and deporting voice in Spanish class 重新审视语言和边界:西班牙语课堂上的殖民语言和驱逐声音
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-04-01 DOI: 10.14288/CE.V9I6.186252
Adam Schwartz
Spanish language education in the U.S. historically accommodates students who identify with English monolingualism and unmarked Whiteness as a normative cultural order. This distinctive practice relies on the imagination and maintenance of borders, including those realized as international geo-political divisions and discourse within Spanish classrooms themselves (Author, 2014). The present discussion of language ideologies centers student inquiry and discomfort (Boler, 1999) in a basic-level university Spanish classroom; my students’ own narratives and coursework are featured as examples. (In)visible borders are projected onto bodies and voices imagined to speak Spanish (Urciuoli, 1995), symbolically marking those racially, nationally, and/or ethnically different from White learners. An exercise in “critical photography” encouraged students to locate and disrupt these oppressive discourses in and outside our classroom. I share successes and failures with the ways in which our learning community—as well as other students with whom I’ve worked—reconciled “what counted” as socially-responsive language study.
从历史上看,美国的西班牙语教育将那些认同英语单一语言和不明显的白人身份的学生作为一种规范的文化秩序。这种独特的实践依赖于边界的想象和维护,包括那些在西班牙课堂上实现的国际地缘政治分裂和话语(作者,2014)。目前语言意识形态的讨论集中在学生的探究和不适(Boler, 1999)在基础水平的大学西班牙语课堂;我的学生自己的叙述和课程作业作为例子。可见的边界被投射到想象说西班牙语的身体和声音上(Urciuoli, 1995),象征性地标记那些在种族、民族和/或种族上与白人学习者不同的人。“批判性摄影”的练习鼓励学生在课堂内外找到并破坏这些压迫性的话语。我与我们的学习社区以及其他与我一起工作的学生分享成功和失败的方法,这些方法调和了“什么是”社会反应性语言学习。
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引用次数: 0
Hollywood Films as Social Studies Curriculum: Advancing a Critical Media Literacy Approach to Analyzing Black Male Representation 好莱坞电影作为社会研究课程:推进批判性媒体素养方法来分析黑人男性代表性
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-03-01 DOI: 10.14288/CE.V9I4.186194
Charise Pimentel, C. Busey
Critical media literacy approaches to teaching are a pedagogical imperative in twenty-first century education. It is increasingly important educators rethink what constitutes media and extend this conceptualization to Hollywood film as directors and producers also communicate sociopolitical messages.  This article explores the intersection of critical media literacy, Hollywood film, and Black males through the lens of Black cultural projection.  We use prior research to argue Black males are portrayed as endangered in school curriculum, namely social studies, and this portrayal parallels what students encounter when watching Hollywood films.  The significance of this multimodal distortion of Black males is crucial to consider as films are increasingly used in social studies classrooms.  We offer a critical analysis of the Hollywood film The Blind Side as an example of Black cultural projection; then conclude with a call for critical media literacy to be applied towards the use of film in social studies classrooms.
批判媒体素养的教学方法是21世纪教育教学的当务之急。教育工作者重新思考是什么构成了媒体,并将这一概念扩展到好莱坞电影中,因为导演和制片人也在传达社会政治信息,这一点越来越重要。本文通过黑人文化投射的视角探讨了批判性媒体素养、好莱坞电影和黑人男性之间的交集。我们使用先前的研究来证明黑人男性在学校课程中被描绘成濒危物种,即社会研究,这种描绘与学生在观看好莱坞电影时遇到的情况相似。随着电影越来越多地用于社会研究课堂,这种对黑人男性的多模态扭曲的意义是至关重要的。我们对好莱坞电影《弱点》作为黑人文化投射的一个例子进行了批判性分析;最后,呼吁将批判性媒体素养应用于社会研究课堂中的电影教学。
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引用次数: 11
The Art of Liberating Humanity 解放人性的艺术
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-02-01 DOI: 10.14288/CE.V10I3.186302
Brandyn Heppard
The Art of Liberating Humanity is an essay that gestures at abolitionist prison reform. Situating itself against liberal and neo-liberal calls for greater access to any and all forms of education in prisons, particularly the prevailing trends that encourage STEM and/or business fields, or reductionist arguments for vocational training, as well as against radical abolitionist arguments that prison reforms only serve to “pad the cage,” this essay advocates in favor of a liberal arts and humanities rich curriculum for incarcerated students, particularly because of their ability to activate the radical imagination. Drawing heavily on Herbert Marcuse’s essay, On Liberation , and inspired by tradition of radical pedagogy- and the likes of Freire and hooks- this essay undertakes the prison classroom as a space of resistance with radical potential.
《解放人性的艺术》是一篇以废除主义监狱改革为姿态的文章。它反对自由主义和新自由主义呼吁在监狱中更多地获得任何形式的教育,特别是鼓励STEM和/或商业领域的流行趋势,或简化论者对职业培训的论点,以及反对激进的废奴主义者认为监狱改革只会“填充笼子”的论点,这篇文章提倡为被监禁的学生开设丰富的文科和人文学科课程,特别是因为他们有能力激活激进的想象力。这篇文章大量借鉴了赫伯特·马尔库塞的文章《论解放》,并受到激进教学法传统的启发——以及弗莱雷和胡克斯等人的启发——将监狱教室作为一个具有激进潜力的抵抗空间。
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引用次数: 0
Memory and Meaning in the Representations of The American War in Vietnam 美国越战再现中的记忆与意义
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-01-31 DOI: 10.14288/CE.V9I2.186414
F. Shor
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引用次数: 0
Giftedness: A sociological critique from a rural perspective 天赋:农村视角下的社会学批判
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2018-01-15 DOI: 10.14288/CE.V9I1.186273
M. Corbett, Nathan P. Corbett
This article interrogates the idea of giftedness taking a rural/spatial perspective drawing on the work of Pierre Bourdieu. We argue that Bourdieu's framing of gifts as social phenomena illustrates problems with the way that psychologically-grounded assessments of intellectual ability are constructed and promoted. We draw on narrative analysis to illustrate how attention to place-located social gifts can serve as a more robust and fertile foundation for framing giftedness as a social phenomenon. This framing, we argue, suggests the importance of inclusive school communities in which different forms of activity and conceptions of knowledge can recognize the located nature of gifts. We suggest, rather than exclusive programming for those students who are assessed as intellectually gifted, that schooling should support, celebrate and share the multiple gifts students bring to school.
本文以皮埃尔·布迪厄(Pierre Bourdieu)的作品为基础,从乡村/空间的角度来探讨天赋的概念。我们认为,布迪厄将礼物作为社会现象的框架,说明了构建和促进基于心理的智力评估方式的问题。我们利用叙事分析来说明,对地点社会天赋的关注如何成为将天赋作为一种社会现象构建的更强大、更肥沃的基础。我们认为,这一框架表明了包容性学校社区的重要性,在这种社区中,不同形式的活动和知识概念可以认识到礼物的定位性质。我们建议,学校应该支持、庆祝和分享学生带到学校的多种天赋,而不是为那些被评估为智力天才的学生提供独家节目。
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引用次数: 9
Three Ontologies of STEM Education: An Apolitical Curricular Trend, Eurocentric Economic Policy, and Discursive Episteme STEM教育的三个本体论:非政治课程趋势、以欧洲为中心的经济政策和话语认知
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2017-11-01 DOI: 10.14288/CE.V8I15.186337
M. Wolfmeyer, J. Lupinacci, Nataly Z. Chesky
In our efforts to foster space for critical work in STEM (Science, Technology, Engineering, and Mathematics) Education, we put Barad’s notion of agential realism to work in describing the ontological space of STEM. We suggest three intersecting dimensions to this ontology: STEM as apolitical curricular trend, STEM as Eurocentric economic policy, and STEM as discursive episteme. With the goal of interrupting and proposing alternatives, we conclude by pointing to existing spaces where critical work in mathematics and science education already occurs.
在我们努力为STEM(科学、技术、工程和数学)教育的关键工作培养空间的过程中,我们将巴拉德的代理现实主义概念应用于描述STEM的本体论空间。我们提出了这个本体论的三个交叉维度:作为非政治课程趋势的STEM,作为以欧洲为中心的经济政策的STEM,以及作为话语知识的STEM。为了打断和提出替代方案,我们指出了数学和科学教育中已经发生的关键工作的现有空间。
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引用次数: 10
Bridging Theory and Practice in the Urban Science Classroom: A Framework for Hip-Hop Pedagogy in STEM 在城市科学课堂中架起理论与实践的桥梁:STEM中嘻哈教学法的框架
IF 1 Q3 EDUCATION & EDUCATIONAL RESEARCH Pub Date : 2017-11-01 DOI: 10.14288/CE.V8I15.186248
Edmund Adjapong
This paper explores the state of urban science education as it relates to achievement and engagement of urban youth in STEM and provides insight on improving the experiences of urban youth in the science classroom through the lens of an urban science educator. It provides a framework for Hip-Hop Pedagogy in STEM as an innovative approach to teaching and learning, which anchors the culture, realities and lived experiences of urban youth in pedagogy. Finally, this paper provides educators with practical tools and approaches, which were formed from theory and research that transcend the traditional monolithic approach to teaching science and allows educators to learn and incorporate the culture of urban youth within their pedagogy.
本文探讨了城市科学教育的现状,因为它与城市青年在STEM中的成就和参与有关,并通过城市科学教育者的视角提供了改善城市青年在科学课堂上的体验的见解。它为STEM领域的嘻哈教学法提供了一个框架,作为一种创新的教与学方法,将城市青年的文化、现实和生活经验锚定在教学法中。最后,本文为教育工作者提供了实用的工具和方法,这些工具和方法是由理论和研究形成的,超越了传统的单一科学教学方法,使教育工作者能够学习并将城市青年的文化纳入他们的教学方法中。
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引用次数: 10
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Critical Education
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